part 2

That the articles praising the Italians at the expense of the Germans were the products of more than the mere¹ impression of Schr?der-Devrient's singing and acting—that they came from the depths of a real change in his intellectual and emotional nature—is shown by the length of time he remained at the same standpoint.

The text of Das Liebesverbot was written in a mood of fiery² youthful protest against what he held to be the cramping³ puritanism of the moralists. He deliberately⁴ transforms Shakespeare's Measure for Measure. "Young Europe and Ardinghello, helped by the strange antipathy⁵ I had conceived towards classical operatic music, gave me the keynote for my conception, which was especially directed against puritanical⁶ hypocrisy⁷, and consequently led to the bold glorification⁸ of unfettered sensualism (freien Sinnlichkeit). I took care to understand the serious Shakespearean subject only in this sense; I saw only the gloomy strait-laced viceroy, himself burning with love for the beautiful novice¹⁰, who, while she implores¹¹ him to pardon her brother condemned¹² to death for illicit¹³ love, kindles¹⁴ a ruinous fire in the rigid¹⁵ Puritan's breast by the lovely warmth of her own human emotion. The fact that these powerful motives¹⁶ are so richly developed by Shakespeare only in order that in the end they may be all the more seriously weighed in the scales of justice, did not concern me in the least; all I had in mind was to expose the sinfulness of hypocrisy and the unnaturalness¹⁷ of harsh moral judgments¹⁸."[298] He adds that he was probably influenced by Auber's Masaniello and the Sicilian Vespers.

The composition of Das Liebesverbot carries us from 1834 to the spring of 1836, and still the Southern fever has not abated¹⁹. In 1837 he carries the same enthusiasm about with him in K?nigsberg and Riga; we can imagine that the more serious side of him had some difficulty in developing in such an environment as a fourth-rate operatic and theatrical²⁰ troupe²¹. While in Magdeburg he writes a short article on "Dramatic Song," in which he returns to the thesis of three years before, though with more wisdom. "Why," he asks, "cannot we Germans see that we are not the possessors of everything; why cannot we openly and freely admit that the Italian is superior to the German in Song, and the Frenchman superior to him in the light and animated²² treatment of operatic music? Can he not oppose to these his deeper science, his more thorough culture, and above all the happy faculty²³ that makes it possible for him easily to make the advantages of the Italians and the French his own, whereas they will never be able to acquire ours? The Italians are singers by nature. The less richly-endowed German can hope to emulate²⁴ the Italian only by hard study." Wagner rightly points out that no artist can hope to achieve full expression of himself without a technique that has become second nature to him. It was the acquirement by Mozart of this technique in his childhood that gave his mature music its incomparable ease and finish, while there was always a certain awkwardness about Weber, owing to his having begun late and learned his technique during the years when he was actually practising his art. Without perfect vocal²⁵ technique, the highest kind of dramatic expression is impossible. The great Schr?der-Devrient, the finest operatic artist in Germany, was at one time within an ace⁹ of giving up her career as a singer, so great was the strain on her voice through a faulty production; but she studied hard on the right Italian lines, with the result that she can now sing the most trying parts without the slightest fatigue²⁶.[299] All this is sensible enough—so sensible, indeed, that Wagner could repeat it thirty years later in his "Report upon a proposed German School of Music for Munich." But that the nimble and relatively²⁷ superficial Italian music still exercised something of its old fascination²⁸ upon him is shown by another article of the same year on Bellini. Here, while admitting that a good deal of Italian music is poor stuff, and that the forms and tricks of the Bellinian opera are things only too easy to imitate, he yet lauds²⁹ Bellini's melody at the expense of that of the Germans, and his simplicity³⁰ at the expense of their clumsy erudition. "The German connoisseur³¹ of music," he says, "listens to one of Bellini's operas with the spectacles off his tired-out eyes," giving himself wholly up for once to "delight in lovely Song";[300] he evidently feels "a deep and ardent³² longing³³ for a full deep breath, to win ease of being at one stroke, to get rid of all the stew³⁴ of prejudice and pedantry³⁵ that has so long compelled him to be a German connoisseur of music—to become instead a man at last, glad, free, and endowed with every glorious organ for perceiving beauty of every kind, no matter in what form it reveals itself." He has been enchanted³⁶ by "the limpid³⁷ melody, the simple, noble, lovely Song of Bellini. It is surely no sin to confess this and to believe in it; perhaps even it would not be a sin if before we went to sleep we were to pray Heaven that some day German composers might achieve such melodies and such an art of handling song. Song, Song, and yet again Song, ye Germans!"

We see again his temporary lack of sympathy with the richer German style in a passage like the following, which reads like one of the less intelligent criticisms of his own later music:

"When we consider the boundless³⁸ disorder³⁹, the medley⁴⁰ of forms, periods and modulations of so many of the new German opera composers, by which we are prevented from enjoying many an isolated⁴¹ piece of beauty, we often might wish to see this ravelled skein put in order by means of that stable Italian form.[301] As a matter of fact, the instantaneous clear apprehension⁴² of a whole dramatic passion is made much easier when, along with all its connected feelings and emotions, it is cast into one lucid⁴³ intelligent melody at a single stroke, than when it is muddled⁴⁴ up with a hundred little commentaries, with this and that harmonic nuance⁴⁵, this and that instrumental interpolation, till in the end it is subtilised out of existence."[302]

It was his "zeal⁴⁶ and fervour for modern Italian and French opera," in fact, that procured⁴⁷ for him the conductorship at Riga, where the Director, Holtei, was all for the lighter⁴⁸ and more frivolous⁴⁹ music.[303] At Riga Wagner met his old Leipzig mentor⁵⁰, Heinrich Dorn, who was, he says, surprised to see his former pupil, "the eccentric Beethoven worshipper, transformed into a partisan⁵¹ of Bellini and Adam."[304] The reaction, however, was coming fast. At Riga he seems to have passed through one of those spiritual crises that are not uncommon⁵² with artists of his many-sided temperament⁵³. The loneliness of Riga, he says, gave him an anxious feeling of homelessness, which developed into a passionate⁵⁴ longing to escape from the turbid⁵⁵ whirl of theatrical life. "The levity⁵⁶ with which in Magdeburg I had both let my musical taste degenerate⁵⁷ and had allowed myself to take pleasure in the most frivolous theatrical society, gradually faded away under the influence of this longing."[305] A bass⁵⁸ aria⁵⁹ which he interpolated into Winter's Schweizerfamilie was "of a devotional character," and "bore witness to the great transformation⁶⁰ that was taking place in my musical development."[306] In the winter of 1838 he derived⁶¹ much benefit from the study of Méhul's Joseph in Egypt for the theatre. "Its noble and simple style, along with the moving effect of the music, contributed not a little to the favourable⁶² turn in my taste, which had been sadly debauched by my theatrical work."[307] At the same time he grew weary of the Bohemianism that had attracted him so strongly at Magdeburg, and consequently he got more and more out of touch with the actors and the management.

His weariness of it all culminated⁶³ in a secret resolve to be quit of this kind of life as soon as possible. The deliverance was to be effected by his new opera, Rienzi.[308] He deliberately planned the opera on a scale so large that he would necessarily have to seek a better stage than that of Riga for its production. Everything conspired⁶⁴ at the time to deepen his sense of the seriousness of things, and to make him loathe⁶⁵ himself for having so long worshipped false gods both in art and in life. Matrimonial troubles crowded thick and fast upon him, and he lost his favourite sister, Rosalie, by death. In March 1839 he was dismissed from his post at the Riga theatre. Penniless as he was, he welcomed the discharge as the first step towards his redemption. To Paris he would go, and in Paris make his fortune: of that he had no doubt.

1 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

2 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

3 cramping   

图像压缩

参考例句：

• The bleeding may keep my left hand from cramping. 淌血会叫我的左手不抽筋。
• This loss of sodium can cause dehydration and cramping. 钠流失会造成脱水和抽筋。

4 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

5 antipathy   

n.憎恶；反感，引起反感的人或事物

参考例句：

• I feel an antipathy against their behaviour.我对他们的行为很反感。
• Some people have an antipathy to cats.有的人讨厌猫。

6 puritanical   

adj.极端拘谨的；道德严格的

参考例句：

• He has a puritanical attitude towards sex.他在性问题上主张克制，反对纵欲。
• Puritanical grandfather is very strict with his children.古板严厉的祖父对子女要求非常严格。

7 hypocrisy   

n.伪善，虚伪

参考例句：

• He railed against hypocrisy and greed.他痛斥伪善和贪婪的行为。
• He accused newspapers of hypocrisy in their treatment of the story.他指责了报纸在报道该新闻时的虚伪。

8 glorification   

n.赞颂

参考例句：

• Militant devotion to and glorification of one's country; fanatical patriotism. 对国家的军事效忠以及美化；狂热的爱国主义。
• Glorification-A change of place, a new condition with God. 得荣─在神面前新处境，改变了我们的结局。

9 ace   

n.A牌；发球得分；佼佼者；adj.杰出的

参考例句：

• A good negotiator always has more than one ace in the hole.谈判高手总有数张王牌在手。
• He is an ace mechanic.He can repair any cars.他是一流的机械师,什么车都会修。

10 novice   

adj.新手的，生手的

参考例句：

• As a novice writer,this is something I'm interested in.作为初涉写作的人，我对此很感兴趣。
• She realized that she was a novice.她知道自己初出茅庐。

11 implores   

恳求或乞求（某人）( implore的第三人称单数 )

参考例句：

• Every movie we see, every story we are told implores us to wait for it. 我们看的每一部电影，听的每一个故事都恳求着我们驻足等待。
• Every movie we see, every story we're told implores is to wait for it. 我们看的每场电影，听过的每个故事都告诉我们要耐心等待。

12 condemned   

adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词

参考例句：

• He condemned the hypocrisy of those politicians who do one thing and say another. 他谴责了那些说一套做一套的政客的虚伪。
• The policy has been condemned as a regressive step. 这项政策被认为是一种倒退而受到谴责。

13 illicit   

adj.非法的，禁止的，不正当的

参考例句：

• He had an illicit association with Jane.他和简曾有过不正当关系。
• Seizures of illicit drugs have increased by 30% this year.今年违禁药品的扣押增长了30%。

14 kindles   

（使某物）燃烧，着火( kindle的第三人称单数 )； 激起（感情等）； 发亮，放光

参考例句：

• And as kindles hope, millions more will find it. 他们的自由又将影响周围，使更多的人民得到自由。
• A person who stirs up trouble or kindles a revolt. 煽动叛乱者，挑动争端者挑起麻烦或引起叛乱的人。

15 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

16 motives   

n.动机，目的( motive的名词复数 )

参考例句：

• to impeach sb's motives 怀疑某人的动机
• His motives are unclear. 他的用意不明。

17 unnaturalness   

参考例句：

• The vale was wrapped in a dim atomosphere of unnaturalness. 峡谷沉浸在一种不自然的朦胧气氛里。 来自辞典例句

18 judgments   

判断( judgment的名词复数 )； 鉴定； 评价； 审判

参考例句：

• A peculiar austerity marked his judgments of modern life. 他对现代生活的批评带着一种特殊的苛刻。
• He is swift with his judgments. 他判断迅速。

19 abated   

减少( abate的过去式和过去分词 )； 减去； 降价； 撤消（诉讼）

参考例句：

• The worker's concern about cuts in the welfare funding has not abated. 工人们对削减福利基金的关心并没有减少。
• The heat has abated. 温度降低了。

20 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

21 troupe   

n.剧团，戏班；杂技团；马戏团

参考例句：

• The art troupe is always on the move in frontier guards.文工团常年在边防部队流动。
• The troupe produced a new play last night.剧团昨晚上演了一部新剧。

22 animated   

adj.生气勃勃的，活跃的，愉快的

参考例句：

• His observations gave rise to an animated and lively discussion.他的言论引起了一场气氛热烈而活跃的讨论。
• We had an animated discussion over current events last evening.昨天晚上我们热烈地讨论时事。

23 faculty   

n.才能；学院，系；(学院或系的)全体教学人员

参考例句：

• He has a great faculty for learning foreign languages.他有学习外语的天赋。
• He has the faculty of saying the right thing at the right time.他有在恰当的时候说恰当的话的才智。

24 emulate   

v.努力赶上或超越，与…竞争；效仿

参考例句：

• You must work hard to emulate your sister.你必须努力工作，赶上你姐姐。
• You must look at the film and try to emulate his behavior.你们必须观看这部电影，并尽力模仿他的动作。

25 vocal   

adj.直言不讳的；嗓音的；n.[pl.]声乐节目

参考例句：

• The tongue is a vocal organ.舌头是一个发音器官。
• Public opinion at last became vocal.终于舆论哗然。

26 fatigue   

n.疲劳，劳累

参考例句：

• The old lady can't bear the fatigue of a long journey.这位老妇人不能忍受长途旅行的疲劳。
• I have got over my weakness and fatigue.我已从虚弱和疲劳中恢复过来了。

27 relatively   

adv.比较...地，相对地

参考例句：

• The rabbit is a relatively recent introduction in Australia.兔子是相对较新引入澳大利亚的物种。
• The operation was relatively painless.手术相对来说不痛。

28 fascination   

n.令人着迷的事物，魅力，迷恋

参考例句：

• He had a deep fascination with all forms of transport.他对所有的运输工具都很着迷。
• His letters have been a source of fascination to a wide audience.广大观众一直迷恋于他的来信。

29 lauds   

v.称赞，赞美( laud的第三人称单数 )

参考例句：

• The work lauds the victor, Liu Bang. 该曲歌颂了胜利者刘邦。 来自互联网
• The modern world lauds them for their vigor and intensity of purpose, and for their accomplishment. 诸君之祖先曾以大无畏之精神，冒不可思议之困难，筚路褴褛以开发新大陆。 来自互联网

30 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

31 connoisseur   

n.鉴赏家，行家，内行

参考例句：

• Only the real connoisseur could tell the difference between these two wines.只有真正的内行才能指出这两种酒的区别。
• We are looking for a connoisseur of French champagne.我们想找一位法国香槟酒品酒专家。

32 ardent   

adj.热情的，热烈的，强烈的，烈性的

参考例句：

• He's an ardent supporter of the local football team.他是本地足球队的热情支持者。
• Ardent expectations were held by his parents for his college career.他父母对他的大学学习抱着殷切的期望。

33 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

34 stew   

n.炖汤，焖，烦恼；v.炖汤，焖，忧虑

参考例句：

• The stew must be boiled up before serving.炖肉必须煮熟才能上桌。
• There's no need to get in a stew.没有必要烦恼。

35 pedantry   

n.迂腐，卖弄学问

参考例句：

• The book is a demonstration of scholarship without pedantry.这本书表现出学术水平又不故意卖弄学问。
• He fell into a kind of pedantry.他变得有点喜欢卖弄学问。

36 enchanted   

adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词

参考例句：

• She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
• He was enchanted by the idea. 他为这个主意而欣喜若狂。

37 limpid   

adj.清澈的，透明的

参考例句：

• He has a pair of limpid blue eyes.他有一双清澈的蓝眼睛。
• The sky was a limpid blue,as if swept clean of everything.碧空如洗。

38 boundless   

adj.无限的；无边无际的；巨大的

参考例句：

• The boundless woods were sleeping in the deep repose of nature.无边无际的森林在大自然静寂的怀抱中酣睡着。
• His gratitude and devotion to the Party was boundless.他对党无限感激、无限忠诚。

39 disorder   

n.紊乱，混乱；骚动，骚乱；疾病，失调

参考例句：

• When returning back,he discovered the room to be in disorder.回家后，他发现屋子里乱七八糟。
• It contained a vast number of letters in great disorder.里面七零八落地装着许多信件。

40 medley   

n.混合

参考例句：

• Today's sports meeting doesn't seem to include medley relay swimming.现在的运动会好象还没有混合接力泳这个比赛项目。
• China won the Men's 200 metres Individual Medley.中国赢得了男子200米个人混合泳比赛。

41 isolated   

adj.与世隔绝的

参考例句：

• His bad behaviour was just an isolated incident. 他的不良行为只是个别事件。
• Patients with the disease should be isolated. 这种病的患者应予以隔离。

42 apprehension   

n.理解，领悟；逮捕，拘捕；忧虑

参考例句：

• There were still areas of doubt and her apprehension grew.有些地方仍然存疑，于是她越来越担心。
• She is a girl of weak apprehension.她是一个理解力很差的女孩。

43 lucid   

adj.明白易懂的，清晰的，头脑清楚的

参考例句：

• His explanation was lucid and to the point.他的解释扼要易懂。
• He wasn't very lucid,he didn't quite know where he was.他神志不是很清醒，不太知道自己在哪里。

44 muddled   

adj.混乱的；糊涂的；头脑昏昏然的v.弄乱，弄糟( muddle的过去式)；使糊涂；对付，混日子

参考例句：

• He gets muddled when the teacher starts shouting. 老师一喊叫他就心烦意乱。
• I got muddled up and took the wrong turning. 我稀里糊涂地拐错了弯。 来自《简明英汉词典》

45 nuance   

n.(意义、意见、颜色)细微差别

参考例句：

• These users will easily learn each nuance of the applications they use.这些用户会很快了解他们所使用程序的每一细微差别。
• I wish I hadn't become so conscious of every little nuance.我希望我不要变得这样去思索一切琐碎之事。

46 zeal   

n.热心，热情，热忱

参考例句：

• Revolutionary zeal caught them up,and they joined the army.革命热情激励他们，于是他们从军了。
• They worked with great zeal to finish the project.他们热情高涨地工作，以期完成这个项目。

47 procured   

v.（努力）取得， （设法）获得( procure的过去式和过去分词 )；拉皮条

参考例句：

• These cars are to be procured through open tender. 这些汽车要用公开招标的办法购买。 来自《现代汉英综合大词典》
• A friend procured a position in the bank for my big brother. 一位朋友为我哥哥谋得了一个银行的职位。 来自《用法词典》

48 lighter   

n.打火机，点火器；驳船；v.用驳船运送；light的比较级

参考例句：

• The portrait was touched up so as to make it lighter.这张画经过润色，色调明朗了一些。
• The lighter works off the car battery.引燃器利用汽车蓄电池打火。

49 frivolous   

adj.轻薄的；轻率的

参考例句：

• This is a frivolous way of attacking the problem.这是一种轻率敷衍的处理问题的方式。
• He spent a lot of his money on frivolous things.他在一些无聊的事上花了好多钱。

50 mentor   

n.指导者，良师益友；v.指导

参考例句：

• He fed on the great ideas of his mentor.他以他导师的伟大思想为支撑。
• He had mentored scores of younger doctors.他指导过许多更年轻的医生。

51 partisan   

adj.党派性的；游击队的；n.游击队员；党徒

参考例句：

• In their anger they forget all the partisan quarrels.愤怒之中，他们忘掉一切党派之争。
• The numerous newly created partisan detachments began working slowly towards that region.许多新建的游击队都开始慢慢地向那里移动。

52 uncommon   

adj.罕见的，非凡的，不平常的

参考例句：

• Such attitudes were not at all uncommon thirty years ago.这些看法在30年前很常见。
• Phil has uncommon intelligence.菲尔智力超群。

53 temperament   

n.气质，性格，性情

参考例句：

• The analysis of what kind of temperament you possess is vital.分析一下你有什么样的气质是十分重要的。
• Success often depends on temperament.成功常常取决于一个人的性格。

54 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

55 turbid   

adj.混浊的，泥水的，浓的

参考例句：

• He found himself content to watch idly the sluggish flow of the turbid stream.他心安理得地懒洋洋地望着混浊的河水缓缓流着。
• The lake's water is turbid.这个湖里的水混浊。

56 levity   

n.轻率，轻浮，不稳定，多变

参考例句：

• His remarks injected a note of levity into the proceedings.他的话将一丝轻率带入了议事过程中。
• At the time,Arnold had disapproved of such levity.那时候的阿诺德对这种轻浮行为很看不惯。

57 degenerate   

v.退步，堕落；adj.退步的，堕落的；n.堕落者

参考例句：

• He didn't let riches and luxury make him degenerate.他不因财富和奢华而自甘堕落。
• Will too much freedom make them degenerate?太多的自由会令他们堕落吗？

58 bass   

n.男低音(歌手)；低音乐器；低音大提琴

参考例句：

• He answered my question in a surprisingly deep bass.他用一种低得出奇的声音回答我的问题。
• The bass was to give a concert in the park.那位男低音歌唱家将在公园中举行音乐会。

59 aria   

n.独唱曲，咏叹调

参考例句：

• This song takes off from a famous aria.这首歌仿效一首著名的咏叹调。
• The opera was marred by an awkward aria.整部歌剧毁在咏叹调部分的不够熟练。

60 transformation   

n.变化；改造；转变

参考例句：

• Going to college brought about a dramatic transformation in her outlook.上大学使她的观念发生了巨大的变化。
• He was struggling to make the transformation from single man to responsible husband.他正在努力使自己由单身汉变为可靠的丈夫。

61 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》

62 favourable   

adj.赞成的，称赞的，有利的，良好的，顺利的

参考例句：

• The company will lend you money on very favourable terms.这家公司将以非常优惠的条件借钱给你。
• We found that most people are favourable to the idea.我们发现大多数人同意这个意见。

63 culminated   

v.达到极点( culminate的过去式和过去分词 )

参考例句：

• a gun battle which culminated in the death of two police officers 一场造成两名警察死亡的枪战
• The gala culminated in a firework display. 晚会以大放烟火告终。 来自《简明英汉词典》

64 conspired   

密谋( conspire的过去式和过去分词 )； 搞阴谋； （事件等）巧合； 共同导致

参考例句：

• They conspired to bring about the meeting of the two people. 他们共同促成了两人的会面。
• Bad weather and car trouble conspired to ruin our vacation. 恶劣的气候连同汽车故障断送了我们的假日。

65 loathe   

v.厌恶，嫌恶

参考例句：

• I loathe the smell of burning rubber.我厌恶燃着的橡胶散发的气味。
• You loathe the smell of greasy food when you are seasick.当你晕船时，你会厌恶油腻的气味。