CHAPTER XXIX. A VIEW OF ROME, By Hiram Winthrop.

In the midst of an undulating sunlit plain, fresh with flowers in spring, burnt and yellow in summer and autumn, a great sordid¹ shrivelled city blinks and festers visibly among the rags and tatters in the eye of day. Within its huge imperial walls the shrunken modern town has left a broad skirt of unoccupied hillocks; low mounds² covered by stunted³ straggling vineyards, or broken here and there by shabby unpicturesque monasteries⁵, with long straight pollard-lined roads stretching interminably in dreary⁶ lines between the distant boundaries. In the very centre, along some low flats that bound a dull, muddy, silent river, the actual inhabited city itself crouches⁷ humbly⁸ beneath the mouldering⁹ ruins of a nobler age. A shapeless mass of dingy¹⁰, weather-stained, discoloured, tile-roofed buildings, with all its stucco peeling in the sun, it lies crowded and jammed into a narrow labyrinth¹¹ of tortuous¹² alleys¹³, reeking¹⁵ with dirt, and rich in ragged¹⁶ filthy¹⁷ beggars. One huge lazaretto of sin and pestilence¹⁸, choked with the accumulated rubbish and kitchen-middens of forty centuries—that was Hiram Winthrop's Rome—the Rome which fate and duty compelled him to exchange for the wild woods and the free life of untrammelled nature.

Step into one of the tortuous alleys, and you see this abomination of desolation even more distinctly, under the pitiless all-exposing glare of an Italian sky. The blotchy²⁰ walls rise so high into the air to right and left, that they make the narrow lane gloomy even at midday; and yet, the light pours down obliquely²¹ upon the decaying plaster with so fierce a power that every rent and gap and dirt-stain stands out distinctly, crying in vain to the squalid tenants²² in the dens¹⁹ within to repair its unutterable dilapidation²³. Beneath, the little slippery pavement consists of herringbone courses of sharp stones; overhead, from ropes fastened across the street, lines of rags and tatters flutter idly in the wind, proving (what Hiram was otherwise inclined to doubt) that people at Rome do sometimes ostensibly wash their garments, or at least damp them. Dark gloomy shops line either side; shops windowless and doorless, entered and closed by shutters²⁴, and just rendered visible by the feeble lamp that serves a double duty as lightener of the general darkness, and taper²⁵ to the tiny painted shrine²⁶ of the wooden Madonna. A world of hungry ragged men, hungry dirty slatternly women, hungry children playing in the gutter²⁷, hungry priests pervading²⁸ the very atmosphere—that on a closer view was Rome as it appeared to Hiram Winthrop.

To be sure, there was a little more of it. Up towards the Corso and Piazza²⁹ del Popolo, there was a gaunt, modern Haussmannised quarter, the Rome of the strangers—cleaner by a fraction, whiter by a great deal, less odorous by a trifle, but still to Hiram Winthrop utterly³⁰ flat, stale, and unprofitable. The one Rome was ugly, if picturesque⁴; the other Rome was modern, and not even ugly.

Work at Seguin's studio was also to Hiram a wretched mockery of an artistic³¹ training. The more he saw of the French painter, the more he disliked him: and what was worse, the dislike was plainly mutual³². For Audouin's sake, because Audouin had wished it, Hiram went on working feebly at historical pictures which he hated and could never possibly care for; but he panted to be free from the wretched bondage³³ at once and for ever. Two years after his arrival in Rome, where he was now living upon the little capital he had derived³⁴ from the sale of the deacon's farm, Hiram determined³⁵, on Audouin's strenuous³⁶ advice, by letter delivered, to send a tentative painting to Paris for the Salon³⁷. Seguin watched it once or twice in the course of its completion, but he only shrugged³⁸ his lean shoulders ominously³⁹, and muttered incomprehensible military oaths to himself, which he had picked up half a century before from his father, the ex-corporal. (On the strength of that early connection with the army, Seguin, in spite of his shrivelled frame, still affected⁴⁰ a certain swaggering military air and bearing upon many occasions.) When it was finished, he looked at it a trifle contemptuously, and then murmured: 'Good. That will finish him. After that——-' An ugly grimace⁴¹ did duty for the rest of the sentence.

Still, Hiram sent it in, as Audouin had desired of him; and in due time received the formal intimation from the constituted authorities of the Salon that his picture had been rejected. He knew it would be, and yet he felt the disappointment bitterly. Sitting alone in his room that evening (for he would not let even Colin share his sorrow) he brooded gloomily by himself, and began to reflect seriously that after all his whole life had been one long and wretched failure. There was no denying it, he had made a common but a fatal error; he had mistaken the desire to paint for the power of painting. He saw it all quite clearly now, and from that moment his whole career seemed in his eyes to be utterly dwarfed⁴² and spoiled and blighted⁴³.

There was only one part of each of those four years of misery⁴⁴ at Rome that Hiram could ever afterwards look back upon with real pleasure. Once every summer, he and Colin started off together for a month's relaxation⁴⁵ in the Tyrol or Switzerland. On those trips, Hiram forgot all the rest of his life altogether, and lived for thirty clear days in a primitive⁴⁶ paradise. His sketch⁴⁷-book went always with him, and he even ventured to try his hand upon a landscape or two in oils, now that he was well out of the way of Seguin's chilly⁴⁸ magisterial⁴⁹ interference. Colin Churchill always praised them warmly: 'But then Colin, you know' (Hiram said to himself). 'is always such a generous enthusiastic fellow. He has such a keen artistic eye himself, of course, that he positively⁵⁰ reads beauty into the weakest efforts of any other beginner. Still, I do feel that I can put my soul into drawing these rocks and mountains, which I never can do in painting a dressed-up model in an artificial posture⁵¹, and pretending that I think she's really Cleopatra. If one had the genuine Cleopatra to paint, now, exactly as she threw herself naturally down upon her own Egyptian sofa, why that might possibly be quite another matter. But, even so, Cleopatra could never have moved me half so much as the gloss⁵² on the chestnuts⁵³ and the shimmer⁵⁴ of the cloud-light on the beautiful purple water down below there.'

Sometimes, too, Hiram took Colin with him out into the Campagna; not that he loved the Campagna—there was an odour of Rome about it; but still at least it was a sort of country, and to Hiram Winthrop that was everything. One day, in his fourth year in Italy, he was sitting on a spring afternoon with Colin beside the arches of a broken aqueduct in that great moorland, which he had been using as the foreground for a little water-colour. He had finished his sketch, and was holding it at different angles before him, when Colin suddenly broke the silence by saying warmly: 'Some day, Winthrop, I'm sure you must sell them.'

Hiram shook his head despondently⁵⁵. 'No, no, Churchill,' he answered with a half-angry wave of his disengaged hand. 'Even while I was at Seguin's, I knew I could never do anything worth looking at, and since I took this little studio myself, I feel sure of it. It's only your kindness that makes you think otherwise.'

Colin took the sketch from him for a moment and eyed it carefully. 'My dear fellow,' he said at last, 'believe me, you're mistaken. Just look at that! Why, Winthrop, I tell you candidly⁵⁶, I'm certain there's genius in it.'

Hiram smiled bitterly. 'No, no, not genius, I assure you,' he answered with a sigh, 'but only the longing⁵⁷ for it. You have genius, I have nothing more than aspiration⁵⁸.'

Yet in his own heart, when Colin once more declared he was mistaken, Hiram Winthrop, looking at that delicate sketch, did almost for the moment pluck up courage again, and agree with his friend that if only the public would but smile upon him, he, too, might really do something worth the looking at.

He went home, indeed, almost elated, after so many months of silent dejection, by that new-born hope. When he reached their rooms in the alley¹⁴ (for Colin, in his desire to save, still stood by him, in spite of altered fortunes) he found a large official envelope of French pattern lying casually⁵⁹ upon the table. He knew it at once; it bore the official seal of the Académie Fran?aise. He tore open the letter hastily. Was it possible that this time they might really have hung him? What did it say? Let him see... A stereotyped⁶⁰ form.... 'Regret to announce to you.... great claims upon their attention.... compelled to refuse admission to the painting submitted to their consideration by M. Winthrop.'

Hiram let the letter drop out of his hands without a word. For the third time, then, his picture had been rejected for the Paris Salon!

A day or iwo later, the agent to whom he always confided⁶¹ his works for the necessary arrangements, wrote to him with florid French politeness on the subject of its final disposal. Last year he had been able to give Monsieur but forty francs for his picture, while the year before he had felt himself justified⁶² in paying sixty. Unfortunately, neither of these pictures had yet been sold; Monsieur's touch evidently did not satisfy the exacting⁶³ Parisian public. This year, he regretted to tell Monsieur, he would be unable to offer him anything for the picture itself; but he would take back the frame at an inestimable depreciation⁶⁴ on the original figure. He trusted to merit Monsieur's honoured commands upon future occasions.

Those four pounds were all the money Hiram had yet earned, in four years, by the practice of his profession; and the remains⁶⁵ of the deacon's patrimony⁶⁶ would hardly now suffice to carry him through another winter.

But then, that winter, Gwen was coming.

If it had not been for the remote hope of still seeing Gwen before he left Rome for ever, Hiram was inclined to think the only bed he would have slept in, that dreary, weary, disappointing night, was the bed of the Tiber.

1 sordid   

adj.肮脏的，不干净的，卑鄙的，暗淡的

参考例句：

• He depicts the sordid and vulgar sides of life exclusively.他只描写人生肮脏和庸俗的一面。
• They lived in a sordid apartment.他们住在肮脏的公寓房子里。

2 mounds   

土堆，土丘( mound的名词复数 )； 一大堆

参考例句：

• We had mounds of tasteless rice. 我们有成堆成堆的淡而无味的米饭。
• Ah! and there's the cemetery' - cemetery, he must have meant. 'You see the mounds? 啊，这就是同墓，”——我想他要说的一定是公墓，“看到那些土墩了吗？

3 stunted   

adj.矮小的；发育迟缓的

参考例句：

• the stunted lives of children deprived of education 未受教育的孩子所过的局限生活
• But the landed oligarchy had stunted the country's democratic development for generations. 但是好几代以来土地寡头的统治阻碍了这个国家民主的发展。

4 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

5 monasteries   

修道院( monastery的名词复数 )

参考例句：

• In ancient China, there were lots of monasteries. 在古时候，中国有许多寺院。
• The Negev became a religious center with many monasteries and churches. 内格夫成为许多庙宇和教堂的宗教中心。

6 dreary   

adj.令人沮丧的，沉闷的，单调乏味的

参考例句：

• They live such dreary lives.他们的生活如此乏味。
• She was tired of hearing the same dreary tale of drunkenness and violence.她听够了那些关于酗酒和暴力的乏味故事。

7 crouches   

n.蹲着的姿势( crouch的名词复数 )v.屈膝，蹲伏( crouch的第三人称单数 )

参考例句：

• He crouches before rabbit hutch, shed sad tear for the first time. 他蹲在兔窝前，第一次流下了伤心的眼泪。 来自互联网
• A Malaysian flower mantis, which crouches among flowers awaiting unsuspecting prey. 一只马来西亚花螳螂，蜷缩在鲜花中等待不期而遇的猎物。 来自互联网

8 humbly   

adv. 恭顺地，谦卑地

参考例句：

• We humbly beg Your Majesty to show mercy. 我们恳请陛下发发慈悲。
• "You must be right, Sir,'said John humbly. “你一定是对的，先生，”约翰恭顺地说道。

9 mouldering   

v.腐朽( moulder的现在分词 )；腐烂，崩塌

参考例句：

• The room smelt of disuse and mouldering books. 房间里有一股长期不用和霉烂书籍的味道。
• Every mouldering stone was a chronicle. 每块崩碎剥落的石头都是一部编年史。 来自辞典例句

10 dingy   

adj.昏暗的，肮脏的

参考例句：

• It was a street of dingy houses huddled together. 这是一条挤满了破旧房子的街巷。
• The dingy cottage was converted into a neat tasteful residence.那间脏黑的小屋已变成一个整洁雅致的住宅。

11 labyrinth   

n.迷宫；难解的事物；迷路

参考例句：

• He wandered through the labyrinth of the alleyways.他在迷宫似的小巷中闲逛。
• The human mind is a labyrinth.人的心灵是一座迷宫。

12 tortuous   

adj.弯弯曲曲的，蜿蜒的

参考例句：

• We have travelled a tortuous road.我们走过了曲折的道路。
• They walked through the tortuous streets of the old city.他们步行穿过老城区中心弯弯曲曲的街道。

13 alleys   

胡同，小巷( alley的名词复数 )； 小径

参考例句：

• I followed him through a maze of narrow alleys. 我紧随他穿过一条条迂迴曲折的窄巷。
• The children lead me through the maze of alleys to the edge of the city. 孩子们领我穿过迷宫一般的街巷，来到城边。

14 alley   

n.小巷，胡同；小径，小路

参考例句：

• We live in the same alley.我们住在同一条小巷里。
• The blind alley ended in a brick wall.这条死胡同的尽头是砖墙。

15 reeking   

v.发出浓烈的臭气( reek的现在分词 )；散发臭气；发出难闻的气味 (of sth)；明显带有（令人不快或生疑的跡象）

参考例句：

• I won't have you reeking with sweat in my bed! 我就不许你混身臭汗，臭烘烘的上我的炕！ 来自汉英文学 - 骆驼祥子
• This is a novel reeking with sentimentalism. 这是一本充满着感伤主义的小说。 来自辞典例句

16 ragged   

adj.衣衫褴褛的，粗糙的，刺耳的

参考例句：

• A ragged shout went up from the small crowd.这一小群人发出了刺耳的喊叫。
• Ragged clothing infers poverty.破衣烂衫意味着贫穷。

17 filthy   

adj.卑劣的；恶劣的，肮脏的

参考例句：

• The whole river has been fouled up with filthy waste from factories.整条河都被工厂的污秽废物污染了。
• You really should throw out that filthy old sofa and get a new one.你真的应该扔掉那张肮脏的旧沙发，然后再去买张新的。

18 pestilence   

n.瘟疫

参考例句：

• They were crazed by the famine and pestilence of that bitter winter.他们因那年严冬的饥饿与瘟疫而折磨得发狂。
• A pestilence was raging in that area. 瘟疫正在那一地区流行。

19 dens   

n.牙齿，齿状部分；兽窝( den的名词复数 )；窝点；休息室；书斋

参考例句：

• Female bears tend to line their dens with leaves or grass. 母熊往往会在洞穴里垫些树叶或草。 来自辞典例句
• In winter bears usually hibernate in their dens. 冬天熊通常在穴里冬眠。 来自辞典例句

20 blotchy   

adj.有斑点的，有污渍的；斑污

参考例句：

• her blotchy and swollen face 她的布满斑点的浮肿的脸
• Blotchy skin is a symptom of many skin diseases. 皮肤上出现污斑是许多皮肤病的症状。 来自互联网

21 obliquely   

adv.斜； 倾斜； 间接； 不光明正大

参考例句：

• From the gateway two paths led obliquely across the court. 从门口那儿，有两条小路斜越过院子。 来自辞典例句
• He was receding obliquely with a curious hurrying gait. 他歪着身子，古怪而急促地迈着步子，往后退去。 来自辞典例句

22 tenants   

n.房客( tenant的名词复数 )；佃户；占用者；占有者

参考例句：

• A number of tenants have been evicted for not paying the rent. 许多房客因不付房租被赶了出来。
• Tenants are jointly and severally liable for payment of the rent. 租金由承租人共同且分别承担。

23 dilapidation   

n.倒塌；毁坏

参考例句：

• Yet all this was apart from any extraordinary dilapidation.特别破落的样子倒也找不出。
• The farmhouse had fallen into a state of dilapidation.农舍落到了破败的境地。

24 shutters   

百叶窗( shutter的名词复数 )； （照相机的）快门

参考例句：

• The shop-front is fitted with rolling shutters. 那商店的店门装有卷门。
• The shutters thumped the wall in the wind. 在风中百叶窗砰砰地碰在墙上。

25 taper   

n.小蜡烛，尖细，渐弱；adj.尖细的；v.逐渐变小

参考例句：

• You'd better taper off the amount of time given to rest.你最好逐渐地减少休息时间。
• Pulmonary arteries taper towards periphery.肺动脉向周围逐渐变细。

26 shrine   

n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣

参考例句：

• The shrine was an object of pilgrimage.这处圣地是人们朝圣的目的地。
• They bowed down before the shrine.他们在神龛前鞠躬示敬。

27 gutter   

n.沟，街沟，水槽，檐槽，贫民窟

参考例句：

• There's a cigarette packet thrown into the gutter.阴沟里有个香烟盒。
• He picked her out of the gutter and made her a great lady.他使她脱离贫苦生活，并成为贵妇。

28 pervading   

v.遍及，弥漫( pervade的现在分词 )

参考例句：

• an all-pervading sense of gloom 无处不在的沮丧感
• a pervading mood of fear 普遍的恐惧情绪

29 piazza   

n.广场；走廊

参考例句：

• Siena's main piazza was one of the sights of Italy.锡耶纳的主要广场是意大利的名胜之一。
• They walked out of the cafeteria,and across the piazzadj.他们走出自助餐厅,穿过广场。

30 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

31 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

32 mutual   

adj.相互的，彼此的；共同的，共有的

参考例句：

• We must pull together for mutual interest.我们必须为相互的利益而通力合作。
• Mutual interests tied us together.相互的利害关系把我们联系在一起。

33 bondage   

n.奴役，束缚

参考例句：

• Masters sometimes allowed their slaves to buy their way out of bondage.奴隶主们有时允许奴隶为自己赎身。
• They aim to deliver the people who are in bondage to superstitious belief.他们的目的在于解脱那些受迷信束缚的人。

34 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》

35 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

36 strenuous   

adj.奋发的，使劲的；紧张的；热烈的，狂热的

参考例句：

• He made strenuous efforts to improve his reading. 他奋发努力提高阅读能力。
• You may run yourself down in this strenuous week.你可能会在这紧张的一周透支掉自己。

37 salon   

n.[法]沙龙；客厅；营业性的高级服务室

参考例句：

• Do you go to the hairdresser or beauty salon more than twice a week?你每周去美容院或美容沙龙多过两次吗？
• You can hear a lot of dirt at a salon.你在沙龙上会听到很多流言蜚语。

38 shrugged   

vt.耸肩（shrug的过去式与过去分词形式）

参考例句：

• Sam shrugged and said nothing. 萨姆耸耸肩膀，什么也没说。
• She shrugged, feigning nonchalance. 她耸耸肩，装出一副无所谓的样子。 来自《简明英汉词典》

39 ominously   

adv.恶兆地，不吉利地；预示地

参考例句：

• The wheels scooped up stones which hammered ominously under the car. 车轮搅起的石块，在车身下发出不吉祥的锤击声。 来自《简明英汉词典》
• Mammy shook her head ominously. 嬷嬷不祥地摇着头。 来自飘（部分）

40 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

41 grimace   

v.做鬼脸，面部歪扭

参考例句：

• The boy stole a look at his father with grimace.那男孩扮着鬼脸偷看了他父亲一眼。
• Thomas made a grimace after he had tasted the wine.托马斯尝了那葡萄酒后做了个鬼脸。

42 dwarfed   

vt.（使）显得矮小（dwarf的过去式与过去分词形式）

参考例句：

• The old houses were dwarfed by the huge new tower blocks. 这些旧房子在新建的高楼大厦的映衬下显得十分矮小。
• The elephant dwarfed the tortoise. 那只乌龟跟那头象相比就显得很小。 来自《简明英汉词典》

43 blighted   

adj.枯萎的，摧毁的

参考例句：

• Blighted stems often canker.有病的茎往往溃烂。
• She threw away a blighted rose.她把枯萎的玫瑰花扔掉了。

44 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

45 relaxation   

n.松弛，放松；休息；消遣；娱乐

参考例句：

• The minister has consistently opposed any relaxation in the law.部长一向反对法律上的任何放宽。
• She listens to classical music for relaxation.她听古典音乐放松。

46 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

47 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

48 chilly   

adj.凉快的，寒冷的

参考例句：

• I feel chilly without a coat.我由于没有穿大衣而感到凉飕飕的。
• I grew chilly when the fire went out.炉火熄灭后，寒气逼人。

49 magisterial   

adj.威风的，有权威的；adv.威严地

参考例句：

• The colonel's somewhat in a magisterial manner.上校多少有点威严的神态。
• The Cambridge World History of Human Disease is a magisterial work.《剑桥世界人类疾病史》是一部权威著作。

50 positively   

adv.明确地，断然，坚决地；实在，确实

参考例句：

• She was positively glowing with happiness.她满脸幸福。
• The weather was positively poisonous.这天气着实讨厌。

51 posture   

n.姿势，姿态，心态，态度；v.作出某种姿势

参考例句：

• The government adopted an uncompromising posture on the issue of independence.政府在独立这一问题上采取了毫不妥协的态度。
• He tore off his coat and assumed a fighting posture.他脱掉上衣，摆出一副打架的架势。

52 gloss   

n.光泽，光滑；虚饰；注释；vt.加光泽于；掩饰

参考例句：

• John tried in vain to gloss over his faults.约翰极力想掩饰自己的缺点，但是没有用。
• She rubbed up the silver plates to a high gloss.她把银盘擦得很亮。

53 chestnuts   

n.栗子( chestnut的名词复数 )；栗色；栗树；栗色马

参考例句：

• A man in the street was selling bags of hot chestnuts. 街上有个男人在卖一包包热栗子。 来自《简明英汉词典》
• Talk of chestnuts loosened the tongue of this inarticulate young man. 因为栗子，正苦无话可说的年青人，得到同情他的人了。 来自汉英文学 - 中国现代小说

54 shimmer   

v./n.发微光，发闪光；微光

参考例句：

• The room was dark,but there was a shimmer of moonlight at the window.屋子里很黑，但靠近窗户的地方有点微光。
• Nor is there anything more virginal than the shimmer of young foliage.没有什么比新叶的微光更纯洁无瑕了。

55 despondently   

adv.沮丧地，意志消沉地

参考例句：

• It had come to that, he reflected despondently. 事情已经到了这个地步了，他沉思着，感到心灰意懒。 来自辞典例句
• He shook his head despondently. 他沮丧地摇摇头。 来自辞典例句

56 candidly   

adv.坦率地，直率而诚恳地

参考例句：

• He has stopped taking heroin now,but admits candidly that he will always be a drug addict.他眼下已经不再吸食海洛因了,不过他坦言自己永远都是个瘾君子。
• Candidly,David,I think you're being unreasonable.大卫，说实话我认为你不讲道理。

57 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

58 aspiration   

n.志向，志趣抱负；渴望；(语)送气音；吸出

参考例句：

• Man's aspiration should be as lofty as the stars.人的志气应当象天上的星星那么高。
• Young Addison had a strong aspiration to be an inventor.年幼的爱迪生渴望成为一名发明家。

59 casually   

adv.漠不关心地，无动于衷地，不负责任地

参考例句：

• She remarked casually that she was changing her job.她当时漫不经心地说要换工作。
• I casually mentioned that I might be interested in working abroad.我不经意地提到我可能会对出国工作感兴趣。

60 stereotyped   

adj.(指形象、思想、人物等)模式化的

参考例句：

• There is a sameness about all these tales. They're so stereotyped -- all about talented scholars and lovely ladies. 这些书就是一套子，左不过是些才子佳人，最没趣儿。
• He is the stereotyped monster of the horror films and the adventure books, and an obvious (though not perhaps strictly scientific) link with our ancestral past. 它们是恐怖电影和惊险小说中的老一套的怪物，并且与我们的祖先有着明显的（虽然可能没有科学的）联系。

61 confided   

v.吐露（秘密，心事等）( confide的过去式和过去分词 )；（向某人）吐露（隐私、秘密等）

参考例句：

• She confided all her secrets to her best friend. 她向她最要好的朋友倾吐了自己所有的秘密。
• He confided to me that he had spent five years in prison. 他私下向我透露，他蹲过五年监狱。 来自《简明英汉词典》

62 justified   

a.正当的，有理的

参考例句：

• She felt fully justified in asking for her money back. 她认为有充分的理由要求退款。
• The prisoner has certainly justified his claims by his actions. 那个囚犯确实已用自己的行动表明他的要求是正当的。

63 exacting   

adj.苛求的，要求严格的

参考例句：

• He must remember the letters and symbols with exacting precision.他必须以严格的精度记住每个字母和符号。
• The public has been more exacting in its demands as time has passed.随着时间的推移，公众的要求更趋严格。

64 depreciation   

n.价值低落，贬值，蔑视，贬低

参考例句：

• She can't bear the depreciation of the enemy.她受不了敌人的蹂躏。
• They wrote off 500 for depreciation of machinery.他们注销了500镑作为机器折旧费。

65 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

66 patrimony   

n.世袭财产，继承物

参考例句：

• I left my parents' house,relinquished my estate and my patrimony.我离开了父母的家，放弃了我的房产和祖传财产。
• His grandfather left the patrimony to him.他的祖父把祖传的财物留给了他。