In front of the house an Italian garden, with balustrades of very doubtful marble, leads down by successive terraces and broad flights of steps to an artificial octagonal pool, formed by carefully destroying the whole natural beauty of the wild and rocky little English glen beneath. To feed it by fitting a conduit, the moss-grown boulders18 that strew19 the bed of the torrent20 above and below have been carefully removed, and the unwilling21 stream, as it runs into the pool, has been coerced22 into a long straight channel, bordered on either side by bedded turf, and planed off at measured intervals23 so as to produce a series of eminently24 regular and classical cascades25. Even Lord Exmoor himself, who was a hunting man, without any pretence26 to that stupid rubbish about taste, did not care for the hopeless exterior27 of Dunbude Castle: he frankly28 admitted that the place was altogether too doosid artificial for the line of country. If they’d only left it alone, he said, in its own native condition, it would have been really pretty; but as they’d doctored it and spoilt it, why, there was nothing on earth to be done but just put up with it and whistle over it. What with the hounds, and the mortgages, and the settlements, and the red deer, and Goodwood, the estate couldn’t possibly afford any money for making alterations29 down in the gardens.
The dog-cart was in waiting at the station to carry Ernest up to the castle; and as he reached the front door, Lady Hilda Tregellis strolled up the broad flight of steps from the garden to meet him. Lady Hilda was tall and decidedly handsome, as Ernest had rightly told Edie, but not pretty, and she was also just twenty. There was a free, careless, bold look in her face, that showed her at once a girl of spirit; indeed, if she had not been born a Tregellis, it was quite clear that she would have been predestined to turn out a strong-minded woman. There was nothing particularly delicate in Lady Hilda’s features; they were well-modelled, but neither regular nor cold, nor with that peculiar30 stamp of artificial breeding which is so often found in the faces of English ladies. On the contrary, she looked like a perfectly31 self-confident handsome actress, too self-confident to be self-conscious, and accustomed to admiration32 wherever she turned. As Ernest jumped down from the dog-cart she advanced quickly to shake hands with him, and look him over critically from head to foot like a schoolboy taking stock of a new fellow.
‘I’m so glad you’ve come, Mr. Le Breton,’ she said, with an open smile upon her frank face. ‘I was dreadfully afraid you wouldn’t care for our proposition. Dunbude’s the dullest hole in England, and we want somebody here to brighten it up, sadly. Did you ever see such an ugly monstrosity before, anywhere?’
‘The country about’s lovely,’ Ernest answered, ‘but the house itself is certainly rather ugly.’
‘Ugly! It’s hideous33. And it’s as dull as it’s big,’ said Hilda vehemently34. ‘You can’t think what a time we have of it here half the year! I’m always longing35 for the season to come. Papa fills the house here with hunting men and shooting men—people without two ideas in their heads, you know, just like himself; and even THEY go out all day, and leave us women from morning till night to the society of their wives and daughters, who are exactly like them. Mr. Walsh—that’s Lynmouth’s last tutor—he was a perfect stick, a Cambridge man; Cambridge men always ARE sticks, I believe; you’re Oxford36, of course, aren’t you? I thought so. Still, even Mr. Walsh was a little society, for I assure you, if it hadn’t been for him, I should never have seen anybody, to talk to, from year’s end to year’s end. So when Mr. Walsh was going to leave us, I said to mamma, “Why not ask one of the Mr. Le Bretons?” I wanted to have somebody sensible here, and so I got her to let me write to your brother Ronald about the tutorship. Did he send you the letter? I hope you didn’t think it was mine. Mamma dictated37 it, for I don’t write such formal letters as that on my own account, I can tell you. I hate conventionality of any sort. At Dunbude we’re all conventional, except me; but I won’t be. Come up into the billiard-room, here, and sit down awhile; William will see about your portmanteau and things. Papa’s out, of course, and so’s Lynmouth; and mamma’s somewhere or other, I don’t know where; and so there’s nobody in particular at home for you to report yourself to. You may as well come in here while I ring for them to get you some lunch ready. Nobody ever gets anything ready beforehand in this house. We lunched ourselves an hour ago.’
Ernest smiled at her volubility, and followed her quickly into the big bare billiard-room. He walked over to the fire and began to warm himself, while Hilda took down a cue and made stray shots in extraordinary angles at impossible cannons38, all the time, as she went on talking to him. ‘Was it very cold on the way down?’ she asked.
‘Yes, fairly. I’m not sorry to see the fire again. Why, you’re quite an accomplished40 player.’
‘There’s nothing else to do at Dunbude, that’s why. I practise about half my lifetime. So I wrote to your brother Ronald, as I was telling you, from mamma’s dictation; and when I heard you were really coming, I was quite delighted about it. Do you remember, I met you twice last year, once at the Dolburys’, and once somewhere else; and I thought you’d be a very good sort of person for Dunbude, you know, and about as much use to Lynmouth as anybody could be, which isn’t saying much, of course, for he’s a dreadful pickle41. I insisted on putting in my letter that he was a dreadful pickle (that’s a good stroke off the red; just enough side on), though mamma didn’t want me to; because I thought you ought to know about it beforehand. But you remember him at Marlborough, of course; he was only a little fellow then, but still a pickle. He always was and he always will be. He’s out shooting, now, with papa; and you’ll never get him to settle down to anything, as long as there’s a snipe or a plover42 banging about on the moor anywhere. He’s quite incorrigible43. Do you play at all? Won’t you take a cue till your lunch’s ready?’
‘No, I don’t play,’ Ernest answered, half hesitating, ‘or at least very little.’
‘Oh, then you’ll learn here, because you’ll find nothing else to do. Do you shoot?’
‘Oh no, never. I don’t think it right.’
‘Ah, yes, I remember. How delightful44! Lady Le Breton told me all about it. You’ve got notions, haven’t you? You’re a Nihilist or a Fenian or something of that sort, and you don’t shoot anything but czars and grand dukes, do you? I believe you want to cut all our heads off and have a red republic. Well, I’m sure that’s very refreshing45; for down here we’re all as dull as sticks together; Tories, every one of us to a man; perfect unanimity46; no differences of opinion; all as conventional and proper as the vicar’s sermons. Now, to have somebody who wants to cut your head off, in the house, is really delightful. I love originality47. Not that I’ve ever seen anybody original in all my life, for I haven’t, but I’m sure it would be delightful if I did. One reads about original people in novels, you know, Dickens and that sort of thing; and I often think I should like to meet some of them (good stroke again; legs, legs, legs, if you please—no, it hasn’t legs enough); but here, or for the matter of that, in town either, we never see anybody but the same eternal round of Algies, and Monties, and Berties, and Hughs—all very nice young men, no doubt; exceedingly proper, nothing against them; good shots, capital partners, excellent families, everything on earth that anybody could desire, except a single atom of personal originality. I assure you, if they were all shaken up in a bag together and well mixed, in evening clothes (so as not to tell them apart by the tweeds, you know), their own mothers wouldn’t be able to separate them afterwards. But if you don’t shoot and don’t play billiards48, I’m sure I don’t know what you’ll ever find to do with yourself here at Dunbude.’
‘Don’t you think,’ Ernest said quietly, taking down a cue, ‘one ought to have something better to do with one’s time than shooting and playing billiards? In a world where so many labouring people are toiling49 and slaving in poverty and misery50 on our behalf, don’t you think we should be trying to do something or other in return for universal humanity, to whom we owe so much for our board and lodging51 and clothing and amusement?’
‘Well, now, that’s just what I mean,’ said Hilda ecstatically, with a neat shot off the cushion against the red and into the middle pocket; ‘that’s such a delightfully52 original way of looking at things, you see. We all of us here talk always about the partridges, and the red deer, and the turnips53, and the Church, and dear Lady This, and that odious54 Lady That, and the growing insolence55 of the farmers, and the shocking insubordination of the lower classes, and the difficulty of getting really good servants, and the dreadful way those horrid56 Irish are shooting their kind-hearted indulgent landlords; or else we talk—the women especially—about how awfully57 bored we are. Lawn-tennis, you know, and dinners, and what a bad match Ethel Thingumbob has made. But you talk another kind of slang; I dare say it doesn’t mean much; you know you’re not working at anything very much more serious than we are; still it’s a novelty. When we go to a coursing meeting, we’re all on the hounds; but you’re on the hare, and that’s so delightfully original. I haven’t the least doubt that if we were to talk about the Irish, you’d say you thought they ought to shoot their landlords. I remember you shocked mamma by saying something like it at the Dolburys’. Now, of course, it doesn’t matter to me a bit which is right; you say the poor tenants58 are starving, and papa says the poor landlords can’t get in their rents, and actually have to give up their hounds, poor fellows; and I don’t know which of you is the most to be believed; only, what papa says is just the same thing that everybody says, and what you say has a certain charming freshness and variety about it. It’s so funny to be told that one ought really to take the tenants into consideration. Exactly like your brother Ronald’s notions about servants!’
‘Your lunch is ready in the dining-room, sir,’ said a voice at the door.
‘Come back here when you’ve finished, Mr. Le Breton,’ Hilda called after him. ‘I’ll teach you how to make that cannon39 you missed just now. If you mean to exist at Dunbude at all, it’s absolutely necessary for you to learn billiards.’
Ernest turned in to lunch with an uncomfortable misgiving59 on his mind already that Dunbude was not exactly the right place for such a man as he to live in.
During the afternoon he saw nothing more of the family, save Lady Hilda; and it was not till the party assembled in the drawing-room before dinner that he met Lord and Lady Exmoor and his future pupil. Lynmouth had grown into a tall, handsome, manly-looking boy since Ernest last saw him; but he certainly looked exactly what Hilda had called him—a pickle. A few minutes’ introductory conversation sufficed to show Ernest that whatever mind he possessed60 was wholly given over to horses, dogs, and partridges, and that the post of tutor at Dunbude Castle was not likely to prove a bed of roses.
‘Seen the paper, Connemara?’ Lord Exmoor asked of one of his guests, as they sat down to dinner. ‘I haven’t had a moment myself to snatch a look at the “Times” yet this evening; I’m really too busy almost even to read the daily papers. Anything fresh from Ireland?’
‘Haven’t seen it either,’ Lord Connemara answered, glancing towards Lady Hilda. ‘Perhaps somebody else has looked at the papers’?’
Nobody answered, so Ernest ventured to remark that the Irish news was rather worse again. Two bailiffs had been murdered near Castlebar.
‘That’s bad,’ Lord Exmoor said, turning towards Ernest. ‘I’m afraid there’s a deal of distress61 in the West.’
‘A great deal,’ Ernest answered; ‘positive starvation, I believe, in some parts of County Galway.’
‘Well, not quite so bad as that,’ Lord Exmoor replied, a little startled. ‘I don’t think any of the landlords are actually starving yet, though I’ve no doubt many of them are put to very great straits indeed by their inability to get in their rents.’
Ernest couldn’t forbear gently smiling to himself at the misapprehension. ‘Oh, I didn’t mean the landlords,’ he said quickly: ‘I meant among the poor people.’ As he spoke62 he was aware that Lady Hilda’s eyes were fixed63 keenly upon him, and that she was immensely delighted at the temerity64 and originality displayed in the notion of his publicly taking Irish tenants into consideration at her father’s table.
‘Ah, the poor people,’ Lord Exmoor answered with a slight sigh of relief, as who should say that THEIR condition didn’t much matter to a philosophic65 mind. ‘Yes, to be sure; I’ve no doubt some of them are very badly off, poor souls. But then they’re such an idle improvident66 lot. Why don’t they emigrate now, I should like to know?’
Ernest reflected silently that the inmates68 of Dunbude Castle did not exactly set them a model of patient industry; and that Lady Hilda’s numerous allusions69 during the afternoon to the fact that the Dunbude estates were ‘mortgaged up to the eyelids’ (a condition of affairs to which she always alluded70 as though it were rather a subject of pride and congratulation than otherwise) did not speak very highly for their provident67 economy either. But even Ernest Le Breton had a solitary71 grain of worldly wisdom laid up somewhere in a corner of his brain, and he didn’t think it advisable to give them the benefit of his own views upon the subject.
‘There’s a great deal of rubbish talked in England about Irish affairs, you know, Exmoor,’ said Lord Connemara confidently. ‘People never understand Ireland, I’m sure, until they’ve actually lived there. Would you believe it now, the correspondent of one of the London papers was quite indignant the other day because my agent had to evict72 a man for three years’ rent at Ballynamara, and the man unfortunately went and died a week later on the public roadside. We produced medical evidence to show that he had suffered for years from heart disease, and would have died in any case, wherever he had been; but the editor fellow wanted to make political capital out of it, and kicked up quite a fuss about my agent’s shocking inhumanity. As if we could possibly help ourselves in the matter! People must get their rents in somehow, mustn’t they?’
‘People must get their rents in somehow, of course,’ Lord Exmoor assented73, sympathetically; ‘and I know all you men who are unlucky enough to own property in Ireland have a lot of trouble about it nowadays. Upon my word, what with Fenians, and what with Nihilists, and what with Communards, I really don’t know what the world is coming to.’
‘Most unchristian conduct, I call it,’ said Lady Exmoor, who went in for being mildly and decorously religious. ‘I really can’t understand how people can believe such wicked doctrines74 as these communistic notions that are coming over people in these latter days.’
‘No better than downright robbery,’ Lord Connemara answered. ‘Shaking the very foundations of society, I think it. All done so recklessly, too, without any care or any consideration.’
Ernest thought of old Max Schurz, with his lifelong economical studies, and wondered when Lord Connemara had found time to turn his own attention from foxes and fishing to economical problems; but, by a perfect miracle, he said nothing.
‘You wouldn’t believe the straits we’re put to, Lady Exmoor,’ the Irish Earl went on, ‘through this horrid no-rent business. Absolute poverty, I assure you—absolute downright poverty. I’ve had to sell the Maid of Garunda this week, you know, and three others of the best horses in my stable, just to raise money for immediate75 necessities. Wanted to buy a most interesting missal, quite unique in its way, offered me by Menotti and Cicolari, dirt cheap, for three thousand guineas. It’s quite a gem76 of late miniaturist art—vellum folio, with borders and head-pieces by Giulio Clovio. A marvellous bargain!’
‘Giulio Clovio,’ said Lord Exmoor, doubtfully. ‘Who was he? Never heard of him in my life before.’
‘Never heard of Giulio Clovio!’ cried Lord Connemara, seizing the opportunity with well-affected surprise. ‘You really astonish me. He was a Croatian, I believe, or an Illyrian—I forget which—and he studied at Rome under Giulio Romano. Wonderful draughtsman in the nude77, and fine colourist; took hints from Raphael and Michael Angelo.’ So much he had picked up from Menotti and Cicolari, and, being a distinguished connoisseur78, had made a mental note of the facts at once, for future reproduction upon a fitting occasion. ‘Well, this missal was executed for Cardinal79 Farnese, as a companion volume to the famous Vita Christi in the Towneley collection. You know it, of course, Lady Exmoor?’
‘Of course,’ Lady Exmoor answered faintly, with a devout80 hope that Lord Connemara wouldn’t question her any further upon the subject; in which case she thought it would probably be the safest guess to say that she had seen it at the British Museum or in the Hamilton Library.
But Lord Connemara luckily didn’t care to press his advantage. ‘The Towneley volume, you see,’ he went on fluently—he was primed to the muzzle81 with information on that subject—‘was given by the Cardinal to the Pope of that time—Paul the Third, wasn’t it, Mr. Le Breton?—and so got into the possession of old Christopher Towneley, the antiquary. But this companion folio, it seems, the Cardinal wouldn’t let go out of his own possession; and so it’s been handed down in his own family (with a bar sinister82, of course, Exmoor—you remember the story of Beatrice Malatesta?) to the present time. It’s very existence wasn’t suspected till Cicolari—wonderfully smart fellow, Cicolari—unearthed it the other day from a descendant of the Malatestas, in a little village in the Campagna. He offered it to me, quite as an act of friendship, for three thousand guineas; indeed, he begged me not to let Menotti know how cheap he was selling it, for fear he might interfere83 and ask a higher price for it. Well, I naturally couldn’t let such a chance slip me—for the credit of the family, it ought to be in the collection—and the consequence was, though I was awfully sorry to part with her, I was absolutely obliged to sell the Maid for pocket-money, Lady Hilda—I assure you, for pocket-money. My tenants won’t pay up, and nothing will make them. They’ve got the cash actually in the bank; but they keep it there, waiting for a set of sentimentalists in the House of Commons to interfere between us, and make them a present of my property. Rolling in money, some of them are, I can tell you. One man, I know as a positive fact, sold a pig last week, and yet pretends he can’t pay me. All the fault of these horrid communists that you were speaking of, Lady Exmoor—all the fault of these horrid communists.’
‘You’re rather a communist yourself, aren’t you, Mr. Le Breton?’ asked Lady Hilda boldly from across the table. ‘I remember you told me something once about cutting the throats of all the landlords.’
Lady Exmoor looked as though a bomb-shell had dropped into the drawing-room. ‘My dear Hilda,’ she said, ‘I’m sure you must have misunderstood Mr. Le Breton. You can’t have meant anything so dreadful as that, Mr. Le Breton, can you?’
‘Certainly not,’ Ernest answered, with a clear conscience. ‘Lady Hilda has put her own interpretation84 upon my casual words. I haven’t the least desire to cut anybody’s throat, even metaphorically85.’
Hilda looked a little disappointed; she had hoped for a good rattling86 discussion, in which Ernest was to shock the whole table—it does people such a lot of good, you know, to have a nice round shocking; but Ernest was evidently not inclined to show fight for her sole gratification, and so she proceeded to her alternative amusement of getting Lord Connemara to display the full force of his own inanity87. This was an easy and unending source of innocent enjoyment88 to Lady Hilda, enhanced by the fact that she knew her father and mother were anxious to see her Countess of Connemara, and that they would be annoyed by her public exposition of that eligible89 young man’s intense selfishness and empty-headedness.
Altogether, Ernest did not enjoy his first week at the Exmoors’. Nor did he enjoy the second, or the third, or the fourth week much better. The society was profoundly distasteful to him: the world was not his world, nor the talk his talk; and he grew so sick of the perpetual discussion of horses, dogs, pheasants, dances, and lawn tennis, with occasional digressions on Giulio Clovio and the Connemara gallery, that he found even a chat with Lady Hilda (who knew and cared for nothing, but liked to chat with him because he was ‘so original’) a pleasant relief, by comparison, from the eternal round of Lord Exmoor’s anecdotes90 about famous racers or celebrated91 actresses. But worst of all he did not like his work; he felt that, useless as he considered it, he was not successfully performing even the useless function he was paid to fulfil. Lynmouth couldn’t learn, wouldn’t learn, and wasn’t going to learn. Ernest might as well have tried to din2 the necessary three plays of Euripides into the nearest lamp-post. Nobody encouraged him to learn in any way, indeed Lord Exmoor remembered that he himself had scraped through somehow at Christ Church, with the aid of a private tutor and the magic of his title, and he hadn’t the least doubt that Lynmouth would scrape through in his turn in like manner. And so, though most young men would have found the Dunbude tutorship the very acme92 of their wishes—plenty of amusements and nothing to do for them—Ernest Le Breton found it to the last degree irksome and unsatisfactory. Not that he had ever to complain of any unkindliness on the part of the Exmoor family; they were really in their own way very kind-hearted, friendly sort of people—that is to say, towards all members of their own circle; and as they considered Ernest one of themselves, in virtue93 of their acquaintance with his mother, they really did their best to make him as happy and comfortable as was in their power. But then he was such a very strange young man! ‘For what on earth can you do,’ as Lord Exmoor justly asked, ‘with a young fellow who won’t shoot, and who won’t fish, and who won’t hunt, and who won’t even play lansquenet?’ Such a case was clearly hopeless. He would have liked to see more of Miss Merivale, little Lady Sybil’s governess (for there were three children in the family); but Miss Merivale was a timid, sensitive girl, and she did not often encourage his advances, lest my lady should say she was setting her cap at the tutor. The consequence was that he was necessarily thrown much upon Lady Hilda’s society; and as Lady Hilda was laudably eager to instruct him in billiards, lawn tennis, and sketching94, he rapidly grew to be quite an adept95 at those relatively96 moral and innocuous amusements, under her constant instruction and supervision97.
‘It seems to me,’ said that acute observer, Lord Lynmouth, to his special friend and confidante, the lady’s-maid, ‘that Hilda makes a doocid sight too free with that fellow Le Breton. Don’t you think so, Euphemia?’
‘I should hope, my lord,’ Euphemia answered demurely98, ‘that Lady Hilda would know her own place too well to demean herself with such as your lordship’s tutor. If I didn’t feel sure of that, I should have to mention the matter seriously to my lady.’
Nevertheless, the lady’s-maid immediately stored up a mental note on the subject in the lasting99 tablets of her memory, and did not fail gently to insinuate100 her views upon the question to Lady Exmoor, as she arranged the pearls in the false plaits for dinner that very evening.
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moor
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| n.荒野，沼泽；vt.(使)停泊；vi.停泊 | |
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din
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| n.喧闹声，嘈杂声 | |
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bishop
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| n.主教，（国际象棋）象 | |
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cleave
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| v．(clave；cleaved)粘着，粘住；坚持；依恋 | |
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granite
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| adj.花岗岩，花岗石 | |
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6
swells
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| 增强( swell的第三人称单数 )； 肿胀； （使）凸出； 充满（激情） | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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strictly
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| adv.严厉地，严格地；严密地 | |
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impartially
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| adv.公平地，无私地 | |
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eminent
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| adj.显赫的，杰出的，有名的，优良的 | |
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conspire
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| v.密谋，（事件等）巧合，共同导致 | |
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portico
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| n.柱廊，门廊 | |
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attic
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| n.顶楼，屋顶室 | |
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extorted
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| v.敲诈( extort的过去式和过去分词 )；曲解 | |
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ingenuity
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| n.别出心裁；善于发明创造 | |
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remains
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| n.剩余物，残留物；遗体，遗迹 | |
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boulders
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| n.卵石( boulder的名词复数 )；巨砾；（受水或天气侵蚀而成的）巨石；漂砾 | |
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strew
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| vt.撒；使散落；撒在…上，散布于 | |
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torrent
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| n.激流，洪流；爆发，(话语等的)连发 | |
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unwilling
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| adj.不情愿的 | |
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coerced
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| v.迫使做( coerce的过去式和过去分词 )；强迫；（以武力、惩罚、威胁等手段）控制；支配 | |
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intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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eminently
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| adv.突出地；显著地；不寻常地 | |
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cascades
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| 倾泻( cascade的名词复数 )； 小瀑布（尤指一连串瀑布中的一支）； 瀑布状物； 倾泻（或涌出）的东西 | |
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pretence
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| n.假装，作假；借口，口实；虚伪；虚饰 | |
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exterior
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| adj.外部的，外在的；表面的 | |
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frankly
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| adv.坦白地，直率地；坦率地说 | |
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alterations
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| n.改动( alteration的名词复数 )；更改；变化；改变 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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admiration
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| n.钦佩，赞美，羡慕 | |
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hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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vehemently
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| adv. 热烈地 | |
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longing
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| n.（for）渴望 | |
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Oxford
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| n.牛津（英国城市） | |
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dictated
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| v.大声讲或读( dictate的过去式和过去分词 )；口授；支配；摆布 | |
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cannons
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| n.加农炮，大炮，火炮( cannon的名词复数 ) | |
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cannon
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| n.大炮，火炮；飞机上的机关炮 | |
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accomplished
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| adj.有才艺的；有造诣的；达到了的 | |
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pickle
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| n.腌汁，泡菜；v.腌，泡 | |
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plover
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| n.珩，珩科鸟，千鸟 | |
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incorrigible
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| adj.难以纠正的，屡教不改的 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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refreshing
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| adj.使精神振作的，使人清爽的，使人喜欢的 | |
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unanimity
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| n.全体一致，一致同意 | |
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originality
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| n.创造力，独创性；新颖 | |
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billiards
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| n.台球 | |
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toiling
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| 长时间或辛苦地工作( toil的现在分词 )； 艰难缓慢地移动，跋涉 | |
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misery
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| n.痛苦，苦恼，苦难；悲惨的境遇，贫苦 | |
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lodging
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| n.寄宿，住所；(大学生的)校外宿舍 | |
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delightfully
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| 大喜，欣然 | |
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53
turnips
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| 芜青( turnip的名词复数 )； 芜菁块根； 芜菁甘蓝块根； 怀表 | |
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odious
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| adj.可憎的，讨厌的 | |
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insolence
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| n.傲慢；无礼；厚颜；傲慢的态度 | |
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horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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tenants
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| n.房客( tenant的名词复数 )；佃户；占用者；占有者 | |
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misgiving
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| n.疑虑，担忧，害怕 | |
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possessed
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| adj.疯狂的；拥有的，占有的 | |
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distress
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| n.苦恼，痛苦，不舒适；不幸；vt.使悲痛 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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temerity
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| n.鲁莽，冒失 | |
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philosophic
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| adj.哲学的，贤明的 | |
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improvident
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| adj.不顾将来的，不节俭的，无远见的 | |
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provident
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| adj.为将来做准备的，有先见之明的 | |
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inmates
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| n.囚犯( inmate的名词复数 ) | |
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allusions
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| 暗指，间接提到( allusion的名词复数 ) | |
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alluded
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| 提及，暗指( allude的过去式和过去分词 ) | |
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solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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evict
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| vt.驱逐，赶出，撵走 | |
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assented
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| 同意，赞成( assent的过去式和过去分词 ) | |
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doctrines
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| n.教条( doctrine的名词复数 )；教义；学说；（政府政策的）正式声明 | |
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immediate
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| adj.立即的；直接的，最接近的；紧靠的 | |
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gem
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| n.宝石，珠宝；受爱戴的人 [同]jewel | |
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nude
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| adj.裸体的；n.裸体者，裸体艺术品 | |
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connoisseur
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| n.鉴赏家，行家，内行 | |
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cardinal
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| n.(天主教的)红衣主教；adj.首要的，基本的 | |
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devout
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| adj.虔诚的，虔敬的，衷心的 (n.devoutness) | |
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81
muzzle
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| n.鼻口部；口套；枪(炮)口；vt.使缄默 | |
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sinister
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| adj.不吉利的，凶恶的，左边的 | |
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interfere
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| v.(in)干涉，干预；(with)妨碍，打扰 | |
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interpretation
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| n.解释，说明，描述；艺术处理 | |
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metaphorically
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| adv. 用比喻地 | |
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86
rattling
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| adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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inanity
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| n.无意义，无聊 | |
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88
enjoyment
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| n.乐趣；享有；享用 | |
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89
eligible
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| adj.有条件被选中的；(尤指婚姻等)合适(意)的 | |
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anecdotes
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| n.掌故，趣闻，轶事( anecdote的名词复数 ) | |
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celebrated
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| adj.有名的，声誉卓著的 | |
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acme
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| n.顶点，极点 | |
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93
virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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sketching
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| n.草图 | |
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adept
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| adj.老练的，精通的 | |
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96
relatively
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| adv.比较...地，相对地 | |
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97
supervision
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| n.监督，管理 | |
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98
demurely
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| adv.装成端庄地，认真地 | |
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99
lasting
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| adj.永久的，永恒的；vbl.持续，维持 | |
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100
insinuate
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| vt.含沙射影地说，暗示 | |
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