IX. THE ROMANCE OF THE CLASH OF RACES.

The world has expanded faster in the last thirty years than in any previous age since "the spacious¹ days of great Elizabeth." And with its expansion, of course, our ideas have widened. I believe Europe is now in the midst of just such an outburst of thought and invention as that which followed the discovery of America, and of the new route to India by the Cape² of Good Hope. But I don't want to insist too strongly upon that point, because I know a great many of my contemporaries are deeply hurt by the base and spiteful suggestion that they and their fellows are really quite as good as any fish that ever came out of the sea before them. I only desire now to call attention for a moment to one curious result entailed³ by this widening of the world upon our literary productivity—a result which, though obvious enough when one comes to look at it, seems to me hitherto to have strangely escaped deliberate notice.

In one word, the point of which I speak is the comparative cosmopolitanisation of letters, and especially the introduction into literary art of the phenomena⁴ due to the Clash of Races.

This Clash itself is the one picturesque⁵ and novel feature of our otherwise somewhat prosaic⁶ and machine-made epoch⁷; and, therefore, it has been eagerly seized upon, with one accord, by all the chief purveyors of recent literature, and especially of fiction. They have espied⁸ in it, with technical instinct, the best chance for obtaining that fresh interest which is essential to the success of a work of art. We were all getting somewhat tired, it must be confessed, of the old places and the old themes. The insipid⁹ loves of Anthony Trollope's blameless young people were beginning to pall¹⁰ upon us. The jaded¹¹ palate of the Anglo-Celtic race pined for something hot, with a touch of fresh spice in it. It demanded curried¹² fowl¹³ and Jamaica peppers. Hence, on the one hand, the sudden vogue¹⁴ of the novelists of the younger countries—Tolstoi and Tourgenieff, Ibsen and Bjornson, Mary Wilkins and Howells —who transplanted us at once into fresh scenes, new people: hence, on the other hand, the tendency on the part of our own latest writers—the Stevensons, the Hall Caines, the Marion Crawfords, the Rider Haggards—to go far afield among the lower races or the later civilisations for the themes of their romances.

Alas¹⁶, alas, I see breakers before me! Must I pause for a moment in the flowing current of a paragraph to explain, as in an aside, that I include Marion Crawford of set purpose among "our own" late writers, while I count Mary Wilkins and Howells as Transatlantic aliens? Experience teaches me that I must; else shall I have that annoying animalcule, the microscopic¹⁷ critic, coming down upon me in print with his petty objection that "Mr. Crawford is an American." Go to, oh, blind one! And Whistler also, I suppose, and Sargent, and, perhaps, Ashmead Bartlett! What! have you read "Sarracinesca" and not learnt that its author is European to the core? 'Twas for such as you that the Irishman invented his brilliant retort: "And if I was born in a stable would I be a horse?"

Not merely, however, do our younger writers go into strange and novel places for the scenes of their stories; the important point to notice in the present connection is that, consciously or unconsciously to themselves, they have perceived the mighty¹⁸ influence of this Clash of Races, and have chosen the relations of the civilised people with their savage¹⁹ allies, or enemies, or subjects, as the chief theme of their handicraft. 'Tis a momentous²⁰ theme, for it encloses in itself half the problems of the future. The old battles are now well-nigh fought out; but new ones are looming²¹ ahead for us. The cosmopolitanisation of the world is introducing into our midst strange elements of discord²². A conglomerate²³ of unwelded ethnical elements usurps²⁴ the stage of history. America and South Africa have already their negro question; California and Australia have already their Chinese question; Russia is fast getting her Asiatic, her Mahommedan question. Even France, the most narrowly European in interest of European countries, has yet her Algeria, her Tunis, her Tonquin. Spain has Cuba and the Philippines. Holland has Java. Germany is burdening herself with the unborn troubles of a Hinterland. And as for England, she staggers on still under the increasing load of India, Hong Kong, Singapore, South Africa, the West Indies, Fiji, New Guinea, North Borneo—all of them rife²⁵ with endless race-questions, all pregnant with difficulties.

Who can be surprised that amid this seething²⁶ turmoil²⁷ of colours, instincts, creeds²⁸, and languages, art should have fastened upon the race-problems as her great theme for the moment? And she has fastened upon them everywhere. France herself has not been able to avoid the contagion²⁹. Pierre Loti is the most typical French representative of this vagabond spirit; and the question of the peoples naturally envisages³⁰ itself to his mind in true Gallic fashion in the "Mariage de Loti" and in "Madame Chrysanthème." He sees it through a halo of vague sexual sentimentalism. In England, it was Rider Haggard from the Cape who first set the mode visibly; and nothing is more noteworthy in all his work than the fact that the interest mainly centres in the picturesque juxtaposition³¹ and contrast of civilisation¹⁵ and savagery³². Once the cue was given, what more natural than that young Rudyard Kipling, fresh home from India, brimming over with genius and with knowledge of two concurrent³³ streams of life that flow on side by side yet never mingle³⁴, should take up his parable³⁵ in due course, and storm us all by assault with his light field artillery³⁶? Then Robert Louis Stevenson, born a wandering Scot, with roving Scandinavian and fiery³⁷ Celtic blood in his veins³⁸, must needs settle down, like a Viking that he is, in far Samoa, there to charm and thrill us by turns with the romance of Polynesia. The example was catching³⁹. Almost without knowing it, other writers have turned for subjects to similar fields. "Dr. Isaacs," "Paul Patoff," "By Proxy," were upon us. Even Hall Caine himself, in some ways a most insular⁴⁰ type of genius, was forced in "The Scapegoat⁴¹" to carry us off from Cumberland and Man to Morocco. Sir Edwin Arnold inflicts⁴² upon us the tragedies of Japan. I have been watching this tendency long myself with the interested eye of a dealer⁴³ engaged in the trade, and therefore anxious to keep pace with every changing breath of popular favour: and I notice a constant increase from year to year in the number of short stories in magazines and newspapers dealing⁴⁴ with the romance of the inferior races. I notice, also, that such stories are increasingly successful with the public. This shows that, whether the public knows it or not itself, the question of race is interesting it more and more. It is gradually growing to understand the magnitude of the change that has come over civilisation by the inclusion of Asia, Africa, and Australasia within its circle. Even the Queen is learning Hindustani.

There is a famous passage in Green's "Short History of the English People" which describes in part that strange outburst of national expansion under Elizabeth, when Raleigh, Drake, and Frobisher scoured⁴⁵ the distant seas, and when at home "England became a nest of singing birds," with Shakespeare, Spenser, Fletcher, and Marlow. "The old sober notions of thrift," says the picturesque historian, "melted before the strange revolutions of fortune wrought⁴⁶ by the New World. Gallants gambled away a fortune at a sitting, and sailed off to make a fresh one in the Indies." (Read rather to-day at Kimberley, Johannesburg, Vancouver.) "Visions of galleons⁴⁷ loaded to the brim with pearls and diamonds and ingots of silver, dreams of El Dorados where all was of gold, threw a haze⁴⁸ of prodigality⁴⁹ and profusion⁵⁰ over the imagination of the meanest seaman⁵¹. The wonders, too, of the New World kindled⁵² a burst of extravagant⁵³ fancy in the Old. The strange medley⁵⁴ of past and present which distinguishes its masques and feastings only reflected the medley of men's thoughts.... A 'wild man' from the Indies chanted the Queen's praises at Kenilworth, and Echo answered him. Elizabeth turned from the greetings of sibyls and giants to deliver the enchanted⁵⁵ lady from her tyrant⁵⁶, 'Sans Pitie.' Shepherdesses welcomed her with carols of the spring, while Ceres and Bacchus poured their corn and grapes at her feet." Oh, gilded⁵⁷ youth of the Gaiety, mutato nomine de te Fabula narratur. Yours, yours is this glory!

For our own age, too, is a second Elizabethan. It blossoms out daily into such flowers of fancy as never bloomed before, save then, on British soil. When men tell you nowadays we have "no great writers left," believe not the silly parrot cry. Nay⁵⁸, rather, laugh it down for them. We move in the midst of one of the mightiest⁵⁹ epochs earth has ever seen, an epoch which will live in history hereafter side by side with the Athens of Pericles, the Rome of Augustus, the Florence of Lorenzo, the England of Elizabeth. Don't throw away your birthright by ignoring the fact. Live up to your privileges. Gaze around you and know. Be a conscious partaker in one of the great ages of humanity.

1 spacious   

adj.广阔的，宽敞的

参考例句：

• Our yard is spacious enough for a swimming pool.我们的院子很宽敞，足够建一座游泳池。
• The room is bright and spacious.这房间很豁亮。

2 cape   

n.海角，岬；披肩，短披风

参考例句：

• I long for a trip to the Cape of Good Hope.我渴望到好望角去旅行。
• She was wearing a cape over her dress.她在外套上披着一件披肩。

3 entailed   

使…成为必要( entail的过去式和过去分词 )； 需要； 限定继承； 使必需

参考例句：

• The castle and the land are entailed on the eldest son. 城堡和土地限定由长子继承。
• The house and estate are entailed on the eldest daughter. 这所房子和地产限定由长女继承。

4 phenomena   

n.现象

参考例句：

• Ade couldn't relate the phenomena with any theory he knew.艾德无法用他所知道的任何理论来解释这种现象。
• The object of these experiments was to find the connection,if any,between the two phenomena.这些实验的目的就是探索这两种现象之间的联系，如果存在着任何联系的话。

5 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

6 prosaic   

adj.单调的，无趣的

参考例句：

• The truth is more prosaic.真相更加乏味。
• It was a prosaic description of the scene.这是对场景没有想象力的一个描述。

7 epoch   

n.(新)时代；历元

参考例句：

• The epoch of revolution creates great figures.革命时代造就伟大的人物。
• We're at the end of the historical epoch,and at the dawn of another.我们正处在一个历史时代的末期，另一个历史时代的开端。

8 espied   

v.看到( espy的过去式和过去分词 )

参考例句：

• One day a youth espied her as he was hunting.She saw him and recognized him as her own son, mow grown a young man. 一日，她被一个正在行猎的小伙子看见了，她认出来这个猎手原来是自己的儿子，现在已长成为一个翩翩的少年。 来自《简明英汉词典》
• In a little while he espied the two giants. 一会儿就看见了那两个巨人。 来自辞典例句

9 insipid   

adj.无味的，枯燥乏味的，单调的

参考例句：

• The food was rather insipid and needed gingering up.这食物缺少味道，需要加点作料。
• She said she was a good cook,but the food she cooked is insipid.她说她是个好厨师，但她做的食物却是无味道的。

10 pall   

v.覆盖，使平淡无味；n.柩衣，棺罩；棺材；帷幕

参考例句：

• Already the allure of meals in restaurants had begun to pall.饭店里的饭菜已经不像以前那样诱人。
• I find his books begin to pall on me after a while.我发觉他的书读过一阵子就开始对我失去吸引力。

11 jaded   

adj.精疲力竭的；厌倦的；（因过饱或过多而）腻烦的；迟钝的

参考例句：

• I felt terribly jaded after working all weekend. 整个周末工作之后我感到疲惫不堪。
• Here is a dish that will revive jaded palates. 这道菜简直可以恢复迟钝的味觉。 来自《简明英汉词典》

12 curried   

adj.加了咖喱（或咖喱粉的），用咖哩粉调理的

参考例句：

• She curried favor with the leader by contemptible means. 她用卑鄙的手段博取领导的欢心。 来自互联网
• Fresh ham, curried beef? 鲜火腿？咖喱牛肉？ 来自互联网

13 fowl   

n.家禽，鸡，禽肉

参考例句：

• Fowl is not part of a traditional brunch.禽肉不是传统的早午餐的一部分。
• Since my heart attack,I've eaten more fish and fowl and less red meat.自从我患了心脏病后，我就多吃鱼肉和禽肉，少吃红色肉类。

14 Vogue   

n.时髦，时尚；adj.流行的

参考例句：

• Flowery carpets became the vogue.花卉地毯变成了时髦货。
• Short hair came back into vogue about ten years ago.大约十年前短发又开始流行起来了。

15 civilisation   

n.文明，文化，开化，教化

参考例句：

• Energy and ideas are the twin bases of our civilisation.能源和思想是我们文明的两大基石。
• This opera is one of the cultural totems of Western civilisation.这部歌剧是西方文明的文化标志物之一。

16 alas   

int.唉(表示悲伤、忧愁、恐惧等)

参考例句：

• Alas!The window is broken!哎呀！窗子破了！
• Alas,the truth is less romantic.然而，真理很少带有浪漫色彩。

17 microscopic   

adj.微小的，细微的，极小的，显微的

参考例句：

• It's impossible to read his microscopic handwriting.不可能看清他那极小的书写字迹。
• A plant's lungs are the microscopic pores in its leaves.植物的肺就是其叶片上微细的气孔。

18 mighty   

adj.强有力的；巨大的

参考例句：

• A mighty force was about to break loose.一股巨大的力量即将迸发而出。
• The mighty iceberg came into view.巨大的冰山出现在眼前。

19 savage   

adj.野蛮的；凶恶的，残暴的；n.未开化的人

参考例句：

• The poor man received a savage beating from the thugs.那可怜的人遭到暴徒的痛打。
• He has a savage temper.他脾气粗暴。

20 momentous   

adj.重要的，重大的

参考例句：

• I am deeply honoured to be invited to this momentous occasion.能应邀出席如此重要的场合，我深感荣幸。
• The momentous news was that war had begun.重大的新闻是战争已经开始。

21 looming   

n.上现蜃景（光通过低层大气发生异常折射形成的一种海市蜃楼）v.隐约出现，阴森地逼近( loom的现在分词 )；隐约出现，阴森地逼近

参考例句：

• The foothills were looming ahead through the haze. 丘陵地带透过薄雾朦胧地出现在眼前。 来自《简明英汉词典》
• Then they looked up. Looming above them was Mount Proteome. 接着他们往上看，在其上隐约看到的是蛋白质组山。 来自英汉非文学 - 生命科学 - 回顾与展望

22 discord   

n.不和，意见不合，争论，（音乐）不和谐

参考例句：

• These two answers are in discord.这两个答案不一样。
• The discord of his music was hard on the ear.他演奏的不和谐音很刺耳。

23 conglomerate   

n.综合商社，多元化集团公司

参考例句：

• The firm has been taken over by an American conglomerate.该公司已被美国一企业集团接管。
• An American conglomerate holds a major share in the company.一家美国的大联合企业持有该公司的大部分股份。

24 usurps   

篡夺，霸占( usurp的第三人称单数 )； 盗用； 篡夺，篡权

参考例句：

• The domestic and foreign each big bank also allin abundance usurps the credit card market. 国内外的各大银行也都纷纷强占信用卡市场。

25 rife   

adj.(指坏事情)充斥的，流行的，普遍的

参考例句：

• Disease is rife in the area.疾病在这一区很流行。
• Corruption was rife before the election.选举之前腐败盛行。

26 seething   

沸腾的，火热的

参考例句：

• The stadium was a seething cauldron of emotion. 体育场内群情沸腾。
• The meeting hall was seething at once. 会场上顿时沸腾起来了。

27 turmoil   

n.骚乱，混乱，动乱

参考例句：

• His mind was in such a turmoil that he couldn't get to sleep.内心的纷扰使他无法入睡。
• The robbery put the village in a turmoil.抢劫使全村陷入混乱。

28 creeds   

（尤指宗教）信条，教条( creed的名词复数 )

参考例句：

• people of all races, colours and creeds 各种种族、肤色和宗教信仰的人
• Catholics are agnostic to the Protestant creeds. 天主教徒对于新教教义来说，是不可知论者。

29 contagion   

n.(通过接触的疾病)传染；蔓延

参考例句：

• A contagion of fear swept through the crowd.一种恐惧感在人群中迅速蔓延开。
• The product contagion effect has numerous implications for marketing managers and retailers.产品传染效应对市场营销管理者和零售商都有很多的启示。

30 envisages   

想像，设想( envisage的第三人称单数 )

参考例句：

• The board envisages that there will be a high profit. 董事会预期将会获得高额利润。
• The paper reviews and envisages the development trend of carbon electrode. 本文对炭电极的发展方向做了回顾与展望。

31 juxtaposition   

n.毗邻，并置，并列

参考例句：

• The juxtaposition of these two remarks was startling.这两句话连在一起使人听了震惊。
• It is the result of the juxtaposition of contrasting colors.这是并列对比色的结果。

32 savagery   

n.野性

参考例句：

• The police were shocked by the savagery of the attacks.警察对这些惨无人道的袭击感到震惊。
• They threw away their advantage by their savagery to the black population.他们因为野蛮对待黑人居民而丧失了自己的有利地位。

33 concurrent   

adj.同时发生的，一致的

参考例句：

• You can't attend two concurrent events!你不能同时参加两项活动！
• The twins had concurrent birthday. 双胞胎生日在同一天。

34 mingle   

vt.使混合，使相混；vi.混合起来；相交往

参考例句：

• If we mingle with the crowd,we should not be noticed.如果我们混在人群中，就不会被注意到。
• Oil will not mingle with water.油和水不相融。

35 parable   

n.寓言，比喻

参考例句：

• This is an ancient parable.这是一个古老的寓言。
• The minister preached a sermon on the parable of the lost sheep.牧师讲道时用了亡羊的比喻。

36 artillery   

n.(军)火炮，大炮；炮兵(部队)

参考例句：

• This is a heavy artillery piece.这是一门重炮。
• The artillery has more firepower than the infantry.炮兵火力比步兵大。

37 fiery   

adj.燃烧着的，火红的；暴躁的；激烈的

参考例句：

• She has fiery red hair.她有一头火红的头发。
• His fiery speech agitated the crowd.他热情洋溢的讲话激动了群众。

38 veins   

n.纹理；矿脉( vein的名词复数 )；静脉；叶脉；纹理

参考例句：

• The blood flows from the capillaries back into the veins. 血从毛细血管流回静脉。 来自《简明英汉词典》
• I felt a pleasant glow in all my veins from the wine. 喝过酒后我浑身的血都热烘烘的，感到很舒服。 来自《简明英汉词典》

39 catching   

adj.易传染的，有魅力的，迷人的，接住

参考例句：

• There are those who think eczema is catching.有人就是认为湿疹会传染。
• Enthusiasm is very catching.热情非常富有感染力。

40 insular   

adj.岛屿的，心胸狭窄的

参考例句：

• A continental climate is different from an insular one.大陆性气候不同于岛屿气候。
• Having lived in one place all his life,his views are insular.他一辈子住在一个地方，所以思想狭隘。

41 scapegoat   

n.替罪的羔羊，替人顶罪者；v.使…成为替罪羊

参考例句：

• He has been made a scapegoat for the company's failures.他成了公司倒闭的替罪羊。
• They ask me to join the party so that I'll be their scapegoat when trouble comes.他们想叫我入伙，出了乱子，好让我替他们垫背。

42 inflicts   

把…强加给，使承受，遭受( inflict的第三人称单数 )

参考例句：

• Bullfrog 50 Inflicts poison when your enemy damages you at short range. 牛娃50对近距离攻击你的敌人造成毒伤。
• The U.S. always inflicts its concept of human nature on other nations. 美国总是把自己的人权观念强加于别国。

43 dealer   

n.商人，贩子

参考例句：

• The dealer spent hours bargaining for the painting.那个商人为购买那幅画花了几个小时讨价还价。
• The dealer reduced the price for cash down.这家商店对付现金的人减价优惠。

44 dealing   

n.经商方法，待人态度

参考例句：

• This store has an excellent reputation for fair dealing.该商店因买卖公道而享有极高的声誉。
• His fair dealing earned our confidence.他的诚实的行为获得我们的信任。

45 scoured   

走遍（某地）搜寻（人或物）( scour的过去式和过去分词 )； （用力）刷； 擦净； 擦亮

参考例句：

• We scoured the area for somewhere to pitch our tent. 我们四处查看，想找一个搭帐篷的地方。
• The torrents scoured out a channel down the hill side. 急流沿着山腰冲刷出一条水沟。

46 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

47 galleons   

n.大型帆船( galleon的名词复数 )

参考例句：

• The larger galleons made in at once for Corunna. 那些较大的西班牙帆船立即进入科普尼亚。 来自互联网
• A hundred thousand disguises, all for ten Galleons! 千万张面孔，变化无穷，只卖十个加隆！ 来自互联网

48 haze   

n.霾，烟雾；懵懂，迷糊；vi.(over)变模糊

参考例句：

• I couldn't see her through the haze of smoke.在烟雾弥漫中，我看不见她。
• He often lives in a haze of whisky.他常常是在威士忌的懵懂醉意中度过的。

49 prodigality   

n.浪费，挥霍

参考例句：

• Laughter is easier minute by minute, spilled with prodigality. 笑声每时每刻都变得越来越容易，毫无节制地倾泻出来。 来自辞典例句
• Laughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word. 笑声每时每刻都变得越来越容易，毫无节制地倾泻出来，只要一句笑话就会引起哄然大笑。 来自英汉文学 - 盖茨比

50 profusion   

n.挥霍；丰富

参考例句：

• He is liberal to profusion.他挥霍无度。
• The leaves are falling in profusion.落叶纷纷。

51 seaman   

n.海员，水手，水兵

参考例句：

• That young man is a experienced seaman.那个年轻人是一个经验丰富的水手。
• The Greek seaman went to the hospital five times.这位希腊海员到该医院去过五次。

52 kindled   

（使某物）燃烧，着火( kindle的过去式和过去分词 )； 激起（感情等）； 发亮，放光

参考例句：

• We watched as the fire slowly kindled. 我们看着火慢慢地燃烧起来。
• The teacher's praise kindled a spark of hope inside her. 老师的赞扬激起了她内心的希望。

53 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

54 medley   

n.混合

参考例句：

• Today's sports meeting doesn't seem to include medley relay swimming.现在的运动会好象还没有混合接力泳这个比赛项目。
• China won the Men's 200 metres Individual Medley.中国赢得了男子200米个人混合泳比赛。

55 enchanted   

adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词

参考例句：

• She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
• He was enchanted by the idea. 他为这个主意而欣喜若狂。

56 tyrant   

n.暴君，专制的君主，残暴的人

参考例句：

• The country was ruled by a despotic tyrant.该国处在一个专制暴君的统治之下。
• The tyrant was deaf to the entreaties of the slaves.暴君听不到奴隶们的哀鸣。

57 gilded   

a.镀金的，富有的

参考例句：

• The golden light gilded the sea. 金色的阳光使大海如金子般闪闪发光。
• "Friends, they are only gilded disks of lead!" "朋友们，这只不过是些镀金的铅饼！ 来自英汉文学 - 败坏赫德莱堡

58 nay   

adv.不；n.反对票，投反对票者

参考例句：

• He was grateful for and proud of his son's remarkable,nay,unique performance.他为儿子出色的，不，应该是独一无二的表演心怀感激和骄傲。
• Long essays,nay,whole books have been written on this.许多长篇大论的文章，不，应该说是整部整部的书都是关于这件事的。

59 mightiest   

adj.趾高气扬( mighty的最高级 )；巨大的；强有力的；浩瀚的

参考例句：

• \"If thou fearest to leave me in our cottage, thou mightiest take me along with thee. “要是你害怕把我一个人留在咱们的小屋里，你可以带我一块儿去那儿嘛。 来自英汉文学 - 红字
• Silent though is, after all, the mightiest agent in human affairs. 确实，沉默毕竟是人类事件中最强大的代理人。 来自互联网