XIII. CONCERNING ZEITGEIST.

A certain story is told about Mr. Ruskin, no doubt apocryphal¹, but at any rate characteristic. A young lady, fresh from the Abyss of Bayswater, met the sage² one evening at dinner—a gushing³ young lady, as many such there be—who, aglow⁴ with joy, boarded the Professor at once with her private art-experiences. "Oh, Mr. Ruskin," she cried, clasping her hands, "do you know, I hadn't been two days in Florence before I discovered what you meant when you spoke⁵ about the supreme⁶ unapproachableness of Botticelli." "Indeed?" Ruskin answered. "Well, that's very remarkable⁷; for it took me, myself, half a lifetime to discover it."

The answer, of course, was meant to be crushing. How should she, a brand plucked from the burning of Bayswater, be able all at once, on the very first blush, to appreciate Botticelli? And it took the greatest critic of his age half a lifetime! Yet I venture to maintain, for all that, that the young lady was right, and that the critic was wrong—if such a thing be conceivable. I know, of course, that when we speak of Ruskin we must walk delicately, like Agag. But still, I repeat it, the young lady was right; and it was largely the unconscious, pervasive⁸ action of Mr. Ruskin's own personality that enabled her to be so.

It's all the Zeitgeist: that's where it is. The slow irresistible⁹ Zeitgeist. Fifty years ago, men's taste had been so warped¹⁰ and distorted by current art and current criticism that they couldn't see Botticelli, however hard they tried at it. He was a sealed book to our fathers. In those days it required a brave, a vigorous, and an original thinker to discover any merit in any painter before Raffael, except perhaps, as Goldsmith wisely remarked, Perugino. The man who went then to the Uffizi or the Pitti, after admiring as in duty bound his High Renaissance¹¹ masters, found himself suddenly confronted with the Judith or the Calumny¹², and straightway wondered what manner of strange wild beasts these were that some insane early Tuscan had once painted to amuse himself in a lucid¹³ interval¹⁴. They were not in the least like the Correggios and the Guidos, the Lawrences and the Opies, that the men of that time had formed their taste upon, and accepted as their sole artistic¹⁵ standards. To people brought up upon pure David and Thorvaldsen, the Primavera at the Belle¹⁶ Arti must naturally have seemed like a wild freak of madness. The Zeitgeist then went all in the direction of cold lifeless correctness; the idea that the painter's soul counted for something in art was an undreamt of heresy¹⁷.

On your way back from Paris some day, stop a night at Amiens and take the Cathedral seriously. Half the stately interior of that glorious thirteenth century pile is encrusted and overlaid by hideous¹⁸ gewgaw monstrosities of the flashiest Bernini and baroque period. There they sprawl¹⁹ their obtrusive²⁰ legs and wave their flaunting²¹ theatrical²² wings to the utter destruction of all repose²³ and consistency²⁴ in one of the noblest and most perfect buildings of Europe. Nowadays, any child, any workman can see at a glance how ugly and how disfiguring those floppy²⁵ creatures are; it is impossible to look at them without saying to oneself: "Why don't they clear away all this high-faluting rubbish, and let us see the real columns and arches and piers²⁶ as their makers²⁷ designed them?" Yet who was it that put them there, those unspeakable angels in muslin drapery, those fly-away nymphs and graces and seraphim²⁸? Why, the best and most skilled artists of their day in Europe. And whence comes it that the merest child can now see instinctively³⁰ how out of place they are, how disfiguring, how incongruous? Why, because the Gothic revival³¹ has taught us all by degrees to appreciate the beauty and delicacy³² of a style which to our eighteenth century ancestors was mere²⁹ barbaric medi?valism; has taught us to admire its exquisite³³ purity, and to dislike the obstrusive introduction into its midst of incongruous and meretricious³⁴ Bernini-like flimsiness.

The Zeitgeist has changed, and we have changed with it.

It is just the same with our friend Botticelli. Scarce a dozen years ago, it was almost an affectation to pretend you admired him. It is no affectation now. Hundreds of assorted³⁵ young women from the Abyss of Bayswater may rise any morning here in sacred Florence and stand genuinely enchanted³⁶ before the Adoration³⁷ of the Kings, or the Venus who floats on her floating shell in a Botticellian ocean. And why? Because Leighton, Holman Hunt, Rossetti, Burne-Jones, Madox Brown, Strudwick, have led them slowly up to it by golden steps innumerable. Thirty years ago the art of the early Tuscan painters was something to us Northerners exotic, strange, unconnected, arch?ological. Gradually, it has been brought nearer and nearer to us on the walls of the Grosvenor and the New Gallery, till now he that runs may read; the ingenuous³⁸ maiden³⁹, fished from the Abyss of Bayswater, can drink in at a glance what it took a Ruskin many years of his life and much slow development to attain⁴⁰ to piecemeal⁴¹.

That is just what all great men are for—to make the world accept as a truism in the generation after them what it rejected as a paradox⁴² in the generation before them.

Not, of course, that there isn't a little of affectation, and still more of fashion, to the very end in all of it. An immense number of people, incapable⁴³ of genuinely admiring anything for its own sake at all, are anxious only to be told what they "ought to admire, don't you know," and will straightway proceed as conscientiously⁴⁴ as they can to get up an admiration⁴⁵ for it. A friend of mine told me a beautiful example. Two aspiring⁴⁶ young women, of the limp-limbed, short-haired, ?sthetic species, were standing⁴⁷ rapt before the circular Madonna at the Uffizi. They had gazed at it long and lovingly, seeing it bore on its frame the magic name of Botticelli. Of a sudden one of the pair happened to look a little nearer at the accusing label. "Why, this is not Sandro," she cried, with a revulsion of disgust; "this is only Aless." And straightway they went off from the spot in high dudgeon at having been misled as they supposed into examining the work of "another person of the same name."

Need I point the moral of my apologue, in this age of enlightenment, by explaining, for the benefit of the junior members, that the gentleman's full name was really Alessandro, and that both abbreviations are impartially⁴⁸ intended to cover his one and indivisible personality? The first half is official, like Alex.; the second affectionate and familiar, like Sandy.

Still, even after making due allowance for such humbugs⁴⁹ as these, a vast residuum remains⁵⁰ of people who, if born sixty years ago, could never by any possibility have been made to see there was anything admirable in Lippi, Botticelli, Giotto; but who, having been born thirty years ago, see it without an effort. Hundreds who read these lines must themselves remember the unmistakable thrill of genuine pleasure with which they first gazed upon the Fra Angelicos at San Marco, the Memlings at Bruges, the Giottos in the Madonna dell' Arena⁵¹ at Padua. To many of us, those are real epochs in our inner life. To the men of fifty years ago, the bare avowal⁵² itself would have seemed little short of affected⁵³ silliness.

Is the change all due to the teaching of the teachers and the preaching of the preachers? I think not entirely⁵⁴. For, after all, the teachers and the preachers are but a little ahead of the age they live in. They see things earlier; they help to lead us up to them; but they do not wholly produce the revolutions they inaugurate. Humanity as a whole develops consistently along certain pre-established and predestined lines. Sooner or later, a certain point must inevitably⁵⁵ be reached; but some of us reach it sooner, and most of us later. That's all the difference. Every great change is mainly due to the fact that we have all already attained⁵⁶ a certain point in development. A step in advance becomes inevitable⁵⁷ after that, and one after another we are sure to take it. In one word, what it needed a man of genius to see dimly thirty years ago, it needs a singular fool not to see clearly nowadays.

1 apocryphal   

adj.假冒的，虚假的

参考例句：

• Most of the story about his private life was probably apocryphal.有关他私生活的事可能大部分都是虚构的。
• This may well be an apocryphal story.这很可能是个杜撰的故事。

2 sage   

n.圣人，哲人；adj.贤明的，明智的

参考例句：

• I was grateful for the old man's sage advice.我很感激那位老人贤明的忠告。
• The sage is the instructor of a hundred ages.这位哲人是百代之师。

3 gushing   

adj.迸出的；涌出的；喷出的；过分热情的v.喷，涌( gush的现在分词 )；滔滔不绝地说话

参考例句：

• blood gushing from a wound 从伤口冒出的血
• The young mother was gushing over a baby. 那位年轻的母亲正喋喋不休地和婴儿说话。 来自《简明英汉词典》

4 aglow   

adj.发亮的；发红的；adv.发亮地

参考例句：

• The garden is aglow with many flowers.园中百花盛开。
• The sky was aglow with the setting sun.天空因夕阳映照而发红光。

5 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

6 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

7 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

8 pervasive   

adj.普遍的；遍布的，(到处)弥漫的；渗透性的

参考例句：

• It is the most pervasive compound on earth.它是地球上最普遍的化合物。
• The adverse health effects of car exhaust are pervasive and difficult to measure.汽车尾气对人类健康所构成的有害影响是普遍的，并且难以估算。

9 irresistible   

adj.非常诱人的，无法拒绝的，无法抗拒的

参考例句：

• The wheel of history rolls forward with an irresistible force.历史车轮滚滚向前，势不可挡。
• She saw an irresistible skirt in the store window.她看见商店的橱窗里有一条叫人着迷的裙子。

10 warped   

adj.反常的；乖戾的；（变）弯曲的；变形的v.弄弯，变歪( warp的过去式和过去分词 )；使（行为等）不合情理，使乖戾，

参考例句：

• a warped sense of humour 畸形的幽默感
• The board has warped. 木板翘了。 来自《现代汉英综合大词典》

11 renaissance   

n.复活，复兴，文艺复兴

参考例句：

• The Renaissance was an epoch of unparalleled cultural achievement.文艺复兴是一个文化上取得空前成就的时代。
• The theme of the conference is renaissance Europe.大会的主题是文艺复兴时期的欧洲。

12 calumny   

n.诽谤，污蔑，中伤

参考例句：

• Calumny is answered best with silence.沉默可以止谤。
• Calumny require no proof.诽谤无需证据。

13 lucid   

adj.明白易懂的，清晰的，头脑清楚的

参考例句：

• His explanation was lucid and to the point.他的解释扼要易懂。
• He wasn't very lucid,he didn't quite know where he was.他神志不是很清醒，不太知道自己在哪里。

14 interval   

n.间隔，间距；幕间休息，中场休息

参考例句：

• The interval between the two trees measures 40 feet.这两棵树的间隔是40英尺。
• There was a long interval before he anwsered the telephone.隔了好久他才回了电话。

15 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

16 belle   

n.靓女

参考例句：

• She was the belle of her Sunday School class.在主日学校她是她们班的班花。
• She was the belle of the ball.她是那个舞会中的美女。

17 heresy   

n.异端邪说；异教

参考例句：

• We should denounce a heresy.我们应该公开指责异端邪说。
• It might be considered heresy to suggest such a notion.提出这样一个观点可能会被视为异端邪说。

18 hideous   

adj.丑陋的，可憎的，可怕的，恐怖的

参考例句：

• The whole experience had been like some hideous nightmare.整个经历就像一场可怕的噩梦。
• They're not like dogs,they're hideous brutes.它们不像狗，是丑陋的畜牲。

19 sprawl   

vi.躺卧，扩张，蔓延；vt.使蔓延；n.躺卧，蔓延

参考例句：

• In our garden,bushes are allowed to sprawl as they will.在我们园子里，灌木丛爱怎么蔓延就怎么蔓延。
• He is lying in a sprawl on the bed.他伸开四肢躺在床上。

20 obtrusive   

adj.显眼的；冒失的

参考例句：

• These heaters are less obtrusive and are easy to store away in the summer.这些加热器没那么碍眼，夏天收起来也很方便。
• The factory is an obtrusive eyesore.这工厂很刺眼。

21 flaunting   

adj.招摇的，扬扬得意的，夸耀的v.炫耀，夸耀( flaunt的现在分词 )；有什么能耐就施展出来

参考例句：

• He did not believe in flaunting his wealth. 他不赞成摆阔。
• She is fond of flaunting her superiority before her friends and schoolmates. 她好在朋友和同学面前逞强。 来自《现代汉英综合大词典》

22 theatrical   

adj.剧场的，演戏的；做戏似的，做作的

参考例句：

• The final scene was dismayingly lacking in theatrical effect.最后一场缺乏戏剧效果，叫人失望。
• She always makes some theatrical gesture.她老在做些夸张的手势。

23 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

24 consistency   

n.一贯性，前后一致，稳定性；(液体的)浓度

参考例句：

• Your behaviour lacks consistency.你的行为缺乏一贯性。
• We appreciate the consistency and stability in China and in Chinese politics.我们赞赏中国及其政策的连续性和稳定性。

25 floppy   

adj.松软的，衰弱的

参考例句：

• She was wearing a big floppy hat.她戴了顶松软的大帽子。
• Can you copy those files onto this floppy disk?你能把那些文件复制到这张软盘上吗？

26 piers   

n.水上平台( pier的名词复数 )；（常设有娱乐场所的）突堤；柱子；墙墩

参考例句：

• Most road bridges have piers rising out of the vally. 很多公路桥的桥墩是从河谷里建造起来的。 来自辞典例句
• At these piers coasters and landing-craft would be able to discharge at all states of tide. 沿岸航行的海船和登陆艇，不论潮汐如何涨落，都能在这种码头上卸载。 来自辞典例句

27 makers   

n.制造者，制造商（maker的复数形式）

参考例句：

• The makers of the product assured us that there had been no sacrifice of quality. 这一产品的制造商向我们保证说他们没有牺牲质量。
• The makers are about to launch out a new product. 制造商们马上要生产一种新产品。 来自《简明英汉词典》

28 seraphim   

n.六翼天使(seraph的复数)；六翼天使( seraph的名词复数 )

参考例句：

• The Seraphim were first discovered during a deep space exploration mission. 最初的天使时发现一深空探测任务。 来自互联网
• The home seraphim: preservation and advancement of the home. 家园炽天使：保存家园，为家园兴旺与进步努力。 来自互联网

29 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

30 instinctively   

adv.本能地

参考例句：

• As he leaned towards her she instinctively recoiled. 他向她靠近，她本能地往后缩。 来自《简明英汉词典》
• He knew instinctively where he would find her. 他本能地知道在哪儿能找到她。 来自《简明英汉词典》

31 revival   

n.复兴，复苏，（精力、活力等的）重振

参考例句：

• The period saw a great revival in the wine trade.这一时期葡萄酒业出现了很大的复苏。
• He claimed the housing market was showing signs of a revival.他指出房地产市场正出现复苏的迹象。

32 delicacy   

n.精致，细微，微妙，精良；美味，佳肴

参考例句：

• We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
• He sensed the delicacy of the situation.他感觉到了形势的微妙。

33 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

34 meretricious   

adj.华而不实的，俗艳的

参考例句：

• A wooden building painted to look like marble is meretricious.一座漆得像大理石般的木制建筑物外表是美丽的。
• Her room was painted in meretricious technicolour.她的房间刷着俗艳的颜色。

35 assorted   

adj.各种各样的，各色俱备的

参考例句：

• There's a bag of assorted sweets on the table.桌子上有一袋什锦糖果。
• He has always assorted with men of his age.他总是与和他年令相仿的人交往。

36 enchanted   

adj. 被施魔法的，陶醉的，入迷的 动词enchant的过去式和过去分词

参考例句：

• She was enchanted by the flowers you sent her. 她非常喜欢你送给她的花。
• He was enchanted by the idea. 他为这个主意而欣喜若狂。

37 adoration   

n.爱慕，崇拜

参考例句：

• He gazed at her with pure adoration.他一往情深地注视着她。
• The old lady fell down in adoration before Buddhist images.那老太太在佛像面前顶礼膜拜。

38 ingenuous   

adj.纯朴的，单纯的；天真的；坦率的

参考例句：

• Only the most ingenuous person would believe such a weak excuse!只有最天真的人才会相信这么一个站不住脚的借口！
• With ingenuous sincerity,he captivated his audience.他以自己的率真迷住了观众。

39 maiden   

n.少女，处女；adj.未婚的，纯洁的，无经验的

参考例句：

• The prince fell in love with a fair young maiden.王子爱上了一位年轻美丽的少女。
• The aircraft makes its maiden flight tomorrow.这架飞机明天首航。

40 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

41 piecemeal   

adj.零碎的；n.片，块；adv.逐渐地；v.弄成碎块

参考例句：

• A lack of narrative drive leaves the reader with piecemeal vignettes.叙述缺乏吸引力，读者读到的只是一些支离破碎的片段。
• Let's settle the matter at one stroke,not piecemeal.把这事一气儿解决了吧，别零敲碎打了。

42 paradox   

n.似乎矛盾却正确的说法；自相矛盾的人(物)

参考例句：

• The story contains many levels of paradox.这个故事存在多重悖论。
• The paradox is that Japan does need serious education reform.矛盾的地方是日本确实需要教育改革。

43 incapable   

adj.无能力的，不能做某事的

参考例句：

• He would be incapable of committing such a cruel deed.他不会做出这么残忍的事。
• Computers are incapable of creative thought.计算机不会创造性地思维。

44 conscientiously   

adv.凭良心地；认真地，负责尽职地；老老实实

参考例句：

• He kept silent,eating just as conscientiously but as though everything tasted alike. 他一声不吭，闷头吃着，仿佛桌上的饭菜都一个味儿。 来自《简明英汉词典》
• She discharged all the responsibilities of a minister conscientiously. 她自觉地履行部长的一切职责。 来自《简明英汉词典》

45 admiration   

n.钦佩，赞美，羡慕

参考例句：

• He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
• We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。

46 aspiring   

adj.有志气的；有抱负的；高耸的v.渴望；追求

参考例句：

• Aspiring musicians need hours of practice every day. 想当音乐家就要每天练许多小时。
• He came from an aspiring working-class background. 他出身于有抱负的工人阶级家庭。 来自辞典例句

47 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

48 impartially   

adv.公平地，无私地

参考例句：

• Employers must consider all candidates impartially and without bias. 雇主必须公平而毫无成见地考虑所有求职者。
• We hope that they're going to administer justice impartially. 我们希望他们能主持正义，不偏不倚。

49 humbugs   

欺骗( humbug的名词复数 )； 虚伪； 骗子； 薄荷硬糖

参考例句：

50 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

51 arena   

n.竞技场，运动场所；竞争场所，舞台

参考例句：

• She entered the political arena at the age of 25. 她25岁进入政界。
• He had not an adequate arena for the exercise of his talents.他没有充分发挥其才能的场所。

52 avowal   

n.公开宣称，坦白承认

参考例句：

• The press carried his avowal throughout the country.全国的报纸登载了他承认的消息。
• This was not a mere empty vaunt,but a deliberate avowal of his real sentiments.这倒不是一个空洞的吹牛，而是他真实感情的供状。

53 affected   

adj.不自然的，假装的

参考例句：

• She showed an affected interest in our subject.她假装对我们的课题感到兴趣。
• His manners are affected.他的态度不自然。

54 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

55 inevitably   

adv.不可避免地；必然发生地

参考例句：

• In the way you go on,you are inevitably coming apart.照你们这样下去，毫无疑问是会散伙的。
• Technological changes will inevitably lead to unemployment.技术变革必然会导致失业。

56 attained   

（通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况）

参考例句：

• She has attained the degree of Master of Arts. 她已获得文学硕士学位。
• Lu Hsun attained a high position in the republic of letters. 鲁迅在文坛上获得崇高的地位。

57 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。