A month or two after my return to London my aunt Emily (who was not one of the West Indian side of the house) managed to get me an invitation to Mrs. Bouverie Barton's. Of course you know Mrs. Bouverie Barton, the famous novelist, whose books everybody talks about. Well, Mrs. Barton lives in Eaton Place, and gives charming Thursday evening receptions, which are the recognized rendezvous4 of all literary and artistic5 London. If there is a celebrity6 in town, from Paris or Vienna, Timbuctoo or the South Sea Islands, you are sure to meet him in the little back[Pg 225] drawing-room at Eaton Place. The music there is always of the best, and the conversation of the cleverest. But what pleased me most on that occasion was the fact that Mr. Gerard Llewellyn, the author of that singular book "Peter Martindale," was to be the lion of the party on this particular Thursday. I had just been reading "Peter Martindale"—who had not, that season? for it was the rage of the day—and I had never read any novel before which so impressed me by its weird7 power, its philosophical8 insight, and its transparent9 depth of moral earnestness. So I was naturally very much pleased at the prospect10 of seeing and meeting so famous a man as Mr. Gerard Llewellyn.
When we entered Mrs. Bouverie Barton's handsome rooms, we saw a great crowd of people whom even the most unobservant stranger would instantly have recognized as out of the common run. There was the hostess herself, with her kindly11 smile and her friendly good-humoured manner, hardly, if at all, concealing12 the profound intellectual strength that lay latent in her calm grey eyes. There were artistic artists and rugged13 artists; satirical novelists and gay novelists; heavy professors and deep professors—every possible representative of "literature, science, and art." At first, I was put off with introductions to young poetasters, and gentlemen with an interest in cuneiform inscriptions14; but I had quite made up my mind to get a talk with Mr. Gerard Llewellyn; and to Mr. Gerard Llewellyn our hostess at last promised to introduce me. She crossed the room in search of him near the big fireplace.
A tall, handsome young man, with long moustache and beard, and piercing black eyes, stood somewhat listlessly leaning against the mantelshelf, and talking with an even, brilliant flow to a short, stout15, Indian-looking gentleman at his side. I knew in a moment that the short stout gentleman must be Mr. Llewellyn, for in the tall young man, in[Pg 226] spite of seven years and the long moustaches, I recognized at once Ernest Carvalho.
But to my surprise Mrs. Bouverie Barton brought the tall young man, and not his neighbour, across the room with her. She must have made a mistake, I thought. "Mr. Carvalho," she said, "I want you to come and be introduced to the lady on the ottoman. Miss Hazleden, Mr. Carvalho!"
"I have met Mr. Carvalho long ago in Jamaica," I said warmly, "but I am very glad indeed to meet him here again. However, I hardly expected to see him here this evening."
"Indeed," said Mrs. Barton, with some surprise in her tone; "I thought you asked to be introduced to the author of 'Peter Martindale.'"
"So I did," I answered; "but I understood his name was Llewellyn."
"Oh!" said Ernest Carvalho, quickly, "that is only my nom de plume16. But the authorship is an open secret now, and I suppose Mrs. Barton thought you knew it."
"It is a happy chance, at any rate, Mr. Carvalho," I said, "which has thrown us two again together."
He bowed gravely and with dignity. "You are very kind to say so," he said. "It is always a pleasure to meet old acquaintances from Jamaica."
My heart beat violently. There was a studied coldness in his tone, I thought, and no wonder; but if I had been in love with Ernest Carvalho before, I felt a thousand more times in love with him now as he stood there in his evening dress, a perfect English gentleman. He looked so kinglike with his handsome, slightly Jewish features, his piercing black eyes, his long moustaches, and his beautiful delicate thin-lipped mouth. There was such an air of power in his forehead, such a speaking evidence of high culture in his general expression. And then, he had written[Pg 227] "Peter Martindale!" Why, who else could possibly have written it? I wondered at my own stupidity in not having guessed the authorship at once. But, most terrible of all, I had probably lost his love for ever. I might once have called Ernest Carvalho my husband, and I had utterly17 alienated18 him by a single culpable19 act of foolish weakness.
"You are living in London, now?" I asked.
"Yes," he answered, "we have a little home of our own in Kensington. I am working on the staff of the Morning Detonator."
"Mrs. Carvalho is here this evening," said Mrs. Bouverie Barton. "Do you know her? I suppose you do, of course."
Mrs. Carvalho! As I heard the name, I was conscious of a deep but rapid thud, thud, thud in my ear, and after a moment it struck me that the thud came from the quick beating of my own heart. Then Ernest Carvalho was married!
"No," he said in reply, seeing that I did not answer immediately. "Miss Hazleden has never met her, I believe; but I shall be happy to introduce her;" and he turned to a sofa where two or three ladies were chatting together, a little in the corner.
A very queenly old lady, with snow-white hair, prettily20 covered in part by a dainty and becoming lace cap, held out her small white hand to me with a gracious smile. "My mother," Ernest Carvalho said quietly; and I took the proffered21 hand with a warmth that must have really surprised the slave-born octaroon. The one thought that was uppermost in my mind was just this, that after all Ernest Carvalho was not married. Once more I heard the thud in my ear, and nothing else.
As soon as I could notice anybody or anything except myself, I began to observe that Mrs. Carvalho was very handsome. She was rather dark, to be sure, but less so than many Spanish or Italian ladies I had seen; and[Pg 228] her look and manner were those of a Louis Quinze marquise, with a distinct reminiscence of the stately old Haitian French politeness. She could never have had any education except what she had picked up for herself; but no one would suspect the deficiency now, for she was as clever as all half-castes, and had made the best of her advantages meanwhile, such as they were. When she talked about the literary London in which her son lived and moved, I felt like the colonial-bred ignoramus I really was; and when she told me they had just been to visit Mr. Fradelli's new picture at the studio, I was positively22 too ashamed to let her see that I had never in my life heard of that famous painter before. To think that that queenly old lady was still a slave girl at Palmettos when my poor dear mother was a little child! And to think, too, that my own family would have kept her a slave all her life long, if only they had had the power! I remembered at once with a blush what Ernest Carvalho had said to me the last time I saw him, about the people with whom the guilt23 and shame of slavery really rested.
I sat, half in a maze24, talking with Mrs. Carvalho all the rest of that evening. Ernest lingered near for a while, as if to see what impression his mother produced upon me, but soon went off, proudly I thought, to another part of the room, where he got into conversation with the German gentleman who wore the big blue wire-guarded spectacles. Yet I fancied he kept looking half anxiously in our direction throughout the evening, and I was sure I saw him catch his mother's eye furtively25 now and again. As for Mrs. Carvalho, she made a conquest of me at once, and she was evidently well pleased with her conquest. When I rose to leave, she took both my hands in hers, and said to me warmly, "Miss Hazleden, we shall be so pleased to see you whenever you like to come, at Merton Gardens." Had Ernest ever told her of his proposal? I wondered.
Mrs. Bouverie Barton was very kind to me. She kept on asking me to her[Pg 229] Thursday evenings, and there time after time I met Ernest Carvalho. At first, he seldom spoke26 to me much, but at last, partly because I always talked so much to his mother perhaps, he began to thaw27 a little, and often came up to me in quite a friendly way. "We have left Jamaica and all that behind, Miss Hazleden," he said once, "and here in free England we may at least be friends." Oh, how I longed to explain the whole truth to him, and how impossible an explanation was. Besides, he had seen so many other girls since, and very likely his boyish fancy for me had long since passed away altogether. You can't count much on the love-making of eighteen and twenty.
Mrs. Carvalho asked me often to their pretty little house in Merton Gardens, and I went; but still Ernest never in any way alluded28 to what had passed. Months went by, and I began to feel that I must crush that little dream entirely29 out of my heart—if I could. One afternoon I went in to Mrs. Carvalho's for a cup of five-o'clock tea, and had an uninterrupted tête-à-tête with her for half an hour. We had been exchanging small confidences with one another for a while, and after a pause the old lady laid her gentle hand upon my head and stroked back my hair in such a motherly fashion. "My dear child," she said, half-sighing, "I do wish my Ernest would only take a fancy to a sweet young girl like you."
"Mr. Carvalho does not seem quite a marrying man," I answered, forcing a laugh; "I notice he seldom talks to ladies, but always to men, and those of the solemnest."
"Ah, my dear, he has had a great disappointment, a terrible disappointment," said the mother, unburdening herself. "I can tell you all about it, for you are a Jamaican born, and though you are one of the 'proud Palmettos' people you are not full of prejudices like the rest of them, and so you will understand it. Before we left Jamaica he was in[Pg 230] love with a young lady there; he never told me her name, and that is the one secret he has ever kept from me. Well, he talked to her often, and he thought she was above the wicked prejudices of race and colour; she seemed to encourage him and to be fond of his society. At last he proposed to her. Then she wrote him a cruel, cruel letter, a letter that he never showed me, but he told me what was in it; and it drove him away from the island immediately. It was a letter full of wicked reproaches about our octaroon blood, and it broke his heart with the shock of its heartlessness. He has never cared for any woman since."
"Then does he love her still?" I asked, breathless.
"How can he? No! but he says he loves the memory of what he once thought her. He has seen her since, somewhere in London, and spoken to her; but he can never love her again. Yet, do you know, I feel sure he cannot help loving her in spite of himself; and he often goes out at night, I am sure, to watch her door, to see her come in and out, for the sake of the love he once bore her. My Ernest is not the sort of man who can love twice in a lifetime."
"Perhaps," I said, colouring, "if he were to ask her again she might accept him. Things are so different here in England, and he is a famous man now."
Mrs. Carvalho shook her head slowly. "Oh no!" she answered; "he would never importune30 or trouble her. Though she has rejected him, he is too loyal to the love he once bore her, too careful of wounding her feelings or even her very prejudices, ever to obtrude31 his love again upon her notice. If she cannot love him of herself and for himself, spontaneously, he would not weary her out with oft asking. He will never marry now; of that I am certain."
My eyes filled with tears. As they did so, I tried to brush them away[Pg 231] unseen behind my fan, but Mrs. Carvalho caught my glance, and looked sharply through me with a sudden gleam of discovery. "Why," she said, very slowly and distinctly, with a pause and a stress upon each word, "I believe it must have been you yourself, Miss Hazleden." And as she spoke she held her open hand, palm outward, stretched against me with a gesture of horror, as one might shrink in alarm from a coiled rattlesnake.
"Dear Mrs. Carvalho," I cried, clasping my hands before her, "do hear me, I entreat32 you; do let me explain to you how it all happened."
"There is no explanation possible," she answered sternly. "Go. You have wrecked33 a life that might otherwise have been happy and famous, and then you come to a mother with an explanation!"
"That letter was not mine," I said boldly; for I saw that to put the truth shortly in that truest and briefest form was the only way of getting her to listen to me now.
She sank back in a chair and folded her hands faintly one above the other. "Tell me it all," she said in a weak voice. "I will hear you."
So I told her all. I did not try to extenuate34 my own weakness in writing from my mother's dictation; but I let her see what I had suffered then and what I had suffered since. When I had finished, she drew me towards her gently, and printed one kiss upon my forehead. "It is hard to forget," she said softly, "but you were very young and helpless, and your mother was a terrible woman. The iron has entered into your own soul too. Go home, dear, and I will see about this matter."
We fell upon one another's necks, the Palmettos slave-girl and I, and cried together glad tears for ten minutes. Then I wiped my red eyes dry, covered them with a double fold of my veil, and ran home hurriedly in[Pg 232] the dusk to auntie's. It was such a terrible relief to have got it all over.
That evening, about eleven o'clock, auntie had gone to bed, and I was sitting up by myself, musing35 late over the red cinders36 in the little back drawing-room grate. I felt as though I couldn't sleep, and so I was waiting up till I got sleepy. Suddenly there came a loud knock and a ring at the bell, after which Amelia ran in to say that a gentleman wanted to see me in the dining-room on urgent business, and would I please come down to speak with him immediately. I knew at once it was Ernest.
The moment I entered the room, he never said a word, but he took my two hands eagerly in his, and then he kissed me fervently37 on the lips half a dozen times over. "And now, Edith," he said, "we need say no more about the past, for my mother has explained it all to me; we will only think about the future."
I have no distinct recollection what o'clock it was before Ernest left that evening; but I know auntie sent down word twice to say it was high time I went to bed, and poor Amelia looked awfully38 tired and very sleepy. However, it was settled then and there that Ernest and I should be married early in October.
A few days later, after the engagement had been announced to all our friends, dear Mrs. Bouverie Barton paid me a congratulatory call. "You are a very lucky girl, my dear," she said to me kindly. "We are half envious39 of you; I wish we could find another such husband as Mr. Carvalho for my Christina. But you have carried off the prize of the season, and you are well worthy40 of him. It is a very great honour for any girl to win and deserve the love of such a man as Ernest Carvalho."
Will you believe it, so strangely do one's first impressions and early[Pg 233] ideas about people cling to one, that though I had often felt before how completely the tables had been turned since we two came to England, it had not struck me till that moment that in the eyes of the world at large it was Ernest who was doing an honour to me and not I who was doing an honour to Ernest. I felt ashamed to think that Mrs. Bouverie Barton should see instinctively41 the true state of the case, while I, who loved and admired him so greatly, should have let the shadow of that old prejudice stand even now between me and the lover I was so proud to own. But when I took dear old Mrs. Carvalho's hand in mine the day of our wedding, and kissed her, and called her mother for the first time, I felt that I had left the guilt and shame of slavery for ever behind me, and that I should strive ever after to live worthily42 of Ernest Carvalho's love.
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1
fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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harry
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| vt.掠夺，蹂躏，使苦恼 | |
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distinguished
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| adj.卓越的，杰出的，著名的 | |
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rendezvous
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| n.约会，约会地点，汇合点；vi.汇合，集合；vt.使汇合，使在汇合地点相遇 | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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celebrity
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| n.名人，名流；著名，名声，名望 | |
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weird
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| adj.古怪的，离奇的；怪诞的，神秘而可怕的 | |
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philosophical
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| adj.哲学家的，哲学上的，达观的 | |
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transparent
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| adj.明显的，无疑的；透明的 | |
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prospect
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| n.前景，前途；景色，视野 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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concealing
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| v.隐藏，隐瞒，遮住( conceal的现在分词 ) | |
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rugged
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| adj.高低不平的，粗糙的，粗壮的，强健的 | |
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14
inscriptions
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| （作者）题词( inscription的名词复数 )； 献词； 碑文； 证劵持有人的登记 | |
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plume
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| n.羽毛；v.整理羽毛，骚首弄姿，用羽毛装饰 | |
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utterly
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| adv.完全地，绝对地 | |
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alienated
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| adj.感到孤独的，不合群的v.使疏远( alienate的过去式和过去分词 )；使不友好；转让；让渡（财产等） | |
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culpable
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| adj.有罪的，该受谴责的 | |
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prettily
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| adv.优美地；可爱地 | |
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proffered
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| v.提供，贡献，提出( proffer的过去式和过去分词 ) | |
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positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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guilt
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| n.犯罪；内疚；过失，罪责 | |
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maze
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| n.迷宫，八阵图，混乱，迷惑 | |
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furtively
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| adv. 偷偷地, 暗中地 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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thaw
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| v.（使）融化，（使）变得友善；n.融化，缓和 | |
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alluded
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| 提及，暗指( allude的过去式和过去分词 ) | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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importune
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| v.强求；不断请求 | |
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obtrude
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| v.闯入；侵入；打扰 | |
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entreat
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| v.恳求，恳请 | |
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wrecked
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| adj.失事的，遇难的 | |
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extenuate
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| v.减轻，使人原谅 | |
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musing
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| n. 沉思，冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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cinders
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| n.煤渣( cinder的名词复数 )；炭渣；煤渣路；煤渣跑道 | |
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fervently
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| adv.热烈地，热情地，强烈地 | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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envious
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| adj.嫉妒的，羡慕的 | |
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40
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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41
instinctively
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| adv.本能地 | |
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worthily
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| 重要地，可敬地，正当地 | |
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