Here he stands on a purple thistle again, true, as usual, to the plant on which I last found him. There can be no doubt that he distinguishes one colour from another, for you can artificially attract him by putting a piece of purple paper on a green leaf, just as the flower naturally attracts him with its native hue6. Numerous observations and experiments have proved with all but absolute certainty that his discrimination of colour is essentially7 identical with our own; and I think, if we run our eye up and down nature, observing how universally all animals are attracted by pure and bright colours, we can hardly doubt that he appreciates and admires colour as well as discriminates8 it. Mr. Darwin certainly judges that butterflies can show an ?sthetic preference of the sort, for he sets down their own lovely hues9 to the constant sexual selection of the handsomest mates. We must not, however, take too human a measure of their capacities in this respect. It is sufficient to believe that the insect derives10 some direct enjoyment11 from the stimulation12 of pure colour, and is hereditarily13 attracted by it wherever it may show itself. This pleasure draws it on, on the one hand, towards the gay flowers which form its natural food; and, on the other hand, towards its own brilliant mates. Imprinted14 on its nervous system is a certain blank form answering to its own specific type; and when the object corresponding to this blank form occurs in its neighbourhood, the insect blindly obeys its hereditary15 instinct. But out of two or three such possible mates it naturally selects that which is most brightly spotted, and in other ways most perfectly16 fulfils the specific ideal. We need not suppose that the insect is conscious of making a selection or of the reasons which guide it in its choice: it is enough to believe that it follows the strongest stimulus17, just as the child picks out the biggest and reddest apple from a row of ten. Yet such unconscious selections, made from time to time in generation after generation, have sufficed to produce at last all the beautiful spots and metallic18 eyelets of our loveliest English or tropical butterflies. Insects always accustomed to exercising their colour-sense upon flowers and mates, may easily acquire a high standard of taste in that direction, while still remaining comparatively in a low stage as regards their intellectual condition. But the fact I wish especially to emphasise19 is this—that the flowers produced by the colour-sense of butterflies and their allies are just those objects which we ourselves consider most lovely in nature; and that the marks and shades upon their own wings, produced by the long selective action of their mates, are just the things which we ourselves consider most beautiful in the animal world. In this respect, then, there seems to be a close community of taste and feeling between the butterfly and ourselves.
Let me note, too, just in passing, that while the upper half of the butterfly's wing is generally beautiful in colour, so as to attract his fastidious mate, the under half, displayed while he is at rest, is almost always dull, and often resembles the plant upon which he habitually20 alights. The first set of colours is obviously due to sexual selection, and has for its object the making of an effective courtship; but the second set is obviously due to natural selection, and has been produced by the fact that all those insects whose bright colours show through too vividly21 when they are at rest fall a prey22 to birds or other enemies, leaving only the best protected to continue the life of the species.
But sight is not the only important sense to the butterfly. He is largely moved and guided by smell as well. Both bees and butterflies seem largely to select the flowers they visit by means of smell, though colour also aids them greatly. When we remember that in ants scent23 alone does duty instead of eyes, ears, or any other sense, it would hardly be possible to doubt that other allied24 insects possessed25 the same faculty26 in a high degree; and, as Dr. Bastian says, there seems good reason for believing that all the higher insects are guided almost as much by smell as by sight. Now it is noteworthy that most of those flowers which lay themselves out to attract bees and butterflies are not only coloured but sweetly scented27; and it is to this cause that we owe the perfumes of the rose, the lily-of-the-valley, the heliotrope28, the jasmine, the violet, and the stephanotis. Night-flowering plants, which depend entirely29 for their fertilisation upon moths30, are almost always white, and have usually very powerful perfumes. Is it not a striking fact that these various scents31 are exactly those which human beings most admire, and which they artificially extract for essences? Here, again, we see that the ?sthetic tastes of butterflies and men decidedly agree; and that the thyme or lavender whose perfume pleases the bee is the very thing which we ourselves choose to sweeten our rooms.
Finally, if we look at the sense of taste, we find an equally curious agreement between men and insects; for the honey which is stored by the flower for the bee, and by the bee for its own use, is stolen and eaten up by man instead. Hence, when I consider the general continuity of nervous structure throughout the whole animal race, and the exact similarity of the stimulus in each instance, I can hardly doubt that the butterfly really enjoys life somewhat as we enjoy it, though far less vividly. I cannot but think that he finds honey sweet, and perfumes pleasant, and colour attractive; that he feels a lightsome gladness as he flits in the sunshine from flower to flower, and that he knows a faint thrill of pleasure at the sight of his chosen mate. Still more is this belief forced upon me when I recollect32 that, so far as I can judge, throughout the whole animal world, save only in a few aberrant33 types, sugar is sweet to taste, and thyme to smell, and song to hear, and sunshine to bask34 in. Therefore, on the whole, while I admit that the butterfly is mainly an animated35 puppet, I must qualify my opinion by adding that it is a puppet which, after its vague little fashion, thinks and feels very much as we do.
点击收听单词发音
1 spotted | |
adj.有斑点的,斑纹的,弄污了的 | |
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2 psychology | |
n.心理,心理学,心理状态 | |
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3 subjective | |
a.主观(上)的,个人的 | |
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4 mechanism | |
n.机械装置;机构,结构 | |
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5 machinery | |
n.(总称)机械,机器;机构 | |
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6 hue | |
n.色度;色调;样子 | |
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7 essentially | |
adv.本质上,实质上,基本上 | |
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8 discriminates | |
分别,辨别,区分( discriminate的第三人称单数 ); 歧视,有差别地对待 | |
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9 hues | |
色彩( hue的名词复数 ); 色调; 信仰; 观点 | |
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10 derives | |
v.得到( derive的第三人称单数 );(从…中)得到获得;源于;(从…中)提取 | |
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11 enjoyment | |
n.乐趣;享有;享用 | |
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12 stimulation | |
n.刺激,激励,鼓舞 | |
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13 hereditarily | |
世袭地,遗传地 | |
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14 imprinted | |
v.盖印(imprint的过去式与过去分词形式) | |
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15 hereditary | |
adj.遗传的,遗传性的,可继承的,世袭的 | |
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16 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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17 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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18 metallic | |
adj.金属的;金属制的;含金属的;产金属的;像金属的 | |
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19 emphasise | |
vt.加强...的语气,强调,着重 | |
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20 habitually | |
ad.习惯地,通常地 | |
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21 vividly | |
adv.清楚地,鲜明地,生动地 | |
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22 prey | |
n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
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23 scent | |
n.气味,香味,香水,线索,嗅觉;v.嗅,发觉 | |
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24 allied | |
adj.协约国的;同盟国的 | |
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25 possessed | |
adj.疯狂的;拥有的,占有的 | |
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26 faculty | |
n.才能;学院,系;(学院或系的)全体教学人员 | |
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27 scented | |
adj.有香味的;洒香水的;有气味的v.嗅到(scent的过去分词) | |
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28 heliotrope | |
n.天芥菜;淡紫色 | |
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29 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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30 moths | |
n.蛾( moth的名词复数 ) | |
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31 scents | |
n.香水( scent的名词复数 );气味;(动物的)臭迹;(尤指狗的)嗅觉 | |
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32 recollect | |
v.回忆,想起,记起,忆起,记得 | |
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33 aberrant | |
adj.畸变的,异常的,脱离常轨的 | |
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34 bask | |
vt.取暖,晒太阳,沐浴于 | |
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35 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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