The pages entitled “Leah’s Diary” are, however, intended to fulfill1 another purpose besides that of serving as the frame-work for my collection of tales. In this part of the book, and subsequently in the Prologues2 to the stories, it has been my object to give the reader one more glimpse at that artist-life which circumstances have afforded me peculiar3 opportunities of studying, and which I have already tried to represent, under another aspect, in my fiction, “Hide-and-Seek.” This time I wish to ask some sympathy for the joys and sorrows of a poor traveling portrait-painter—presented from his wife’s point of view in “Leah’s Diary,” and supposed to be briefly4 and simply narrated5 by himself in the Prologues to the stories. I have purposely kept these two portions of the book within certain limits; only giving, in the one case, as much as the wife might naturally write in her diary at intervals6 of household leisure; and, in the other, as much as a modest and sensible man would be likely to say about himself and about the characters he met with in his wanderings. If I have been so fortunate as to make my idea intelligible7 by this brief and simple mode of treatment, and if I have, at the same time, achieved the necessary object of gathering8 several separate stories together as neatly-fitting parts of one complete whole, I shall have succeeded in a design which I have for some time past been very anxious creditably to fulfill.
Of the tales themselves, taken individually, I have only to say, by way of necessary explanation, that “The Lady of Glenwith Grange” is now offered to the reader for the first time; and that the other stories have appeared in the columns of Household Words. My best thanks are due to Mr. Charles Dickens for his kindness in allowing me to set them in their present frame-work.
I must also gratefully acknowledge an obligation of another kind to the accomplished9 artist, Mr. W. S. Herrick, to whom I am indebted for the curious and interesting facts on which the tales of “The Terribly Strange Bed” and “The Yellow Mask” are founded.
Although the statement may appear somewhat superfluous10 to those who know me, it may not be out of place to add, in conclusion, that these stories are entirely11 of my own imagining, constructing, and writing. The fact that the events of some of my tales occur on foreign ground, and are acted out by foreign personages, appears to have suggested in some quarters the inference that the stories themselves might be of foreign origin. Let me, once for all, assure any readers who may honor me with their attention, that in this, and in all other cases, they may depend on the genuineness of my literary offspring. The little children of my brain may be weakly enough, and may be sadly in want of a helping12 hand to aid them in their first attempts at walking on the stage of this great world; but, at any rate, they are not borrowed children. The members of my own literary family are indeed increasing so fast as to render the very idea of borrowing quite out of the question, and to suggest serious apprehension13 that I may not have done adding to the large book-population, on my own sole responsibility, even yet.
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1 fulfill | |
vt.履行,实现,完成;满足,使满意 | |
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2 prologues | |
n.序言,开场白( prologue的名词复数 ) | |
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3 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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4 briefly | |
adv.简单地,简短地 | |
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5 narrated | |
v.故事( narrate的过去式和过去分词 ) | |
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6 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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7 intelligible | |
adj.可理解的,明白易懂的,清楚的 | |
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8 gathering | |
n.集会,聚会,聚集 | |
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9 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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10 superfluous | |
adj.过多的,过剩的,多余的 | |
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11 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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12 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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13 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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