TO ALBERTO CACCIA

Let me begin by informing you, that this new novel does not present the proposed sequel to my last work of fiction—"The Fallen Leaves."

The first part of that story has, through circumstances connected with the various forms of publications adopted thus far, addressed itself to a comparatively limited class of readers in England. When the book is finally reprinted in its cheapest form—then, and then only, it will appeal to the great audience of the English people. I am waiting for that time, to complete my design by writing the second part of "The Fallen Leaves."

Why?

Your knowledge of English Literature—to which I am indebted for the first faithful and intelligent translation of my novels into the Italian language—has long since informed you, that there are certain important social topics which are held to be forbidden to the English novelist (no matter how seriously and how delicately he may treat them), by a narrow-minded minority of readers, and by the critics who flatter their prejudices. You also know, having done me the honor to read my books, that I respect my art far too sincerely to permit limits to be wantonly assigned to it, which are imposed in no other civilized¹ country on the face of the earth. When my work is undertaken with a pure purpose, I claim the same liberty which is accorded to a writer in a newspaper, or to a clergyman in a pulpit; knowing, by previous experience, that the increase of readers and the lapse² of time will assuredly do me justice, if I have only written well enough to deserve it.

In the prejudiced quarters to which I have alluded³, one of the characters in "The Fallen Leaves" offended susceptibilities of the sort felt by Tartuffe, when he took out his handkerchief, and requested Dorine to cover her bosom⁴. I not only decline to defend myself, under such circumstances as these—I say plainly, that I have never asserted a truer claim to the best and noblest sympathies of Christian⁵ readers than in presenting to them, in my last novel, the character of the innocent victim of infamy⁶, rescued and purified from the contamination of the streets. I remember what the nasty posterity⁷ of Tartuffe, in this country, said of "Basil," of "Armadale," of "The New Magdalen," and I know that the wholesome⁸ audience of the nation at large has done liberal justice to those books. For this reason, I wait to write the second part of "The Fallen Leaves," until the first part of the story has found its way to the people.

Turning for a moment to the present novel, you will (I hope) find two interesting studies of humanity in these pages.

In the character called "Jack⁹ Straw," you have the exhibition of an enfeebled intellect, tenderly shown under its lightest and happiest aspect, and used as a means of relief in some of the darkest scenes of terror and suspense¹⁰ occurring in this story. Again, in "Madame Fontaine," I have endeavored to work out the interesting moral problem, which takes for its groundwork the strongest of all instincts in a woman, the instinct of maternal¹¹ love, and traces to its solution the restraining and purifying influence of this one virtue¹² over an otherwise cruel, false, and degraded nature.

The events in which these two chief personages play their parts have been combined with all possible care, and have been derived¹³, to the best of my ability, from natural and simple causes. In view of the distrust which certain readers feel, when a novelist builds his fiction on a foundation of fact, it may not be amiss to mention (before I close these lines), that the accessories of the scenes in the Deadhouse of Frankfort have been studied on the spot. The published rules and ground-plans of that curious mortuary establishment have also been laid on my desk, as aids to memory while I was writing the closing passages of the story.

With this, I commend "Jezebel's Daughter" to my good friend and brother in the art—who will present this last work also to the notice of Italian readers.

W. C.
Gloucester Place, London:
February 9, 1880.

1 civilized   

a.有教养的，文雅的

参考例句：

• Racism is abhorrent to a civilized society. 文明社会憎恶种族主义。
• rising crime in our so-called civilized societies 在我们所谓文明社会中日益增多的犯罪行为

2 lapse   

n.过失，流逝，失效，抛弃信仰，间隔；vi.堕落，停止，失效，流逝；vt.使失效

参考例句：

• The incident was being seen as a serious security lapse.这一事故被看作是一次严重的安全疏忽。
• I had a lapse of memory.我记错了。

3 alluded   

提及，暗指( allude的过去式和过去分词 )

参考例句：

• In your remarks you alluded to a certain sinister design. 在你的谈话中，你提到了某个阴谋。
• She also alluded to her rival's past marital troubles. 她还影射了对手过去的婚姻问题。

4 bosom   

n.胸，胸部；胸怀；内心；adj.亲密的

参考例句：

• She drew a little book from her bosom.她从怀里取出一本小册子。
• A dark jealousy stirred in his bosom.他内心生出一阵恶毒的嫉妒。

5 Christian   

adj.基督教徒的；n.基督教徒

参考例句：

• They always addressed each other by their Christian name.他们总是以教名互相称呼。
• His mother is a sincere Christian.他母亲是个虔诚的基督教徒。

6 infamy   

n.声名狼藉，出丑，恶行

参考例句：

• They may grant you power,honour,and riches but afflict you with servitude,infamy,and poverty.他们可以给你权力、荣誉和财富，但却用奴役、耻辱和贫穷来折磨你。
• Traitors are held in infamy.叛徒为人所不齿。

7 posterity   

n.后裔，子孙，后代

参考例句：

• Few of his works will go down to posterity.他的作品没有几件会流传到后世。
• The names of those who died are recorded for posterity on a tablet at the back of the church.死者姓名都刻在教堂后面的一块石匾上以便后人铭记。

8 wholesome   

adj.适合；卫生的；有益健康的；显示身心健康的

参考例句：

• In actual fact the things I like doing are mostly wholesome.实际上我喜欢做的事大都是有助于增进身体健康的。
• It is not wholesome to eat without washing your hands.不洗手吃饭是不卫生的。

9 jack   

n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克

参考例句：

• I am looking for the headphone jack.我正在找寻头戴式耳机插孔。
• He lifted the car with a jack to change the flat tyre.他用千斤顶把车顶起来换下瘪轮胎。

10 suspense   

n.（对可能发生的事）紧张感，担心，挂虑

参考例句：

• The suspense was unbearable.这样提心吊胆的状况实在叫人受不了。
• The director used ingenious devices to keep the audience in suspense.导演用巧妙手法引起观众的悬念。

11 maternal   

adj.母亲的，母亲般的，母系的，母方的

参考例句：

• He is my maternal uncle.他是我舅舅。
• The sight of the hopeless little boy aroused her maternal instincts.那个绝望的小男孩的模样唤起了她的母性。

12 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

13 derived   

vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取

参考例句：

• Many English words are derived from Latin and Greek. 英语很多词源出于拉丁文和希腊文。 来自《简明英汉词典》
• He derived his enthusiasm for literature from his father. 他对文学的爱好是受他父亲的影响。 来自《简明英汉词典》