Miss Marrable was that hardest of all born tyrants—an only child. She had never granted a constitutional privilege to her oppressed father and mother since the time when she cut her first tooth. Her seventeenth birthday was now near at hand; she had decided6 on celebrating it by acting7 a play; had issued her orders accordingly; and had been obeyed by her docile8 parents as implicitly9 as usual. Mrs. Marrable gave up the drawing-room to be laid waste for a stage and a theater. Mr. Marrable secured the services of a respectable professional person to drill the young ladies and gentlemen, and to accept all the other responsibilities incidental to creating a dramatic world out of a domestic chaos10. Having further accustomed themselves to the breaking of furniture and the staining of walls—to thumping11, tumbling, hammering, and screaming; to doors always banging, and to footsteps perpetually running up and down stairs—the nominal12 master and mistress of the house fondly believed that their chief troubles were over. Innocent and fatal delusion13! It is one thing in private society to set up the stage and choose the play—it is another thing altogether to find the actors. Hitherto, only the small preliminary annoyances14 proper to the occasion had shown themselves at Evergreen Lodge. The sound and serious troubles were all to come.
“The Rivals” having been chosen as the play, Miss Marrable, as a matter of course, appropriated to herself the part of “Lydia Languish15.” One of her favored swains next secured “Captain Absolute,” and another laid violent hands on “Sir Lucius O’Trigger.” These two were followed by an accommodating spinster relative, who accepted the heavy dramatic responsibility of “Mrs. Malaprop”—and there the theatrical proceedings16 came to a pause. Nine more speaking characters were left to be fitted with representatives; and with that unavoidable necessity the serious troubles began.
All the friends of the family suddenly became unreliable people, for the first time in their lives. After encouraging the idea of the play, they declined the personal sacrifice of acting in it—or, they accepted characters, and then broke down in the effort to study them—or they volunteered to take the parts which they knew were already engaged, and declined the parts which were waiting to be acted—or they were afflicted17 with weak constitutions, and mischievously18 fell ill when they were wanted at rehearsal19—or they had Puritan relatives in the background, and, after slipping into their parts cheerfully at the week’s beginning, oozed20 out of them penitently21, under serious family pressure, at the week’s end. Meanwhile, the carpenters hammered and the scenes rose. Miss Marrable, whose temperament22 was sensitive, became hysterical23 under the strain of perpetual anxiety; the family doctor declined to answer for the nervous consequences if something was not done. Renewed efforts were made in every direction. Actors and actresses were sought with a desperate disregard of all considerations of personal fitness. Necessity, which knows no law, either in the drama or out of it, accepted a lad of eighteen as the representative of “Sir Anthony Absolute”; the stage-manager undertaking24 to supply the necessary wrinkles from the illimitable resources of theatrical art. A lady whose age was unknown, and whose personal appearance was stout—but whose heart was in the right place—volunteered to act the part of the sentimental25 “Julia,” and brought with her the dramatic qualification of habitually26 wearing a wig27 in private life. Thanks to these vigorous measures, the play was at last supplied with representatives—always excepting the two unmanageable characters of “Lucy” the waiting-maid, and “Falkland,” Julia’s jealous lover. Gentlemen came; saw Julia at rehearsal; observed her stoutness28 and her wig; omitted to notice that her heart was in the right place; quailed29 at the prospect30, apologized, and retired31. Ladies read the part of “Lucy”; remarked that she appeared to great advantage in the first half of the play, and faded out of it altogether in the latter half; objected to pass from the notice of the audience in that manner, when all the rest had a chance of distinguishing themselves to the end; shut up the book, apologized, and retired. In eight days more the night of performance would arrive; a phalanx of social martyrs32 two hundred strong had been convened33 to witness it; three full rehearsals34 were absolutely necessary; and two characters in the play were not filled yet. With this lamentable35 story, and with the humblest apologies for presuming on a slight acquaintance, the Marrables appeared at Combe-Raven, to appeal to the young ladies for a “Lucy,” and to the universe for a “Falkland,” with the mendicant36 pertinacity37 of a family in despair.
This statement of circumstances—addressed to an audience which included a father of Mr. Vanstone’s disposition38, and a daughter of Magdalen’s temperament—produced the result which might have been anticipated from the first.
Either misinterpreting, or disregarding, the ominous39 silence preserved by his wife and Miss Garth, Mr. Vanstone not only gave Magdalen permission to assist the forlorn dramatic company, but accepted an invitation to witness the performance for Norah and himself. Mrs. Vanstone declined accompanying them on account of her health; and Miss Garth only engaged to make one among the audience conditionally40 on not being wanted at home. The “parts” of “Lucy” and “Falkland” (which the distressed41 family carried about with them everywhere, like incidental maladies) were handed to their representatives on the spot. Frank’s faint remonstrances42 were rejected without a hearing; the days and hours of rehearsal were carefully noted43 down on the covers of the parts; and the Marrables took their leave, with a perfect explosion of thanks—father, mother, and daughter sowing their expressions of gratitude44 broadcast, from the drawing-room door to the garden-gates.
As soon as the carriage had driven away, Magdalen presented herself to the general observation under an entirely45 new aspect.
“If any more visitors call to-day,” she said, with the profoundest gravity of look and manner, “I am not at home. This is a far more serious matter than any of you suppose. Go somewhere by yourself, Frank, and read over your part, and don’t let your attention wander if you can possibly help it. I shall not be accessible before the evening. If you will come here—with papa’s permission—after tea, my views on the subject of Falkland will be at your disposal. Thomas! whatever else the gardener does, he is not to make any floricultural noises under my window. For the rest of the afternoon I shall be immersed in study—and the quieter the house is, the more obliged I shall feel to everybody.”
Before Miss Garth’s battery of reproof46 could open fire, before the first outburst of Mr. Vanstone’s hearty47 laughter could escape his lips, she bowed to them with imperturbable48 gravity; ascended49 the house-steps, for the first time in her life, at a walk instead of a run, and retired then and there to the bedroom regions. Frank’s helpless astonishment50 at her disappearance51 added a new element of absurdity52 to the scene. He stood first on one leg and then on the other; rolling and unrolling his part, and looking piteously in the faces of the friends about him. “I know I can’t do it,” he said. “May I come in after tea, and hear Magdalen’s views? Thank you—I’ll look in about eight. Don’t tell my father about this acting, please; I should never hear the last of it.” Those were the only words he had spirit enough to utter. He drifted away aimlessly in the direction of the shrubbery, with the part hanging open in his hand—the most incapable53 of Falklands, and the most helpless of mankind.
Frank’s departure left the family by themselves, and was the signal accordingly for an attack on Mr. Vanstone’s inveterate54 carelessness in the exercise of his paternal55 authority.
“What could you possibly be thinking of, Andrew, when you gave your consent?” said Mrs. Vanstone. “Surely my silence was a sufficient warning to you to say No?”
“A mistake, Mr. Vanstone,” chimed in Miss Garth. “Made with the best intentions—but a mistake for all that.”
“It may be a mistake,” said Norah, taking her father’s part, as usual. “But I really don’t see how papa, or any one else, could have declined, under the circumstances.”
“Quite right, my dear,” observed Mr. Vanstone. “The circumstances, as you say, were dead against me. Here were these unfortunate people in a scrape on one side; and Magdalen, on the other, mad to act. I couldn’t say I had methodistical objections—I’ve nothing methodistical about me. What other excuse could I make? The Marrables are respectable people, and keep the best company in Clifton. What harm can she get in their house? If you come to prudence56 and that sort of thing—why shouldn’t Magdalen do what Miss Marrable does? There! there! let the poor things act, and amuse themselves. We were their age once—and it’s no use making a fuss—and that’s all I’ve got to say about it.”
With that characteristic defense57 of his own conduct, Mr. Vanstone sauntered back to the greenhouse to smoke another cigar.
“I didn’t say so to papa,” said Norah, taking her mother’s arm on the way back to the house, “but the bad result of the acting, in my opinion, will be the familiarity it is sure to encourage between Magdalen and Francis Clare.”
“You are prejudiced against Frank, my love,” said Mrs. Vanstone.
Norah’s soft, secret, hazel eyes sank to the ground; she said no more. Her opinions were unchangeable—but she never disputed with anybody. She had the great failing of a reserved nature—the failing of obstinacy58; and the great merit—the merit of silence. “What is your head running on now?” thought Miss Garth, casting a sharp look at Norah’s dark, downcast face. “You’re one of the impenetrable sort. Give me Magdalen, with all her perversities; I can see daylight through her. You’re as dark as night.”
The hours of the afternoon passed away, and still Magdalen remained shut up in her own room. No restless footsteps pattered on the stairs; no nimble tongue was heard chattering59 here, there, and everywhere, from the garret to the kitchen—the house seemed hardly like itself, with the one ever-disturbing element in the family serenity60 suddenly withdrawn61 from it. Anxious to witness with her own eyes the reality of a transformation62 in which past experience still inclined her to disbelieve, Miss Garth ascended to Magdalen’s room, knocked twice at the door, received no answer, opened it and looked in.
There sat Magdalen, in an arm-chair before the long looking-glass, with all her hair let down over her shoulders; absorbed in the study of her part and comfortably arrayed in her morning wrapper, until it was time to dress for dinner. And there behind her sat the lady’s-maid, slowly combing out the long heavy locks of her young mistress’s hair, with the sleepy resignation of a woman who had been engaged in that employment for some hours past. The sun was shining; and the green shutters63 outside the window were closed. The dim light fell tenderly on the two quiet seated figures; on the little white bed, with the knots of rose-colored ribbon which looped up its curtains, and the bright dress for dinner laid ready across it; on the gayly painted bath, with its pure lining64 of white enamel65; on the toilet-table with its sparkling trinkets, its crystal bottles, its silver bell with Cupid for a handle, its litter of little luxuries that adorn66 the shrine67 of a woman’s bed-chamber. The luxurious68 tranquillity69 of the scene; the cool fragrance70 of flowers and perfumes in the atmosphere; the rapt attitude of Magdalen, absorbed over her reading; the monotonous71 regularity72 of movement in the maid’s hand and arm, as she drew the comb smoothly73 through and through her mistress’s hair—all conveyed the same soothing74 impression of drowsy75, delicious quiet. On one side of the door were the broad daylight and the familiar realities of life. On the other was the dream-land of Elysian serenity—the sanctuary76 of unruffled repose77.
Miss Garth paused on the threshold, and looked into the room in silence.
Magdalen’s curious fancy for having her hair combed at all times and seasons was among the peculiarities78 of her character which were notorious to everybody in the house. It was one of her father’s favorite jokes that she reminded him, on such occasions, of a cat having her back stroked, and that he always expected, if the combing were only continued long enough, to hear her purr. Extravagant79 as it may seem, the comparison was not altogether inappropriate. The girl’s fervid80 temperament intensified81 the essentially82 feminine pleasure that most women feel in the passage of the comb through their hair, to a luxury of sensation which absorbed her in enjoyment83, so serenely84 self-demonstrative, so drowsily85 deep that it did irresistibly86 suggest a pet cat’s enjoyment under a caressing87 hand. Intimately as Miss Garth was acquainted with this peculiarity88 in her pupil, she now saw it asserting itself for the first time, in association with mental exertion89 of any kind on Magdalen’s part. Feeling, therefore, some curiosity to know how long the combing and the studying had gone on together, she ventured on putting the question, first to the mistress; and (receiving no answer in that quarter) secondly90 to the maid.
“All the afternoon, miss, off and on,” was the weary answer. “Miss Magdalen says it soothes91 her feelings and clears her mind.”
Knowing by experience that interference would be hopeless, under these circumstances, Miss Garth turned sharply and left the room. She smiled when she was outside on the landing. The female mind does occasionally—though not often—project itself into the future. Miss Garth was prophetically pitying Magdalen’s unfortunate husband.
Dinner-time presented the fair student to the family eye in the same mentally absorbed aspect. On all ordinary occasions Magdalen’s appetite would have terrified those feeble sentimentalists who affect to ignore the all-important influence which female feeding exerts in the production of female beauty. On this occasion she refused one dish after another with a resolution which implied the rarest of all modern martyrdoms—gastric martyrdom. “I have conceived the part of Lucy,” she observed, with the demurest gravity. “The next difficulty is to make Frank conceive the part of Falkland. I see nothing to laugh at—you would all be serious enough if you had my responsibilities. No, papa—no wine to-day, thank you. I must keep my intelligence clear. Water, Thomas—and a little more jelly, I think, before you take it away.”
When Frank presented himself in the evening, ignorant of the first elements of his part, she took him in hand, as a middle-aged92 schoolmistress might have taken in hand a backward little boy. The few attempts he made to vary the sternly practical nature of the evening’s occupation by slipping in compliments sidelong she put away from her with the contemptuous self-possession of a woman of twice her age. She literally93 forced him into his part. Her father fell asleep in his chair. Mrs. Vanstone and Miss Garth lost their interest in the proceedings, retired to the further end of the room, and spoke94 together in whispers. It grew later and later; and still Magdalen never flinched95 from her task—still, with equal perseverance96, Norah, who had been on the watch all through the evening, kept on the watch to the end. The distrust darkened and darkened on her face as she looked at her sister and Frank; as she saw how close they sat together, devoted97 to the same interest and working to the same end. The clock on the mantel-piece pointed98 to half-past eleven before Lucy the resolute99 permitted Falkland the helpless to shut up his task-book for the night. “She’s wonderfully clever, isn’t she?” said Frank, taking leave of Mr. Vanstone at the hall door. “I’m to come to-morrow, and hear more of her views—if you have no objection. I shall never do it; don’t tell her I said so. As fast as she teaches me one speech, the other goes out of my head. Discouraging, isn’t it? Goodnight.”
The next day but one was the day of the first full rehearsal. On the previous evening Mrs. Vanstone’s spirits had been sadly depressed100. At a private interview with Miss Garth she had referred again, of her own accord, to the subject of her letter from London—had spoken self-reproachfully of her weakness in admitting Captain Wragge’s impudent101 claim to a family connection with her—and had then reverted102 to the state of her health and to the doubtful prospect that awaited her in the coming summer in a tone of despondency which it was very distressing103 to hear. Anxious to cheer her spirits, Miss Garth had changed the conversation as soon as possible—had referred to the approaching theatrical performance—and had relieved Mrs. Vanstone’s mind of all anxiety in that direction, by announcing her intention of accompanying Magdalen to each rehearsal, and of not losing sight of her until she was safely back again in her father’s house. Accordingly, when Frank presented himself at Combe-Raven on the eventful morning, there stood Miss Garth, prepared—in the interpolated character of Argus—to accompany Lucy and Falkland to the scene of trial. The railway conveyed the three, in excellent time, to Evergreen Lodge; and at one o’clock the rehearsal began.
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1
inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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theatrical
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| adj.剧场的，演戏的；做戏似的，做作的 | |
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evergreen
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| n.常青树；adj.四季常青的 | |
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lodge
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| v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆 | |
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narrative
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| n.叙述，故事；adj.叙事的，故事体的 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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docile
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| adj.驯服的，易控制的，容易教的 | |
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implicitly
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| adv. 含蓄地, 暗中地, 毫不保留地 | |
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chaos
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| n.混乱，无秩序 | |
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thumping
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| adj.重大的，巨大的；重击的；尺码大的；极好的adv.极端地；非常地v.重击(thump的现在分词)；狠打；怦怦地跳；全力支持 | |
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12
nominal
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| adj.名义上的；(金额、租金)微不足道的 | |
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delusion
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| n.谬见，欺骗，幻觉，迷惑 | |
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annoyances
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| n.恼怒( annoyance的名词复数 )；烦恼；打扰；使人烦恼的事 | |
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languish
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| vi.变得衰弱无力，失去活力，（植物等）凋萎 | |
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proceedings
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| n.进程，过程，议程；诉讼(程序)；公报 | |
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afflicted
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| 使受痛苦，折磨( afflict的过去式和过去分词 ) | |
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mischievously
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| adv.有害地；淘气地 | |
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rehearsal
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| n.排练，排演；练习 | |
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oozed
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| v.（浓液等）慢慢地冒出，渗出( ooze的过去式和过去分词 )；使（液体）缓缓流出；（浓液）渗出，慢慢流出 | |
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penitently
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temperament
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| n.气质，性格，性情 | |
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hysterical
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| adj.情绪异常激动的，歇斯底里般的 | |
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undertaking
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| n.保证，许诺，事业 | |
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sentimental
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| adj.多愁善感的，感伤的 | |
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habitually
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| ad.习惯地，通常地 | |
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wig
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| n.假发 | |
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stoutness
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| 坚固，刚毅 | |
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quailed
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| 害怕，发抖，畏缩( quail的过去式和过去分词 ) | |
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prospect
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| n.前景，前途；景色，视野 | |
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retired
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| adj.隐退的，退休的，退役的 | |
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martyrs
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| n.martyr的复数形式；烈士( martyr的名词复数 )；殉道者；殉教者；乞怜者（向人诉苦以博取同情） | |
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convened
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| 召开( convene的过去式 )； 召集； （为正式会议而）聚集； 集合 | |
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rehearsals
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| n.练习( rehearsal的名词复数 )；排练；复述；重复 | |
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lamentable
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| adj.令人惋惜的，悔恨的 | |
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mendicant
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| n.乞丐；adj.行乞的 | |
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pertinacity
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| n.执拗，顽固 | |
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disposition
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| n.性情，性格；意向，倾向；排列，部署 | |
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ominous
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| adj.不祥的，不吉的，预兆的，预示的 | |
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conditionally
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| adv. 有条件地 | |
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distressed
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| 痛苦的 | |
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remonstrances
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| n.抱怨，抗议( remonstrance的名词复数 ) | |
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noted
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| adj.著名的，知名的 | |
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gratitude
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| adj.感激，感谢 | |
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entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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46
reproof
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| n.斥责，责备 | |
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47
hearty
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| adj.热情友好的；衷心的；尽情的，纵情的 | |
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48
imperturbable
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| adj.镇静的 | |
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49
ascended
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| v.上升，攀登( ascend的过去式和过去分词 ) | |
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50
astonishment
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| n.惊奇，惊异 | |
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51
disappearance
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| n.消失，消散，失踪 | |
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52
absurdity
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| n.荒谬，愚蠢；谬论 | |
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53
incapable
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| adj.无能力的，不能做某事的 | |
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54
inveterate
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| adj.积习已深的，根深蒂固的 | |
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55
paternal
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| adj.父亲的，像父亲的，父系的，父方的 | |
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56
prudence
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| n.谨慎，精明，节俭 | |
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57
defense
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| n.防御，保卫；[pl.]防务工事；辩护，答辩 | |
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obstinacy
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| n.顽固；（病痛等）难治 | |
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59
chattering
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| n. （机器振动发出的）咔嗒声，(鸟等)鸣，啁啾 adj. 喋喋不休的，啾啾声的 动词chatter的现在分词形式 | |
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60
serenity
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| n.宁静，沉着，晴朗 | |
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61
withdrawn
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| vt.收回；使退出；vi.撤退，退出 | |
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62
transformation
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| n.变化；改造；转变 | |
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63
shutters
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| 百叶窗( shutter的名词复数 )； （照相机的）快门 | |
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lining
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| n.衬里，衬料 | |
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enamel
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| n.珐琅，搪瓷，瓷釉；(牙齿的)珐琅质 | |
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adorn
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| vt.使美化，装饰 | |
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shrine
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| n.圣地，神龛，庙；v.将...置于神龛内，把...奉为神圣 | |
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luxurious
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| adj.精美而昂贵的；豪华的 | |
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tranquillity
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| n. 平静, 安静 | |
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fragrance
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| n.芬芳，香味，香气 | |
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monotonous
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| adj.单调的，一成不变的，使人厌倦的 | |
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regularity
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| n.规律性，规则性；匀称，整齐 | |
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smoothly
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| adv.平滑地，顺利地，流利地，流畅地 | |
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soothing
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| adj.慰藉的；使人宽心的；镇静的 | |
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drowsy
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| adj.昏昏欲睡的，令人发困的 | |
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76
sanctuary
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| n.圣所，圣堂，寺庙；禁猎区，保护区 | |
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77
repose
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| v.(使)休息；n.安息 | |
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78
peculiarities
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| n. 特质, 特性, 怪癖, 古怪 | |
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extravagant
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| adj.奢侈的；过分的；(言行等)放肆的 | |
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80
fervid
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| adj.热情的；炽热的 | |
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81
intensified
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| v.（使）增强， （使）加剧( intensify的过去式和过去分词 ) | |
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82
essentially
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| adv.本质上，实质上，基本上 | |
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83
enjoyment
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| n.乐趣；享有；享用 | |
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84
serenely
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| adv.安详地，宁静地，平静地 | |
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85
drowsily
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| adv.睡地，懒洋洋地，昏昏欲睡地 | |
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86
irresistibly
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| adv.无法抵抗地，不能自持地；极为诱惑人地 | |
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87
caressing
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| 爱抚的，表现爱情的，亲切的 | |
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88
peculiarity
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| n.独特性，特色；特殊的东西；怪癖 | |
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exertion
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| n.尽力，努力 | |
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secondly
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| adv.第二，其次 | |
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soothes
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| v.安慰( soothe的第三人称单数 )；抚慰；使舒服；减轻痛苦 | |
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middle-aged
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| adj.中年的 | |
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literally
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| adv.照字面意义，逐字地；确实 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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flinched
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| v.（因危险和痛苦）退缩，畏惧( flinch的过去式和过去分词 ) | |
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perseverance
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| n.坚持不懈，不屈不挠 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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pointed
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| adj.尖的，直截了当的 | |
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99
resolute
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| adj.坚决的，果敢的 | |
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100
depressed
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| adj.沮丧的，抑郁的，不景气的，萧条的 | |
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impudent
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| adj.鲁莽的，卑鄙的，厚颜无耻的 | |
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102
reverted
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| 恢复( revert的过去式和过去分词 )； 重提； 回到…上； 归还 | |
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103
distressing
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| a.使人痛苦的 | |
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