Poetry and Criticism

Nowadays we are all vexed¹ by this question of poetry, and in ways peculiar² to ourselves. Fifty years ago the dispute was whether Browning was a greater poet than Tennyson or Swinburne; to-day it is apparently³ more fundamental, and perhaps substantially more threadbare. We are in a curious half-conscious way incessantly⁴ debating what poetry is, impelled⁵ by a sense that, although we have been living at a time of extraordinarily⁶ prolific⁷ poetic⁸ production, not very much good has come out of it. Having thus passed the stage at which the theory that poetry is an end in itself will suffice us, we vaguely⁹ cast about in our minds for some fuller justification¹⁰ of the poetic activity. A presentiment¹¹ that our poetic values are chaotic¹² is widespread; we are uncomfortable with it, and there is, we believe, a genuine desire that a standard should be once more created and applied¹³.

What shall we require of poetry? Delight, music, subtlety¹⁴ of thought, a world of the heart's desire, fidelity¹⁵ to comprehensible experience, a glimpse through magic casements¹⁶, profound wisdom? All these things—all different, yet not all contradictory—have been required of poetry. What shall we require of her? The answer comes, it seems, as quick and as vague as the question. We require the highest. All that can be demanded of any spiritual activity of man we must demand of poetry. It must be adequate to all our experience; it must be not a diversion from, but a culmination¹⁷ of life; it must be working steadily¹⁸ towards a more complete universality.

Suddenly we may turn upon ourselves and ask what right we have to demand these things of poetry; or others will turn upon us and say: 'This is a lyrical age.' To ourselves and to the others we are bound to reply that poetry must be maintained in the proud position where it has always been, the sovereign language of the human spirit, the sublimation²⁰ of all experience. In the past there has never been a lyrical age, though there have been ages of minor²¹ poetry, when poetry was no longer deliberately²² made the vehicle of man's profoundest thought and most searching experience. Nor was it the ages of minor poetry which produced great lyrical poetry. Great lyrical poetry has always been an incidental achievement, a parergon, of great poets, and great poets have always been those who believed that poetry was by nature the worthiest²³ vessel²⁴ of the highest argument of which the soul of man is capable.

Yet a poetic theory such as this seems bound to include great prose, and not merely the prose which can most easily be assimilated to the condition of poetry, such as Plato's Republic or Milton's Areopagitica, but the prose of the great novelists. Surely the colloquial²⁶ prose of Tchehov's Cherry Orchard²⁷ has as good a claim to be called poetry as The Essay on Man, Tess of the D'Urbervilles as The Ring and the Book, The Possessed²⁸ as Phèdre? Where are we to call a halt in the inevitable²⁹ process by which the kinds of literary art merge³⁰ into one? If we insist that rhythm is essential to poetry, we are in danger of confusing the accident with the essence, and of fastening upon what will prove to be in the last analysis a merely formal difference. The difference we seek must be substantial and essential.

The very striking merit of Sir Henry Newbolt's New Study of English Poetry is that he faces the ultimate problem of poetry with courage, sincerity³¹, and an obvious and passionate³² devotion to the highest spiritual activity of man. It has seldom been our good fortune to read a book of criticism in which we were so impressed by what we can only call a purity of intention; we feel throughout that the author's aim is single, to set before us the results of his own sincere thinking on a matter of infinite moment. Perhaps better, because subtler, books of literary criticism have appeared in England during the last ten years—if so, we have not read them; but there has been none more truly tolerant, more evidently free from malice³³, more certainly the product of a soul in which no lie remains³⁴. Whether it is that Sir Henry has like Plato's Cephalus lived his literary life blamelessly, we do not know, but certainly he produces upon us an effect akin³⁵ to that of Cephalus's peaceful smile when he went on his way to sacrifice duly to the gods and left the younger men to the intricacies of their infinite debate.

Now it seems to us of importance that a writer like Sir Henry Newbolt should declare roundly that creative poetry and creative prose belong to the same kind. It is important not because there is anything very novel in the contention³⁶, but because it is opportune³⁷; and it is opportune because at the present moment we need to have emphasis laid on the vital element that is common both to creative poetry and creative prose. The general mind loves confusion, blest mother of haze³⁸ and happiness; it loves to be able to conclude that this is an age of poetry from the fact that the books of words cut up into lines or sprinkled with rhymes are legion. An age of fiddlesticks! Whatever the present age is—and it is an age of many interesting characteristics—it is not an age of poetry. It would indeed have a better chance of being one if fifty instead of five hundred books of verse were produced every month; and if all the impresarios³⁹ were shouting that it was an age of prose. The differentia of verse is a merely trivial accident; what is essential in poetry, or literature if you will, is an act of intuitive comprehension. Where you have the evidence of that act, the sovereign ?sthetic process, there you have poetry. What remains for you, whether you are a critic or a poet or both together, is to settle for yourself a system of values by which those various acts of intuitive comprehension may be judged. It does not suffice at any time, much less does it suffice at the present day, to be content with the uniqueness of the pleasure which you derive⁴⁰ from each single act of comprehension made vocal⁴¹. That contentment is the comfortable privilege of the amateur and the dilettante⁴². It is not sufficient to get a unique pleasure from Mr De la Mare⁴³'s Arabia or Mr Davies's Lovely Dames⁴⁴ or Miss Katherine Mansfield's Prelude⁴⁵ or Mr Eliot's Portrait of a Lady, in each of which the vital act of intuitive comprehension is made manifest. One must establish a hierarchy⁴⁶, and decide which act of comprehension is the more truly comprehensive, which poem has the completer universality. One must be prepared not only to relate each poetic expression to the finest of its kind in the past, or to recognise a new kind if a new kind has been created, but to relate the kind to the finest kind.

That, as it seems to us, is the specifically critical activity, and one which is in peril⁴⁷ of death from desuetude⁴⁸. The other important type of criticism which is analysis of poetic method, an investigation⁴⁹ and appreciation⁵⁰ of the means by which the poet communicates his intuitive comprehension to an audience, is in a less perilous⁵¹ condition. Where there are real poets—and only a bigot will deny that there are real poets among us now: we have just named four—there will always be true criticism of poetic method, though it may seldom find utterance⁵² in the printed word. But criticism of poetic method has, by hypothesis, no perspective and no horizons; it is concerned with a unique thing under the aspect, of its uniqueness. It may, and happily most often does, assume that poetry is the highest expression of the spiritual life of man; but it makes no endeavour to assess it according to the standards that are implicit⁵³ in such an assumption. That is the function of philosophical⁵⁴ criticism. If philosophical criticism can be combined with criticism of method—and there is no reason why they should not coexist in a single person; the only two English critics of the nineteenth century, Coleridge and Arnold, were of this kind—so much the better; but it is philosophical criticism of which we stand in desperate need at this moment.

A good friend of ours, who happens to be one of the few real poets we possess, once wittily⁵⁵ summed up a general objection to criticism of the kind we advocate as 'always asking people to do what they can't.' But to point out, as the philosophical critic would, that poetry itself must inevitably⁵⁶ languish⁵⁷ if the more comprehensive kinds are neglected, or if a non-poetic age is allowed complacently⁵⁸ to call itself lyrical, is not to urge the real masters in the less comprehensive kinds to desert their work. Who but a fool would ask Mr De la Mare to write an epic⁵⁹ or Miss Mansfield to give us a novel? But he might be a wise man who called upon Mr Eliot to set himself to the composition of a poetic drama; and without a doubt he would deserve well of the commonwealth⁶⁰ who should summon the popular imitators of Mr De la Mare, Mr Davies, or Mr Eliot to begin by trying to express something that they did comprehend or desired to comprehend, even though it should take them into thousands of unprintable pages. It is infinitely⁶¹ preferable that those who have so far given evidence of nothing better than a fatal fluency⁶² in insipid⁶³ imitation of true lyric¹⁹ poets should fall down a precipice⁶⁴ in the attempt to scale the very pinnacles⁶⁵ of Parnassus. There is something heroic about the most unmitigated disaster at such an altitude.

Moreover, the most marked characteristic of the present age is a continual disintegration⁶⁶ of the consciousness; more or less deliberately in every province of man's spiritual life the reins⁶⁷ are being thrown on to the horse's neck. The power which controls and disciplines sensational⁶⁸ experience is, in modern literature, daily denied; the counterpart of this power which envisages⁶⁹ the ideal in the conduct of one's own or the nation's affairs and unfalteringly pursues it is held up to ridicule⁷⁰. Opportunism in politics has its complement⁷¹ in opportunism in poetry. Mr Lloyd George's moods are reflected in Mr ——'s. And, beneath these heights, we have the queer spectacle of a whole race of very young poets who somehow expect to attain⁷² poetic intensity⁷³ by the physical intensity with which they look at any disagreeable object that happens to come under their eye. Perhaps they will find some satisfaction in being reckoned among the curiosities of literature a hundred years hence; it is certainly the only satisfaction they will have. They, at any rate, have a great deal to gain from the acid of philosophical criticism. If a reaction to life has in itself the seeds of an intuitive comprehension it will stand explication. If a young poet's nausea⁷⁴ at the sight of a toothbrush is significant of anything at all except bad upbringing, then it is capable of being refined into a vision of life and of being expressed by means of the appropriate mechanism⁷⁵ or myth. But to register the mere²⁵ facts of consciousness, undigested by the being, without assessment⁷⁶ or reinforcement by the mind is, for all the connection it has with poetry, no better than to copy down the numbers of one's bus-tickets.

We do not wish to suggest that Sir Henry Newbolt would regard this lengthy⁷⁷ gloss⁷⁸ upon his book as legitimate⁷⁹ deduction⁸⁰. He, we think, is a good deal more tolerant than we are; and he would probably hesitate to work out the consequences of the principles which he enunciates⁸¹ and apply them vigorously to the present time. But as a vindication⁸² of the supreme⁸³ place of poetry as poetry in human life, as a stimulus⁸⁴ to critical thought and a guide to exquisite⁸⁵ appreciation of which his essay on Chaucer is an honourable⁸⁶ example—A New Study of English Poetry deserves all the praise that lies in our power to give.
[MARCH, 1920.

1 vexed   

adj.争论不休的；（指问题等）棘手的；争论不休的问题；烦恼的v.使烦恼( vex的过去式和过去分词 )；使苦恼；使生气；详细讨论

参考例句：

• The conference spent days discussing the vexed question of border controls. 会议花了几天的时间讨论边境关卡这个难题。
• He was vexed at his failure. 他因失败而懊恼。 来自《现代汉英综合大词典》

2 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

3 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

4 incessantly   

ad.不停地

参考例句：

• The machines roar incessantly during the hours of daylight. 机器在白天隆隆地响个不停。
• It rained incessantly for the whole two weeks. 雨不间断地下了整整两个星期。

5 impelled   

v.推动、推进或敦促某人做某事( impel的过去式和过去分词 )

参考例句：

• He felt impelled to investigate further. 他觉得有必要作进一步调查。
• I feel impelled to express grave doubts about the project. 我觉得不得不对这项计划深表怀疑。 来自《简明英汉词典》

6 extraordinarily   

adv.格外地；极端地

参考例句：

• She is an extraordinarily beautiful girl.她是个美丽非凡的姑娘。
• The sea was extraordinarily calm that morning.那天清晨，大海出奇地宁静。

7 prolific   

adj.丰富的，大量的；多产的，富有创造力的

参考例句：

• She is a prolific writer of novels and short stories.她是一位多产的作家，写了很多小说和短篇故事。
• The last few pages of the document are prolific of mistakes.这个文件的最后几页错误很多。

8 poetic   

adj.富有诗意的，有诗人气质的，善于抒情的

参考例句：

• His poetic idiom is stamped with expressions describing group feeling and thought.他的诗中的措辞往往带有描写群体感情和思想的印记。
• His poetic novels have gone through three different historical stages.他的诗情小说创作经历了三个不同的历史阶段。

9 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

10 justification   

n.正当的理由；辩解的理由

参考例句：

• There's no justification for dividing the company into smaller units. 没有理由把公司划分成小单位。
• In the young there is a justification for this feeling. 在年轻人中有这种感觉是有理由的。

11 presentiment   

n.预感，预觉

参考例句：

• He had a presentiment of disaster.他预感会有灾难降临。
• I have a presentiment that something bad will happen.我有某种不祥事要发生的预感。

12 chaotic   

adj.混沌的，一片混乱的，一团糟的

参考例句：

• Things have been getting chaotic in the office recently.最近办公室的情况越来越乱了。
• The traffic in the city was chaotic.这城市的交通糟透了。

13 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

14 subtlety   

n.微妙，敏锐，精巧；微妙之处，细微的区别

参考例句：

• He has shown enormous strength,great intelligence and great subtlety.他表现出充沛的精力、极大的智慧和高度的灵活性。
• The subtlety of his remarks was unnoticed by most of his audience.大多数听众都没有觉察到他讲话的微妙之处。

15 fidelity   

n.忠诚，忠实；精确

参考例句：

• There is nothing like a dog's fidelity.没有什么能比得上狗的忠诚。
• His fidelity and industry brought him speedy promotion.他的尽职及勤奋使他很快地得到晋升。

16 casements   

n.窗扉( casement的名词复数 )

参考例句：

• There are two casements in this room. 这间屋子有两扇窗户。 来自互联网
• The rain pattered against the casements; the bells tolled for church with a melancholy sound. 雨点噼噼啪啪地打在窗子上；教堂里传来沉重的钟声，召唤人们去做礼拜。 来自互联网

17 culmination   

n.顶点；最高潮

参考例句：

• The space race reached its culmination in the first moon walk.太空竞争以第一次在月球行走而达到顶峰。
• It may truly be regarded as the culmination of classical Greek geometry.这确实可以看成是古典希腊几何的登峰造级之作。

18 steadily   

adv.稳定地；不变地；持续地

参考例句：

• The scope of man's use of natural resources will steadily grow.人类利用自然资源的广度将日益扩大。
• Our educational reform was steadily led onto the correct path.我们的教学改革慢慢上轨道了。

19 lyric   

n.抒情诗，歌词；adj.抒情的

参考例句：

• This is a good example of Shelley's lyric poetry.这首诗是雪莱抒情诗的范例。
• His earlier work announced a lyric talent of the first order.他的早期作品显露了一流的抒情才华。

20 sublimation   

n.升华，升华物，高尚化

参考例句：

• Presently, entrepreneurship, innovation and excellence-creating are the sublimation of the spirit. 在新的历史条件下，“创业创新创优”的三创精神是新时期江苏人文精神的升华。 来自互联网
• Luleng deems that public will is a sublimation of human's free volitions. 摘要卢梭认为，公意就是人类自由意志的升华。 来自互联网

21 minor   

adj.较小(少)的，较次要的；n.辅修学科；vi.辅修

参考例句：

• The young actor was given a minor part in the new play.年轻的男演员在这出新戏里被分派担任一个小角色。
• I gave him a minor share of my wealth.我把小部分财产给了他。

22 deliberately   

adv.审慎地；蓄意地；故意地

参考例句：

• The girl gave the show away deliberately.女孩故意泄露秘密。
• They deliberately shifted off the argument.他们故意回避这个论点。

23 worthiest   

应得某事物( worthy的最高级 )； 值得做某事； 可尊敬的； 有（某人或事物）的典型特征

参考例句：

• We assure you that we are your worthiest business partner within tremendously changeable and competitive environment. 在当今激烈变化的竞争环境中，我们将是您值得信赖的成长伙伴。
• And with those hands, that grasp'd the heaviest club, Subdue my worthiest self. 让我用这一双曾经握过最沉重的武器的手，征服我最英雄的自己。

24 vessel   

n.船舶；容器，器皿；管，导管，血管

参考例句：

• The vessel is fully loaded with cargo for Shanghai.这艘船满载货物驶往上海。
• You should put the water into a vessel.你应该把水装入容器中。

25 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

26 colloquial   

adj.口语的，会话的

参考例句：

• It's hard to understand the colloquial idioms of a foreign language.外语里的口头习语很难懂。
• They have little acquaintance with colloquial English. 他们对英语会话几乎一窍不通。

27 orchard   

n.果园，果园里的全部果树，(美俚)棒球场

参考例句：

• My orchard is bearing well this year.今年我的果园果实累累。
• Each bamboo house was surrounded by a thriving orchard.每座竹楼周围都是茂密的果园。

28 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

29 inevitable   

adj.不可避免的，必然发生的

参考例句：

• Mary was wearing her inevitable large hat.玛丽戴着她总是戴的那顶大帽子。
• The defeat had inevitable consequences for British policy.战败对英国政策不可避免地产生了影响。

30 merge   

v.(使)结合，(使)合并，(使)合为一体

参考例句：

• I can merge my two small businesses into a large one.我可以将我的两家小商店合并为一家大商行。
• The directors have decided to merge the two small firms together.董事们已决定把这两家小商号归并起来。

31 sincerity   

n.真诚，诚意；真实

参考例句：

• His sincerity added much more authority to the story.他的真诚更增加了故事的说服力。
• He tried hard to satisfy me of his sincerity.他竭力让我了解他的诚意。

32 passionate   

adj.热情的，热烈的，激昂的，易动情的，易怒的，性情暴躁的

参考例句：

• He is said to be the most passionate man.据说他是最有激情的人。
• He is very passionate about the project.他对那个项目非常热心。

33 malice   

n.恶意，怨恨，蓄意；[律]预谋

参考例句：

• I detected a suggestion of malice in his remarks.我觉察出他说的话略带恶意。
• There was a strong current of malice in many of his portraits.他的许多肖像画中都透着一股强烈的怨恨。

34 remains   

n.剩余物，残留物；遗体，遗迹

参考例句：

• He ate the remains of food hungrily.他狼吞虎咽地吃剩余的食物。
• The remains of the meal were fed to the dog.残羹剩饭喂狗了。

35 akin   

adj.同族的，类似的

参考例句：

• She painted flowers and birds pictures akin to those of earlier feminine painters.她画一些同早期女画家类似的花鸟画。
• Listening to his life story is akin to reading a good adventure novel.听他的人生故事犹如阅读一本精彩的冒险小说。

36 contention   

n.争论，争辩，论战；论点，主张

参考例句：

• The pay increase is the key point of contention. 加薪是争论的焦点。
• The real bone of contention,as you know,is money.你知道，争论的真正焦点是钱的问题。

37 opportune   

adj.合适的，适当的

参考例句：

• Her arrival was very opportune.她来得非常及时。
• The timing of our statement is very opportune.我们发表声明选择的时机很恰当。

38 haze   

n.霾，烟雾；懵懂，迷糊；vi.(over)变模糊

参考例句：

• I couldn't see her through the haze of smoke.在烟雾弥漫中，我看不见她。
• He often lives in a haze of whisky.他常常是在威士忌的懵懂醉意中度过的。

39 impresarios   

n.（演出的）主办人，经理( impresario的名词复数 )

参考例句：

• About that, the impresarios are brutally candid. 对此，接待活动组织者有一针见血的评论。 来自互联网
• Bluntly, advertising agencies, theatre impresarios and television producers all preferred to hire stunning females. 坦率地说，广告公司、剧院经理和电视制作人都更愿意招聘漂亮女性。 来自互联网

40 derive   

v.取得；导出；引申；来自；源自；出自

参考例句：

• We derive our sustenance from the land.我们从土地获取食物。
• We shall derive much benefit from reading good novels.我们将从优秀小说中获得很大好处。

41 vocal   

adj.直言不讳的；嗓音的；n.[pl.]声乐节目

参考例句：

• The tongue is a vocal organ.舌头是一个发音器官。
• Public opinion at last became vocal.终于舆论哗然。

42 dilettante   

n.半瓶醋，业余爱好者

参考例句：

• He is a master of that area even if he is a dilettante.虽然他只是个业余爱好者，但却是一流的高手。
• I'm too serious to be a dilettante and too much a dabbler to be a professional.作为一个业余艺术爱好者我过于严肃认真了，而为一个专业人员我又太业余了。

43 mare   

n.母马，母驴

参考例句：

• The mare has just thrown a foal in the stable.那匹母马刚刚在马厩里产下了一只小马驹。
• The mare foundered under the heavy load and collapsed in the road.那母马因负载过重而倒在路上。

44 dames   

n.（在英国）夫人（一种封号），夫人（爵士妻子的称号）( dame的名词复数 )；女人

参考例句：

• Dames would not comment any further. Dames将不再更多的评论。 来自互联网
• Flowers, candy, jewelry, seemed the principal things in which the elegant dames were interested. 鲜花、糖果和珠宝看来是那些贵妇人的主要兴趣所在。 来自英汉文学 - 嘉莉妹妹

45 prelude   

n.序言，前兆，序曲

参考例句：

• The prelude to the musical composition is very long.这首乐曲的序曲很长。
• The German invasion of Poland was a prelude to World War II.德国入侵波兰是第二次世界大战的序幕。

46 hierarchy   

n.等级制度；统治集团，领导层

参考例句：

• There is a rigid hierarchy of power in that country.那个国家有一套严密的权力等级制度。
• She's high up in the management hierarchy.她在管理阶层中地位很高。

47 peril   

n.(严重的)危险；危险的事物

参考例句：

• The refugees were in peril of death from hunger.难民有饿死的危险。
• The embankment is in great peril.河堤岌岌可危。

48 desuetude   

n.废止，不用

参考例句：

• Many words once commonly used have fallen into desuetude.许多过去曾通用的词，今天已经废弃不用了。
• These words have fallen into desuetude.这些词如今已经不用了。

49 investigation   

n.调查，调查研究

参考例句：

• In an investigation,a new fact became known, which told against him.在调查中新发现了一件对他不利的事实。
• He drew the conclusion by building on his own investigation.他根据自己的调查研究作出结论。

50 appreciation   

n.评价；欣赏；感谢；领会，理解；价格上涨

参考例句：

• I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
• I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。

51 perilous   

adj.危险的，冒险的

参考例句：

• The journey through the jungle was perilous.穿过丛林的旅行充满了危险。
• We have been carried in safety through a perilous crisis.历经一连串危机，我们如今已安然无恙。

52 utterance   

n.用言语表达，话语，言语

参考例句：

• This utterance of his was greeted with bursts of uproarious laughter.他的讲话引起阵阵哄然大笑。
• My voice cleaves to my throat,and sob chokes my utterance.我的噪子哽咽，泣不成声。

53 implicit   

a.暗示的，含蓄的，不明晰的，绝对的

参考例句：

• A soldier must give implicit obedience to his officers. 士兵必须绝对服从他的长官。
• Her silence gave implicit consent. 她的沉默表示默许。

54 philosophical   

adj.哲学家的，哲学上的，达观的

参考例句：

• The teacher couldn't answer the philosophical problem.老师不能解答这个哲学问题。
• She is very philosophical about her bad luck.她对自己的不幸看得很开。

55 wittily   

机智地，机敏地

参考例句：

• They have just been pulling our legs very wittily. 他们不过是跟我们开个非常诙谐的玩笑罢了。
• The tale wittily explores the interaction and tension between reality and imagination. 这篇故事机智地探讨了现实和想象之间的联系和对立。

56 inevitably   

adv.不可避免地；必然发生地

参考例句：

• In the way you go on,you are inevitably coming apart.照你们这样下去，毫无疑问是会散伙的。
• Technological changes will inevitably lead to unemployment.技术变革必然会导致失业。

57 languish   

vi.变得衰弱无力，失去活力，（植物等）凋萎

参考例句：

• Without the founder's drive and direction,the company gradually languished.没有了创始人的斗志与指引，公司逐渐走向没落。
• New products languish on the drawing board.新产品在计划阶段即告失败。

58 complacently   

adv. 满足地, 自满地, 沾沾自喜地

参考例句：

• He complacently lived out his life as a village school teacher. 他满足于一个乡村教师的生活。
• "That was just something for evening wear," returned his wife complacently. “那套衣服是晚装，"他妻子心安理得地说道。 来自英汉文学 - 嘉莉妹妹

59 epic   

n.史诗，叙事诗；adj.史诗般的，壮丽的

参考例句：

• I gave up my epic and wrote this little tale instead.我放弃了写叙事诗，而写了这个小故事。
• They held a banquet of epic proportions.他们举行了盛大的宴会。

60 commonwealth   

n.共和国，联邦，共同体

参考例句：

• He is the chairman of the commonwealth of artists.他是艺术家协会的主席。
• Most of the members of the Commonwealth are nonwhite.英联邦的许多成员国不是白人国家。

61 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

62 fluency   

n.流畅，雄辩，善辩

参考例句：

• More practice will make you speak with greater fluency.多练习就可以使你的口语更流利。
• Some young children achieve great fluency in their reading.一些孩子小小年纪阅读已经非常流畅。

63 insipid   

adj.无味的，枯燥乏味的，单调的

参考例句：

• The food was rather insipid and needed gingering up.这食物缺少味道，需要加点作料。
• She said she was a good cook,but the food she cooked is insipid.她说她是个好厨师，但她做的食物却是无味道的。

64 precipice   

n.悬崖，危急的处境

参考例句：

• The hut hung half over the edge of the precipice.那间小屋有一半悬在峭壁边上。
• A slight carelessness on this precipice could cost a man his life.在这悬崖上稍一疏忽就会使人丧生。

65 pinnacles   

顶峰( pinnacle的名词复数 )； 顶点； 尖顶； 小尖塔

参考例句：

• What would be the pinnacles of your acting and music? 对你而言什麽代表你的演技和音乐的巅峰？
• On Skye's Trotternish Peninsula, basalt pinnacles loom over the Sound of Raasay. 在斯开岛的特洛登尼许半岛，玄武岩尖塔俯瞰着拉塞海峡。

66 disintegration   

n.分散，解体

参考例句：

• This defeat led to the disintegration of the empire.这次战败道致了帝国的瓦解。
• The incident has hastened the disintegration of the club.这一事件加速了该俱乐部的解体。

67 reins   

感情，激情； 缰( rein的名词复数 )； 控制手段； 掌管； （成人带着幼儿走路以防其走失时用的）保护带

参考例句：

• She pulled gently on the reins. 她轻轻地拉着缰绳。
• The government has imposed strict reins on the import of luxury goods. 政府对奢侈品的进口有严格的控制手段。

68 sensational   

adj.使人感动的，非常好的，轰动的，耸人听闻的

参考例句：

• Papers of this kind are full of sensational news reports.这类报纸满是耸人听闻的新闻报道。
• Their performance was sensational.他们的演出妙极了。

69 envisages   

想像，设想( envisage的第三人称单数 )

参考例句：

• The board envisages that there will be a high profit. 董事会预期将会获得高额利润。
• The paper reviews and envisages the development trend of carbon electrode. 本文对炭电极的发展方向做了回顾与展望。

70 ridicule   

v.讥讽，挖苦；n.嘲弄

参考例句：

• You mustn't ridicule unfortunate people.你不该嘲笑不幸的人。
• Silly mistakes and queer clothes often arouse ridicule.荒谬的错误和古怪的服装常会引起人们的讪笑。

71 complement   

n.补足物，船上的定员；补语；vt.补充，补足

参考例句：

• The two suggestions complement each other.这两条建议相互补充。
• They oppose each other also complement each other.它们相辅相成。

72 attain   

vt.达到，获得，完成

参考例句：

• I used the scientific method to attain this end. 我用科学的方法来达到这一目的。
• His painstaking to attain his goal in life is praiseworthy. 他为实现人生目标所下的苦功是值得称赞的。

73 intensity   

n.强烈，剧烈；强度；烈度

参考例句：

• I didn't realize the intensity of people's feelings on this issue.我没有意识到这一问题能引起群情激奋。
• The strike is growing in intensity.罢工日益加剧。

74 nausea   

n.作呕，恶心；极端的憎恶(或厌恶)

参考例句：

• Early pregnancy is often accompanied by nausea.怀孕期常有恶心的现象。
• He experienced nausea after eating octopus.吃了章鱼后他感到恶心。

75 mechanism   

n.机械装置；机构，结构

参考例句：

• The bones and muscles are parts of the mechanism of the body.骨骼和肌肉是人体的组成部件。
• The mechanism of the machine is very complicated.这台机器的结构是非常复杂的。

76 assessment   

n.评价；评估；对财产的估价，被估定的金额

参考例句：

• This is a very perceptive assessment of the situation.这是一个对该情况的极富洞察力的评价。
• What is your assessment of the situation?你对时局的看法如何？

77 lengthy   

adj.漫长的，冗长的

参考例句：

• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。
• The professor wrote a lengthy book on Napoleon.教授写了一部有关拿破仑的巨著。

78 gloss   

n.光泽，光滑；虚饰；注释；vt.加光泽于；掩饰

参考例句：

• John tried in vain to gloss over his faults.约翰极力想掩饰自己的缺点，但是没有用。
• She rubbed up the silver plates to a high gloss.她把银盘擦得很亮。

79 legitimate   

adj.合法的，合理的，合乎逻辑的；v.使合法

参考例句：

• Sickness is a legitimate reason for asking for leave.生病是请假的一个正当的理由。
• That's a perfectly legitimate fear.怀有这种恐惧完全在情理之中。

80 deduction   

n.减除，扣除，减除额；推论，推理，演绎

参考例句：

• No deduction in pay is made for absence due to illness.因病请假不扣工资。
• His deduction led him to the correct conclusion.他的推断使他得出正确的结论。

81 enunciates   

n.（清晰地）发音( enunciate的名词复数 )；确切地说明v.（清晰地）发音( enunciate的第三人称单数 )；确切地说明

参考例句：

• She enunciates very slowly and carefully. 她缓慢、仔细而又清晰地读着。 来自辞典例句
• The Charter for Youth enunciates principles and ideals in youth development. 《青年约章》阐述青年发展的原则和理想。 来自互联网

82 vindication   

n.洗冤，证实

参考例句：

• There is much to be said in vindication of his claim.有很多理由可以提出来为他的要求作辩护。
• The result was a vindication of all our efforts.这一结果表明我们的一切努力是必要的。

83 supreme   

adj.极度的，最重要的；至高的，最高的

参考例句：

• It was the supreme moment in his life.那是他一生中最重要的时刻。
• He handed up the indictment to the supreme court.他把起诉书送交最高法院。

84 stimulus   

n.刺激，刺激物，促进因素，引起兴奋的事物

参考例句：

• Regard each failure as a stimulus to further efforts.把每次失利看成对进一步努力的激励。
• Light is a stimulus to growth in plants.光是促进植物生长的一个因素。

85 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

86 honourable   

adj.可敬的；荣誉的，光荣的

参考例句：

• I don't think I am worthy of such an honourable title.这样的光荣称号，我可担当不起。
• I hope to find an honourable way of settling difficulties.我希望设法找到一个体面的办法以摆脱困境。