So here we sat this morning on the steps of the little temple of Wingless Victory, wingless, as the old sunlit myth said, because, when the nymph lighted on the sacred rock of the Acropolis, she stripped off her wings, which were henceforward useless to her, since she would abide5 here for ever, just below the great house of defence that the Athenians had raised to the Wisdom of God, Athene, who was born full-grown and in panoply6 of shield, and helmet, and spear, from the head of Zeus. Out of his head she sprang in painless birth, with a cry that was heard by Echo on Hymettus, and rang back in Echo’s voice across the plain, the shout of the wisdom of God incarnate7.{321}
And then Poseidon, the lord of the sea, who coveted8 these fair Attic9 plains, challenged Athene for the ownership thereof. Each must produce a sign of godhead, and the most excellent should win for its manifestor all the plain of Attica. There, high on the rock, where the great birth had taken place, were the lists set, and with his trident Poseidon struck the mountain-top, and from the dent10 there flowed a stream of the salt sea, which was his kingdom; and then the grey-eyed goddess of wisdom laid aside her spear, and from the waving of her white hands there sprang an olive-tree, the sign of peace and of plenty. So Poseidon went down to his realm again, where no man may gather the harvest; for none could question which was the more excellent sign.
It was after this, after the Athenians had raised the great house to the Wisdom of God, that Wingless Victory came to abide here. It was not fit, for all her greatness, to build her a house on the ground that had been given to Athene, so just outside the gates they made this platform of stone, and raised on it the shrine11 that looks towards Salamis.{322}
Fables12, so beautiful that they needed no further evidence of their truth, sprang from ancient Greece, as flowers from a fruitful field. Whether they were true or not, whether that peerless woman’s form that stands now in stone in the Louvre, alighting with rush of windy draperies on the ship’s prow14, ever was seen here by mortal eye, or whether the myth but grew from the brain of this wonderful people, matters not at all. Beauty, according to their creed15, was one with truth, just as ugliness was falsehood. They denied ugliness: they would have none of it, and it was from the practice of that conviction that there rose the flawless city of art. Never, so we must believe, during that wonderful century and a half, when from the ground, maybe, of the lifeless hieratic Egyptian art there shot up that transcendent flower of loveliness, of which even the fragments that remain to us now, battered16 and disfigured as they are, are in another zone of beauty compared to all that went before or has come afterwards, was anything ugly produced at all, except as deliberate caricature. It was no Renaissance—it was Naissance itself—the birth of the beautiful.{323} On every side shot out the rays of the miraculous17 many-coloured star: from the marble of Pentelicus flowed that torrent18 of statues which make all others look coarse and unlovely, for the speed of the Greek eye was such that they saw attitudes which pass before we of slower vision have perceived them. Sometimes they saw things that were in themselves ungraceful, but how Pheidias must have laughed with glee when, among the seventy horses of the great procession on the frieze19, he put in one that, cantering, stood upon one leg, while the other three were bunched underneath20 it. Taken by itself, it is a grotesque21; taken with the others, it gives to the jubilant procession of youths and horses the one perfect touch. More than two thousand years ago a Greek saw that; two thousand years later we with our focal planes in photography can say he was right.
In all arts the Greeks were right; they cut through the onyx of the sardonyx, leaving the lucent image in the sard; in the less eternal clay they made the statuettes of Tanagra—those sketches22 of attitudes so natural and momentary24 that, looking, we can scarcely believe that they{324} do not move: where a woman has already made up her mind to take a step forward, but has just not taken it; where she is in act of throwing the knuckle-bones, but has yet not thrown them; where a boy has determined25 to push back his chiton (for the day is hot), but has just not made the movement. You cannot hope to understand the Greek genius, unless you realize that our eyes are snails26 as compared with theirs. They saw with the naked eye what our instantaneous photograph now tells us is the case.
And of their paintings! We have none left (and there’s the pity of it) which even reflect the Greek master at his best. But corresponding to our English paintings on china, we have the Greek vases of the fourth and fifth centuries. They were made by journeymen in potters’ shops, but there is not one that lacks the supremacy27 of knowledge and observation. It is as if a china-shop in the Seven Dials suddenly displayed in its window examples of the nude28 figure which showed a perfect knowledge not only of anatomy29, but of the romance of movement. The sculptors30 and painters of Greece saw perfectly31. Even our academicians{325} themselves appear to us to be not flawless. But in Greece we are not dealing32 with these great lords of colour and drawing: we deal only, as far as drawing goes, with little people in back streets. The noble church of St. Paul in the City of London, which so few people visit, was lately decorated. At this moment I look on a sketch23 of a fragment of pottery33.... It is by one like whom there were thousands. It happens to be perfect in draughtsmanship.
To think of one day in ancient Athens! In the morning I went up (I feel as if I must have done this) to see the new statue of Athene Promachos, which Pheidias had just finished. We knew little then about his work, except that he had been chosen to decorate the Parthenon, and those who had seen his sketches for the frieze (which we can see now in the British Museum) said that they were ‘not bad.’ So after breakfast my friend and I strolled towards the Acropolis, talking, as Athenians talked, of ‘some new thing’—in fact, we talked of several new things, and, being Athenians, we got quite hot about them, since we had (being Athenians) that keenness of soul that never says ‘I do{326}n’t care about that,’ or ‘I take no interest in this.’ Everything was intensely interesting. It was a hot morning, and the plane-trees by the Ilyssus looked attractive, and there was a company of people there whose talk might be stimulating35, but to-day we were too busy: we had to see the Athene Promachos, a bronze statue by Pheidias, forty feet high, and after lunch (lunch was going to be rather grand, because a new play was coming out, and Pericles was going to be there, and perhaps Aspasia) we were going to ?schylus’s new tragedy, called the ‘Agamemnon.’ And my friend, who was Alcibiades, was giving a supper-party in the evening. Socrates was coming, and a man who was really very pleasant, only he listened and made notes, but seldom talked. His name was Plato.
Alcibiades was rather profane36 sometimes, and spoke37 of the great gods as if he did not really believe in them. I, knowing him so well, knew that he did, and that it was only his Puck-like spirit which made him in talk make light of what he believed. All up the steps of the Propyl?a he was, though amusing, rather profane, and then we came through the central{327} gate, which was yet unfinished, and straight in front of us was the statue. And some jest—I know not what—died on my friend’s lips, and his great grey eyes suddenly became dim with tears at the sight of beauty, and his mouth quivered as he said:
‘Mighty Lady Athene, my goddess!’
And with that he knelt down on the rock in front of where she stood, and prayed to the wisdom of God.
He refused to go to the grand lunch after this, and insisted on our remaining up here till it was time to get to the theatre, quoting something that Socrates had said about the cleansing38 power of beauty; ‘so we will not soil ourselves just yet,’ quoth he, ‘with the intrigues39 we should hear about at lunch, but go straight from here to the theatre.’ So we bought from a peasant some cheese wrapped up in a vine-leaf, and a bottle of wine, and a loaf of bread and some grapes, and then went down the rock to the theatre. And still that divine vision had possession of Alcibiades, for he paid no attention to the greeting of his friends, and bade them be silent. And soon{328} the actors were come, and the watchman went up to the tower, and looked east, and saw the beacons40 leap across the land, to show that the ten-year siege was over, and that Troy had fallen. Then slowly began to be unfolded the tale of the stupendous tragedy. Home came Agamemnon, with his captive, the Princess Cassandra, riding behind him in his chariot of triumph. Clytemnestra, his wife, met him at the palace door, and with feigned41 obeisance42 and lying words of love welcomed him in, leaving Cassandra outside. Then there descended43 on the Princess the spirit of prophecy, and in wild words she shrieked44 out the doom45 that was coming. Quickly it came: from within we heard the death-cry of the King, and the palace doors swung open, and out came the Queen, fondling the axe46 with which she had slain47 him.... The doom of the gods was accomplished48.
Then afterwards we went round to the green-room, and found ?schylus there, and Alcibiades, in his impulsive49 way—I tell him he has the feelings of a woman—must kneel and kiss the hand that wrote this wonderful play. Socrates{329} was there, too, putting absurd questions to everybody about the difference between the muse34 of tragedy and the muse of comedy; as if anybody cared, so long as ?schylus wrote plays like that! However, he got Plato to listen to him, and soon made him contradict himself, which is what Socrates chiefly cares about. Pericles came in, too, with Aspasia, to whom he kindly50 introduced me. Certainly she is extraordinarily51 beautiful, and has great wit. But she called attention to her physical charms too much, which is silly, since they are quite capable of calling attention to themselves.
Afterwards, since only Alcibiades and I had seen the wonderful statue, we all strolled up to the Acropolis again to look at it and the sunset. Socrates came, too, and after we had examined and admired the bronze goddess again, we went and sat on the steps of the temple of Athene. He tried his usual game of asking us questions till we contradicted ourselves, but before long all of us refused to answer him any more, saying that we were aware that we were totally ignorant of everything, and that there was{330} no longer any need for him to prove it to us. And then—exactly how it arose I don’t know, but I think it was from the questions and answers that had already passed—he began to weave us the most wonderful fable13, showing us how all that we thought beautiful here on earth was but the reflection, the pale copy, of the beauty which was eternal. Round the outer rim52 of the earth and the stars, he said, ran the living stream of a great river, which, indeed, was heaven, and everything that we thought beautiful here had its archetype there, and all day and all night the gods drove round and round on this river of beauty in their chariots. It was our business, then, here on earth, to look for beauty everywhere, and never falter53 in the quest of it, for so we prepared ourselves for the sight of that of which these things were but the shadow, so that the greater would be the initiation54 which would be ours after death. More especially we must seek for the beauty of spiritual things, which was the real beauty, and so order our bodies, our words, and actions, that they were all in tune55 with it, with the beauty of prudence56, and temperance,{331} and kindness, and wisdom, for it was of these that heaven itself and the living stream was composed, and these shone from the eyes of the immortal57 gods.
‘So there is my prayer,’ said he, rising and stretching out his hands to the great statue, while we all rose with him. ‘O Athene, give me inward beauty of soul, and let the inward and the outward man be at one.’
So the sun set, but on the violet crown of Athens—the hills there, Hymettus, Pentelicus, and Parnes—the light still lingered, and shone like the river of beauty Socrates had told us about, till it faded also from the tops, and above the deep night was starry-kirtled.
Helen is the most delightful58 person in the world to tell stories to. However lamely59 you tell them, she is absorbed in them, and never asks about the weak points, as other children do. She might, for instance, have asked if I was correct about my dates; did the ‘Agamemnon’ come out in the year that the ‘Promachos’ was made? Instead——
‘And who was I?’ she asked. ‘Don’t tell{332} me I was Aspasia, because I don’t like what you told me about her.’
‘No; you were not Aspasia,’ I said rather hurriedly; ‘and I rather think you had had your turn in Greece at some other time. I didn’t know you then, except, perhaps, in the myths, for I am not sure that you were not Electra.’
‘Was she nice?’ asked Helen.
‘She was very nice to Orestes.’
‘Oh, don’t! Who was Orestes? What a nice name!’
‘You were his sister. That’s all about mythology60 just now.’
The plain quivered under the sunlit haze61 of blue. To the south the dim sea was in tone like two skies poured together, and the isles62 of Greece floated in it like swimmers asleep. Below, to the left, lay the theatre where I had seen the ‘Agamemnon,’ empty, but ready as if the play was just going to begin. Who knew what ghosts of those supreme63 actors were there, what audience of the bright-eyed Greeks followed the drama? And above us stood the{333} presiding genius of Athens, the beautiful house built for the virgin64 who sprang from the brain of God. A little more, and it would be her birthday again, and we should hear the sound of horse-hoofs coming up the hill, and see the procession of the Athenian youths, and the men with the bulls for sacrifice, and the wine-carriers, and the incense-bearer, and the priests of the great goddess. Another company would be there, too—the hierarchy65 of Olympus—come down on Athene’s birthday to visit her in her beautiful home. With Zeus would be the mother of the gods; and Aphrodite would be there, the spirit of love that renews the earth; and Apollo, who makes it bright with sunshine; and Demeter, the mother of the cornfields; and Persephone, radiant, and returned from the gate of death; and Hermes, the swift messenger whose feet were winged; and Iris67, who was rainbow, the sign of the beneficent seasons.
And ... though we saw them not, there was not one missing. Love was here, and below were the ripening68 cornfields, on which the sun shone; and beyond was the realm of{334} Poseidon, and a squall of spring rain, that passed like a curtain in front of Hymettus, showed us Iris.
Then it was time to go down townwards again, for the morning was passed; but Helen paused at the doorway69 at the gate of the Acropolis, and looked towards the temple.
‘Best of all, I like Socrates’ prayer,’ she said; ‘and I must say it to myself.’
Spring had been rather late this year, and a week ago, when we drove out to the foot of Pentelicus, to have a country ramble70, the rubbish of last year’s autumn was still in evidence. Then the spring began to stir, and two days ago, when we had gone out again, all the anemones71 except one kind were in full flower. They are heralds73, those mauve and violet and pink and white chalices74 of blossom, to tell us that the great procession of Primavera has begun. But last of all come the trumpeters, the scarlet75 anemones, and if the sun has been warm, and no north wind has delayed the procession, they blow their blasts over the land just two days after the heralds have appeared.{335} So to-day after lunch we went out to hear the trumpeters; to-morrow we shall see Primavera herself.
Spring herself, the goddess Primavera, was very near to-day, for on thicket76 and brake and over the flank of the hill-side her trumpeters were blowing their shrill77 blasts of scarlet. Two days before, the land was sober-coloured; now, wherever you looked, the wonderful anemone72, last to flower, stood high with full-blown petals78. The movement and stir of the new life was hurrying to its climax79. To-morrow, instead of the myriad80 buds of the cistus and the pale stalks of orchid81, the flowers would be unfurled at the final touch of the spring, at the advent82 of the goddess herself. To-day a myriad folded bells hung from the great bushes of southern heath, like stars still cloaked in mist; to-morrow, with one night more of warm wind and a morning of sun, they would blaze and peal83 together; for it is thus in this wonderful Southern land that spring comes: a few heralds go before, and then the army of trumpeters. After this, She crosses the plain with the ardour of hot blood, so that{336} all flowers blossom together, and every bud and beast goes suddenly a-mating. Here there is none of our limitative February, our pinched hopes of March; all is quiet till the heralding84 of the anemones and the trumpets85 of their scarlet brethren. Then, in full panoply of blossom, Primavera and summer, too, are there together. For a week or two the land is aflame with flower, and then already the maturing of fruit-trees has begun.
Northerners though we are, both Helen and I claimed some strain of Southern blood in the ecstasy86 of those days. That for which we wait and watch for patient weeks in the shy approach of spring in England was here done with a flame and a shout. There was no hesitancy or delay; no weak snowdrop said that winter was coming to an end weeks before spring came, to die before the crocuses endorsed87 its message. Here all was asleep together till all woke together. Ten days ago there was no hint of spring save in the strong sunshine: the wilderness88 of winter still spread its icy hands. Then faster than the melting of the snow on the top of Parnes{337} came the heralds in the wilderness, and spring was there. It was like the winter of Kundry’s soul, to whom one morning Gurnemanz said: ‘Auf! Der Winter floh, und Lenz ist da.’ And on that day came Parsifal and her redemption, and the ransomed89 of the Lord returned with joy and singing.
I have no skill to tell of those days: for the past, all that I knew of the history of this wonderful land, and the present, all that love meant, and the future, the dear event that was coming closer, were so inextricably mingled90 that no coherence91 is possible. But if you love a place, and are there with your beloved, and know that she will bear a child to you before many weeks are over, you may make a paradise of Clapham Junction92, and find the joy of it a thing incommunicable. And how much more difficult a material is the magic of this land to work in—this little Attic plain, peopled with the ghosts of that wonderful age, which are not dead at all, but instinct with life to-day, at this moment when spring has come, so forcibly that even the slow tortoises on the side of Pentelicus hurried{338} breathlessly about, with deep sighs (I assure you) till they found a congenial lady. Then they ran—positively ran—round her in ever-narrowing circles, still sighing. There were grasshoppers93, too—green gentlemen and brown ladies. The brown ladies genteelly ran away, but they never ran far. The great hawks94 sought each other in the sublime95 sky, and the young men and maidens96 of Athens as we drove back were taking discreet98 walks together into the country. And from the Acropolis the maiden97 goddess, who is the Wisdom of God, looked down, and was well pleased.
For, thank Heaven! the Wisdom of God in no prude. To all has it given a soul, and to all souls is desire of some sort given—to one the perfection of form, to another the perfection of wit, to another the perfection of colour, to another the perfection of truth. For each there is a way; each has got to follow it; and for many there are various ways, and these many must follow them all. If a thing is lovely and of good report, we all have to hunt it home. It is no excuse to say you have no time, for you{339} have all the time there is. Search, search: there is the Way everywhere.
Indeed, this is no mystical affair: it is the plainest sense. Whatever happens, God is somehow revealed. But, being blind, we cannot always see the revelation.
To-night, as Helen and I sit on deck of the steamer that takes us back again to Marseilles, we wonder what gives Greece its inalienable magic. We saw the fading of its shores in the dusk, and though the phosphorescence of the sea was a thing to marvel99 at, it was no longer the phosphorescence of Greek waters. That little fig-leaf-fingered land has sentiment somehow in its soil; it cannot fail to move anybody. Its history since the Great Age—it is no use to deny it—has been tawdry beyond description. It yielded to the Romans, it scarcely resisted the Albanians; and though some flickering100 spirit of its old grandeur101 flamed again when its people rose against the Turkish rule in the early part of last century, what are we to say of the spirit of the people when, twelve{340} years ago, they again fought their ancient and ancestral enemy? The Turks strolled slowly southwards from the North of Thessaly, and only the intervention102 of the Powers prevented Greece again becoming a Turkish province. The Hellenic battle-cry went shrilly103 up to Heaven, but the Hellenic army trotted104 like a flock of sheep before the foe105, until the Powers said that the war must cease. Only the year before there had been revival106 of the Olympic games, and there had been a race from Marathon to Athens in memory of Pheidippides, who bore the news of that stupendous victory, and died as he reached Athens, saying, ‘Greece has conquered the Persians.’ A Greek won that peaceful race from Marathon; the same Greek won the peaceful race home, and arrived back in Attica in the very van and forefront of the retreating army. The ‘host of hares’ was the Turkish name for the foes107 they never had occasion to meet, who started from their fortresses108 like hares from their forms, and galloped109 quietly away. Meantime the Greek fleet cruised in the Adriatic, and sank a fishing-boat. When{341} the war was over, they came home with the spoils of their victory—a hat, a fish, a net. Perhaps it is best to say that there was no war at all: the Turkish armies made peaceful man?uvres over Thessaly, until they came to Volo. Then the Powers of Europe said: ‘We think your man?uvres have extended far enough: kindly go home.’
Yet, somehow, the tragic110 futility111 of all this does not really touch Greece or the sentiment that the lovers of the lovely land feel for it. Supposing a Greek army, or a regiment112 of it, had met the Turk, and died in the cause of patriotism113, that could not have added to the compelling charm of Greece, and so the fact that none of these patriotic114 events happened does not diminish it. In Greece, whatever may be done or left undone115, you are in the country where once beauty shot up like the aloe-flower, so that all else is inconsiderable beside that, since whatever the world has achieved afterwards, whether in painting, or sculpture, or drama, or poetry, or in that eagerness of life which is the true romance of existence, is{342} measured, if only it be fine enough, by the standard set then. That is the haunting, imperishable charm of this country, and, missing that, even the phosphorescence of waters by night, divided by the swift keel of the lonely ship, was for a time a soulless firework.
The magic of it—the magic of it!
Thereafter we staggered across the Adriatic, over the ridge116 and furrow117 of a grey and unquiet sea, till we found quiet below the heel of Italy. Soon to the south-west the horizon lay in skeins of smoke, and it was not for hours afterward4 that the cone118 of Etna, uprearing itself, showed whence the trouble came. Narrower grew the straits, till we passed out beside Messina, and for the pillar of smoke which Etna had raised all day we sighted Stromboli, a pillar of fire by night. Next morning we were in the narrows between Corsica and Sardinia, and saw the little villages, tiny and toy-like, in the island whence sprang the brain that was to light all Europe with the devouring119 flame of its burning. If the dead return, I think it is not in Elba of St.{343} Helena, nor even in the pomp of Paris, nor on the battle-field, that we must guess that Napoleon wanders. He sees the impotence of his destructive and untiring genius. The lines of his new map of Europe have been gently defaced again by time, and he sits quiet enough by the little house, where still the descendants of his old nurse dwell, and sees the innocent campaigning of her grandchildren in their childish games. And when the time comes for unflinching justice to be done to that unflinching spirit, who spared none, nor had pity so long as by any sacrifice the realization120 of his ruthless imaginings came true, will not the spirit of his old nurse stand advocate, and remind Justice that, even in the midst of his gigantic schemes, he remembered her who had given him suck, and provided for her maintenance? Somewhere in that iron soul was the soft touch of childish days: he was kind who was so terrible, and that pen so unfacile and so bungling121 that he hated to write at all put a little paragraph of scarcely decipherable words to his will that showed {344}(what would otherwise have been incredible) how a certain gentleness of heart underlay122 the iron.
Though all these sights—the chimney of Etna, the furnace of Stromboli, the island of Napoleon—were but milestones123, passed before, to show us now how far we were travelling from the magic land, yet each brought us nearer in time and space to the magic of home, and of the day, yet unnamed, which must already, like some peak of an unknown range, be beginning to rear itself up in the foreground of the future.
Then, as the magnet of Greece grew more remote, the magnet of home gained potentiality, until there was no question which was the stronger. We had intended—that is to say, more than half intended—to stay a day or two in Paris; instead, we fled through Paris as if it had been a spot plague-ridden, meaning to pass the night in London. But even as we scurried124 from Gare de Lyon to Gare du Nord, so, too, we scurried from Victoria to Waterloo, with intention now fully125 declared to get down to the dear home without pause. As far as I remember, we sustained life on{345} thick brown tea and a Sahara of currant-cake; but at the end there was the snorting motor waiting at the station, and a mile of sleeping streets, cheered by the vision of Mr. Holmes going somewhere in a neat Inverness cape126 and buttoned boots, a mile of spring-scented country road, and then the little house, discreet behind its shrubbery, where was the rose-garden, among other things, and among other things the nursery.
The night was very warm, and lit by the full moon of April, so, after we had dined, and run like two children from room to room in the house, first to greet all the precious things of home, with Fifi, like an animated127 corkscrew, performing prodigies128 of circular locomotion129 round us, we found that there was still a large part of home to greet, and so went out into the garden, to see what April had brought forth130 there. No sudden riot or conflagration131 of leaf and flower, like that which we had seen blaze over the lower slopes of Pentelicus, was there, but April day by day had done his gentle work, so that where we had left a bed still winter-naked{346} it was now mapped out into the claims of the plants. To-morrow there would be disputes to be settled, for the day-lily had pegged132 out more than her share, and between her and the iris a delphinium would be crowded out of existence. But every plant—such is our rule—may claim all the ground it can get until the end of April; then come round the judges of the court of appeal, and if any plant distinctly says, ‘I have not room to grow, because of these encroachers,’ his appeal, if he promises at all well, is usually upheld, and the encroacher is shorn of his unreasonable133 encroachments. Even by the moonlight it was quite certain that the court of appeal had a heavy day in front of it: there were lawsuits134 regarding land to settle, which would require most careful adjustment, for the court hates depriving a rightful possessor of that which his vigor135 has appropriated. On the other hand, the slender aristocracy of the bed (for the aristocrat136 grows upwards137 rather than sideways) must not be elbowed out of existence. One plant only is allowed to do exactly what it pleases and when it pleases{347}—the pansy, which is ‘for thoughts’ that are always sweet, and so may roam unchecked and welcome, for who would set limits to the wanderings of so kindly and humble138 a soul? It but touches the ground, too (to be absolutely honest, I must confess that this has something to do with the liberties we give it), as a moth66 still hovering139 and on the wing draws from the flower the sustenance140 it needs. It does not, so to speak, sit down to make a square meal, or burrow141 with searching roots deep into the earth, and drain it of all its treasure, but it is ever on the move, like some bright-eyed beggar-girl, to whom none but the churlish would grudge142 the wayside halfpenny. She will not linger and settle and sponge on your bounty143, but be off again elsewhere next moment, just turning to you a smiling face, and whispering a murmured thanks in the bright language of flowers. So she is privileged to wander even in the sacred territory of the roses, where I hope she has already wandered wide. There, however, we did not penetrate144 to-night, for it and the meadow we kept for the morrow. But on the top margin{348} of the field against the sky I saw shapes that were unmistakable. To-morrow our hearts will go dancing with the daffodils.
But to-night we are content with the thoughts that the pansies have given us, and can even forgive Milton for speaking of them as ‘freaked with jet.’ Freaked with jet!—when Ophelia had said that they were ‘for thoughts’! But, then, Milton speaks of the ‘well-attired woodbine,’ which is almost as bad. Imagine looking at pansies, and finding it incumbent145 on one to say: ‘I perceive they are freaked with jet’! But, as one who had the highest appreciation146 of Milton remarked, to appreciate Milton is the reward of consummate147 scholarship, which was certainly a very pleasant reflection for himself, and perhaps if I were a better scholar I should think with appreciation of the pansy ‘freaked with jet.’ As it is, I merely conclude that Milton was flower-blind—a sad affliction.
Helen is absolutely ultra-Japanese in her observance of the flower-festivals, of which she marks some dozen of red-letter days in{349} the year. They cannot, of course, be celebrated148 on any fixed149 day, since, owing to the vagaries150 of climate, there might not be a single lily to be seen, for instance, this year on the actual day which was Lily-day a year ago. She waits instead, like the Japanese, until the particular flower is in the zenith of its blossoming, and then proclaims the festival. Other flowers, naturally, sometimes are at their best on the red-letter day of another, but this, as she observes, is canonically151 correct, since St. Simon and St. Jude, and St. Philip and St. James, are celebrated together. I was not, therefore, the least surprised next morning, when, after a short excursion to the garden, she came in to breakfast, saying:
‘It is Daffodil-day, and the day of its sisters of the spring.’
‘But we had the sisters of the spring in Greece,’ said I.
‘Yes; that is the advantage of going to Greece: the Greek calendar is different to ours. We had Easter Day before we started, and another Easter Day when we got there. Besides, it was Anemone-day, and the day of{350} its sisters of the spring. The anemone’s sisters were not the same as the daffodil’s.’
This was convincing (even if I needed conviction, which I did not), and Daffodil-day it was.
After the early heats of February the year had had a long set-back in March, and though April was nearly over, I doubt whether there had been any more gorgeous decoration in our absence than that which we found waiting this morning in the church of the daffodils and its sisters of the spring. It was not in vain that we had dug and delved152 last autumn with such strenuous153 patience, for that half-acre of field beside the rose-garden was a thing to make the blind see. A rainbow of blossom lay over it all: the early tulips had opened their great chalices of gold and damask; the blue mist of forget-me-nots seemed as if a piece of the sky had fallen, and lay mutely under the trees; brown-speckled fritillaries crouched154 shyly in the grass, and their white-belled sister nestled beside them; narcissus was there, all yellow, and narcissus with the eye of the pheasant; primroses155 still lingered, waiting for{351} Helen’s proclamation to take part in the festival; while some bluebells156 had hurried to be here in time; crocuses in the grass were like the dancing of the sun on green waters, or purple as the deep-sea caves; and anemones, greedy for more festivals, had hurried overland from Greece to be here before us; and clumps157 of iris were like banners carried in procession. These were the sisters of the spring. It was their day; but first it was Daffodil-day. Slender and single, tall and yellow, it was as if through the web of them, the golden net that they had laid over the field, that you perceived their sisters. And the sun shone on them, and the great blue sky was over them, and the warm wind made them dance together.
After a long time, Helen spoke.
‘Oh, oh!’ she said.
That about expressed it.
‘My heart with pleasure fills,’ she added.
点击收听单词发音
1 justifications | |
正当的理由,辩解的理由( justification的名词复数 ) | |
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2 insularity | |
n.心胸狭窄;孤立;偏狭;岛国根性 | |
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3 retrenchment | |
n.节省,删除 | |
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4 afterward | |
adv.后来;以后 | |
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5 abide | |
vi.遵守;坚持;vt.忍受 | |
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6 panoply | |
n.全副甲胄,礼服 | |
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7 incarnate | |
adj.化身的,人体化的,肉色的 | |
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8 coveted | |
adj.令人垂涎的;垂涎的,梦寐以求的v.贪求,觊觎(covet的过去分词);垂涎;贪图 | |
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9 attic | |
n.顶楼,屋顶室 | |
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10 dent | |
n.凹痕,凹坑;初步进展 | |
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11 shrine | |
n.圣地,神龛,庙;v.将...置于神龛内,把...奉为神圣 | |
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12 fables | |
n.寓言( fable的名词复数 );神话,传说 | |
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13 fable | |
n.寓言;童话;神话 | |
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14 prow | |
n.(飞机)机头,船头 | |
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15 creed | |
n.信条;信念,纲领 | |
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16 battered | |
adj.磨损的;v.连续猛击;磨损 | |
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17 miraculous | |
adj.像奇迹一样的,不可思议的 | |
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18 torrent | |
n.激流,洪流;爆发,(话语等的)连发 | |
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19 frieze | |
n.(墙上的)横饰带,雕带 | |
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20 underneath | |
adj.在...下面,在...底下;adv.在下面 | |
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21 grotesque | |
adj.怪诞的,丑陋的;n.怪诞的图案,怪人(物) | |
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22 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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23 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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24 momentary | |
adj.片刻的,瞬息的;短暂的 | |
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25 determined | |
adj.坚定的;有决心的 | |
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26 snails | |
n.蜗牛;迟钝的人;蜗牛( snail的名词复数 ) | |
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27 supremacy | |
n.至上;至高权力 | |
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28 nude | |
adj.裸体的;n.裸体者,裸体艺术品 | |
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29 anatomy | |
n.解剖学,解剖;功能,结构,组织 | |
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30 sculptors | |
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座 | |
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31 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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32 dealing | |
n.经商方法,待人态度 | |
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33 pottery | |
n.陶器,陶器场 | |
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34 muse | |
n.缪斯(希腊神话中的女神),创作灵感 | |
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35 stimulating | |
adj.有启发性的,能激发人思考的 | |
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36 profane | |
adj.亵神的,亵渎的;vt.亵渎,玷污 | |
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37 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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38 cleansing | |
n. 净化(垃圾) adj. 清洁用的 动词cleanse的现在分词 | |
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39 intrigues | |
n.密谋策划( intrigue的名词复数 );神秘气氛;引人入胜的复杂情节v.搞阴谋诡计( intrigue的第三人称单数 );激起…的好奇心 | |
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40 beacons | |
灯塔( beacon的名词复数 ); 烽火; 指路明灯; 无线电台或发射台 | |
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41 feigned | |
a.假装的,不真诚的 | |
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42 obeisance | |
n.鞠躬,敬礼 | |
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43 descended | |
a.为...后裔的,出身于...的 | |
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44 shrieked | |
v.尖叫( shriek的过去式和过去分词 ) | |
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45 doom | |
n.厄运,劫数;v.注定,命定 | |
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46 axe | |
n.斧子;v.用斧头砍,削减 | |
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47 slain | |
杀死,宰杀,杀戮( slay的过去分词 ); (slay的过去分词) | |
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48 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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49 impulsive | |
adj.冲动的,刺激的;有推动力的 | |
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50 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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51 extraordinarily | |
adv.格外地;极端地 | |
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52 rim | |
n.(圆物的)边,轮缘;边界 | |
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53 falter | |
vi.(嗓音)颤抖,结巴地说;犹豫;蹒跚 | |
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54 initiation | |
n.开始 | |
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55 tune | |
n.调子;和谐,协调;v.调音,调节,调整 | |
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56 prudence | |
n.谨慎,精明,节俭 | |
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57 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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58 delightful | |
adj.令人高兴的,使人快乐的 | |
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59 lamely | |
一瘸一拐地,不完全地 | |
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60 mythology | |
n.神话,神话学,神话集 | |
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61 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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62 isles | |
岛( isle的名词复数 ) | |
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63 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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64 virgin | |
n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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65 hierarchy | |
n.等级制度;统治集团,领导层 | |
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66 moth | |
n.蛾,蛀虫 | |
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67 iris | |
n.虹膜,彩虹 | |
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68 ripening | |
v.成熟,使熟( ripen的现在分词 );熟化;熟成 | |
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69 doorway | |
n.门口,(喻)入门;门路,途径 | |
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70 ramble | |
v.漫步,漫谈,漫游;n.漫步,闲谈,蔓延 | |
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71 anemones | |
n.银莲花( anemone的名词复数 );海葵 | |
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72 anemone | |
n.海葵 | |
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73 heralds | |
n.使者( herald的名词复数 );预报者;预兆;传令官v.预示( herald的第三人称单数 );宣布(好或重要) | |
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74 chalices | |
n.高脚酒杯( chalice的名词复数 );圣餐杯;金杯毒酒;看似诱人实则令人讨厌的事物 | |
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75 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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76 thicket | |
n.灌木丛,树林 | |
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77 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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78 petals | |
n.花瓣( petal的名词复数 ) | |
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79 climax | |
n.顶点;高潮;v.(使)达到顶点 | |
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80 myriad | |
adj.无数的;n.无数,极大数量 | |
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81 orchid | |
n.兰花,淡紫色 | |
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82 advent | |
n.(重要事件等的)到来,来临 | |
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83 peal | |
n.钟声;v.鸣响 | |
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84 heralding | |
v.预示( herald的现在分词 );宣布(好或重要) | |
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85 trumpets | |
喇叭( trumpet的名词复数 ); 小号; 喇叭形物; (尤指)绽开的水仙花 | |
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86 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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87 endorsed | |
vt.& vi.endorse的过去式或过去分词形式v.赞同( endorse的过去式和过去分词 );在(尤指支票的)背面签字;在(文件的)背面写评论;在广告上说本人使用并赞同某产品 | |
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88 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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89 ransomed | |
付赎金救人,赎金( ransom的过去式和过去分词 ) | |
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90 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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91 coherence | |
n.紧凑;连贯;一致性 | |
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92 junction | |
n.连接,接合;交叉点,接合处,枢纽站 | |
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93 grasshoppers | |
n.蚱蜢( grasshopper的名词复数 );蝗虫;蚂蚱;(孩子)矮小的 | |
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94 hawks | |
鹰( hawk的名词复数 ); 鹰派人物,主战派人物 | |
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95 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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96 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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97 maiden | |
n.少女,处女;adj.未婚的,纯洁的,无经验的 | |
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98 discreet | |
adj.(言行)谨慎的;慎重的;有判断力的 | |
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99 marvel | |
vi.(at)惊叹vt.感到惊异;n.令人惊异的事 | |
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100 flickering | |
adj.闪烁的,摇曳的,一闪一闪的 | |
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101 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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102 intervention | |
n.介入,干涉,干预 | |
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103 shrilly | |
尖声的; 光亮的,耀眼的 | |
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104 trotted | |
小跑,急走( trot的过去分词 ); 匆匆忙忙地走 | |
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105 foe | |
n.敌人,仇敌 | |
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106 revival | |
n.复兴,复苏,(精力、活力等的)重振 | |
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107 foes | |
敌人,仇敌( foe的名词复数 ) | |
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108 fortresses | |
堡垒,要塞( fortress的名词复数 ) | |
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109 galloped | |
(使马)飞奔,奔驰( gallop的过去式和过去分词 ); 快速做[说]某事 | |
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110 tragic | |
adj.悲剧的,悲剧性的,悲惨的 | |
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111 futility | |
n.无用 | |
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112 regiment | |
n.团,多数,管理;v.组织,编成团,统制 | |
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113 patriotism | |
n.爱国精神,爱国心,爱国主义 | |
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114 patriotic | |
adj.爱国的,有爱国心的 | |
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115 undone | |
a.未做完的,未完成的 | |
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116 ridge | |
n.山脊;鼻梁;分水岭 | |
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117 furrow | |
n.沟;垄沟;轨迹;车辙;皱纹 | |
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118 cone | |
n.圆锥体,圆锥形东西,球果 | |
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119 devouring | |
吞没( devour的现在分词 ); 耗尽; 津津有味地看; 狼吞虎咽地吃光 | |
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120 realization | |
n.实现;认识到,深刻了解 | |
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121 bungling | |
adj.笨拙的,粗劣的v.搞糟,完不成( bungle的现在分词 );笨手笨脚地做;失败;完不成 | |
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122 underlay | |
v.位于或存在于(某物)之下( underlie的过去式 );构成…的基础(或起因),引起n.衬垫物 | |
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123 milestones | |
n.重要事件( milestone的名词复数 );重要阶段;转折点;里程碑 | |
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124 scurried | |
v.急匆匆地走( scurry的过去式和过去分词 ) | |
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125 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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126 cape | |
n.海角,岬;披肩,短披风 | |
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127 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
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128 prodigies | |
n.奇才,天才(尤指神童)( prodigy的名词复数 ) | |
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129 locomotion | |
n.运动,移动 | |
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130 forth | |
adv.向前;向外,往外 | |
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131 conflagration | |
n.建筑物或森林大火 | |
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132 pegged | |
v.用夹子或钉子固定( peg的过去式和过去分词 );使固定在某水平 | |
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133 unreasonable | |
adj.不讲道理的,不合情理的,过度的 | |
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134 lawsuits | |
n.诉讼( lawsuit的名词复数 ) | |
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135 vigor | |
n.活力,精力,元气 | |
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136 aristocrat | |
n.贵族,有贵族气派的人,上层人物 | |
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137 upwards | |
adv.向上,在更高处...以上 | |
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138 humble | |
adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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139 hovering | |
鸟( hover的现在分词 ); 靠近(某事物); (人)徘徊; 犹豫 | |
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140 sustenance | |
n.食物,粮食;生活资料;生计 | |
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141 burrow | |
vt.挖掘(洞穴);钻进;vi.挖洞;翻寻;n.地洞 | |
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142 grudge | |
n.不满,怨恨,妒嫉;vt.勉强给,不情愿做 | |
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143 bounty | |
n.慷慨的赠予物,奖金;慷慨,大方;施与 | |
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144 penetrate | |
v.透(渗)入;刺入,刺穿;洞察,了解 | |
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145 incumbent | |
adj.成为责任的,有义务的;现任的,在职的 | |
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146 appreciation | |
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
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147 consummate | |
adj.完美的;v.成婚;使完美 [反]baffle | |
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148 celebrated | |
adj.有名的,声誉卓著的 | |
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149 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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150 vagaries | |
n.奇想( vagary的名词复数 );异想天开;异常行为;难以预测的情况 | |
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151 canonically | |
adv.照宗规地,宗规上地 | |
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152 delved | |
v.深入探究,钻研( delve的过去式和过去分词 ) | |
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153 strenuous | |
adj.奋发的,使劲的;紧张的;热烈的,狂热的 | |
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154 crouched | |
v.屈膝,蹲伏( crouch的过去式和过去分词 ) | |
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155 primroses | |
n.报春花( primrose的名词复数 );淡黄色;追求享乐(招至恶果) | |
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156 bluebells | |
n.圆叶风铃草( bluebell的名词复数 ) | |
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157 clumps | |
n.(树、灌木、植物等的)丛、簇( clump的名词复数 );(土、泥等)团;块;笨重的脚步声v.(树、灌木、植物等的)丛、簇( clump的第三人称单数 );(土、泥等)团;块;笨重的脚步声 | |
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