But go a little nearer the lake, and you will have a concert that will drown all these voices in its tumultuous roar. Compared to these feeble strains, it is the crashing of Julien's hundred brazen22 instruments to the soft and sweet melody of Ole Bull's violin. Come with me to this rocky promontory23; stand with me on this moss24-covered boulder25, which forms the point. On either hand is a little bay, the head of which is hidden around among the woods. See! over against us, on the limb of that dead fir tree, which leans out over the water, is a bald eagle, straightening with his hooked beak26 the feathers of his wings, and pausing now and then to look out over the water for some careless duck of which to make prey27. See! he has leaped from his perch28, has spread his broad pinions29, and is soaring upward towards the sky. See! how he circles round and round, mounting higher and higher at every gyration30. He is like a speck31 in the air. But see! he is above the mountains now, and how like an arrow he goes, straight forward, with no visible motion to his wings. He has laid his course for some lake, deeper in the wilderness32, beyond that range of hills, and he is there, even while we are talking of his flight. A swift bird, the swiftest of all the birds, is the eagle, when he takes his descending stoop from his place away up in the sky. He cleaves33 the air like a bullet, and so swift is his career that the eye can scarcely trace his flight. But, hark! all is still now, save the piping notes of the little peeper along the shore. Wait, however, a moment. There, hear that venerable podunker off to the right, with his deep bass34, like the sound of a brazen serpent. Listen! another deep voice on the left has fallen in. There, another right over against us! another and another still! a dozen! a hundred! a thousand! ten thousand! a million of them! close by us! far off! on the right hand and on the left! here! there! everywhere! until above, around us, all through the woods, all along the shore, all over the lake is a solid roar, impenetrable to any other sound, surging and swaying, rolling and swelling35 as if all the voices in the world were concentrated in one stupendous concert.
But, hark! the roar is dying away; voice after voice drops out; here and there is one laggard36 in the song, still dragging out the chorus. Now all is still again, save the note of the little peeper along the shore. In two minutes that band will strike up again. The roar will go bellowing37 over the lake through the woods, to be thrown from hill to hill, to die away into silence again; and so it will be through all the long night, and until the sun looks out from among the tree tops in the morning. Touch that solemn looking old croaker on yonder broad leaf of that pond lily, with the end of your fishing rod, while the music is at the highest, he will send forth38 a quick discordant39 and cracked cry, like that of a greedy dog choked with a bone, as he plunges40 for the bottom; and note how suddenly that sound will be repeated, and how quick the roar of the frogs will be hushed into silence. That is a cry of alarm, a note of danger, and every frog within hearing understands its import.
Is it asked where we are? I answer, we are on the Lower Saranac Lake, just on the south point, at the entrance of the romantic little bay, at the head of which stands Martin's Lake House, the only human dwelling41 in sight of this beautiful sheet of water. On the point where we now are, long ago, was the log shanty42 of a hunter and fisherman, surrounded by an acre or two of cleared land. But its occupant moved deeper into the wilderness, over on the waters of the Rackett, many years since; the log shanty has rotted away, and a vigorous growth of brush and small timber, now covers what once may have been called a field.
But the night shadows are beginning to gather over the forest, throwing a sort of spectral43 gloom among the old woods, giving a distorted look to the trunks of the trees, the low bushes, the turned up roots, and the boulders44 scattered45 over the ground. See what ogre shapes these things assume as the darkness deepens. Look at that cedar46 bush, with its dense47 foliage! It is a crouching48 lion, and as its branches wave in the gentle breeze, he seems preparing for his leap; and yonder boulder is a huge elephant! The root that comes out from the crevice49 is his trunk, and the moss and lichens50 which hang down on either side are his pendant ears; and see, he has a great tower on his back, wherein is seated a warrior51 in his ancient armor, grasping battle-axe and spear. Beyond, through that opening upon the bay, is a castle looming52 darkly against the sky, with massive towers and arched gateway53. Such are the forms which fancy gives to these forest things, in the doubtful twilight54 of a summer evening. While we have been looking upon these unsubstantial shadows, the sunlight has left the mountain peaks, the stars have come out in the sky, and the moon has started on her course across the heavens.
Let us rest on our oars55 a moment, here in the bay, to view the scenery around us, as seen by the mellow56 moonlight. So calm, so still, so motionless are both air and water, that we seem suspended between the sky above, sparkling and glowing with millions of bright stars, and the moon riding gloriously on her course, and a sky beneath, sparkling and glowing with like millions of bright stars, and the same moon, or its counterpart, floating away down in fathomless57 depths below us. See, how the same hillside, the same line of forest trees, the same ranges and mountain peaks are reflected back from the stirless bosom58 of the lake. There, above, and just on the upper line of that tall peak, looming darkly and majestically59 in the distance, hangs a brilliant star, sparkling and twinkling, like the sheen of a diamond; and right beneath, away down just as far below the surface of the water as mountain peak and star are above it, is another mountain peak and bright star, twinned by the mirrored waters. See, away down the lake, that little island with its half dozen spruce trees, clustered together! How like a great war vessel60 it looks, with sails all set, as seen by the uncertain light of the moon. And that other island, off to the left, with the dead and barkless trees, how like a tall ship with bare masts riding at anchor it seems. That other island, away to the right, with its great boulders and bare rocks rising straight up out of the water, is a fortification, a stronghold surrounded by a wall of solid masonry61, and bristling62 with cannon63. We can almost see the sentinel, and hear his measured tramp as he travels his lonely rounds, keeping watch out over the waters. See all along the shore, as you look up the bay towards the Lake House, how the millions of fireflies flash their tiny torches, upward and downward, this way and that, mingling64 and crossing, and gyrating and whirling—a troubled and billowy sea of millions upon millions of glowing and sparkling gems65.
Reader, were you and I gifted with the spirit of poetry, what inspiration would we not gather from the glories which surround us, as we float of a summer evening over these beautiful lakes, sleeping away out here, in all their virgin66 loveliness, among these old primeval things? But you ask, "what inspiration can there be in a moon and stars, that we see every night, when the sky is cloudless; in a desolate67 wilderness; the roar of the frogs; the hooting68 of owls69; these useless waters; the phosphorescent flash of lightning bugs70; these piled up rocks and barren mountains? Can you grow corn on these hills, or make pastures of these rocky lowlands? Can you harness these rivers to great waterwheels, or make reservoirs of these lakes? Can you convert these old forests into lumber71 or cordwood? Can you quarry72 these rocks, lay them up with mortar into houses, mills, churches, public edifices73? Can you make what you call these 'old primeval things' utilitarian74? Can you make them minister to the progress of civilization, or coin them into dollars?"
Pshaw! You have spoiled, with your worldliness, your greed for progress, your thirst for gain, a pleasant fancy, a glorious dream, as if everything in the heavens, on the earth, or in the waters, were to be measured by the dollar and cent standard, and unless reducible to a representative of moneyed value, to be thrown, as utterly75 worthless, away. Let us row back to the Lake House.
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1
hurrah
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int.好哇,万岁,乌拉 | |
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thronged
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v.成群,挤满( throng的过去式和过去分词 ) | |
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mortar
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n.灰浆,灰泥;迫击炮;v.把…用灰浆涂接合 | |
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machinery
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n.(总称)机械,机器;机构 | |
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rumbling
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n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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placid
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adj.安静的,平和的 | |
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descending
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n. 下行 adj. 下降的 | |
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mantle
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n.斗篷,覆罩之物,罩子;v.罩住,覆盖,脸红 | |
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joyous
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adj.充满快乐的;令人高兴的 | |
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loon
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n.狂人 | |
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shrill
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adj.尖声的;刺耳的;v尖叫 | |
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clarion
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n.尖音小号声;尖音小号 | |
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13
metallic
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adj.金属的;金属制的;含金属的;产金属的;像金属的 | |
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sonorous
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adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
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15
muffled
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adj.(声音)被隔的;听不太清的;(衣服)裹严的;蒙住的v.压抑,捂住( muffle的过去式和过去分词 );用厚厚的衣帽包着(自己) | |
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16
growl
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v.(狗等)嗥叫,(炮等)轰鸣;n.嗥叫,轰鸣 | |
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17
owl
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n.猫头鹰,枭 | |
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gathering
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n.集会,聚会,聚集 | |
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foliage
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n.叶子,树叶,簇叶 | |
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hemlock
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n.毒胡萝卜,铁杉 | |
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robin
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n.知更鸟,红襟鸟 | |
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22
brazen
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adj.厚脸皮的,无耻的,坚硬的 | |
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promontory
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n.海角;岬 | |
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moss
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n.苔,藓,地衣 | |
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boulder
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n.巨砾;卵石,圆石 | |
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beak
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n.鸟嘴,茶壶嘴,钩形鼻 | |
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prey
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n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
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perch
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n.栖木,高位,杆;v.栖息,就位,位于 | |
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29
pinions
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v.抓住[捆住](双臂)( pinion的第三人称单数 ) | |
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gyration
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n.旋转 | |
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speck
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n.微粒,小污点,小斑点 | |
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32
wilderness
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n.杳无人烟的一片陆地、水等,荒漠 | |
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33
cleaves
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v.劈开,剁开,割开( cleave的第三人称单数 ) | |
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34
bass
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n.男低音(歌手);低音乐器;低音大提琴 | |
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35
swelling
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n.肿胀 | |
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36
laggard
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n.落后者;adj.缓慢的,落后的 | |
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37
bellowing
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v.发出吼叫声,咆哮(尤指因痛苦)( bellow的现在分词 );(愤怒地)说出(某事),大叫 | |
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38
forth
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adv.向前;向外,往外 | |
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39
discordant
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adj.不调和的 | |
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40
plunges
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n.跳进,投入vt.使投入,使插入,使陷入vi.投入,跳进,陷入v.颠簸( plunge的第三人称单数 );暴跌;骤降;突降 | |
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41
dwelling
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n.住宅,住所,寓所 | |
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shanty
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n.小屋,棚屋;船工号子 | |
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43
spectral
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adj.幽灵的,鬼魂的 | |
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44
boulders
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n.卵石( boulder的名词复数 );巨砾;(受水或天气侵蚀而成的)巨石;漂砾 | |
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45
scattered
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adj.分散的,稀疏的;散步的;疏疏落落的 | |
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46
cedar
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n.雪松,香柏(木) | |
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47
dense
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a.密集的,稠密的,浓密的;密度大的 | |
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48
crouching
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v.屈膝,蹲伏( crouch的现在分词 ) | |
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49
crevice
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n.(岩石、墙等)裂缝;缺口 | |
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50
lichens
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n.地衣( lichen的名词复数 ) | |
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51
warrior
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n.勇士,武士,斗士 | |
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52
looming
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n.上现蜃景(光通过低层大气发生异常折射形成的一种海市蜃楼)v.隐约出现,阴森地逼近( loom的现在分词 );隐约出现,阴森地逼近 | |
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53
gateway
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n.大门口,出入口,途径,方法 | |
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54
twilight
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n.暮光,黄昏;暮年,晚期,衰落时期 | |
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55
oars
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n.桨,橹( oar的名词复数 );划手v.划(行)( oar的第三人称单数 ) | |
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56
mellow
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adj.柔和的;熟透的;v.变柔和;(使)成熟 | |
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57
fathomless
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a.深不可测的 | |
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58
bosom
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n.胸,胸部;胸怀;内心;adj.亲密的 | |
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59
majestically
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雄伟地; 庄重地; 威严地; 崇高地 | |
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60
vessel
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n.船舶;容器,器皿;管,导管,血管 | |
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61
masonry
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n.砖土建筑;砖石 | |
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62
bristling
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a.竖立的 | |
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63
cannon
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n.大炮,火炮;飞机上的机关炮 | |
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64
mingling
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adj.混合的 | |
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65
gems
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growth; economy; management; and customer satisfaction 增长 | |
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66
virgin
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n.处女,未婚女子;adj.未经使用的;未经开发的 | |
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67
desolate
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adj.荒凉的,荒芜的;孤独的,凄凉的;v.使荒芜,使孤寂 | |
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68
hooting
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(使)作汽笛声响,作汽车喇叭声( hoot的现在分词 ); 倒好儿; 倒彩 | |
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69
owls
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n.猫头鹰( owl的名词复数 ) | |
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70
bugs
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adj.疯狂的,发疯的n.窃听器( bug的名词复数 );病菌;虫子;[计算机](制作软件程序所产生的意料不到的)错误 | |
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71
lumber
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n.木材,木料;v.以破旧东西堆满;伐木;笨重移动 | |
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72
quarry
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n.采石场;v.采石;费力地找 | |
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73
edifices
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n.大建筑物( edifice的名词复数 ) | |
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74
utilitarian
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adj.实用的,功利的 | |
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75
utterly
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adv.完全地,绝对地 | |
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