Correct portraits of individuals were formerly transmitted to later ages by painting; but instead brazen12 shields are now set up, and silver faces, with only some obscure traces of the countenance13: the very heads, too, of statues are changed, a thing that has given rise before now to many a current sarcastic14 line; so true it is that people prefer showing off the valuable material, to having a faithful likeness15. Yet, at the same time, we tapestry16 the walls of our galleries with old pictures, and we prize the portraits of strangers; while as to 290 those made in honor of ourselves, we esteem them only for the value of the material, for some heir to break up and melt, and so forestall17 the noose18 and slip-knot of the thief.
Far different was it in the days of our ancestors. Then there were to be seen in their halls not statues made by foreign artists, or works in bronze or marble, but family portraits modelled in wax, each in its separate niche19, always in readiness to accompany the funeral processions of the family; occasions on which every member of the family was always present. And the pedigree of the individual was traced in lines upon each of these colored portraits. Their libraries, too, were filled with archives and memoirs20, stating what each had done when holding the magistracy. On the outside, again, of their houses, and around the thresholds of their doors, were placed other statues of those mighty21 spirits, in the spoils of the enemy there affixed22, memorials which a purchaser even was not allowed to displace; so that the very house continued to triumph even after it had changed its master. A powerful stimulus23 to emulation24 this, when the walls each day reproached an unwarlike owner for having thus intruded25 upon the triumphs of another! There is still extant an address by the orator26 Messala, full of indignation, in which he forbids that there should be inserted among the images of his family any of those of the stranger race of the L?vini. It was the same feeling, too, that extorted27 from old Messala those compilations28 of his “On the Families of Rome;” when, upon passing through the hall of Scipio Pomponianus, he observed that, in consequence of a testamentary adoption29, the Salvittos—for that had been their surname—to the disgrace of the Africani, had surreptitiously contrived30 to assume the name of the Scipios. But the Messalas must pardon me if I remark, that to lay a claim, though an untruthful one, to the statues of illustrious men, shows some love for their virtues31, and is much more honorable than to have such a character that no one should wish to claim them.
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There is a new invention, too, which we must not omit to notice. Not only do we consecrate32 in our libraries, in gold or silver, or at all events, in bronze, those whose immortal33 spirits hold converse34 with us in those places, but we even go so far as to reproduce the ideal of features all remembrance of which has ceased to exist; and our regrets give existence to likenesses that have not been transmitted to us, as in the case of Homer. Nothing can be a greater proof of having achieved success in life, than a lasting35 desire on the part of one’s fellow-men, to know what one’s features were. This practice of grouping portraits was first introduced at Rome by Asinius Pollio, who was also the first to establish a public library, and so make the works of genius the property of the public. Whether the kings of Alexandria and of Pergamus, who had so energetically rivalled each other in forming libraries, had previously36 introduced this practice, I cannot so easily say.
That a strong passion for portraits formerly existed, is attested37 both by Atticus, the friend of Cicero, who wrote a work on this subject, and by Varro, who conceived the very liberal idea of inserting, by some means or other, in his numerous volumes, the portraits of seven hundred individuals; as he could not bear the idea that all traces of their features should be lost, or that the lapse38 of centuries should get the better of mankind. Thus was he the inventor of a benefit to his fellow-men, that might have been envied by the gods themselves; for not only did he confer upon them immortality39, but he transmitted them to all parts of the earth; so that it might be possible for them to be present, everywhere and each occupy his niche. This service Varro conferred upon persons who were not members of his own family.
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1 formerly | |
adv.从前,以前 | |
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2 esteem | |
n.尊敬,尊重;vt.尊重,敬重;把…看作 | |
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3 deigned | |
v.屈尊,俯就( deign的过去式和过去分词 ) | |
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4 posterity | |
n.后裔,子孙,后代 | |
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5 banished | |
v.放逐,驱逐( banish的过去式和过去分词 ) | |
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6 slabs | |
n.厚板,平板,厚片( slab的名词复数 );厚胶片 | |
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7 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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8 reign | |
n.统治时期,统治,支配,盛行;v.占优势 | |
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9 variegated | |
adj.斑驳的,杂色的 | |
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10 quarries | |
n.(采)石场( quarry的名词复数 );猎物(指鸟,兽等);方形石;(格窗等的)方形玻璃v.从采石场采得( quarry的第三人称单数 );从(书本等中)努力发掘(资料等);在采石场采石 | |
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11 conflagration | |
n.建筑物或森林大火 | |
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12 brazen | |
adj.厚脸皮的,无耻的,坚硬的 | |
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13 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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14 sarcastic | |
adj.讥讽的,讽刺的,嘲弄的 | |
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15 likeness | |
n.相像,相似(之处) | |
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16 tapestry | |
n.挂毯,丰富多采的画面 | |
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17 forestall | |
vt.抢在…之前采取行动;预先阻止 | |
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18 noose | |
n.绳套,绞索(刑);v.用套索捉;使落入圈套;处以绞刑 | |
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19 niche | |
n.壁龛;合适的职务(环境、位置等) | |
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20 memoirs | |
n.回忆录;回忆录传( mem,自oir的名词复数) | |
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21 mighty | |
adj.强有力的;巨大的 | |
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22 affixed | |
adj.[医]附着的,附着的v.附加( affix的过去式和过去分词 );粘贴;加以;盖(印章) | |
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23 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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24 emulation | |
n.竞争;仿效 | |
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25 intruded | |
n.侵入的,推进的v.侵入,侵扰,打扰( intrude的过去式和过去分词 );把…强加于 | |
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26 orator | |
n.演说者,演讲者,雄辩家 | |
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27 extorted | |
v.敲诈( extort的过去式和过去分词 );曲解 | |
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28 compilations | |
n.编辑,编写( compilation的名词复数 );编辑物 | |
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29 adoption | |
n.采用,采纳,通过;收养 | |
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30 contrived | |
adj.不自然的,做作的;虚构的 | |
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31 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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32 consecrate | |
v.使圣化,奉…为神圣;尊崇;奉献 | |
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33 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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34 converse | |
vi.谈话,谈天,闲聊;adv.相反的,相反 | |
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35 lasting | |
adj.永久的,永恒的;vbl.持续,维持 | |
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36 previously | |
adv.以前,先前(地) | |
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37 attested | |
adj.经检验证明无病的,经检验证明无菌的v.证明( attest的过去式和过去分词 );证实;声称…属实;使宣誓 | |
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38 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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39 immortality | |
n.不死,不朽 | |
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