To the fire i' the blood.
“And what do you intend to do with yourself?” asked Lady Cantourne when she had poured out tea. “You surely do not intend to mope in that dismal2 house in Russell Square?”
“No, I shall let it if I can.”
“Oh, you will have no difficulty in doing that. People live in Russell Square again now, and try to make one believe that it is a fashionable quarter. Your father stayed on there because the carpets fitted the rooms, and on account of other ancestral conveniences. He did not live there—he knew nothing of his immediate3 environments. He lived in Phoenicia.”
“Then,” continued Guy Oscard, “I shall go abroad.”
“Ah! Will you have a second cup? Why will you go abroad?”
Guy Oscard paused for a moment. “I know an old hippopotamus4 in a certain African river who has twice upset me. I want to go back and shoot him.”
“Don't go at once; that would be running away from it—not from the hippopotamus—from the inquest. It does not matter being upset in an African river; but you must not be upset in London by—an inquest.”
“I did not propose going at once,” replied Guy Oscard, with a peculiar5 smile which Lady Cantourne thought she understood. “It will take me some time to set my affairs in order—the will, and all that.”
Lady Cantourne waited with perfectly6 suppressed curiosity, and while she was waiting Millicent Chyne came into the room. The girl was dressed with her habitual7 perfect taste and success, and she came forward with a smile of genuine pleasure, holding out a small hand neatly8 gloved in Suede9. Her ladyship was looking not at Millicent, but at Guy Oscard.
Millicent was glad that he had called, and said so. She did not add that during the three months that had elapsed since Jack10 Meredith's sudden departure she had gradually recognised the approaching ebb11 of a very full tide of popularity. It was rather dull at times, when Jack's letters arrived at intervals12 of two and sometimes of three weeks—when her girl friends allowed her to see somewhat plainly that she was no longer to be counted as one of themselves. An engagement sits as it were on a young lady like a weak heart on a schoolboy, setting her apart in work and play, debarring her from participation13 in that game of life which is ever going forward where young folks do congregate14.
Moreover, she liked Guy Oscard. He aroused her curiosity. There was something in him—something which she vaguely15 suspected to be connected with herself—which she wanted to drag out and examine. She possessed16 more than the usual allowance of curiosity—which is saying a good deal; for one may take it that the beginning of all things in the feminine mind is curiosity. They want to know what is inside Love before they love. Guy Oscard was a new specimen17 of the genus homo; and while remaining perfectly faithful to Jack, Miss Millicent Chyne saw no reason why she should not pass the time by studying him, merely, of course, in a safe and innocent manner. She was one of those intelligent young ladies who think deeply—about young men. And such thinking usually takes the form of speculation18 as to how the various specimens19 selected will act under specified20 circumstances. The circumstances need hardly be mentioned. Young men are only interesting to young women in circumstances strictly21 personal to and bearing upon themselves. In a word, maidens22 of a speculative23 mind are always desirous of finding out how different men will act when they are in love; and we all know and cannot fail to applaud the assiduity with which they pursue their studies.
“Ah!” said Miss Chyne, “it is very good of you to take pity upon two lone24 females. I was afraid that you had gone off to the wilds of America or somewhere in search of big game. Do you know, Mr. Oscard, you are quite a celebrity25? I heard you called the 'big-game man' the other day, also the 'travelling fellow.'”
The specimen smiled happily under this delicate handling.
“It is not,” he said modestly, “a very lofty fame. Anybody could let off a rifle.”
“I am afraid I could not,” replied Millicent, with a pretty little shudder26 of horror, “if anything growled27.”
“Mr. Oscard has just been telling me,” interposed Lady Cantourne conversationally28, “that he is thinking of going off to the wilds again.”
“Then it is very disappointing of him,” said Millicent, with a little droop29 of the eyelids30 which went home. “It seems to be only the uninteresting people who stay at home and live humdrum31 lives of enormous duration.”
“He seems to think that his friends are going to cast him off because his poor father died without the assistance of a medical man,” continued the old lady meaningly.
“No—I never said that, Lady Cantourne.”
“But you implied it.”
Guy Oscard shook his head. “I hate being a notoriety,” he said. “I like to pass through with the crowd. If I go away for a little while I shall return a nonentity32.”
At this moment another visitor was announced, and presently made his appearance. He was an old gentleman of no personality whatever, who was nevertheless welcomed effusively33, because two people in the room had a distinct use for him. Lady Cantourne was exceedingly gracious. She remembered instantly that horticulture was among his somewhat antiquated34 accomplishments35, and she was immediately consumed with a desire to show him the conservatory36 which she had had built outside the drawing-room window. She took a genuine interest in this abode37 of flowers, and watered the plants herself with much enthusiasm—when she remembered.
Added to a number of positive virtues38 the old gentleman possessed that of abstaining39 from tea, which enabled the two horticulturists to repair to the conservatory at once, leaving the young people alone at the other end of the drawing-room.
Millicent smoothed her gloves with downcast eyes and that demure40 air by which the talented fair imply the consciousness of being alone and out of others' earshot with an interesting member of the stronger sex.
Guy sat and watched the Suede gloves with a certain sense of placid41 enjoyment42. Then suddenly he spoke43, continuing his remarks where they had been broken off by the advent44 of the useful old gentleman.
“You see,” he said, “it is only natural that a great many people should give me the cold shoulder. My story was a little lame45. There is no reason why they should believe in me.”
“I believe in you,” she answered.
“Thank you.”
He looked at her in a strange way, as if he liked her terse46 creed47, and would fain have heard it a second time. Then suddenly he leant back with his head against a corner of the piano. The fronds48 of a maidenhair fern hanging in delicate profusion49 almost hid his face. He was essentially50 muscular in his thoughts, and did not make the most of his dramatic effects. The next remark was made by a pair of long legs ending off with patent-leather boots which were not quite new. The rest of him was invisible.
“It was a very unpleasant business,” he said, in a jerky, self-conscious voice. “I didn't know that I was that sort of fellow. The temptation was very great. I nearly gave in and let him do it. He was a stronger man than I. You know—we did not get on well together. He always hoped that I would turn out a literary sort of fellow, and I suppose he was disappointed. I tried at one time, but I found it was no good. From indifference51 it turned almost to hatred52. He disliked me intensely, and I am afraid I did not care for him very much.”
She nodded her head, and he went on. Perhaps he could see her through the maidenhair fern. She was getting more and more interested in this man. He obviously disliked talking of himself—a pleasant change which aroused her curiosity. He was so unlike other men, and his life seemed to be different from the lives of the men whom she had known—stronger, more intense, and of greater variety of incident.
“Of course,” he went on, “his death was really of enormous advantage to me. They say that I shall have two or three thousand a year, instead of five hundred, paid quarterly at Cox's. He could not prevent it coming to me. It was my mother's money. He would have done so if he could, for we never disguised our antipathy53 for each other. Yet we lived together, and—and I had the nursing of him.”
Millicent was listening gravely without interrupting—like a man. She had the gift of adapting herself to her environments in a marked degree.
The girl moved uneasily, and glanced towards the conservatory.
“He was not an old man,” Guy Oscard went on. “He was only forty-nine. He might have lived another thirty years.”
She nodded, understanding the significance of his tone.
“There,” he said, with an awkward laugh, “do you still believe in me?”
“Yes,” she answered, still looking away.
There was a little pause. They were both sitting forward in their chairs looking towards the conservatory.
She rose from her chair as if to join her aunt and the horticultural old gentleman.
“You must not say that,” she said, in little more than a whisper, and without looking round she went towards Lady Cantourne. Her eyes were gleaming with a singular suppressed excitement, such as one sees in the eyes of a man fresh from a mad run across country.
Guy Oscard rose also, and followed more deliberately. There was nothing for him to do but to take his leave.
“But,” said Lady Cantourne graciously, “if you are determined57 to go away you must at least come and say good-bye before you leave.”
“Thanks; I should like to do so, if I may.”
“We shall be deeply disappointed if you forget,” said Millicent, holding out her hand, with a smile full of light-heartedness and innocent girlish friendship.
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1
rein
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| n.疆绳，统治，支配；vt.以僵绳控制，统治 | |
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2
dismal
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| adj.阴沉的，凄凉的，令人忧郁的，差劲的 | |
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3
immediate
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| adj.立即的；直接的，最接近的；紧靠的 | |
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4
hippopotamus
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| n.河马 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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6
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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7
habitual
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| adj.习惯性的；通常的，惯常的 | |
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neatly
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| adv.整洁地，干净地，灵巧地，熟练地 | |
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suede
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| n.表面粗糙的软皮革 | |
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10
jack
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| n.插座，千斤顶，男人；v.抬起，提醒，扛举；n.（Jake）杰克 | |
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11
ebb
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| vi.衰退，减退；n.处于低潮，处于衰退状态 | |
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12
intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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13
participation
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| n.参与，参加，分享 | |
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congregate
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| v.(使)集合，聚集 | |
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15
vaguely
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| adv.含糊地，暖昧地 | |
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16
possessed
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| adj.疯狂的；拥有的，占有的 | |
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specimen
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| n.样本，标本 | |
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speculation
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| n.思索，沉思；猜测；投机 | |
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specimens
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| n.样品( specimen的名词复数 )；范例；（化验的）抽样；某种类型的人 | |
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20
specified
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| adj.特定的 | |
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strictly
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| adv.严厉地，严格地；严密地 | |
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22
maidens
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| 处女( maiden的名词复数 )； 少女； 未婚女子； （板球运动）未得分的一轮投球 | |
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23
speculative
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| adj.思索性的，暝想性的，推理的 | |
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24
lone
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| adj.孤寂的，单独的；唯一的 | |
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celebrity
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| n.名人，名流；著名，名声，名望 | |
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shudder
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| v.战粟，震动，剧烈地摇晃；n.战粟，抖动 | |
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27
growled
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| v.（动物）发狺狺声， （雷）作隆隆声( growl的过去式和过去分词 )；低声咆哮着说 | |
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conversationally
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| adv.会话地 | |
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29
droop
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| v.低垂，下垂；凋萎，萎靡 | |
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30
eyelids
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| n.眼睑( eyelid的名词复数 )；眼睛也不眨一下；不露声色；面不改色 | |
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31
humdrum
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| adj.单调的，乏味的 | |
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32
nonentity
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| n.无足轻重的人 | |
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33
effusively
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| adv.变溢地，热情洋溢地 | |
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antiquated
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| adj.陈旧的，过时的 | |
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accomplishments
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| n.造诣；完成( accomplishment的名词复数 )；技能；成绩；成就 | |
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36
conservatory
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| n.温室，音乐学院；adj.保存性的，有保存力的 | |
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37
abode
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| n.住处，住所 | |
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38
virtues
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| 美德( virtue的名词复数 )； 德行； 优点； 长处 | |
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39
abstaining
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| 戒（尤指酒），戒除( abstain的现在分词 )； 弃权（不投票） | |
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40
demure
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| adj.严肃的；端庄的 | |
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41
placid
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| adj.安静的，平和的 | |
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42
enjoyment
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| n.乐趣；享有；享用 | |
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43
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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44
advent
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| n.(重要事件等的)到来，来临 | |
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45
lame
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| adj.跛的，(辩解、论据等)无说服力的 | |
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46
terse
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| adj.(说话，文笔)精炼的，简明的 | |
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47
creed
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| n.信条；信念，纲领 | |
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48
fronds
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| n.蕨类或棕榈类植物的叶子( frond的名词复数 ) | |
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49
profusion
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| n.挥霍；丰富 | |
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50
essentially
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| adv.本质上，实质上，基本上 | |
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51
indifference
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| n.不感兴趣，不关心，冷淡，不在乎 | |
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52
hatred
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| n.憎恶，憎恨，仇恨 | |
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53
antipathy
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| n.憎恶；反感，引起反感的人或事物 | |
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54
curtly
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| adv.简短地 | |
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55
tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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56
deliberately
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| adv.审慎地；蓄意地；故意地 | |
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57
determined
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| adj.坚定的；有决心的 | |
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