The bookseller retired6 to this room, as to a retreat, upon the departure of Dr. Raste, and looked about, fingering one thing or another in a mild, amicable7 manner, and disclosing not the least annoyance8, ill-humour, worry, or pressure of work. He sat down to a cumbrous old typewriter on the desk, and after looking at some correspondence, inserted a sheet of cheap letter-paper into the machine. The printed letter-head on the sheet was "T. T. Riceyman," but in fulfilment of the new law the name of the actual proprietor "Henry Earlforward," had been added (in violet, with an indiarubber stamp, and crookedly).
Mr. Earlforward began to tap, placidly10 and very deliberately11, as one who had the whole of eternity12 before him for the accomplishment13 of his task. A little bell rang; the machine dated from the age when typewriters had this[Pg 10] contrivance for informing the operator that the end of a line would be reached in two or three more taps. Then a great clatter14 occurred at the window, and the room became dark. The blue-black blind had slipped down, discharging thick clouds of dust.
"Dear, dear!" murmured Mr. Earlforward, groping towards the window. He failed to raise the blind again; the cord was broken. As he coughed gently in the dust, he could not recall that the blind had been once drawn15 since the end of the war.
"I must have that seen to," he murmured, and turned on the electric light over the desk.
The porcelain16 shade of the lamp wore a heavy layer of dust, which, however, had not arrived from the direction of the blind, being the product of slow, secular17 accumulation. Mr. Earlforward regretted to be compelled to use electric current—and rightly, considering the price!—but the occasion was quite special. He could not see to tap by a candle. Many a time on winter evenings he had gently told an unimportant customer in that room that a fuse had gone—and lighted a candle.
He was a solitary18 man, and content in his solitude19; at any rate, he had been content until the sight of the newly-come lady across the way began to disturb the calm deep of his mind. He was a man of routine, and happy in routine. Dr. Raste's remarks about his charwoman were seriously upsetting him. He foresaw the possibility, if the charwoman should respond to the alleged20 passion of her suitor, of a complete derangement21 of his existence. But he was not a man to go out to meet trouble. He had faith in time, which for him was endless and inexhaustible, and even in this grave matter of his domesticity he could calmly reflect that if the lady across the way (whom he had not yet spoken to) should favour him, he might be in a position to ignore the vagaries22 of all charwomen. He was, in fact, a very great practical philosopher, tenacious—it is true—in his ideas, but, nevertheless, profoundly aware of the wisdom of compromising with destiny.
Twenty-one years earlier he had been a placid9 and[Pg 11] happy clerk in an insurance office, anticipating an existence devoted23 wholly to fire-risks. Destiny had sent him one evening to his uncle, T. T. Riceyman, in Riceyman Steps, and into the very room where he was now tapping. Riceyman took to him, seeing in the young man a resemblance to himself. Riceyman began to talk about his well-loved Clerkenwell, and especially about what was for him the marvellous outstanding event in the Clerkenwell history—namely, the construction of the Underground Railway from Clerkenwell to Euston Square. Henry had never forgotten the old man's almost melodramatic recital24, so full of astonishing and quaint25 incidents.
The old man swore that exactly one thousand lawyers had signed a petition in favour of the line, and exactly one thousand butchers had signed another similar petition. All Clerkenwell was mad for the line. But when the construction began all Clerkenwell trembled. The earth opened in the most unexpected and undesirable26 places. Streets had to be barred to horse traffic; pavements resembled switchbacks. Hundreds of houses had to be propped27, and along the line of the tunnel itself scores of houses were suddenly vacated lest they should bury their occupants. The sacred workhouse came near to dissolution, and was only saved by inconceivable timberings. The still more sacred Cobham's Head public-house was first shaken and torn with cracks and then inundated28 by the bursting of the New River main, and the landlady29 died of shock. The thousand lawyers and the thousand butchers wished they had never humbly30 prayed for the accursed line. And all this was as naught31 compared to the culminating catastrophe32. There was a vast excavation33 at the mouth of the tunnel near Clerkenwell Green. It was supported by enormous brick piers34 and by scaffoldings erected35 upon the most prodigious36 beams that the wood trade could produce. One night—a spring Sunday in 1862, the year of the Second Great Exhibition—the adjacent earth was observed to be gently sinking, and then some cellars filled with foul37 water. Alarm was raised. Railway officials and metropolitan38 officers rushed[Pg 12] together, and for three days and three nights laboured to avert39 a supreme40 calamity41. Huge dams were built to strengthen the subterranean42 masonry43; nothing was left undone44. Vain effort! On the Wednesday the pavements sank definitely. The earth quaked. The entire populace fled to survey the scene of horror from safety. The terrific scaffolding and beams were flung like firewood into the air and fell with awful crashes. The populace screamed at the thought of workmen entombed and massacred. A silence! Then the great brick piers, fifty feet in height, moved bodily. The whole bottom of the excavation moved in one mass. A dark and fetid liquid appeared, oozing45, rolling, surging, smashing everything in its resistless track, and rushed into the mouth of the new tunnel. The crown of the arch of the mighty46 Fleet sewer47 had broken. Men wept at the enormity and completeness of the disaster.... But the Underground Railway was begun afresh and finished and grandly inaugurated, and at first the public fought for seats in its trains, and then could not be persuaded to enter its trains because they were uninhabitable, and so on and so on....
Old fat Riceyman told his tale with such force and fire that he had a stroke. In foolishly trying to lift the man Henry had slipped and hurt his knee. The next morning Riceyman was dead. Henry inherited. A strange episode, but not stranger than thousands of episodes in the lives of plain people. Henry knew nothing of book-selling. He learnt. His philosophic48 placidity49 helped him. He had assistants, one after another, but liked none of them. When the last one went to the Great War, Henry gave him no successor. He "managed"—and in addition did earnest, sleep-denying work as a limping special constable50. And now, in 1919, here he was, an institution.
He heard a footstep, and in the gloom of his shop made out the surprising apparition51 of his charwoman. And he was afraid, and lost his philosophy. He felt that she had arrived specially—as she would, being a quaint and conscientious52 young woman—to warn him with proper[Pg 13] solemnity that she would soon belong to another. Undoubtedly53 the breezy and interfering54 Dr. Raste had come in, not to buy a Shakspere, but to inquire about Elsie. Shakspere was merely the excuse for Elsie.... By the way, that mislaid Flaxman illustrated55 edition ought to be hunted up soon—to-morrow if possible.
点击收听单词发音
1 spacious | |
adj.广阔的,宽敞的 | |
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2 doorway | |
n.门口,(喻)入门;门路,途径 | |
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3 proprietor | |
n.所有人;业主;经营者 | |
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4 den | |
n.兽穴;秘密地方;安静的小房间,私室 | |
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5 mounds | |
土堆,土丘( mound的名词复数 ); 一大堆 | |
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6 retired | |
adj.隐退的,退休的,退役的 | |
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7 amicable | |
adj.和平的,友好的;友善的 | |
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8 annoyance | |
n.恼怒,生气,烦恼 | |
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9 placid | |
adj.安静的,平和的 | |
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10 placidly | |
adv.平稳地,平静地 | |
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11 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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12 eternity | |
n.不朽,来世;永恒,无穷 | |
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13 accomplishment | |
n.完成,成就,(pl.)造诣,技能 | |
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14 clatter | |
v./n.(使)发出连续而清脆的撞击声 | |
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15 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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16 porcelain | |
n.瓷;adj.瓷的,瓷制的 | |
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17 secular | |
n.牧师,凡人;adj.世俗的,现世的,不朽的 | |
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18 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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19 solitude | |
n. 孤独; 独居,荒僻之地,幽静的地方 | |
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20 alleged | |
a.被指控的,嫌疑的 | |
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21 derangement | |
n.精神错乱 | |
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22 vagaries | |
n.奇想( vagary的名词复数 );异想天开;异常行为;难以预测的情况 | |
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23 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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24 recital | |
n.朗诵,独奏会,独唱会 | |
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25 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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26 undesirable | |
adj.不受欢迎的,不良的,不合意的,讨厌的;n.不受欢迎的人,不良分子 | |
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27 propped | |
支撑,支持,维持( prop的过去式和过去分词 ) | |
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28 inundated | |
v.淹没( inundate的过去式和过去分词 );(洪水般地)涌来;充满;给予或交予(太多事物)使难以应付 | |
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29 landlady | |
n.女房东,女地主 | |
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30 humbly | |
adv. 恭顺地,谦卑地 | |
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31 naught | |
n.无,零 [=nought] | |
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32 catastrophe | |
n.大灾难,大祸 | |
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33 excavation | |
n.挖掘,发掘;被挖掘之地 | |
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34 piers | |
n.水上平台( pier的名词复数 );(常设有娱乐场所的)突堤;柱子;墙墩 | |
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35 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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36 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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37 foul | |
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规 | |
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38 metropolitan | |
adj.大城市的,大都会的 | |
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39 avert | |
v.防止,避免;转移(目光、注意力等) | |
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40 supreme | |
adj.极度的,最重要的;至高的,最高的 | |
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41 calamity | |
n.灾害,祸患,不幸事件 | |
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42 subterranean | |
adj.地下的,地表下的 | |
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43 masonry | |
n.砖土建筑;砖石 | |
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44 undone | |
a.未做完的,未完成的 | |
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45 oozing | |
v.(浓液等)慢慢地冒出,渗出( ooze的现在分词 );使(液体)缓缓流出;(浓液)渗出,慢慢流出 | |
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46 mighty | |
adj.强有力的;巨大的 | |
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47 sewer | |
n.排水沟,下水道 | |
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48 philosophic | |
adj.哲学的,贤明的 | |
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49 placidity | |
n.平静,安静,温和 | |
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50 constable | |
n.(英国)警察,警官 | |
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51 apparition | |
n.幽灵,神奇的现象 | |
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52 conscientious | |
adj.审慎正直的,认真的,本着良心的 | |
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53 undoubtedly | |
adv.确实地,无疑地 | |
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54 interfering | |
adj. 妨碍的 动词interfere的现在分词 | |
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55 illustrated | |
adj. 有插图的,列举的 动词illustrate的过去式和过去分词 | |
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