Strange, that in a work of amusement, this severe fidelity2 to real life should be exacted by any one, who, by taking up such a work, sufficiently3 shows that he is not unwilling4 to drop real life, and turn, for a time, to something different. Yes, it is, indeed, strange that any one should clamor for the thing he is weary of; that any one, who, for any cause, finds real life dull, should yet demand of him who is to divert his attention from it, that he should be true to that dullness.
There is another class, and with this class we side, who sit down to a work of amusement tolerantly as they sit at a play, and with much the same expectations and feelings. They look that fancy shall evoke5 scenes different from those of the same old crowd round the custom-house [286] counter, and same old dishes on the boardinghouse table, with characters unlike those of the same old acquaintances they meet in the same old way every day in the same old street. And as, in real life, the proprieties6 will not allow people to act out themselves with that unreserve permitted to the stage; so, in books of fiction, they look not only for more entertainment, but, at bottom, even for more reality, than real life itself can show. Thus, though they want novelty, they want nature, too; but nature unfettered, exhilarated, in effect transformed. In this way of thinking, the people in a fiction, like the people in a play, must dress as nobody exactly dresses, talk as nobody exactly talks, act as nobody exactly acts. It is with fiction as with religion: it should present another world, and yet one to which we feel the tie.
If, then, something is to be pardoned to well-meant endeavor, surely a little is to be allowed to that writer who, in all his scenes, does but seek to minister to what, as he understands it, is the implied wish of the more indulgent lovers of entertainment, before whom harlequin can never appear in a coat too parti-colored, or cut capers7 too fantastic.
One word more. Though every one knows how bootless it is to be in all cases vindicating8 one's self, never mind how convinced one may be that he is never in the wrong; yet, so precious to man is the approbation9 of his kind, that to rest, though but under an imaginary censure10 applied11 to but a work of imagination, is no easy thing. The mention of this weakness will explain why [287] such readers as may think they perceive something harmonious12 between the boisterous13 hilarity14 of the cosmopolitan with the bristling15 cynic, and his restrained good-nature with the boon-companion, are now referred to that chapter where some similar apparent inconsistency in another character is, on general principles, modestly endeavored to-be apologized for.
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1 cosmopolitan | |
adj.世界性的,全世界的,四海为家的,全球的 | |
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2 fidelity | |
n.忠诚,忠实;精确 | |
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3 sufficiently | |
adv.足够地,充分地 | |
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4 unwilling | |
adj.不情愿的 | |
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5 evoke | |
vt.唤起,引起,使人想起 | |
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6 proprieties | |
n.礼仪,礼节;礼貌( propriety的名词复数 );规矩;正当;合适 | |
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7 capers | |
n.开玩笑( caper的名词复数 );刺山柑v.跳跃,雀跃( caper的第三人称单数 ) | |
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8 vindicating | |
v.澄清(某人/某事物)受到的责难或嫌疑( vindicate的现在分词 );表明或证明(所争辩的事物)属实、正当、有效等;维护 | |
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9 approbation | |
n.称赞;认可 | |
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10 censure | |
v./n.责备;非难;责难 | |
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11 applied | |
adj.应用的;v.应用,适用 | |
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12 harmonious | |
adj.和睦的,调和的,和谐的,协调的 | |
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13 boisterous | |
adj.喧闹的,欢闹的 | |
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14 hilarity | |
n.欢乐;热闹 | |
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15 bristling | |
a.竖立的 | |
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