The fall of Morella had proved to be, as many anticipated, the knell1 of the Carlist cause. Cabrera, that great general and consummate2 leader, followed Don Carlos, who had months earlier fled to France. General Espartero—a man made and strengthened by circumstances—was now at the height of his fame, and for the moment peace seemed to be assured to Spain. It was now a struggle between Espartero and Queen Christina. But with these matters the people of Spain had little to do. Such warfare3 of the council-chamber and the boudoir is carried on quietly, and the sound of it rarely reaches the ear, and never the heart, of the masses. Politics, indeed, had been the daily fare of the Spaniards for so long that their palates were now prepared to accept any sop4 so long as it was flavoured with peace. Aragon was devastated5, and the northern provinces had neither seed nor labourers for the coming autumn. The peasants who, having lost faith in Don Carlos, rallied round Cabrera, now saw themselves abandoned by their worshipped leader, and turned hopelessly enough homewards. Thus gradually the country relapsed into quiet, and empty garners7 compelled many to lay aside the bayonet and take up the spade who, having tasted the thrill of battle, had no longer any taste for the ways of peace.
Frederick Conyngham was brought into sudden prominence8 by the part he played in the disturbance9 at Toledo—which disturbance proved, as history tells, to be a forerunner10 of the great revolution a year later in Madrid. Promotion was at this time rapid, and the Englishman made many strides in a few months. Jealousy was so rife11 among the Spanish leaders, Christinos distrusted so thoroughly12 the reformed Carlists, that one who was outside these petty considerations received from both sides many honours on the sole recommendation of his neutrality.
‘And besides,’ said Father Concha, sitting in the sunlight on his church steps at Ronda, reading to the barber, and the shoemaker, and other of his parishioners, the latest newspaper, ‘and besides—he is clever.’
He paused, slowly taking a pinch of snuff.
‘Where the river is deepest it makes least noise,’ he added.
The barber wagged his head after the manner of one who will never admit that he does not understand an allusion13. And before any could speak the clatter14 of horses in the narrow street diverted attention. Concha rose to his feet.
‘Ah!’ he said, and went forward to meet Conyngham, who was riding with Concep?ion at his side.
‘So you have come, my son,’ he said, shaking hands. He looked up into the Englishman’s face, which was burnt brown by service under a merciless sun. Conyngham looked lean and strong, but his eyes had no rest in them. This was not a man who had all he wanted.
‘Are you come to Ronda, or are you passing through?’ asked the priest.
‘To Ronda. As I passed the Casa Barenna I made inquiries15. The ladies are in the town, it appears.’
‘Yes; they are with Estella in the house you know—unless you have forgotten it.’
‘No,’ answered Conyngham getting out of the saddle. ‘No; I have forgotten nothing.’
Concep?ion came forward and led the horse away.
‘I will walk to the Casa Vincente. Have you the time to accompany me?’ said Conyngham.
‘I have always time—for my neighbour’s business,’ replied Concha. And they set off together.
‘You walk stiffly,’ said Concha. ‘Have you ridden far?’
‘From Osuna—forty miles since daybreak.’
‘You are in a hurry.’
‘Yes, I am in a hurry.’
Without further comment he extracted from inside his smart tunic16 a letter—the famous letter in a pink envelope—which he handed to Concha.
‘Yes,’ said the priest, turning it over. ‘You and I first saw this in the Hotel de la Marina at Algeciras, when we were fools not to throw it into the nearest brazier. We should have saved a good man’s life, my friend.’
He handed the letter back, and thoughtfully dusted his cassock where it was worn and shiny with constant dusting, so that the snuff had nought17 to cling to.
‘And you have got it—at last. Holy saints—these Englishmen! Do you always get what you want, my son?’
‘Not always,’ replied Conyngham, with an uneasy laugh. ‘But I should be a fool not to try.’
‘Assuredly,’ said Concha, ‘assuredly. And you have come to Ronda—to try?’
‘Yes.’
They walked on in silence, on the shady side of the street, and presently passed and saluted18 a priest—one of Concha’s colleagues in this city of the South.
‘There walks a tragedy,’ said Concha, in his curt19 way. ‘Inside every cassock there walks a tragedy—or a villain20.’
After a pause it was Concha who again broke the silence. Conyngham seemed to be occupied with his own thoughts.
‘And Larralde—?’ said the priest.
‘I come from him—from Barcelona,’ answered Conyngham, ‘where he is in safety. Catalonia is full of such as he. Sir John Pleydell, before leaving Spain, bought this letter for two hundred pounds—a few months ago—when I was a poor man and could not offer a price for it. But Larralde disappeared when the plot failed, and I have only found him lately in Barcelona.’
‘In Barcelona?’ echoed Concha.
‘Yes; where he can take a passage to Cuba, and where he awaits Julia Barenna.’
‘Ah!’ said Concha, ‘so he also is faithful—because life is not long, my son. That is the only reason. How wise was the great God when He made a human life short! ‘
‘I have a letter,’ continued Conyngham, ‘from Larralde to the Se?orita Barenna.’
‘So you parted friends in Barcelona—after all—when his knife has been between your shoulders?’
‘Yes.’
‘God bless you, my son!’ said the priest, in Latin, with his careless, hurried gesture of the Cross.
‘I shall go to Barcelona with her,’ he said, ‘and marry her to this man. When one has no affairs of one’s own there always remain—for old women and priests—the affairs of one’s neighbour. Tell me—’ he paused and looked fiercely at him under shaggy brows—‘tell me why you came to Spain.’
‘You want to know who and what I am—before we reach the Calle Mayor?’ said Conyngham.
‘I know what you are, amigo mio, better than yourself, perhaps.’
As they walked through the narrow streets Conyngham told his simple history, dwelling22 more particularly on the circumstances preceding his departure from England, and Concha listened with no further sign of interest than a grimace23 or a dry smile here and there.
‘The mill gains by going, and not by standing24 still,’ he said, and added, after a pause, ‘But it is always a mistake to grind another’s wheat for nothing.’
They were now approaching the old house in the Calle Mayor, and Conyngham lapsed6 into a silence which his companion respected. They passed under the great doorway25 into the patio26, which was quiet and shady at this afternoon hour. The servants, of whom there are a multitude in all great Spanish houses, had apparently27 retired28 to the seclusion29 of their own quarters. One person alone was discernible amid the orange trees and in the neighbourhood of the murmuring fountain. She was asleep in a rocking-chair, with a newspaper on her lap. She preferred the patio to the garden, which was too quiet for one of her temperament30. In the patio she found herself better placed to exchange a word with those engaged in the business of the house, to learn, in fact, from the servants the latest gossip, to ask futile31 questions of them, and to sit in that idleness which will not allow others to be employed. In a word, this was the Se?ora Barenna, and Concha, seeing her, stood for a moment in hesitation32. Then, with a signal to Conyngham, he crept noiselessly across the tessellated pavement to the shadow of the staircase. They passed up the broad steps without sound and without awaking the sleeping lady. In the gallery above, the priest paused and looked down into the courtyard, his grim face twisted in a queer smile. Then, at the woman sitting there—at life and all its illusions, perhaps—he shrugged33 his shoulders and passed on.
In the drawing-room they found Julia, who leapt to her feet and hurried across the floor when she saw Conyngham. She stood looking at him breathlessly, her whole history written in her eyes.
‘Yes,’ she whispered, as if he had called her. ‘Yes—what is it? Have you come to tell me—something?’
‘I have come to give you a letter, se?orita,’ he answered, handing her Larralde’s missive. She held out her hand, and never took her eyes from his face.
Concha walked to the window—the window whence the Alcalde of Ronda had seen Conyngham hand Julia Barenna another letter. The old priest stood looking down into the garden, where, amid the feathery foliage34 of the pepper trees and the bamboos, he could perceive the shadow of a black dress. Conyngham also turned away, and thus the two men who held this woman’s happiness in the hollow of their hands stood listening to the crisp rattle35 of the paper as she tore the envelope and unfolded her lover’s letter. A great happiness and a great sorrow are alike impossible of realisation. We only perceive their extent when their importance has begun to wane36.
Julia Barenna read the letter through to the end, and it is possible (for women are blind in such matters) failed to perceive the selfishness in every line of it. Then, with the message of happiness in her hand, she returned to the chair she had just quitted, with a vague wonder in her mind, and the very human doubt that accompanies all possession, as to whether the price paid has not been too high.
Concha was the first to move. He turned and crossed the room towards Conyngham.
‘I see,’ he said, ‘Estella in the garden.’
And they passed out of the room together, leaving Julia Barenna alone with her thoughts. On the broad stone balcony Concha paused.
‘I will stay here,’ he said. He looked over the balustrade. Se?ora Barenna was still asleep.
‘Do not awake her,’ he whispered. ‘Let all sleeping things sleep.’
Conyngham passed down the stairs noiselessly, and through the doorway into the garden.
‘And at the end—the Gloria is chanted,’ said Concha, watching him go.
The scent37 of the violets greeted Conyngham as he went forward beneath the trees planted there in the Moslems’ day. The running water murmured sleepily as it hurried in its narrow channel towards the outlet38 through the grey wall, whence it leapt four hundred feet into the Tajo below.
Estella was seated in the shade of a gnarled fig39 tree, where tables and chairs indicated the Spanish habit of an out-of-door existence. She rose as he came towards her, and met his eyes gravely. A gleam of sun glancing through the leaves fell on her golden hair, half hidden by the mantilla, and showed that she was pale with some fear or desire.
‘Se?orita,’ he said, ‘I have brought you the letter.’ He held it out, and she took it, turning over the worn envelope absent-mindedly.
‘I have not read it myself, and am permitted to give it to you on one condition—namely, that you destroy it as soon as you have read it.’
She looked at it again.
‘It contains the lives of many men—their lives and the happiness of those connected with them,’ said Conyngham. ‘That is what you hold in your hand, se?orita—as well as my life and happiness.’
She raised her dark eyes to his for a moment, and their tenderness was not of earth or of this world at all. Then she tore the envelope and its contents slowly into a hundred pieces, and dropped the fluttering papers into the stream pacing in its marble bed towards the Tajo and the oblivion of the sea.
‘There—I have destroyed the letter,’ she said, with a thoughtful little smile. Then, looking up, she met his eyes.
‘I did not want it. I am glad you gave it to me. It will make a difference to our lives. Though—I never wanted it.’
Then she came slowly towards him.
The End
The End
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1
knell
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| n.丧钟声；v.敲丧钟 | |
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consummate
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| adj.完美的；v.成婚；使完美 [反]baffle | |
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3
warfare
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| n.战争(状态)；斗争；冲突 | |
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4
sop
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| n.湿透的东西，懦夫；v.浸，泡，浸湿 | |
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5
devastated
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| v.彻底破坏( devastate的过去式和过去分词)；摧毁；毁灭；在感情上（精神上、财务上等）压垮adj.毁坏的；极为震惊的 | |
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6
lapsed
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| adj.流失的，堕落的v.退步( lapse的过去式和过去分词 )；陷入；倒退；丧失 | |
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garners
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| v.收集并（通常）贮藏（某物），取得，获得( garner的第三人称单数 ) | |
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prominence
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| n.突出；显著；杰出；重要 | |
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disturbance
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| n.动乱，骚动；打扰，干扰；(身心)失调 | |
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forerunner
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| n.前身，先驱（者），预兆，祖先 | |
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rife
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| adj.(指坏事情)充斥的，流行的，普遍的 | |
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12
thoroughly
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| adv.完全地，彻底地，十足地 | |
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13
allusion
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| n.暗示，间接提示 | |
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14
clatter
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| v./n.(使)发出连续而清脆的撞击声 | |
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inquiries
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| n.调查( inquiry的名词复数 )；疑问；探究；打听 | |
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tunic
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| n.束腰外衣 | |
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17
nought
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| n.／adj.无，零 | |
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saluted
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| v.欢迎，致敬( salute的过去式和过去分词 )；赞扬，赞颂 | |
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curt
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| adj.简短的，草率的 | |
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villain
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| n.反派演员，反面人物；恶棍；问题的起因 | |
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21
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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dwelling
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| n.住宅，住所，寓所 | |
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grimace
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| v.做鬼脸，面部歪扭 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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patio
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| n.庭院，平台 | |
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27
apparently
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| adv.显然地；表面上，似乎 | |
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28
retired
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| adj.隐退的，退休的，退役的 | |
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29
seclusion
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| n.隐遁，隔离 | |
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30
temperament
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| n.气质，性格，性情 | |
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31
futile
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| adj.无效的，无用的，无希望的 | |
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hesitation
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| n.犹豫，踌躇 | |
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shrugged
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| vt.耸肩（shrug的过去式与过去分词形式） | |
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foliage
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| n.叶子，树叶，簇叶 | |
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35
rattle
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| v.飞奔，碰响；激怒；n.碰撞声；拨浪鼓 | |
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wane
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| n.衰微，亏缺，变弱；v.变小，亏缺，呈下弦 | |
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scent
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| n.气味，香味，香水，线索，嗅觉；v.嗅，发觉 | |
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outlet
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| n.出口/路；销路；批发商店；通风口；发泄 | |
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fig
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| n.无花果(树) | |
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