However, Mr. Merrill’s translations are far from defining the limits of the term. On the contrary, we have M. Paul Bourget’s group of{155} stories, “Pastels of Men,” which are not prose poems at all, nor brief pen pictures; but tales of a rather elaborate and unclean order, full of wan16 sentiment, and that cheerless vice17 which robs the soul without gratifying the body. Occasionally, as in the sketch18 of the poor old teacher living his meagre life from hour to hour, M. Bourget draws for us, with melancholy19 skill, a single scene from the painful drama of existence. This is perhaps a pastel, since the word must be employed; but why should an interminable and shifting tale about a rich young widow, who cannot make up her mind in less than a hundred pages which of her four lovers she will marry, be called by the same generic20 title? If it be equally applicable to every kind of story, short or long, simple or involved, descriptive or analytic21, then it has no real meaning at all, and becomes a mere22 matter of capricious selection. “Wandering Willie’s Tale,” and “The Cricket on the Hearth” could with propriety23 have been termed pastels.
Nor does the matter stop here. In Mr. Gosse’s recent volume of essays, he has included two admirable criticisms on Mr. Robert{156} Louis Stevenson’s poetry, and on Mr. Rudyard Kipling’s prose. These papers, discriminating24, sympathetic, and exhaustive, are called pastels. They do not differ in any way from other critical studies of equal length and merit. They abound25 in agreeable quotations26, and show a clear and genial27 appreciation28 of their themes. They are simply reviews of an unusually good order, and if their title be correctly applied29, then it is serviceable for any piece of literary criticism which deals with a single author. Macaulay’s “Madame D’Arblay,” Mr. Birrell’s “Emerson,” Mr. Saintsbury’s “Peacock,” might all have been named pastels.
By this time the subject begins to grow perplexing. Miss Wilkins wanders far from her true gods, and from the sources of her genuine inspiration, to write a handful of labored30 sketches31—pen pictures perhaps, albeit32 a trifle stiff in execution—which she calls pastels. Mr. Brander Matthews gives us, as his contribution to the puzzle, a vivid description of Carmencita dancing in a New York studio, and calls it a pastel. If we stray from prose to verse, we are tripped up at every step. Nebulous little couplets, songs of saddening subtlety,{157} weird33 conceits34 and high-pacing rhymes are thoughtfully labeled pastels, so as to give us a clue to their otherwise impenetrable obscurity. Sullen35 seas, and wan twilights, and dim garden paths, relieved with ghostly lilies, and white-armed women of dubious36 decorum, are the chief ingredients of these poetic novelties; but here is one, picked up by chance, which reads like a genial conundrum:—
“The light of our cigarettes
Went and came in the gloom;
It was dark in the little room.
Dark, and then in the dark,
Sudden, a flash, a glow,
And a hand and a ring I know.
And then, through the dark, a flush,
Ruddy and vague, the grace—
Now, if that be a pastel, and Mr. Gosse’s reviews are pastels, and M. Bourget’s stories are pastels, and Maurice de Guérin’s “Centaur” is a pastel, and Mr. Brander Matthews’ realistic sketches are pastels, and Ephra?m Mikha?l’s allegories are pastels, I should like to be told, by some one who knows, just where the limits of the term is set.

点击
收听单词发音

1
accomplished
![]() |
|
adj.有才艺的;有造诣的;达到了的 | |
参考例句: |
|
|
2
rigidity
![]() |
|
adj.钢性,坚硬 | |
参考例句: |
|
|
3
elusive
![]() |
|
adj.难以表达(捉摸)的;令人困惑的;逃避的 | |
参考例句: |
|
|
4
poetic
![]() |
|
adj.富有诗意的,有诗人气质的,善于抒情的 | |
参考例句: |
|
|
5
joyous
![]() |
|
adj.充满快乐的;令人高兴的 | |
参考例句: |
|
|
6
ironical
![]() |
|
adj.讽刺的,冷嘲的 | |
参考例句: |
|
|
7
portray
![]() |
|
v.描写,描述;画(人物、景象等) | |
参考例句: |
|
|
8
lucidity
![]() |
|
n.明朗,清晰,透明 | |
参考例句: |
|
|
9
delicacy
![]() |
|
n.精致,细微,微妙,精良;美味,佳肴 | |
参考例句: |
|
|
10
virility
![]() |
|
n.雄劲,丈夫气 | |
参考例句: |
|
|
11
sonorous
![]() |
|
adj.响亮的,回响的;adv.圆润低沉地;感人地;n.感人,堂皇 | |
参考例句: |
|
|
12
bust
![]() |
|
vt.打破;vi.爆裂;n.半身像;胸部 | |
参考例句: |
|
|
13
dwarfed
![]() |
|
vt.(使)显得矮小(dwarf的过去式与过去分词形式) | |
参考例句: |
|
|
14
insignificance
![]() |
|
n.不重要;无价值;无意义 | |
参考例句: |
|
|
15
splendor
![]() |
|
n.光彩;壮丽,华丽;显赫,辉煌 | |
参考例句: |
|
|
16
wan
![]() |
|
(wide area network)广域网 | |
参考例句: |
|
|
17
vice
![]() |
|
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
参考例句: |
|
|
18
sketch
![]() |
|
n.草图;梗概;素描;v.素描;概述 | |
参考例句: |
|
|
19
melancholy
![]() |
|
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
参考例句: |
|
|
20
generic
![]() |
|
adj.一般的,普通的,共有的 | |
参考例句: |
|
|
21
analytic
![]() |
|
adj.分析的,用分析方法的 | |
参考例句: |
|
|
22
mere
![]() |
|
adj.纯粹的;仅仅,只不过 | |
参考例句: |
|
|
23
propriety
![]() |
|
n.正当行为;正当;适当 | |
参考例句: |
|
|
24
discriminating
![]() |
|
a.有辨别能力的 | |
参考例句: |
|
|
25
abound
![]() |
|
vi.大量存在;(in,with)充满,富于 | |
参考例句: |
|
|
26
quotations
![]() |
|
n.引用( quotation的名词复数 );[商业]行情(报告);(货物或股票的)市价;时价 | |
参考例句: |
|
|
27
genial
![]() |
|
adj.亲切的,和蔼的,愉快的,脾气好的 | |
参考例句: |
|
|
28
appreciation
![]() |
|
n.评价;欣赏;感谢;领会,理解;价格上涨 | |
参考例句: |
|
|
29
applied
![]() |
|
adj.应用的;v.应用,适用 | |
参考例句: |
|
|
30
labored
![]() |
|
adj.吃力的,谨慎的v.努力争取(for)( labor的过去式和过去分词 );苦干;详细分析;(指引擎)缓慢而困难地运转 | |
参考例句: |
|
|
31
sketches
![]() |
|
n.草图( sketch的名词复数 );素描;速写;梗概 | |
参考例句: |
|
|
32
albeit
![]() |
|
conj.即使;纵使;虽然 | |
参考例句: |
|
|
33
weird
![]() |
|
adj.古怪的,离奇的;怪诞的,神秘而可怕的 | |
参考例句: |
|
|
34
conceits
![]() |
|
高傲( conceit的名词复数 ); 自以为; 巧妙的词语; 别出心裁的比喻 | |
参考例句: |
|
|
35
sullen
![]() |
|
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
参考例句: |
|
|
36
dubious
![]() |
|
adj.怀疑的,无把握的;有问题的,靠不住的 | |
参考例句: |
|
|
37
lyric
![]() |
|
n.抒情诗,歌词;adj.抒情的 | |
参考例句: |
|
|
欢迎访问英文小说网 |