DIALOGUES.

 Dialogues have come back into fashion and favor. Editors of magazines look on them kindly¹, and readers of magazines accept them as philosophically² as they accept any other form of instruction or entertainment which is provided in their monthly bills of fare. Perhaps Mr. Oscar Wilde is in some measure responsible for the revival³; perhaps it may be traced more directly to the serious and stimulating⁴ author of “Baldwin,” whose discussions are sufficiently⁵ subtle and relentless⁶ to gratify the keenest discontent. The restless reader who embarks⁷ on Vernon Lee’s portly volume of conversations half wishes he knew people who could discourse⁸ in that fashion, and is half grateful that he doesn’t. To converse⁹ for hours on “Doubts and Pessimism,” or “The Value of the Ideal,” is no trivial test of endurance, especially when one person does three-fourths of the talking. We hardly know which to admire most: Baldwin,{212} who elucidates¹⁰ a text—and that text, evolution—for six pages at a breath, or Michael, who listens and “smiles.” Even the occasional intermissions, when “Baldwin shook his head,” or “they took a turn in silence,” or “Carlo’s voice trembled,” or “Dorothy pointed¹¹ to the moors,” do little to relieve the general tension. It is no more possible to support conversation on this high and serious level than it is possible to nourish it on Mr. Wilde’s brilliant and merciless epigrams. Those sparkling dialogues in which Cyril might be Vivian, and Vivian, Cyril; or Gilbert might be Ernest, and Ernest, Gilbert, because all alike are Mr. Wilde, and speak with his voice alone, dazzle us only to betray. They are admirable pieces of literary workmanship; they are more charming and witty¹² than any contemporaneous essays. But if we will place by their side those few and simple pages in which Landor permits Montaigne and Joseph Scaliger to gossip together for a brief half hour at breakfast time, we will better understand the value of an element which Mr. Wilde excludes—humanity, with all its priceless sympathies and foibles.{213}

Nevertheless, it is not Landor’s influence, by any means, which is felt in the random¹³ dialogues of to-day. He is an author more praised than loved, more talked about than read, and his unapproachable delicacy¹⁴ and distinction are far removed from all efforts of facile imitation. Our modern “imaginary conversations,” whether openly satiric¹⁵, or gravely instructive, are fashioned on other models. They have a faint flavor of Lucian, a subdued¹⁶ and decent reflection of the “Noctes;” but they never approach the classic incisiveness¹⁷ and simplicity¹⁸ of Landor. There is a delightfully¹⁹ witty dialogue of Mr. Barrie’s called “Brought Back from Elysium,” in which the ghosts of Scott, Fielding, Smollett, Dickens, and Thackeray are interviewed by five living novelists, who kindly undertake to point out to them the superiority of modern fiction. In this admirable little satire²⁰, every stroke tells, every phantom²¹ and every novelist speaks in character, and the author, with dexterous²² art, fits his shafts²³ of ridicule²⁴ into the easy play of a possible conversation. Nothing can be finer than the way in which Scott’s native modesty²⁵, of which not even Elysium{214} and the Grove²⁶ of Bay-trees have robbed him, struggles with his humorous perception of the situation. Fielding is disposed to be angry, Thackeray severe, and Dickens infinitely²⁷ amused. But Sir Walter, dragged against his will into this unloved and alien atmosphere, is anxious only to give every man his due. “How busy you must have been, since my day,” he observes with wistful politeness, when informed that the stories have all been told, and that intellectual men and women no longer care to prance²⁸ with him after a band of archers²⁹, or follow the rude and barbarous fortunes of a tournament.

For such brief bits of satire the dialogue affords an admirable medium, if it can be handled with ease and force. For imparting opinions upon abstract subjects it is sure to be welcomed by coward souls who think that information broken up into little bits is somewhat easier of digestion³⁰. I am myself one of those weak-minded people, and the beguiling³¹ aspect of a conversation, which generally opens with a deceptive³² air of sprightliness³³, has lured³⁴ me many times beyond my mental depths. Nor have I ever been able to understand why{215} Mr. Ruskin’s publishers should have entreated³⁵ him, after the appearance of “Ethics of the Dust,” to “write no more in dialogues.” To my mind, that charming book owes its quality of readableness to the form in which it is cast, to the breathing-spells afforded by the innocent questions and comments of the children.

Mr. W. W. Story deals more gently with us than any other imaginary conversationalist. From the moment that “He and She” meet unexpectedly on the first page of “A Poet’s Portfolio,” until they say good-night upon the last, they talk comprehensively and agreeably upon topics in which it is easy to feel a healthy human interest. They drop into poetry and climb back into prose with a good deal of facility and grace. They gossip about dogs and spoiled children; they say clever and true things about modern criticism; they converse seriously, but not solemnly, about life and love and literature. They do not resolutely³⁶ discuss a given subject, as do the Squire³⁷ and Foster in Sir Edward Strachey’s “Talk at a Country House;” but sway from text to text after the frivolous³⁸ fashion of flesh{216} and blood; a fashion with which Mr. Story has made us all familiar in his earlier volumes of conversations. He is a veteran master of his field; yet, nevertheless, the Squire and Foster are pleasant companions for a winter night. I like to feel how thoroughly³⁹ I disagree with both, and how I long to make a discordant⁴⁰ element in their friendly talk; and this is precisely⁴¹ the charm of dialogues as a medium for opinions and ideas. Whether the same form can be successfully applied⁴² to fiction is at least a matter of doubt. Laurence Alma Tadema has essayed to use it in “An Undivined Tragedy,” and the result is hardly encouraging. The mother tells the tale in a simple and touching⁴³ manner; and the daughter’s ejaculations and comments are of no use save to disturb the narrative⁴⁴. It is hard enough to put a story into letters where the relator suffers no ill-timed interruptions; but to embody⁴⁵ it in a dialogue—which is at the same time no play—is to provide a needless element of confusion, and to derange⁴⁶ the boundary line which separates fiction from the drama.

1 kindly   

adj.和蔼的，温和的，爽快的；adv.温和地，亲切地

参考例句：

• Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
• A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。

2 philosophically   

adv.哲学上；富有哲理性地；贤明地；冷静地

参考例句：

• He added philosophically that one should adapt oneself to the changed conditions. 他富于哲理地补充说，一个人应该适应变化了的情况。 来自《简明英汉词典》
• Harry took his rejection philosophically. 哈里达观地看待自己被拒的事。 来自《简明英汉词典》

3 revival   

n.复兴，复苏，（精力、活力等的）重振

参考例句：

• The period saw a great revival in the wine trade.这一时期葡萄酒业出现了很大的复苏。
• He claimed the housing market was showing signs of a revival.他指出房地产市场正出现复苏的迹象。

4 stimulating   

adj.有启发性的，能激发人思考的

参考例句：

• shower gel containing plant extracts that have a stimulating effect on the skin 含有对皮肤有益的植物精华的沐浴凝胶
• This is a drug for stimulating nerves. 这是一种兴奋剂。

5 sufficiently   

adv.足够地，充分地

参考例句：

• It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
• The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。

6 relentless   

adj.残酷的，不留情的，无怜悯心的

参考例句：

• The traffic noise is relentless.交通车辆的噪音一刻也不停止。
• Their training has to be relentless.他们的训练必须是无情的。

7 embarks   

乘船( embark的第三人称单数 )； 装载； 从事

参考例句：

• Patricia is a free-spirited girl who embarks on an erotic odyssey. 翠茜亚是个任性少女、毅然踏上一次性爱之旅。
• Passenger train driver: Punctually embarks. 客车司机：准时出发。

8 discourse   

n.论文，演说；谈话；话语；vi.讲述，著述

参考例句：

• We'll discourse on the subject tonight.我们今晚要谈论这个问题。
• He fell into discourse with the customers who were drinking at the counter.他和站在柜台旁的酒客谈了起来。

9 converse   

vi.谈话，谈天，闲聊；adv.相反的，相反

参考例句：

• He can converse in three languages.他可以用3种语言谈话。
• I wanted to appear friendly and approachable but I think I gave the converse impression.我想显得友好、平易近人些,却发觉给人的印象恰恰相反。

10 elucidates   

v.阐明，解释( elucidate的第三人称单数 )

参考例句：

• Part Two: This section elucidates the connotation operative ability in geography. 第二部分，阐述了地理实践能力内涵。 来自互联网
• This review mostly elucidates advances in medication of primary osteoporosis. 在此主要介绍原发性骨质疏松症的药物治疗进展。 来自互联网

11 pointed   

adj.尖的，直截了当的

参考例句：

• He gave me a very sharp pointed pencil.他给我一支削得非常尖的铅笔。
• She wished to show Mrs.John Dashwood by this pointed invitation to her brother.她想通过对达茨伍德夫人提出直截了当的邀请向她的哥哥表示出来。

12 witty   

adj.机智的，风趣的

参考例句：

• Her witty remarks added a little salt to the conversation.她的妙语使谈话增添了一些风趣。
• He scored a bull's-eye in their argument with that witty retort.在他们的辩论中他那一句机智的反驳击中了要害。

13 random   

adj.随机的；任意的；n.偶然的(或随便的)行动

参考例句：

• The list is arranged in a random order.名单排列不分先后。
• On random inspection the meat was found to be bad.经抽查，发现肉变质了。

14 delicacy   

n.精致，细微，微妙，精良；美味，佳肴

参考例句：

• We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
• He sensed the delicacy of the situation.他感觉到了形势的微妙。

15 satiric   

adj.讽刺的，挖苦的

参考例句：

• Looking at her satiric parent she only gave a little laugh.她望着她那挖苦人的父亲，只讪讪地笑了一下。
• His satiric poem spared neither the politicians nor the merchants.政客们和商人们都未能免于遭受他的诗篇的讽刺。

16 subdued   

adj. 屈服的，柔和的，减弱的 动词subdue的过去式和过去分词

参考例句：

• He seemed a bit subdued to me. 我觉得他当时有点闷闷不乐。
• I felt strangely subdued when it was all over. 一切都结束的时候，我却有一种奇怪的压抑感。

17 incisiveness   

n.敏锐，深刻

参考例句：

• He never quarreled with the directness and incisiveness of Cowperwood's action. 他对柯帕乌举动的直截了当，锋利无比，从不表示异议。 来自辞典例句
• A few candidates stood out for the incisiveness of their arguments. 几个候选人因他们犀利的观点出众。 来自互联网

18 simplicity   

n.简单，简易；朴素；直率，单纯

参考例句：

• She dressed with elegant simplicity.她穿着朴素高雅。
• The beauty of this plan is its simplicity.简明扼要是这个计划的一大特点。

19 delightfully   

大喜，欣然

参考例句：

• The room is delightfully appointed. 这房子的设备令人舒适愉快。 来自《现代汉英综合大词典》
• The evening is delightfully cool. 晚间凉爽宜人。 来自《现代汉英综合大词典》

20 satire   

n.讽刺，讽刺文学，讽刺作品

参考例句：

• The movie is a clever satire on the advertising industry.那部影片是关于广告业的一部巧妙的讽刺作品。
• Satire is often a form of protest against injustice.讽刺往往是一种对不公正的抗议形式。

21 phantom   

n.幻影，虚位，幽灵；adj.错觉的，幻影的，幽灵的

参考例句：

• I found myself staring at her as if she were a phantom.我发现自己瞪大眼睛看着她，好像她是一个幽灵。
• He is only a phantom of a king.他只是有名无实的国王。

22 dexterous   

adj.灵敏的；灵巧的

参考例句：

• As people grow older they generally become less dexterous.随着年龄的增长，人通常会变得不再那么手巧。
• The manager was dexterous in handling his staff.那位经理善于运用他属下的职员。

23 shafts   

n.轴( shaft的名词复数 )；（箭、高尔夫球棒等的）杆；通风井；一阵（疼痛、害怕等）

参考例句：

• He deliberately jerked the shafts to rock him a bit. 他故意的上下颠动车把，摇这个老猴子几下。 来自汉英文学 - 骆驼祥子
• Shafts were sunk, with tunnels dug laterally. 竖井已经打下，并且挖有横向矿道。 来自辞典例句

24 ridicule   

v.讥讽，挖苦；n.嘲弄

参考例句：

• You mustn't ridicule unfortunate people.你不该嘲笑不幸的人。
• Silly mistakes and queer clothes often arouse ridicule.荒谬的错误和古怪的服装常会引起人们的讪笑。

25 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

26 grove   

n.林子，小树林，园林

参考例句：

• On top of the hill was a grove of tall trees.山顶上一片高大的树林。
• The scent of lemons filled the grove.柠檬香味充满了小树林。

27 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

28 prance   

v.（马）腾跃，(人)神气活现地走

参考例句：

• Their horses pranced and whinnied.他们的马奔腾着、嘶鸣着。
• He was horrified at the thought of his son prancing about on a stage in tights.一想到儿子身穿紧身衣在舞台上神气活现地走来走去，他就感到震惊。

29 archers   

n.弓箭手，射箭运动员( archer的名词复数 )

参考例句：

• The next evening old Mr. Sillerton Jackson came to dine with the Archers. 第二天晚上，西勒顿？杰克逊老先生来和阿切尔家人一起吃饭。 来自辞典例句
• Week of Archer: Double growth for Archers and Marksmen. 射手周：弓箭手与弩手（人类）产量加倍。 来自互联网

30 digestion   

n.消化，吸收

参考例句：

• This kind of tea acts as an aid to digestion.这种茶可助消化。
• This food is easy of digestion.这食物容易消化。

31 beguiling   

adj.欺骗的，诱人的v.欺骗( beguile的现在分词 )；使陶醉；使高兴；消磨（时间等）

参考例句：

• Her beauty was beguiling. 她美得迷人。
• His date was curvaceously beguiling. 他约会是用来欺骗女性的。 来自《简明英汉词典》

32 deceptive   

adj.骗人的，造成假象的，靠不住的

参考例句：

• His appearance was deceptive.他的外表带有欺骗性。
• The storyline is deceptively simple.故事情节看似简单，其实不然。

33 sprightliness   

n.愉快，快活

参考例句：

• The professor convinced me through the sprightliness of her conversation. 教授通过她轻快的谈话说服了我。 来自互联网

34 lured   

吸引，引诱（lure的过去式与过去分词形式）

参考例句：

• The child was lured into a car but managed to escape. 那小孩被诱骗上了车，但又设法逃掉了。
• Lured by the lust of gold,the pioneers pushed onward. 开拓者在黄金的诱惑下，继续奋力向前。

35 entreated   

恳求，乞求( entreat的过去式和过去分词 )

参考例句：

• They entreated and threatened, but all this seemed of no avail. 他们时而恳求，时而威胁，但这一切看来都没有用。
• 'One word,' the Doctor entreated. 'Will you tell me who denounced him?' “还有一个问题，”医生请求道，“你可否告诉我是谁告发他的？” 来自英汉文学 - 双城记

36 resolutely   

adj.坚决地，果断地

参考例句：

• He resolutely adhered to what he had said at the meeting. 他坚持他在会上所说的话。
• He grumbles at his lot instead of resolutely facing his difficulties. 他不是果敢地去面对困难，而是抱怨自己运气不佳。

37 squire   

n.护卫, 侍从, 乡绅

参考例句：

• I told him the squire was the most liberal of men.我告诉他乡绅是世界上最宽宏大量的人。
• The squire was hard at work at Bristol.乡绅在布里斯托尔热衷于他的工作。

38 frivolous   

adj.轻薄的；轻率的

参考例句：

• This is a frivolous way of attacking the problem.这是一种轻率敷衍的处理问题的方式。
• He spent a lot of his money on frivolous things.他在一些无聊的事上花了好多钱。

39 thoroughly   

adv.完全地，彻底地，十足地

参考例句：

• The soil must be thoroughly turned over before planting.一定要先把土地深翻一遍再下种。
• The soldiers have been thoroughly instructed in the care of their weapons.士兵们都系统地接受过保护武器的训练。

40 discordant   

adj.不调和的

参考例句：

• Leonato thought they would make a discordant pair.里奥那托认为他们不适宜作夫妻。
• For when we are deeply mournful discordant above all others is the voice of mirth.因为当我们极度悲伤的时候，欢乐的声音会比其他一切声音都更显得不谐调。

41 precisely   

adv.恰好，正好，精确地，细致地

参考例句：

• It's precisely that sort of slick sales-talk that I mistrust.我不相信的正是那种油腔滑调的推销宣传。
• The man adjusted very precisely.那个人调得很准。

42 applied   

adj.应用的；v.应用，适用

参考例句：

• She plans to take a course in applied linguistics.她打算学习应用语言学课程。
• This cream is best applied to the face at night.这种乳霜最好晚上擦脸用。

43 touching   

adj.动人的，使人感伤的

参考例句：

• It was a touching sight.这是一幅动人的景象。
• His letter was touching.他的信很感人。

44 narrative   

n.叙述，故事；adj.叙事的，故事体的

参考例句：

• He was a writer of great narrative power.他是一位颇有记述能力的作家。
• Neither author was very strong on narrative.两个作者都不是很善于讲故事。

45 embody   

vt.具体表达，使具体化；包含，收录

参考例句：

• The latest locomotives embody many new features. 这些最新的机车具有许多新的特色。
• Hemingway's characters plainly embody his own values and view of life.海明威笔下的角色明确反映出他自己的价值观与人生观。

46 derange   

v.使精神错乱

参考例句：

• Jack's inconsistent argument derange us all.杰克前后矛盾的争辩困扰了我们大家。
• So few men were present to derange the harmony of the wilderness.极少有人去扰乱林子里的平静。