According to the testimony9 of all historical accounts, nothing could be compared with the frivolity10, folly11 and luxury of the French of that period. The last years of the reign12 of Louis the Fourteenth, remarkable13 for the strict piety14, gravity, and decorum of the court, had left no traces behind. The Duke of Orleans, uniting many brilliant qualities with vices15 of every kind, unfortunately did not possess the slightest shadow of hypocrisy16. The orgies of the Palais Royal were no secret in Paris; the example was infectious. At that time Law[2] appeared upon the scene; greed for money was united to the thirst for pleasure and dissipation; estates were squandered17, morals perished, Frenchmen laughed and calculated, and the kingdom fell to pieces to the music of satirical vaudevilles.
In the meantime society presented a most remarkable picture. Culture and the desire for amusement brought all ranks together. Wealth, amiability18, renown19, talent, even eccentricity—everything that satisfied curiosity or promised amusement, was received with the same indulgence. Literature, learning and philosophy forsook20 their quiet studies and appeared in the circles of the great world to render homage21 to fashion and to obey its decrees. Women reigned22, but no longer demanded adoration23. Superficial politeness was substituted for the profound respect formerly24 shown to them. The pranks25 of the Duke de Richelieu, the Alcibiades of modern Athens, belong to history, and give an idea of the morals of that period.
Où la folie, agitant son grelot,
D'un pied leger parcourt toute la France,
Où nul mortel ne daigne être dévot,
The appearance of Ibrahim, his bearing, culture and natural intelligence excited general attention in Paris. All the ladies were anxious to see "le négre du Czar" at their houses, and vied with each other in their attentions towards him. The Regent invited him more than once to his merry evening parties; he assisted at the suppers animated27 by the youth of Arouet,[3] the old age of Chaulieu, and the conversations of Montesquieu and Fontenelle. He did not miss a single ball, fête or first representation, and he gave himself up to the general whirl with all the ardour of his years and nature. But the thought of exchanging these delights, these brilliant amusements for the simplicity28 of the Petersburg Court was not the only thing that dismayed Ibrahim; other and stronger ties bound him to Paris. The young African was in love.
The Countess L——, although no longer in the first bloom of youth, was still renowned29 for her beauty. On leaving the convent at the age of seventeen, she was married to a man whom she had not succeeded in loving, and who later on did not take the trouble to gain her love. Report assigned several lovers to her, but thanks to the indulgent views entertained by the world, she enjoyed a good reputation, for nobody was able to reproach her with any ridiculous or scandalous adventure. Her house was one of the most fashionable, and the best Parisian society made it their rendezvous31. Ibrahim was introduced to her by young Merville, who was generally looked upon as her latest lover,—and who did all in his power to obtain credit for the report.
The Countess received Ibrahim politely, but without any particular attention: this made him feel flattered. Generally the young negro was regarded in the light of a curiosity; people used to surround him and overwhelm him with compliments and questions—and this curiosity, although concealed32 by a show of graciousness, offended his vanity. The delightful33 attention of women, almost the sole aim of our exertions34, not only afforded him no pleasure, but even filled him with bitterness and indignation. He felt that he was for them a kind of rare beast, a peculiar35 creature, accidentally brought into the world, but having with it nothing in common. He even envied people who remained unnoticed, and considered them fortunate in their insignificance36.
The thought, that nature had not created him for the inspiring of a passion, emancipated37 him from self-assertion and vain pretensions38, and added a rare charm to his behaviour towards women. His conversation was simple and dignified39; he found great favour in the eyes of the Countess L——, who had grown tired of the pronounced jests and pointed40 insinuations of French wit. Ibrahim frequently visited her. Little by little she became accustomed to the young negro's appearance, and even began to find something agreeable in that curly head, that stood out so black in the midst of the powdered perukes in her reception-room (Ibrahim had been wounded in the head, and wore a bandage instead of a peruke). He was twenty-seven years of age, and was tall and slender, and more than one beauty glanced at him with a feeling more flattering than simple curiosity. But the prejudiced Ibrahim either did not observe anything of this or merely looked upon it as coquetry. But when his glances met those of the Countess, his distrust vanished. Her eyes expressed such winning kindness, her manner towards him was so simple, so unconstrained, that it was impossible to suspect her of the least shadow of coquetry or raillery.
The thought of love had not entered his head, but to see the Countess each day had become a necessity to him. He tried to meet her everywhere, and every meeting with her seemed an unexpected favour from heaven. The Countess guessed his feelings before he himself did. There is no denying that a love, which is without hope and which demands nothing, touches the female heart more surely than all the devices of the libertine41. In the presence of Ibrahim, the Countess followed all his movements, listened to every word that he said; without him she became thoughtful, and fell into her usual absence of mind. Merville was the first to observe this mutual42 inclination43, and he congratulated Ibrahim. Nothing inflames44 love so much as the approving observations of a bystander: love is blind, and, having no trust in itself, readily grasps hold of every support.
Merville's words roused Ibrahim. The possibility of possessing the woman that he loved had never till then occurred to his mind; hope suddenly dawned upon his soul; he fell madly in love. In vain did the Countess, alarmed by the ardour of his passion, wish to combat his vehemence45 with friendly warnings and wise counsels, she herself was beginning to waver....
Nothing is hidden from the eyes of the observing world. The Countess's new inclination was soon known by everybody. Some ladies were amazed at her choice; to many it seemed quite natural. Some laughed; others regarded her conduct as unpardonably indiscreet. In the first intoxication46 of passion, Ibrahim and the Countess observed nothing, but soon the equivocal jokes of the men and the sarcastic47 observations of the women began to reach their ears. Ibrahim's cold and serious manner had hitherto protected him from such attacks; he bore them with impatience48, and knew not how to retaliate49. The Countess, accustomed to the respect of the world, could not calmly bear to see herself an object of calumny50 and ridicule51. With tears in her eyes she complained to Ibrahim, now bitterly reproaching him, now imploring52 him not to defend her, lest by some useless brawl53 she should be completely ruined.
A new circumstance tended to make her position still more difficult: the result of imprudent love began to be noticeable. The Countess in despair informed Ibrahim of the matter. Consolation54, advice, proposals—all were exhausted55 and all rejected. The Countess saw that her ruin was inevitable56, and in despair awaited it.
As soon as the condition of the Countess became known, gossip began again with renewed vigour57; sentimental58 women gave vent30 to exclamations59 of horror; and epigrams were disseminated60 with reference to her husband, who alone in all Paris knew nothing and suspected nothing.
The fatal moment approached. The condition of the Countess was terrible. Ibrahim visited her every day. He saw her mental and physical strength gradually giving way. Her tears and her terror were renewed every moment Measures were hastily taken. Means were found for getting the Count out of the way. The doctor arrived. Two days before this a poor woman had been persuaded to resign into the hands of strangers her new-born infant; for this a confidential61 person was sent. Ibrahim was in the room adjoining the bedchamber where lay the unhappy Countess.... Suddenly he heard the weak cry of a child—and, unable to repress his delight, he rushed into the Countess's room.... A black baby lay upon the bed at her feet. Ibrahim approached it. His heart beat violently. He blessed his son with a trembling hand. The Countess smiled faintly and stretched out to him her feeble hand, but the doctor, fearing that the excitement might be too great for the patient, dragged Ibrahim away from her bed. The new-born child was placed in a covered basket, and carried out of the house by a secret staircase. Then the other child was brought in, and its cradle placed in the bedroom. Ibrahim took his departure, feeling very ill at ease. The Count was expected. He returned late, heard of the happy deliverance of his wife, and was much gratified. In this way the public, which had been expecting a great scandal, was deceived in its hope, and was compelled to console itself with slandering62. Everything resumed its usual course.
But Ibrahim felt that there would have to be a change in his lot, and that sooner or later his relations with the Countess would come to the knowledge of her husband. In that case, whatever might happen, the ruin of the Countess was inevitable. Ibrahim loved passionately63 and was passionately loved in return, but the Countess was wilful64 and light-minded; it was not the first time that she had loved. Disgust, and even hatred65 might replace in her heart the most tender feelings. Ibrahim already foresaw the moment of her coolness. Hitherto he had not known jealousy66, but with dread67 he now felt a presentiment68 of it; he thought that the pain of separation would be less distressing69, and he resolved to break off the unhappy connection, leave Paris, and return to Russia, whither Peter and a vague sense of duty had been calling him for a long time.
[1] Although this story was unfortunately left unfinished, it has been included in this collection, as, apart from its intrinsic merit, it throws an interesting light upon the history of Poushkin's African ancestor.—The real name of the hero was Hannibal.—Translator.
[3] Voltaire.

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1
par
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n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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2
artillery
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n.(军)火炮,大炮;炮兵(部队) | |
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distinguished
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adj.卓越的,杰出的,著名的 | |
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severely
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adv.严格地;严厉地;非常恶劣地 | |
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pretexts
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n.借口,托辞( pretext的名词复数 ) | |
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zeal
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n.热心,热情,热忱 | |
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parsimonious
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adj.吝啬的,质量低劣的 | |
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exchequer
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n.财政部;国库 | |
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testimony
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n.证词;见证,证明 | |
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frivolity
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n.轻松的乐事,兴高采烈;轻浮的举止 | |
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folly
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n.愚笨,愚蠢,蠢事,蠢行,傻话 | |
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reign
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n.统治时期,统治,支配,盛行;v.占优势 | |
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13
remarkable
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adj.显著的,异常的,非凡的,值得注意的 | |
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14
piety
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n.虔诚,虔敬 | |
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vices
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缺陷( vice的名词复数 ); 恶习; 不道德行为; 台钳 | |
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16
hypocrisy
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n.伪善,虚伪 | |
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17
squandered
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v.(指钱,财产等)浪费,乱花( squander的过去式和过去分词 ) | |
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18
amiability
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n.和蔼可亲的,亲切的,友善的 | |
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19
renown
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n.声誉,名望 | |
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20
forsook
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forsake的过去式 | |
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21
homage
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n.尊敬,敬意,崇敬 | |
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reigned
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vi.当政,统治(reign的过去式形式) | |
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adoration
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n.爱慕,崇拜 | |
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formerly
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adv.从前,以前 | |
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25
pranks
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n.玩笑,恶作剧( prank的名词复数 ) | |
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26
tout
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v.推销,招徕;兜售;吹捧,劝诱 | |
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animated
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adj.生气勃勃的,活跃的,愉快的 | |
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simplicity
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n.简单,简易;朴素;直率,单纯 | |
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29
renowned
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adj.著名的,有名望的,声誉鹊起的 | |
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30
vent
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n.通风口,排放口;开衩;vt.表达,发泄 | |
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31
rendezvous
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n.约会,约会地点,汇合点;vi.汇合,集合;vt.使汇合,使在汇合地点相遇 | |
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32
concealed
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a.隐藏的,隐蔽的 | |
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delightful
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adj.令人高兴的,使人快乐的 | |
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exertions
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n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使 | |
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35
peculiar
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adj.古怪的,异常的;特殊的,特有的 | |
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36
insignificance
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n.不重要;无价值;无意义 | |
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emancipated
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adj.被解放的,不受约束的v.解放某人(尤指摆脱政治、法律或社会的束缚)( emancipate的过去式和过去分词 ) | |
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pretensions
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自称( pretension的名词复数 ); 自命不凡; 要求; 权力 | |
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dignified
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a.可敬的,高贵的 | |
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40
pointed
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adj.尖的,直截了当的 | |
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libertine
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n.淫荡者;adj.放荡的,自由思想的 | |
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mutual
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adj.相互的,彼此的;共同的,共有的 | |
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inclination
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n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
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inflames
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v.(使)变红,发怒,过热( inflame的第三人称单数 ) | |
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45
vehemence
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n.热切;激烈;愤怒 | |
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46
intoxication
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n.wild excitement;drunkenness;poisoning | |
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sarcastic
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adj.讥讽的,讽刺的,嘲弄的 | |
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impatience
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n.不耐烦,急躁 | |
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retaliate
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v.报复,反击 | |
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calumny
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n.诽谤,污蔑,中伤 | |
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ridicule
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v.讥讽,挖苦;n.嘲弄 | |
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52
imploring
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恳求的,哀求的 | |
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53
brawl
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n.大声争吵,喧嚷;v.吵架,对骂 | |
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consolation
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n.安慰,慰问 | |
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55
exhausted
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adj.极其疲惫的,精疲力尽的 | |
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56
inevitable
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adj.不可避免的,必然发生的 | |
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57
vigour
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(=vigor)n.智力,体力,精力 | |
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sentimental
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adj.多愁善感的,感伤的 | |
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exclamations
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n.呼喊( exclamation的名词复数 );感叹;感叹语;感叹词 | |
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60
disseminated
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散布,传播( disseminate的过去式和过去分词 ) | |
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61
confidential
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adj.秘(机)密的,表示信任的,担任机密工作的 | |
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62
slandering
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[法]口头诽谤行为 | |
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63
passionately
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ad.热烈地,激烈地 | |
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64
wilful
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adj.任性的,故意的 | |
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65
hatred
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n.憎恶,憎恨,仇恨 | |
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66
jealousy
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n.妒忌,嫉妒,猜忌 | |
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dread
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vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
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68
presentiment
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n.预感,预觉 | |
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69
distressing
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a.使人痛苦的 | |
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70
projector
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n.投影机,放映机,幻灯机 | |
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