“It lacks still two hours of noon,” said the sculptor6 to his friend, as they stood under the arch of the gateway7, waiting for their passports to be examined; “will you come with me to see some admirable frescos by Perugino? There is a hall in the Exchange, of no great magnitude, but covered with what must have been—at the time it was painted—such magnificence and beauty as the world had not elsewhere to show.”
“It depresses me to look at old frescos,” responded the Count; “it is a pain, yet not enough of a pain to answer as a penance8.”
“Will you look at some pictures by Fra Angelico in the Church of San Domenico?” asked Kenyon; “they are full of religious sincerity9, When one studies them faithfully, it is like holding a conversation about heavenly things with a tender and devout-minded man.”
“You have shown me some of Fra Angelico’s pictures, I remember,” answered Donatello; “his angels look as if they had never taken a flight out of heaven; and his saints seem to have been born saints, and always to have lived so. Young maidens10, and all innocent persons, I doubt not, may find great delight and profit in looking at such holy pictures. But they are not for me.”
“Your criticism, I fancy, has great moral depth,” replied Kenyon; “and I see in it the reason why Hilda so highly appreciates Fra Angelico’s pictures. Well; we will let all such matters pass for to-day, and stroll about this fine old city till noon.”
They wandered to and fro, accordingly, and lost themselves among the strange, precipitate11 passages, which, in Perugia, are called streets, Some of them are like caverns12, being arched all over, and plunging13 down abruptly14 towards an unknown darkness; which, when you have fathomed15 its depths, admits you to a daylight that you scarcely hoped to behold16 again. Here they met shabby men, and the careworn17 wives and mothers of the people, some of whom guided children in leading strings18 through those dim and antique thoroughfares, where a hundred generations had passed before the little feet of to-day began to tread them. Thence they climbed upward again, and came to the level plateau, on the summit of the hill, where are situated19 the grand piazza20 and the principal public edifices21.
It happened to be market day in Perugia. The great square, therefore, presented a far more vivacious23 spectacle than would have been witnessed in it at any other time of the week, though not so lively as to overcome the gray solemnity of the architectural portion of the scene. In the shadow of the cathedral and other old Gothic structures—seeking shelter from the sunshine that fell across the rest of the piazza—was a crowd of people, engaged as buyers or sellers in the petty traffic of a country fair. Dealers24 had erected25 booths and stalls on the pavement, and overspread them with scanty26 awnings27, beneath which they stood, vociferously28 crying their merchandise; such as shoes, hats and caps, yarn29 stockings, cheap jewelry30 and cutlery, books, chiefly little volumes of a religious Character, and a few French novels; toys, tinware, old iron, cloth, rosaries of beads31, crucifixes, cakes, biscuits, sugar-plums, and innumerable little odds32 and ends, which we see no object in advertising33. Baskets of grapes, figs34, and pears stood on the ground. Donkeys, bearing panniers stuffed out with kitchen vegetables, and requiring an ample roadway, roughly shouldered aside the throng35.
Crowded as the square was, a juggler36 found room to spread out a white cloth upon the pavement, and cover it with cups, plates, balls, cards, w the whole material of his magic, in short,—wherewith he proceeded to work miracles under the noonday sun. An organ grinder at one point, and a clarion37 and a flute38 at another, accomplished39 what their could towards filling the wide space with tuneful noise, Their small uproar40, however, was nearly drowned by the multitudinous voices of the people, bargaining, quarrelling, laughing, and babbling41 copiously42 at random43; for the briskness44 of the mountain atmosphere, or some other cause, made everybody so loquacious45, that more words were wasted in Perugia on this one market day, than the noisiest piazza of Rome would utter in a month.
Through all this petty tumult46, which kept beguiling47 one’s eyes and upper strata48 of thought, it was delightful49 to catch glimpses of the grand old architecture that stood around the square. The life of the flitting moment, existing in the antique shell of an age gone by, has a fascination50 which we do not find in either the past or present, taken by themselves. It might seem irreverent to make the gray cathedral and the tall, time-worn palaces echo back the exuberant51 vociferation of the market; but they did so, and caused the sound to assume a kind of poetic52 rhythm, and themselves looked only the more majestic53 for their condescension54.
On one side, there was an immense edifice22 devoted55 to public purposes, with an antique gallery, and a range of arched and stone-mullioned windows, running along its front; and by way of entrance it had a central Gothic arch, elaborately wreathed around with sculptured semicircles, within which the spectator was aware of a stately and impressive gloom. Though merely the municipal council-house and exchange of a decayed country town, this structure was worthy56 to have held in one portion of it the parliament hall of a nation, and in the other, the state apartments of its ruler. On another side of the square rose the mediaeval front of the cathedral, where the imagination of a Gothic architect had long ago flowered out indestructibly, in the first place, a grand design, and then covering it with such abundant detail of ornament57, that the magnitude of the work seemed less a miracle than its minuteness. You would suppose that he must have softened58 the stone into wax, until his most delicate fancies were modelled in the pliant59 material, and then had hardened it into stone again. The whole was a vast, black-letter page of the richest and quaintest60 poetry. In fit keeping with all this old magnificence was a great marble fountain, where again the Gothic imagination showed its overflow61 and gratuity62 of device in the manifold sculptures which it lavished63 as freely as the water did its shifting shapes.
Besides the two venerable structures which we have described, there were lofty palaces, perhaps of as old a date, rising story above Story, and adorned64 with balconies, whence, hundreds of years ago, the princely occupants had been accustomed to gaze down at the sports, business, and popular assemblages of the piazza. And, beyond all question, they thus witnessed the erection of a bronze statue, which, three centuries since, was placed on the pedestal that it still occupies.
“I never come to Perugia,” said Kenyon, “without spending as much time as I can spare in studying yonder statue of Pope Julius the Third. Those sculptors65 of the Middle Age have fitter lessons for the professors of my art than we can find in the Grecian masterpieces. They belong to our Christian66 civilization; and, being earnest works, they always express something which we do not get from the antique. Will you look at it?”
“Willingly,” replied the Count, “for I see, even so far off, that the statue is bestowing67 a benediction68, and there is a feeling in my heart that I may be permitted to share it.”
Remembering the similar idea which Miriam a short time before had expressed, the sculptor smiled hopefully at the coincidence. They made their way through the throng of the market place, and approached close to the iron railing that protected the pedestal of the statue.
It was the figure of a pope, arrayed in his pontifical69 robes, and crowned with the tiara. He sat in a bronze chair, elevated high above the pavement, and seemed to take kindly70 yet authoritative71 cognizance of the busy scene which was at that moment passing before his eye. His right hand was raised and spread abroad, as if in the act of shedding forth72 a benediction, which every man—so broad, so wise, and so serenely74 affectionate was the bronze pope’s regard—might hope to feel quietly descending75 upon the need, or the distress76, that he had closest at his heart. The statue had life and observation in it, as well as patriarchal majesty77. An imaginative spectator could not but be impressed with the idea that this benignly78 awful representative of divine and human authority might rise from his brazen79 chair, should any great public exigency80 demand his interposition, and encourage or restrain the people by his gesture, or even by prophetic utterances81 worthy of so grand a presence.
And in the long, calm intervals82, amid the quiet lapse83 of ages, the pontiff watched the daily turmoil84 around his seat, listening with majestic patience to the market cries, and all the petty uproar that awoke the echoes of the stately old piazza. He was the enduring friend of these men, and of their forefathers85 and children, the familiar face of generations.
“The pope’s blessing86, methinks, has fallen upon you,” observed the sculptor, looking at his friend.
In truth, Donatello’s countenance87 indicated a healthier spirit than while he was brooding in his melancholy88 tower. The change of scene, the breaking up of custom, the fresh flow of incidents, the sense of being homeless, and therefore free, had done something for our poor Faun; these circumstances had at least promoted a reaction, which might else have been slower in its progress. Then, no doubt, the bright day, the gay spectacle of the market place, and the sympathetic exhilaration of so many people’s cheerfulness, had each their suitable effect on a temper naturally prone89 to be glad. Perhaps, too, he was magnetically conscious of a presence that formerly90 sufficed to make him happy. Be the cause what it might, Donatello’s eyes shone with a serene73 and hopeful expression while looking upward at the bronze pope, to whose widely diffused91 blessing, it may be, he attributed all this good influence.
“Yes, my dear friend,” said he, in reply to the sculptor’s remark, “I feel the blessing upon my spirit.”
“It is wonderful,” said Kenyon, with a smile, “wonderful and delightful to think how long a good man’s beneficence may be potent92, even after his death. How great, then, must have been the efficacy of this excellent pontiff’s blessing while he was alive!”
“I have heard,” remarked the Count, “that there was a brazen image set up in the wilderness, the sight of which healed the Israelites of their poisonous and rankling93 wounds. If it be the Blessed Virgin’s pleasure, why should not this holy image before us do me equal good? A wound has long been rankling in my soul, and filling it with poison.”
“I did wrong to smile,” answered Kenyon. “It is not for me to limit Providence94 in its operations on man’s spirit.”
While they stood talking, the clock in the neighboring cathedral told the hour, with twelve reverberating95 strokes, which it flung down upon the crowded market place, as if warning one and all to take advantage of the bronze pontiff’s benediction, or of Heaven’s blessing, however proffered96, before the opportunity were lost.
“High noon,” said the sculptor. “It is Miriam’s hour!”
点击收听单词发音
1 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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2 loath | |
adj.不愿意的;勉强的 | |
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3 prospect | |
n.前景,前途;景色,视野 | |
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4 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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5 sweeping | |
adj.范围广大的,一扫无遗的 | |
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6 sculptor | |
n.雕刻家,雕刻家 | |
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7 gateway | |
n.大门口,出入口,途径,方法 | |
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8 penance | |
n.(赎罪的)惩罪 | |
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9 sincerity | |
n.真诚,诚意;真实 | |
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10 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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11 precipitate | |
adj.突如其来的;vt.使突然发生;n.沉淀物 | |
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12 caverns | |
大山洞,大洞穴( cavern的名词复数 ) | |
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13 plunging | |
adj.跳进的,突进的v.颠簸( plunge的现在分词 );暴跌;骤降;突降 | |
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14 abruptly | |
adv.突然地,出其不意地 | |
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15 fathomed | |
理解…的真意( fathom的过去式和过去分词 ); 彻底了解; 弄清真相 | |
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16 behold | |
v.看,注视,看到 | |
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17 careworn | |
adj.疲倦的,饱经忧患的 | |
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18 strings | |
n.弦 | |
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19 situated | |
adj.坐落在...的,处于某种境地的 | |
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20 piazza | |
n.广场;走廊 | |
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21 edifices | |
n.大建筑物( edifice的名词复数 ) | |
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22 edifice | |
n.宏伟的建筑物(如宫殿,教室) | |
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23 vivacious | |
adj.活泼的,快活的 | |
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24 dealers | |
n.商人( dealer的名词复数 );贩毒者;毒品贩子;发牌者 | |
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25 ERECTED | |
adj. 直立的,竖立的,笔直的 vt. 使 ... 直立,建立 | |
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26 scanty | |
adj.缺乏的,仅有的,节省的,狭小的,不够的 | |
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27 awnings | |
篷帐布 | |
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28 vociferously | |
adv.喊叫地,吵闹地 | |
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29 yarn | |
n.纱,纱线,纺线;奇闻漫谈,旅行轶事 | |
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30 jewelry | |
n.(jewllery)(总称)珠宝 | |
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31 beads | |
n.(空心)小珠子( bead的名词复数 );水珠;珠子项链 | |
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32 odds | |
n.让步,机率,可能性,比率;胜败优劣之别 | |
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33 advertising | |
n.广告业;广告活动 a.广告的;广告业务的 | |
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34 figs | |
figures 数字,图形,外形 | |
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35 throng | |
n.人群,群众;v.拥挤,群集 | |
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36 juggler | |
n. 变戏法者, 行骗者 | |
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37 clarion | |
n.尖音小号声;尖音小号 | |
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38 flute | |
n.长笛;v.吹笛 | |
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39 accomplished | |
adj.有才艺的;有造诣的;达到了的 | |
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40 uproar | |
n.骚动,喧嚣,鼎沸 | |
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41 babbling | |
n.胡说,婴儿发出的咿哑声adj.胡说的v.喋喋不休( babble的现在分词 );作潺潺声(如流水);含糊不清地说话;泄漏秘密 | |
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42 copiously | |
adv.丰富地,充裕地 | |
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43 random | |
adj.随机的;任意的;n.偶然的(或随便的)行动 | |
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44 briskness | |
n.敏捷,活泼 | |
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45 loquacious | |
adj.多嘴的,饶舌的 | |
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46 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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47 beguiling | |
adj.欺骗的,诱人的v.欺骗( beguile的现在分词 );使陶醉;使高兴;消磨(时间等) | |
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48 strata | |
n.地层(复数);社会阶层 | |
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49 delightful | |
adj.令人高兴的,使人快乐的 | |
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50 fascination | |
n.令人着迷的事物,魅力,迷恋 | |
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51 exuberant | |
adj.充满活力的;(植物)繁茂的 | |
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52 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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53 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
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54 condescension | |
n.自以为高人一等,贬低(别人) | |
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55 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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56 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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57 ornament | |
v.装饰,美化;n.装饰,装饰物 | |
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58 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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59 pliant | |
adj.顺从的;可弯曲的 | |
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60 quaintest | |
adj.古色古香的( quaint的最高级 );少见的,古怪的 | |
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61 overflow | |
v.(使)外溢,(使)溢出;溢出,流出,漫出 | |
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62 gratuity | |
n.赏钱,小费 | |
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63 lavished | |
v.过分给予,滥施( lavish的过去式和过去分词 ) | |
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64 adorned | |
[计]被修饰的 | |
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65 sculptors | |
雕刻家,雕塑家( sculptor的名词复数 ); [天]玉夫座 | |
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66 Christian | |
adj.基督教徒的;n.基督教徒 | |
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67 bestowing | |
砖窑中砖堆上层已烧透的砖 | |
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68 benediction | |
n.祝福;恩赐 | |
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69 pontifical | |
adj.自以为是的,武断的 | |
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70 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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71 authoritative | |
adj.有权威的,可相信的;命令式的;官方的 | |
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72 forth | |
adv.向前;向外,往外 | |
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73 serene | |
adj. 安详的,宁静的,平静的 | |
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74 serenely | |
adv.安详地,宁静地,平静地 | |
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75 descending | |
n. 下行 adj. 下降的 | |
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76 distress | |
n.苦恼,痛苦,不舒适;不幸;vt.使悲痛 | |
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77 majesty | |
n.雄伟,壮丽,庄严,威严;最高权威,王权 | |
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78 benignly | |
adv.仁慈地,亲切地 | |
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79 brazen | |
adj.厚脸皮的,无耻的,坚硬的 | |
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80 exigency | |
n.紧急;迫切需要 | |
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81 utterances | |
n.发声( utterance的名词复数 );说话方式;语调;言论 | |
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82 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
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83 lapse | |
n.过失,流逝,失效,抛弃信仰,间隔;vi.堕落,停止,失效,流逝;vt.使失效 | |
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84 turmoil | |
n.骚乱,混乱,动乱 | |
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85 forefathers | |
n.祖先,先人;祖先,祖宗( forefather的名词复数 );列祖列宗;前人 | |
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86 blessing | |
n.祈神赐福;祷告;祝福,祝愿 | |
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87 countenance | |
n.脸色,面容;面部表情;vt.支持,赞同 | |
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88 melancholy | |
n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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89 prone | |
adj.(to)易于…的,很可能…的;俯卧的 | |
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90 formerly | |
adv.从前,以前 | |
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91 diffused | |
散布的,普及的,扩散的 | |
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92 potent | |
adj.强有力的,有权势的;有效力的 | |
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93 rankling | |
v.(使)痛苦不已,(使)怨恨不已( rankle的现在分词 ) | |
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94 providence | |
n.深谋远虑,天道,天意;远见;节约;上帝 | |
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95 reverberating | |
回响,回荡( reverberate的现在分词 ); 使反响,使回荡,使反射 | |
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96 proffered | |
v.提供,贡献,提出( proffer的过去式和过去分词 ) | |
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