The original letters were acquired by Mr. William K. Bixby of St. Louis, and, at the urgent request of the Society of the Dofobs, of which he is a highly esteemed6 and honored member, turned over to the society with the understanding that they should be published for presentation to members only. It was specified7 also that great care should be exercised in going over the letters, that no apparent confidences should be violated and that all private and personal references, which might wound the feelings of the living or seem to speak ill of the dead, should be eliminated. It is indeed remarkable8 that in the large number of letters presented there was practically nothing which called for elision, nothing in the lighter9 mood which breathed a spirit beyond the innocent limits of good-natured banter10. The work of the editors was consequently easy and grateful, and the task one of delight.
It is not claimed that these love letters, so-called, comprise the entire correspondence on Hawthorne's part between Miss Peabody and himself during the three-and-one-half years of ix courtship. Naturally a series of letters begun sixty-eight years ago, with all the vicissitudes11 of a shifting life, would not be preserved intact. But while some letters have been lost or destroyed, and others may not have been permitted for one reason or another to leave the possession of the family, the continuity here preserved is practically as complete as could be desired and fully12 illustrative of the qualities which make them so worthy13 of publication. In giving these letters to its members the society has conformed strictly14 to the exactions of the manuscript save in a few cases perhaps where haste on the part of the writer omitted a word, slightly obscuring the sense. It has been deemed advisible also to omit all notes or paragraphs of explanation. Happily the letters are sufficiently intelligible15 without such notes, and the conclusion has been reached that no needed purpose can be served by minor16 explanatory details relating to individuals mentioned or incidents suggested. It has been thought best as well to add a few letters extending beyond the period of courtship. No defence is necessary, x for to the last they are "love letters" in the purest and truest sense of the words. This will be vindicated17 in the perusal18.
In selecting two letters for facsimile reproduction the choice has fallen upon the letter from Brook19 Farm under date of April 13, 1841, and that from Salem written in the following year. Both illustrate20 the quiet, quaint21 humor of Hawthorne. In the Brook Farm letter he sketches22 drily his thinly veiled impressions of the community, and herein will be found the famous reference to "Miss Fuller's transcendental heifer" which has fallen little short of immortality23. Writing from the old home in Salem he makes his letter conspicuous24 by the fact that he prophesies25 banteringly—doubtless he little knew how truly—his own coming fame and the public craze to inspect his belongings26. This humorous tribute to himself, in its mock, self-satisfied strain, suggests not so much the mental state of Horace predicting his metamorphosis and immortality as the good-natured prophecy of Burns that "you may expect henceforth to see my birthday inscribed27 among the wonderful xi events in the Poor Robin28 and Aberdeen Almanacks, along with the Black Monday and the Battle of Bothwell Bridge." Horace, Burns, Hawthorne—how all exceeded their predictions, whether gravely or lightly made!
It is true that to many persons of sensibility the thought of publishing the love letters of men and women however distinguished29 or in the public mind is repugnant. It seems to them a violation30 of a sacred confidence, a wanton exposure of a tenderness not intended for the world as a part of its literary diversion. The objection in many instances is a fair one, and too often the obligation of delicacy31 has been violated and the dictates32 of gentle consideration have been unheeded. Of recent years more persons have been shocked than gratified by the exploitation of love letters of famous women or men, and by the ruthless tearing away of the veil which has concealed33 their happy love life, and this emotion of disapprobation has not been lessened34 by the apparent fact that a sordid35 motive36 inspired the publication. At the outset such impulse of disinclination possessed37 the xii gentleman who owns the Hawthorne manuscript and the members of the society with whom he conversed38 with reference to its appearance in type. It was only after the letters had been carefully read, the motive governing their publication seriously analyzed39, and the respectful limits of their circulation considered, that this doubting impulse vanished.
That any one can read these letters without a warmer, closer feeling for the "shy, grave Hawthorne" seems impossible. To one who has perused40 them in manuscript, transcription and proof sheets there comes almost a conviction that he wrote them not merely for the woman waiting for the day when pledges should be sanctified, but with the half wish that all sympathetic spirits might see him and know him as he was. For gaily41 he speaks of his own bashfulness and reserve; hopefully he passes beyond the drudgery42 and disappointments of his position in life to the future which allures43 him; bravely he fights anxiety and care; with quaint humor and lightness of touch he pictures the scenes around that amuse and interest xiii him. And when in loving remembrance he calls for the "Dove," or with mock seriousness chides44 the "naughty Sophie Hawthorne," a strong affection is breathed in gentleness, a manly45 tenderness delights in every line.
And whether toiling46 with the measurer in the vessel's hold, or chafing47 with him in the somberness of the custom house, sharing now his relief from distasteful tasks and now his dreams for a happier day, the reader feels the spirit of the past. And above all the shadowy ghostliness of the threescore years seems to come the perfume of the apple blossoms that fell around the Wayside, with the gentle graciousness of a time well known to all, when youth and love and hope are young.
Roswell Field.
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1 citations | |
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n.摘录,摘要( excerpt的名词复数 );节选(音乐,电影)片段 | |
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给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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4 sufficiently | |
adv.足够地,充分地 | |
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5 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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6 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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7 specified | |
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8 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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10 banter | |
n.嘲弄,戏谑;v.取笑,逗弄,开玩笑 | |
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11 vicissitudes | |
n.变迁,世事变化;变迁兴衰( vicissitude的名词复数 );盛衰兴废 | |
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12 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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15 intelligible | |
adj.可理解的,明白易懂的,清楚的 | |
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16 minor | |
adj.较小(少)的,较次要的;n.辅修学科;vi.辅修 | |
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17 vindicated | |
v.澄清(某人/某事物)受到的责难或嫌疑( vindicate的过去式和过去分词 );表明或证明(所争辩的事物)属实、正当、有效等;维护 | |
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18 perusal | |
n.细读,熟读;目测 | |
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19 brook | |
n.小河,溪;v.忍受,容让 | |
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20 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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21 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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22 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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23 immortality | |
n.不死,不朽 | |
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24 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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25 prophesies | |
v.预告,预言( prophesy的第三人称单数 ) | |
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26 belongings | |
n.私人物品,私人财物 | |
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27 inscribed | |
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28 robin | |
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29 distinguished | |
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30 violation | |
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31 delicacy | |
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32 dictates | |
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35 sordid | |
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36 motive | |
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37 possessed | |
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38 conversed | |
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39 analyzed | |
v.分析( analyze的过去式和过去分词 );分解;解释;对…进行心理分析 | |
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40 perused | |
v.读(某篇文字)( peruse的过去式和过去分词 );(尤指)细阅;审阅;匆匆读或心不在焉地浏览(某篇文字) | |
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41 gaily | |
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42 drudgery | |
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43 allures | |
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44 chides | |
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45 manly | |
adj.有男子气概的;adv.男子般地,果断地 | |
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46 toiling | |
长时间或辛苦地工作( toil的现在分词 ); 艰难缓慢地移动,跋涉 | |
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47 chafing | |
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