I NOTICED that the brief incidents in my first book, Sailor and Beachcomber, concerning my personal recollections of Robert Louis Stevenson were received with an interest which I had not expected. Had I anticipated this, or had he struck me as an adventurous3 old shellback of crime and sea-lore, I should have dwelt more on the subject, but so much has been written about Stevenson’s life in the South Seas, by men who have devoted4 volumes to their reminiscences of that novelist, that I deliberately5 left the matter alone.
As far as Stevenson the literary man is concerned I, of course, have nothing whatever to add, excepting, perhaps, that Stevenson’s books dealing6 with the South Seas did not strike me as being as realistic and breezy as I had expected them to be, coming from such fresh experience and so able a pen. But having often seen him in Samoa and elsewhere, out of the limelight and under circumstances that have never, as far as I know, been written about before, I feel that I may as well tell at length the few incidents that I think may be of interest. I cannot do this better than by pursuing my own reminiscences, and so I will revert7 to my first visits to Samoa when I was a lad of about sixteen years of age.
Stevenson was at that time residing at Vailima, Upulo. I had met him several times in Apia and at sea, for at that time I was always cruising on the trading schooners9 and visited most of the chief islands in the North and South Pacific. I eventually got on a schooner8 that ran between Samoa and Suva (Fiji), and it was on these return trips to Apia, and during my sojourns10 there, that I saw Stevenson frequently, which was natural enough, since he lived there and hundreds of men became acquainted with him in that isolated11 paradise, where conventionality, as it is known in Western civilisation12, was completely dropped, and all men became hail-fellow-well-met as soon as they sighted each other. Even missionaries13 practised this outward appearance of brotherhood14.
I recall how I was sitting in a German store in April one afternoon when a Samoan, who knew me well, approached me and asked me if I would like to come that same evening to a grand tribal wedding festival that was to be held five miles off, round the coast. “And will you bring your violin?” he inquired. I accepted, and my companion, a young American sailor who had a banjo, agreed to go with me. I was well known among the chiefs and natives as an obliging violinist, for I seldom refused to perform at native ceremonies; the scenes that I witnessed, indeed the novelty and romance of it all, amply repaid me for all the trouble I was ever put to, though that is saying a good deal, for my troubles were sometimes serious ones.
That same afternoon my friend and I tuned15 our instruments up and made ourselves look as smart as possible, for the chief who was giving the ball was one of high standing17, and a well-known follower18 of Mataafa, the ex-King of Samoa.
In high spirits we started off to tramp the five miles which had to be covered before we reached our destination. We had not walked more than three hundred yards from Apia’s main street when suddenly Stevenson appeared with several of his acquaintances, coming across the slopes carrying fish which they had purchased from the natives down by the beach.
Whangarei Falls, North Auckland, N.Z.
Stevenson turned and saw us, and noticing that we were carrying musical instruments, he came up and said in a jocular way: “Where are you hurrying off to? The Lyceum Orchestra?” Whereupon I told him our destination and he immediately became interested. “Are you in a hurry? I should like to come,” he said quickly. I assured him that we were in no hurry, and told him we would wait; but as his friends were becoming impatient he said that he would come on later, and so off we went without him.
When we arrived at the coast village where the ball was to be given, my friend and I sat down under the palms exhausted19, for the walk was a long one and the heat terrific. Just before us was the native village, groups of conical, shed-like houses, sheltered by coco-palms growing to the shore’s edge.
As we sat wiping the perspiration20 from our brows, the village was all astir with excitement over the approaching festival. Native girls, dressed in picturesque21 style, passed by us along the track: they were jabbering22 excitedly to each other over the beauty of the bride who had been married that day, and who was to appear at the feast that evening to dance and reveal her manifold beauties to the village maids and youths ere she went off on the honeymoon23 to the bridegroom’s home.
The shadows were falling over the palm-clad shores of the wild coast and village of Samoa as the sun dropped seaward. So my friend and I started off once more and arrived at Kalofa’s distinguished24 residence. Kalofa was the bride’s father, and a wealthy man for a native. We were greeted with loud cries in joyous25 Samoan phrases as we arrived, carrying the violin and banjo under our arms. As we entered the large primitive26 ballroom27, a shed that held about two hundred people, an old Samoan at once started crashing away at a monster wooden drum, and another drum-player inside the shed did likewise. The noise was deafening28, and the more so because the ballroom instrument was a large European drum that had been purchased from one of the American warships29 that had come into Apia harbour. This drum was lent out at a high charge on special occasions by the chiefs. I forget who was the original owner, but I know that he was quite a wealthy man through the money he received from his drum receipts, and I often regretted that I had not known the tastes of Samoans, or I should have arrived at Samoa with a cargo30 of old army drums and made a fortune.
Well, as we entered the ballroom Kalofa himself rushed forward and greeted us affectionately before all the chiefs as though he had known us for many years. I had only seen him once before, and my cheerful companion the banjoist had never seen him till that moment. Nevertheless we met him as though we were the oldest friends, and bowed respectfully as the whole audience arose and waved their dark hands as they cheered us. It was a wonderful sight that we saw round us, for right to the far end of the large, low room sat in half circles the élite of the native village, dressed in all the colours and grotesque31 garments imaginable. Handsome Samoan girls, half dressed and quarter dressed, were squatting32 amongst old tattooed33 chiefs who wore the ridi only, while lines of old women sat with the handsome youths, who glanced behind them at the girls who, I suppose, were being looked after by the chiefs. The code of morals in Samoa was becoming very strict, so many maids having been tempted34 by the amorous35 youths to do things which they ought not to do. In the centre of the throng36 was the barbaric orchestra. I have led and conducted many orchestras and bands during my time, but never such a deliberately planned inharmonious ear-torturing lot of musicians as I led that night. I think the instrumentation was chiefly strings37 and wind; the former consisted of wires strung across gourds38 and the latter of bamboo flutes39, old coppers40 and the drum which I have previously41 mentioned.
I sat down in the middle of the orchestral players, squatting, with my comrade by my side, on a mat, and all the native musicians around me gazed with great curiosity as I started to tune16 the violin, and my comrade to pink-ee-tee-ponk on his banjo; indeed, so great was their curiosity that they arose from their mats and poked42 their faces against our instruments. Hitting my violin with the bow, so—tap-tap, I made a sign to them to take their seats, and then the overture43 commenced! My comrade and I tore away at the strings. I forget what we had proposed to play, but as soon as we started and the members of the orchestra heard the violin wailing44, they went completely mad with delight, and then tried to outdo us; so placing their flutes to their dusky mouths they all started to blow terrifically, and the drums started off and the stringed gourds twanged! In a moment I realised that to keep up our musical reputation we must outdo the barbarian45 music, so I signed to my comrade, who looked at me as though he had gone mad, and then started to grind away at all my violin strings at once! I believe we both caught the primitive, barbarian fever, for though the row was terrible my memory of it all is one of some far-off event of supreme46 musical delight! Not Wagner’s wildest dreams, no Futurist’s idea of harmony could have outdone the reality of that tribal music. Then suddenly it all changed from thunder to weird47 sweetness, minor48 melodies of sad, forgotten loves and dreams, for on a little elevated bamboo platform the bride stood before us. She was a dusky, tender-limbed maiden49 of about sixteen years of age. Dressed in a blue frock that went no higher than her brown bosom50, fastened on by a red sash, her thick hair bedecked with tropical blossoms, she looked like the beautiful dusky princess from a South Sea novel. Her husband, a fine-looking Samoan of about thirty, stood beside her as she gazed up into his admiring eyes and sang a tender song of love. It was a really beautiful melody and I at once caught the spirit of it, and as she sang on sweetly I extemporised a delicate accompaniment on my violin, interspersed51 with minor pizzicatos. As soon as she ceased her song a tiny child stepped forth52, and kissing her feet handed her a large bouquet53 of richly coloured forest flowers; then the bridegroom stooped and kissed the child on the brow as all the audience solemnly murmured “O whey—O whey” three times. This child was a relative of the bride’s, and not her own child; though, to tell the truth, this was often the case in tribal weddings at which I had officiated as violinist, where often the custom was that the bride’s first-born came as chief witness to the altar, and sometimes was old enough to toddle54 all the way!
When she had sung one more island ditty to her delighted husband the Siva dance commenced. Through a little door behind the stage came about a dozen girls clad only in flowers and grass, and when they had squatted55 in a circle on the stage they started to beat their bare limbs with their hands as they chanted, and the orchestra went tootle-tootle on the bamboo flutes.
As the time passed the audience increased; chiefs, half-castes and many high-caste natives were there. Robert Louis Stevenson arrived, with his face wreathed with smiles, and stood just inside the door, watching and talking to the natives. The old ex-King Mataafa, who was at that time residing at Malie with his faithful followers56, was also there and stood talking to our host, who was, I believe, related to Samoan royalty57. Mataafa was a very intelligent-looking old man, well dressed and with a majestic58 walk. About that time there was a deal of trouble brewing59 between the subjects of Mataafa and those who stood by King Malietoa, and possibly the old king was travelling incognito60, for he hardly revealed himself, but stopped in the shadows.
Stevenson went round behind the audience to him and was greeted very warmly; they evidently knew each other well.
As the festival proceeded, and the bowl of kava was handed round, the chiefs and women-folk became excited, while outside under the moonlit coco-palms the girls and youths started to dance and caper61 about. My friend and I took the first opportunity to get outside, for the heat was stifling62 inside “the hall.”
When we arrived in the fresh air Stevenson was standing by the doorway63 smoking. “Hallo! there you are; I’m sorry, but I was too late to see the beginning,” he said, and then added: “That bride was a beautiful girl, wasn’t she?”
“Yes,” I answered, as several native girls came up to us, and, laughing, seized us and invited us to dance. The girl who had gripped hold of Stevenson was a very wild but good-looking maid, and gazing up into his face she started to make eyes at him. Stevenson looked round laughingly and then accepted the invitation of the girl to dance with her, and so off they went! As far as I can remember the novelist was a good dancer and looked at his ease as he held the Samoan beauty in his arms and gently whirled with her under the coco-palms.
All the time that Stevenson and I were dancing the native orchestra was booming and shrieking64 away in the festival shed, and often we heard the old native drum-conductor cry out “O Le Sivo,” and then came a terrible crash as he struck the old army drum with a war-club!
Stevenson seemed delighted with himself for a little while, and then we got too hot and, much to the disgust of the maids, stopped. They were cool enough in their scanty65 attire66, but we were bathed in perspiration and fairly steamed in the moonlight as we suddenly stood still.
Now I am coming to the comical part of it all, for Stevenson’s partner proceeded to make violent love to him, and the look on his face made it quite obvious that he was beginning to feel uncomfortable, for he eventually walked off and she at once followed him! He made several attempts to get rid of her by talking to a native who stood by, but still the girl persisted, till he suddenly walked up to me and said, “I say, for God’s sake get her away somewhere; dance with her, do anything to attract her attention.” I at once went to the rescue and asked her to dance. I was not much of a dancer, but as a lover I have always been passable! Stevenson seemed very grateful, but only expressed it by walking off in great haste as I clutched the girl tightly.
No sooner had Stevenson got out of sight than she started on me, threw her arms about my neck and began to say loving things about my beauty, I suppose, in her own language. Several natives were standing under the trees, shaking with laughter as they watched us: one of them touched his forehead significantly and then I realised that the girl was not quite right in the head! “I say, Hill,” I said, as I quickly turned to my comrade, “she wants you to dance with her; do take her, old fellow.” “Right you are,” he answered, for he was an obliging fellow in that way, and then I also bolted and went off, toward the chief’s Fale-Faipule (the head residence), to get my violin, which I had left in his care for safety. As I approached the bamboo door I saw Stevenson peeping through a chink! “Has she gone?” he said. “Yes, I’ve got rid of her; she is a bit wrong in the head,” I answered. Then, as Stevenson came out into the open, ready to start away home, to our astonishment67 the girl we were talking about ran across the grass and embraced him once more! “Well I’m d——d!” he said, and at that moment two natives came across the track and collared her. I think they were her parents; anyway they took her off, and Stevenson hurried off also, for the hour was late and the code of morals strict in the Vailima domestic establishment.
My friend and I got back to Apia soon after. I slept soundly and dreamed of dusky brides and mad lovers. So ended that wedding as far as I was concerned.
A few days after the preceding events I saw Stevenson again. It was in the daytime, and I and my friend were busy packing up cases of tinned food, which had just arrived from Sydney on the s.s. Lubeck, which generally called at Apia every month. Adjoining the stateroom—where we were assisting in packing the cases—was a grog shanty’s bar-room. The reputation that this shanty had was an evil one, for it was only visited by the beach fraternity who lived solely68 on rum, and by Samoan women who welcomed German sailors to their dusky arms after dark. In broad daylight it was a bona-fide beach hotel, frequented by traders who had no reputation to lose, yet who seemed the happiest of men as they told fearless tales to their rough comrades, squirted tobacco juice in endless streams through the open door and drank fiery69 rum.
Well, suddenly Stevenson walked into the bar, and placing a coin on the counter called for drinks. He seemed full of glee, and laughed heartily70 as his two companions told him something that was evidently humorous. These two men, whom Stevenson had most probably just met, and who interested him, were shellbacks of the roughest type. One was positively71 comical-looking with dissipation, and had a warty72 grog-nose; the other seldom spoke73, but simply nodded his head, as an umpire of truth, when his companion told Stevenson the wonders of the South Seas. They were telling him about earlier black-birding days, when native men and girls were lured74 on to the schooners and carried off to slavery and worse. I cannot remember the things that they told him, but I distinctly remember Stevenson’s deep interest as he stood by them, with his head nearly touching75 the low roof of the shanty, and called for more rum for his companions, though he did not drink himself.
The convivial76 old rogues77 were delighted with Stevenson’s generosity78, and seeing that he listened eagerly to their yarns79 the chief speaker became more garrulous80 and dramatic than ever as he lifted his hands up to the roof and said: “Sir, them things that I tells you is nothing to what I could tell you.” Meanwhile the novelist listened and looked out of the grog shanty door, to see that no one was about who would carry the news to Vailima that Robert Louis Stevenson was full of glee, treating old rogues to rum, in a grog-house of mystery and lurking81 crime.
There was a native woman in the bar, whom the barkeeper called Frizzy. She had a large mop of frizzly hair and I suppose got her name from that. She was one of the abandoned class, had four half-caste children and was a half-widow, for the father of the children, a German official, had gone back to Berlin.
Whilst Stevenson was listening to his newly acquired friends this woman approached him with her ghastly smile, at the same time offering for sale her little plaited baskets of red coral. Stevenson shook his head, and as she was still persistent82 one of the old shellbacks pushed her away as though she was a mangy dog. Stevenson looked at him with disapproval83, for, though he was naturally opposed to women of her class, he was a champion for the unfortunates who had been lured to their mode of life by white men. He then called the woman, who had walked away, and asking her the price of the coral bought two baskets, though I am sure he did not want them.
At that moment a white man came into the bar and gave a start at seeing Stevenson standing there. It was a “new chum” from Sydney, and the last man you would have expected to see in that place. Looking up at Stevenson, he said: “Well, who would have ever thought of seeing you here!” On which the other responded in a surprised voice: “Who on earth expected to see you here!” Then they both laughed, and Stevenson said something about being a writer of books and seeking inspiration from natural sources, and with intense amusement in his eyes he introduced the two grimy reprobates84 to his friend, who shook them heartily by the hand and asked them what they drank.
At this moment a Samoan youth rushed in at the bar door very excited, and before we could understand his gesticulations a native girl came in behind him, snatched a large mug from the counter and gave the youth a crack over the head! As she made another rush to repeat the attack Stevenson gripped her tightly, and she turned on him furiously, and then, as quickly, calmed down and relented. She seemed to regret bitterly her attack on her lover, for such he was, though he had been paying attention to another maid. The youth had a gash85 on his forehead, and though it was not a deep cut the large flow of blood made a serious-looking affair of it all. Out of the native’s home, not far off, the children and women came rushing to see what the row was about, for, unfortunately, the jealous girl had screamed out when she struck him. A German patrol came running across, and had not Stevenson expostulated, and got on the right side of him, the girl would have been arrested. The whole affair would have been in The Samoan Times, Stevenson and his friend would have been brought forward as witnesses, and though Stevenson was perfectly86 innocent a lot of scandal would have been the result.
About eight miles from Apia, in one of the coast villages, lived a Marquesan who had married a Samoan woman, whom I knew, as she had resided in Satuafata village. One day, when I was walking along in Apia town, I was suddenly greeted by her cheery laugh, and she invited me out to their home, an invitation which I at once accepted, and so the next day I started off alone. The weather was beautiful and the sky cloudless as I passed under the coco-palms, and heard the green doves cooing in the branches around me, as the katafa (frigate-bird) sailed across the sky bound seaward. Through the trees I could see the Pacific, bright under the hot sun, and in Apia harbour the hanging canvas sails of a few anchored schooners. As I walked along I felt perfectly happy in the company of my own thoughts, which were only disturbed as I passed the native homesteads and returned the hand-waves and salutations of “Kaoha!” from the pretty native girls who stood at the doors. Samoan girls were, as I have told you, born flirts87, and longed for the romantic white youth who would love them and make them “Te boomte Matan,”[1] as they had read maids were loved in the South Sea novels which they bought from the old store shops in Apia. Far away along the coast I saw droves of native children standing knee-deep in the shaded lagoon88 waters that joined the ocean just outside.
1. Wife of a white man.
I passed a beautiful spot where I had often stood at night, when the island was asleep and the moon hung over the water, and the view appeared like some mighty89 painting done in silver and mystic colours, framed by the starlit skies. The palms perfectly still, stretching to the slopes of the Vaea Mountains, stood all round, only a wave gently breaking over the far-off barrier reefs, or the wavering smoke from the moonlit village huts, destroyed the impression of something dream-like and unreal around me as the wind came and moaned in the palm-tops, humming beautifully, till it seemed the chiming of the starry90 worlds across the sky could be faintly heard.
About three miles from Apia I left the track to cut across a plantation91 towards the coast, when I was suddenly surprised to see two white people some distance off coming toward the village that I was making for. Ambushed92 in the thick scrub, I peered up the track to see what they might be, and was again surprised to see that it was Stevenson and his wife. Stevenson had a large bamboo rod in his hand, and was waving it about violently and seemed very excited. Indeed I thought they were quarrelling, but as they approached a group of village homesteads just near the track I saw that he was gesticulating, and pointing with pleasure at the surrounding scenery, which was extremely beautiful there. They did not notice me, and so I remained unobserved. Stevenson was dressed in white trousers and had an old cheesecutter cap on. As they approached the native homes a lot of children came rushing across the clearing to welcome them. Mrs Stevenson picked one of them up in her arms and kissed it, while her husband in fun ran after the rest with his bamboo stick, and they all scampered93 away in delight.
At the far end of the plantation, wherein grew coco-nuts, yams and pine-apples, was the home of my native friends. I crossed the space and passing between the lines of white native houses arrived at my destination. Mrs Laota and her husband gave me an enthusiastic welcome, with the usual hospitality of Samoans, and in a very short space of time I sat down before an appetising meal of poi-poi, taro94, bread-fruit,[2] yams and boiled fowl95. There were two families living in the homestead, and the native children climbed over me as I sat down to eat, and, though I am fond of children, at that moment they were a fearful pest. However, as in England, I had to put up with it and assume a happiness which I was far from feeling, while the delighted eyes of the parents gazed upon me and on their children; but they were semi-savages and, of course, it was all excusable.
2. Bread-fruit is baked in the red-hot ash, like baked potatoes. When it is cooked properly the outer rind cracks and falls off.
After I had finished my meal I stood at the door, smoking and talking to my host, who seemed a very intelligent native. He was a Marquesan, and his father, an old chief, was also in our company. It was just at this moment that Stevenson, whose wife was still visiting in the village, came strolling along; he had evidently been to the village before, because my host and his wife at once called him and he came across and greeted us all with a cheery laugh, accepting a slice of pine-apple from the children and sitting down on the bench with us.
Well, Koro, the old Marquesan chief, had lived in the stirring times when his tribe had suffered from the ravages96 of cannibalism97, and he started off yarning98 almost directly Stevenson sat down. From his lips we were told many things that seemed almost unbelievable. Koro even darkly hinted that Samoans up till very recently had been addicted99 to the awful appetite, which was probable; but, being an intellectual race and superior in every way to the other races of the Pacific, Samoans had not allowed the stain of cannibalism to rest on the history of their people, letting the memory of it die out with the custom. Stevenson was alert with interest as the old chief told us of past cannibalistic orgies of his islands, and, as the old man yarned100 on in pidgin-English, kept saying “Well now, really me!” for very surprise at the things we heard. One tale he told us was so bloodthirsty and cruel, and the truth so evident from the manner in which it was told, that I must repeat it here.
It appeared that in the Marquesa Group, on Hiva-oa, at a period not distant from the time that I am telling you of, there was a ferocious101 cannibal who was the last survivor102 of a tribe which had ravaged103 the surrounding villages and preyed104 on the flesh of the people. In Koro’s time this hated man-eater lurked105 in the forest, and the village was obliged to have sentinels on watch each night. For the terrible cannibal had a passion for the flesh of their children, and often by night the whole village was awakened106 by hearing the screams of one of their little ones, who had been seized whilst asleep, and was being carried off into the forest. The method of this monster was to crawl on his belly107 through the thickets108 and watch the village for hours, and once or twice a girl had been carried off in broad daylight to be strangled and eaten. Many of the things the old chief told us were too terrible to write down here; it is enough to say that he did not strangle his female victims at once, but kept them lashed109 in his hiding-place to be killed and eaten at leisure. The people knew this, because a native girl had managed to escape, after being a prisoner of the monster’s for several days. It is impossible to describe here Koro’s dramatic attitude, and his wonderful way of telling the story. The listening children in the hut crept closer to us for fright, and Stevenson laughed almost hysterically110 and said “Good Lord!” as the old fellow continued. “Well, Marser Stesson, one night Chief Swae, who had just got married, had a great dance, and we all be happy and dance; and that night when the moon was getting old we all did sleep and Swae’s bride did sleep beside him, for the night was very hot and we did all sleep in the open under the fifis (palms). Suddenly we were all awake and jumping about in the village, for Swae was shouting out with a great voice: ‘The man-eater has stolen my wife.’ In one moment we had all seized our war-clubs, old cutlasses and muskets111 and rushed off into the forest, Swae the bridegroom leading the way. Presently we did hear a far-off scream coming from the direction of the sea. Swiftly we turned and went toward the shore, and it was then that we all looked through the mangroves and saw the great man-eater holding Swae’s bride in his arms as though she was a caught bird. He was leaning against a tree and had stopped because she did cling to one of his legs; he was a mighty big fellow of great strength, and his face was very, very dark and wrinkled with wickedness. Swae ran with all his might round the shore and got behind the cannibal, and, creeping up behind him, with one sweep of his cutlass cut his head from his shoulders. It fell to the forest floor and the body still stood upright, while the cannibal’s head lay on the ground with the mouth still half laughing at the thought of what he would do with Swae’s wife! When we got up to the bride she lay as one dead, still clinging to the man-eater’s leg. Then Swae called her softly by her name and she opened her eyes and sprang into his eager arms. We cooked the body of the cannibal and gave it to our grunting112 swine. No one of my tribe would eat the swine after that, so we sold them to the white sailors who came in on the big ships and they were much pleased that they were so cheap!” And saying this the old chief gave a chuckle113 in his wrinkled throat, being hardly able to disguise his inward delight. Stevenson, too, saw the grim humour of it and also smiled and said: “Well now!”
As Koro finished Mrs Stevenson arrived on the scene, carrying a large bunch of flowers, and when Stevenson told her that which we had been listening to she said: “Ugh, I am glad I wasn’t here to listen; you love gruesome things, I know.” Stevenson grinned like a schoolboy as he started mischievously114 to tell her some of the most gruesome details which we had just heard.
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tribal
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| adj.部族的，种族的 | |
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shanty
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| n.小屋，棚屋；船工号子 | |
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adventurous
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| adj.爱冒险的；惊心动魄的，惊险的，刺激的 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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dealing
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| n.经商方法，待人态度 | |
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revert
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| v.恢复，复归，回到 | |
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schooner
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| n.纵帆船 | |
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schooners
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| n.（有两个以上桅杆的）纵帆船( schooner的名词复数 ) | |
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sojourns
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| n.逗留，旅居( sojourn的名词复数 ) | |
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isolated
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| adj.与世隔绝的 | |
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civilisation
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| n.文明，文化，开化，教化 | |
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missionaries
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| n.传教士( missionary的名词复数 ) | |
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brotherhood
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| n.兄弟般的关系，手中情谊 | |
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tuned
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| adj.调谐的，已调谐的v.调音( tune的过去式和过去分词 )；调整；（给收音机、电视等）调谐；使协调 | |
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tune
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| n.调子；和谐，协调；v.调音，调节，调整 | |
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standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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follower
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| n.跟随者；随员；门徒；信徒 | |
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exhausted
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| adj.极其疲惫的，精疲力尽的 | |
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perspiration
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| n.汗水；出汗 | |
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21
picturesque
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| adj.美丽如画的，（语言）生动的，绘声绘色的 | |
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22
jabbering
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| v.急切而含混不清地说( jabber的现在分词 )；急促兴奋地说话；结结巴巴 | |
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23
honeymoon
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| n.蜜月（假期）；vi.度蜜月 | |
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24
distinguished
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| adj.卓越的，杰出的，著名的 | |
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25
joyous
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| adj.充满快乐的；令人高兴的 | |
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26
primitive
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| adj.原始的；简单的；n.原(始)人，原始事物 | |
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27
ballroom
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| n.舞厅 | |
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28
deafening
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| adj. 振耳欲聋的, 极喧闹的 动词deafen的现在分词形式 | |
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29
warships
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| 军舰，战舰( warship的名词复数 )； 舰只 | |
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30
cargo
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| n.(一只船或一架飞机运载的)货物 | |
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31
grotesque
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| adj.怪诞的，丑陋的；n.怪诞的图案，怪人（物） | |
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32
squatting
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| v.像动物一样蹲下( squat的现在分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。 | |
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33
tattooed
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| v.刺青，文身( tattoo的过去式和过去分词 )；连续有节奏地敲击；作连续有节奏的敲击 | |
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34
tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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35
amorous
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| adj.多情的；有关爱情的 | |
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36
throng
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| n.人群，群众；v.拥挤，群集 | |
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37
strings
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| n.弦 | |
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38
gourds
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| n.葫芦( gourd的名词复数 ) | |
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39
flutes
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| 长笛( flute的名词复数 )； 细长香槟杯（形似长笛） | |
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40
coppers
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| 铜( copper的名词复数 )； 铜币 | |
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41
previously
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| adv.以前，先前（地） | |
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42
poked
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| v.伸出( poke的过去式和过去分词 )；戳出；拨弄；与（某人）性交 | |
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43
overture
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| n.前奏曲、序曲，提议，提案，初步交涉 | |
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44
wailing
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| v.哭叫，哀号( wail的现在分词 )；沱 | |
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45
barbarian
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| n.野蛮人；adj.野蛮(人)的；未开化的 | |
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46
supreme
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| adj.极度的，最重要的；至高的，最高的 | |
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47
weird
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| adj.古怪的，离奇的；怪诞的，神秘而可怕的 | |
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minor
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| adj.较小(少)的，较次要的；n.辅修学科；vi.辅修 | |
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49
maiden
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| n.少女，处女；adj.未婚的，纯洁的，无经验的 | |
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bosom
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| n.胸，胸部；胸怀；内心；adj.亲密的 | |
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51
interspersed
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| adj.[医]散开的；点缀的v.intersperse的过去式和过去分词 | |
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52
forth
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| adv.向前；向外，往外 | |
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53
bouquet
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| n.花束，酒香 | |
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54
toddle
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| v.（如小孩）蹒跚学步 | |
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squatted
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| v.像动物一样蹲下( squat的过去式和过去分词 )；非法擅自占用（土地或房屋）；为获得其所有权；而占用某片公共用地。 | |
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56
followers
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| 追随者( follower的名词复数 )； 用户； 契据的附面； 从动件 | |
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57
royalty
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| n.皇家，皇族 | |
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58
majestic
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| adj.雄伟的，壮丽的，庄严的，威严的，崇高的 | |
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59
brewing
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| n. 酿造, 一次酿造的量 动词brew的现在分词形式 | |
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incognito
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| adv.匿名地；n.隐姓埋名；adj.化装的，用假名的，隐匿姓名身份的 | |
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caper
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| v.雀跃，欢蹦；n.雀跃，跳跃；续随子，刺山柑花蕾；嬉戏 | |
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62
stifling
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| a.令人窒息的 | |
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63
doorway
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| n.门口，(喻)入门；门路，途径 | |
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64
shrieking
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| v.尖叫( shriek的现在分词 ) | |
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65
scanty
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| adj.缺乏的，仅有的，节省的，狭小的，不够的 | |
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66
attire
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| v.穿衣，装扮[同]array；n.衣着；盛装 | |
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67
astonishment
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| n.惊奇，惊异 | |
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68
solely
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| adv.仅仅，唯一地 | |
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69
fiery
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| adj.燃烧着的，火红的；暴躁的；激烈的 | |
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heartily
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| adv.衷心地，诚恳地，十分，很 | |
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71
positively
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| adv.明确地，断然，坚决地；实在，确实 | |
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72
warty
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| adj.有疣的，似疣的；瘤状 | |
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73
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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74
lured
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| 吸引，引诱（lure的过去式与过去分词形式） | |
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75
touching
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| adj.动人的，使人感伤的 | |
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76
convivial
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| adj.狂欢的，欢乐的 | |
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77
rogues
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| n.流氓( rogue的名词复数 )；无赖；调皮捣蛋的人；离群的野兽 | |
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78
generosity
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| n.大度，慷慨，慷慨的行为 | |
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79
yarns
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| n.纱( yarn的名词复数 )；纱线；奇闻漫谈；旅行轶事 | |
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80
garrulous
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| adj.唠叨的，多话的 | |
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81
lurking
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| 潜在 | |
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82
persistent
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| adj.坚持不懈的，执意的；持续的 | |
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83
disapproval
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| n.反对，不赞成 | |
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84
reprobates
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| n.道德败坏的人，恶棍( reprobate的名词复数 ) | |
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85
gash
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| v.深切，划开；n.(深长的)切(伤)口；裂缝 | |
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86
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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87
flirts
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| v.调情，打情骂俏( flirt的第三人称单数 ) | |
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88
lagoon
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| n.泻湖，咸水湖 | |
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89
mighty
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| adj.强有力的；巨大的 | |
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90
starry
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| adj.星光照耀的, 闪亮的 | |
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91
plantation
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| n.种植园，大农场 | |
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92
ambushed
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| v.埋伏( ambush的过去式和过去分词 )；埋伏着 | |
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93
scampered
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| v.蹦蹦跳跳地跑，惊惶奔跑( scamper的过去式和过去分词 ) | |
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94
taro
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| n.芋，芋头 | |
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95
fowl
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| n.家禽，鸡，禽肉 | |
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96
ravages
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| 劫掠后的残迹，破坏的结果，毁坏后的残迹 | |
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97
cannibalism
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| n.同类相食；吃人肉 | |
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98
yarning
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| vi.讲故事（yarn的现在分词形式） | |
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99
addicted
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| adj.沉溺于....的，对...上瘾的 | |
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100
yarned
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| vi.讲故事（yarn的过去式与过去分词形式） | |
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101
ferocious
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| adj.凶猛的，残暴的，极度的，十分强烈的 | |
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102
survivor
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| n.生存者，残存者，幸存者 | |
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103
ravaged
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| 毁坏( ravage的过去式和过去分词 )； 蹂躏； 劫掠； 抢劫 | |
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104
preyed
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| v.掠食( prey的过去式和过去分词 )；掠食；折磨；（人）靠欺诈为生 | |
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105
lurked
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| vi.潜伏，埋伏（lurk的过去式与过去分词形式） | |
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106
awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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107
belly
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| n.肚子，腹部；(像肚子一样)鼓起的部分，膛 | |
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108
thickets
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| n.灌木丛( thicket的名词复数 )；丛状物 | |
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109
lashed
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| adj.具睫毛的v.鞭打( lash的过去式和过去分词 )；煽动；紧系；怒斥 | |
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110
hysterically
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| ad. 歇斯底里地 | |
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111
muskets
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| n.火枪，（尤指）滑膛枪( musket的名词复数 ) | |
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112
grunting
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| 咕哝的，呼噜的 | |
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113
chuckle
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| vi.／n.轻声笑，咯咯笑 | |
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114
mischievously
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| adv.有害地；淘气地 | |
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