“The steersmen who the vessels’ rudders hold,
flock to the central rendezvous5 to welcome back the champion of the Ach?ans. He is as impulsive6 and outspoken7 in his reconciliation8 as in his wrath9. There is no need of mediation10 now between himself and Agamemnon. He accosts11 the king with a noble simplicity12:
“Great son of Atreus, what hath been the gain
Hath fiercely raged between us, for a girl—
That day when from Lyrnessus’ captured town
I bore her off, so had not many a Greek
Great was the gain to Troy; but Greece, methinks,
Yet pass we that; and though our hearts be sore,
Still let us school our angry spirits down.
Agamemnon, for his part, magnanimously admits his error; laying the chief blame, however, upon Jupiter and Fate, who blinded the eyes of his understanding. The peace-offerings are produced and accepted, though Achilles only chafes20 at anything which can delay his vengeance21. Ulysses strongly urges the necessity of a substantial meal for the whole army;
“For none throughout the day till set of sun,
Yet are his limbs by slow degrees weighed down.”
Achilles schools himself into patience while the rest act upon this prosaic24 but prudent25 counsel; but for himself, he will neither eat nor drink, nor wash his blood-stained hands, till he has avenged26 the death of his comrade. So he sits apart in his grief, while the rest are at the banquet: Minerva, by Jupiter’s command, infusing into his body ambrosia27 and nectar, to sustain his strength. Another true mourner is Briseis. The first sight which meets the captive princess on her return to the Myrmidon camp is the bloody corpse28 of Patroclus. She throws herself upon it in an agony of tears. He, in the early days of her captivity29, had spoken kind and cheering words, and had been a friend in time of trouble. So, too, Menelaus briefly30 says of him—“He knew how to be kind to all men.” This glimpse which the poet gives us of the gentler features of the dead warrior’s character is touching31 enough, when{v.i-123} we remember the utter disregard of an enemy’s or a captive’s feelings shown not only by Homer’s heroes, but by those of the older Jewish Scriptures32.
When all is ready for the battle, Achilles dons the armour1 of Vulcan, and draws from its case the Centaur’s gift,—the ashen33 spear of Mount Pelion, which even Patroclus, it will be remembered, had not ventured to take in hand. Thus armed, he mounts his chariot, drawn34 by the two immortal35 steeds, Xanthus and Balius—for their mortal yoke-fellow had been slain36 in the battle in which Patroclus fell. As he mounts, in the bitter spirit which leads him to blame the whole world for the death of his friend, he cannot forbear a taunt37 to his horses—he trusts they will not leave him on the field, as they left Patroclus. Then the chestnut38, inspired by Juno, for once finds a human voice, and exculpates39 himself and his comrade. It was no fault of theirs; it was the doom40 of Patroclus, and Achilles’ own doom draws nigh. This day they will bring him back in safety; but the end is at hand.
Unlike Hector, Achilles knows and foresees his doom clearly; but, like Hector, he will meet it unflinchingly. Pope’s version of his reply is deservedly admired. Xanthus has uttered his warning;
“Then ceased for ever, by the Furies tied,
With unabated rage—‘So let it be!
I know my fate; to die, to see no more
My much-loved parents and my native shore;
Now perish Troy!’ he said, and rushed to fight.”
In the renewed battle which ensues, the gods, by express permission of their sovereign, take part.{v.i-124} Juno, Neptune45, Minerva, Mercury, and Vulcan assist the Greeks: Mars, Venus, Apollo, Latona, and Diana join the Trojans. Their interference seems, at least to our modern taste, to assist in no way the action of the poem, and merely tends to weaken for the time the human interest. We must be content to assume that upon a Greek audience the impression was different. The only effect which these immortal allies produce upon the fortunes of the day is a negative one; Apollo incites46 ?neas to encounter Achilles, and when he is in imminent47 danger, Neptune conveys him away in a mist. Apollo performs the same office for Hector, who also engages the same terrible adversary48, in the hope of avenging49 upon him the death of his young brother Polydorus. Disappointed in both his greater antagonists50, Achilles vents51 his wrath in indiscriminate slaughter52. Driving through the disordered host of the Trojans, his chariot wheels and axle steeped in blood, he cuts the mass of fugitives53 in two, and drives part of them into the shallows of the river Scamander. Leaping down from his chariot, he wades54 into the river, and there continues his career of slaughter, sword in hand. Twelve Trojan youths he takes alive and hands them over to his followers55; sparing them for the present only to slay56 them hereafter as victims at the funeral-pile to appease57 the shade of Patroclus. Another suppliant58 for his mercy has a singular history. The young Lycaon, one of the many sons of Priam, had been taken prisoner by him in one of his raids upon Trojan territory, and sold as a slave in Lemnos. He had been ransomed59 there and sent home to Troy, only twelve days before he fell into his enemy’s hands again here in the bed of the Scamander. Achilles recognises him,{v.i-125} and cruelly taunts60 him with his reappearance: the dead Trojans whom he has slain will surely next come to life again, if the captives thus cross the seas to swell61 the ranks of his enemies. In vain Lycaon pleads for his life, that he is not the son of the same mother as Hector—that his brother Polydorus has just been slain, which may well content the Greek’s vengeance. There is a gloomy irony62 in the words with which Achilles rejects his prayer. Before Patroclus fell, he had spared many a Trojan; but henceforth, all appeal to his mercy is vain—most of all from a son of Priam. But, in fact, the wish to escape one’s fate he holds to be utterly63 unreasonable64;
Dead is Patroclus too, thy better far—
Me too thou seest, how stalwart, tall, and fair,
Of noble sire and goddess-mother born,
Yet must I yield to death and stubborn fate,
Whene’er, at morn or noon or eve, the spear
Or arrow from the bow may reach my life.” (D.)
At last the great river-god—whom the gods call Xanthus, but men Scamander—rises in his might, indignant at seeing his stream choked with corpses66, and stained with blood. He hurls67 the whole force of his waves against Achilles, and the hero is fain to save himself by grasping an elm that overhangs the bank, and so swinging himself to land. But here Scamander pursues him, and, issuing from his banks, rolls in a deluge68 over the plain. Even the soul of Achilles is terror-stricken at this new aspect of death. Is he to die thus, like some vile69 churl—
Neptune and Minerva appear to encourage him, and give him strength to battle with the flood: and when Sca{v.i-126}mander summons his brother-river Simois to his aid, Vulcan sends flames that scorch71 all the river-banks, consuming the trees and shrubs72 that clothe them, and threatening to dry up the very streams themselves. The river yields, and retires to his banks, leaving Achilles free to pursue his victories. He drives the Trojans inside their walls, and but that Apollo guards the gates, would have entered the city in hot pursuit. Hector alone remains73 without—his doom is upon him.
The gods, meanwhile, have entered the field of battle on their own account, and contributed, as before, a ludicrous element to the action of the poem. Minerva fells Mars the war-god to the ground with a huge mass of rock, an ancient landmark74, which she hurls against him; and he lies covering “above seven hundred feet,” till Venus comes to his aid to lead him from the field, when the terrible goddess strikes her to the earth beside him. Juno shows the strength of those “white arms” which the poet always assigns to her, by a terrible buffet75 which she bestows76, for no particular reason apparently77, upon Diana, who drops her bow and loses her arrows, and flies weeping to her father Jupiter. He, for his part, has been watching the quarrels of his court and family with a dignified78 amusement;—
And views contending gods with careless eyes.” (P.)
Those philosophers who see a moral allegory in the whole of the Homeric story, have supplied us with a key to the conduct and feelings of Jupiter during this curious combat. “Jupiter, as the lord of nature, is well pleased with the war of the gods—that is, of earth, sea, air, &c.—because the harmony of all beings{v.i-127} arises from that discord80. Thus heat and cold, moist and dry, are in a continual war, yet upon this depends the fertility of the earth and the beauty of the creation. So that Jupiter, who, according to the Greeks, is the soul of all, may well be said to smile at this contention81.”[20] Those readers who may not be satisfied with this solution must be content to take the burlesque82 as it stands.
点击收听单词发音
1 armour | |
(=armor)n.盔甲;装甲部队 | |
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2 forth | |
adv.向前;向外,往外 | |
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3 galley | |
n.(飞机或船上的)厨房单层甲板大帆船;军舰舰长用的大划艇; | |
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4 stewards | |
(轮船、飞机等的)乘务员( steward的名词复数 ); (俱乐部、旅馆、工会等的)管理员; (大型活动的)组织者; (私人家中的)管家 | |
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5 rendezvous | |
n.约会,约会地点,汇合点;vi.汇合,集合;vt.使汇合,使在汇合地点相遇 | |
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6 impulsive | |
adj.冲动的,刺激的;有推动力的 | |
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7 outspoken | |
adj.直言无讳的,坦率的,坦白无隐的 | |
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8 reconciliation | |
n.和解,和谐,一致 | |
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9 wrath | |
n.愤怒,愤慨,暴怒 | |
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10 mediation | |
n.调解 | |
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11 accosts | |
v.走过去跟…讲话( accost的第三人称单数 );跟…搭讪;(乞丐等)上前向…乞讨;(妓女等)勾搭 | |
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12 simplicity | |
n.简单,简易;朴素;直率,单纯 | |
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13 strife | |
n.争吵,冲突,倾轧,竞争 | |
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14 shafts | |
n.轴( shaft的名词复数 );(箭、高尔夫球棒等的)杆;通风井;一阵(疼痛、害怕等) | |
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15 bloody | |
adj.非常的的;流血的;残忍的;adv.很;vt.血染 | |
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16 subdued | |
adj. 屈服的,柔和的,减弱的 动词subdue的过去式和过去分词 | |
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17 aloof | |
adj.远离的;冷淡的,漠不关心的 | |
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18 feud | |
n.长期不和;世仇;v.长期争斗;世代结仇 | |
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19 abjure | |
v.发誓放弃 | |
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20 chafes | |
v.擦热(尤指皮肤)( chafe的第三人称单数 );擦痛;发怒;惹怒 | |
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21 vengeance | |
n.报复,报仇,复仇 | |
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22 toils | |
网 | |
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23 fray | |
v.争吵;打斗;磨损,磨破;n.吵架;打斗 | |
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24 prosaic | |
adj.单调的,无趣的 | |
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25 prudent | |
adj.谨慎的,有远见的,精打细算的 | |
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26 avenged | |
v.为…复仇,报…之仇( avenge的过去式和过去分词 );为…报复 | |
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27 ambrosia | |
n.神的食物;蜂食 | |
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28 corpse | |
n.尸体,死尸 | |
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29 captivity | |
n.囚禁;被俘;束缚 | |
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30 briefly | |
adv.简单地,简短地 | |
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31 touching | |
adj.动人的,使人感伤的 | |
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32 scriptures | |
经文,圣典( scripture的名词复数 ); 经典 | |
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33 ashen | |
adj.灰的 | |
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34 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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35 immortal | |
adj.不朽的;永生的,不死的;神的 | |
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36 slain | |
杀死,宰杀,杀戮( slay的过去分词 ); (slay的过去分词) | |
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37 taunt | |
n.辱骂,嘲弄;v.嘲弄 | |
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38 chestnut | |
n.栗树,栗子 | |
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39 exculpates | |
v.开脱,使无罪( exculpate的第三人称单数 ) | |
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40 doom | |
n.厄运,劫数;v.注定,命定 | |
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41 intrepid | |
adj.无畏的,刚毅的 | |
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42 portents | |
n.预兆( portent的名词复数 );征兆;怪事;奇物 | |
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43 prodigies | |
n.奇才,天才(尤指神童)( prodigy的名词复数 ) | |
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44 ordains | |
v.任命(某人)为牧师( ordain的第三人称单数 );授予(某人)圣职;(上帝、法律等)命令;判定 | |
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45 Neptune | |
n.海王星 | |
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46 incites | |
刺激,激励,煽动( incite的第三人称单数 ) | |
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47 imminent | |
adj.即将发生的,临近的,逼近的 | |
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48 adversary | |
adj.敌手,对手 | |
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49 avenging | |
adj.报仇的,复仇的v.为…复仇,报…之仇( avenge的现在分词 );为…报复 | |
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50 antagonists | |
对立[对抗] 者,对手,敌手( antagonist的名词复数 ); 对抗肌; 对抗药 | |
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51 vents | |
(气体、液体等进出的)孔、口( vent的名词复数 ); (鸟、鱼、爬行动物或小哺乳动物的)肛门; 大衣等的)衩口; 开衩 | |
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52 slaughter | |
n.屠杀,屠宰;vt.屠杀,宰杀 | |
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53 fugitives | |
n.亡命者,逃命者( fugitive的名词复数 ) | |
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54 wades | |
(从水、泥等)蹚,走过,跋( wade的第三人称单数 ) | |
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55 followers | |
追随者( follower的名词复数 ); 用户; 契据的附面; 从动件 | |
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56 slay | |
v.杀死,宰杀,杀戮 | |
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57 appease | |
v.安抚,缓和,平息,满足 | |
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58 suppliant | |
adj.哀恳的;n.恳求者,哀求者 | |
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59 ransomed | |
付赎金救人,赎金( ransom的过去式和过去分词 ) | |
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60 taunts | |
嘲弄的言语,嘲笑,奚落( taunt的名词复数 ) | |
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61 swell | |
vi.膨胀,肿胀;增长,增强 | |
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62 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
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63 utterly | |
adv.完全地,绝对地 | |
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64 unreasonable | |
adj.不讲道理的,不合情理的,过度的 | |
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65 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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66 corpses | |
n.死尸,尸体( corpse的名词复数 ) | |
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67 hurls | |
v.猛投,用力掷( hurl的第三人称单数 );大声叫骂 | |
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68 deluge | |
n./vt.洪水,暴雨,使泛滥 | |
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69 vile | |
adj.卑鄙的,可耻的,邪恶的;坏透的 | |
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70 brook | |
n.小河,溪;v.忍受,容让 | |
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71 scorch | |
v.烧焦,烤焦;高速疾驶;n.烧焦处,焦痕 | |
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72 shrubs | |
灌木( shrub的名词复数 ) | |
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73 remains | |
n.剩余物,残留物;遗体,遗迹 | |
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74 landmark | |
n.陆标,划时代的事,地界标 | |
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75 buffet | |
n.自助餐;饮食柜台;餐台 | |
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76 bestows | |
赠给,授予( bestow的第三人称单数 ) | |
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77 apparently | |
adv.显然地;表面上,似乎 | |
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78 dignified | |
a.可敬的,高贵的 | |
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79 descries | |
v.被看到的,被发现的,被注意到的( descried的现在分词 ) | |
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80 discord | |
n.不和,意见不合,争论,(音乐)不和谐 | |
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81 contention | |
n.争论,争辩,论战;论点,主张 | |
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82 burlesque | |
v.嘲弄,戏仿;n.嘲弄,取笑,滑稽模仿 | |
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