A considerable alteration14 had been effected in Mr. Effingham's outward man since his first visit to Redmoor. As in the former instance, his first step on receiving the ten pounds from Sir Charles was to purchase a new suit of clothes. He bought them at the neighbouring town, and in pursuance of his intention to assume a literary or artistic15 character, he had endeavoured to render his apparel suitable, or, as he called it, "to make up for the part." So he now wore a large slouch felt wideawake hat, a dark velveteen jacket, long waistcoat, gray trousers, and ankle-jack boots. Had he carried out his own views of literary attire16, he would have adopted a long dressing-gown and Turkish trousers, such as he had seen in the portraits of celebrated17 authors; but he felt that these would be out of place in the country, and might attract attention. He, however, armed himself with a large notebook and a pencil of portentous18 thickness, with which he was in the habit of jotting19 down visionary memoranda20 whenever he found himself observed. By the initiated21 and the upper classes this last-described act may have been recognized as an indisputable literary trait; but by the lower orders Mr. Effingham was regarded as a mystic potentate22 of the turf, whose visit to the Mitford arms had mysterious connection with the proximity23 of Sir Danesbury Boucher's stables, where Lime-juice, the third favourite for the Derby, was in training; while the entries of the memoranda were by the same people ascribed to the exercise of a process known to them as the booking of bets.
The March morning was so splendid in its freshness and bright glittering sunlight, that Mr. Effingham, although little given to admiring the beauties of nature, could not resist occasionally stopping and looking round him. The old elms forming the avenue were just putting forth24 their first buds; far away on either side stretched broad alternations of turf in level, hill, and glade25, all glistening26 with the morning dew; while on the horizon fronting him, and behind the house, could be seen the outline of the great Redmoor. The jolly old house stood like some red-faced giant, its mullioned windows winking27 at the sunlight, the house itself just waking into life. From the stable-yard came a string of rugged28 and hooded29 horses for exercise. The gardeners were crossing from the conservatory30 bearing choice flowers for the decoration of the rooms. At the porch was standing31 the head-keeper, accompanied by two splendid dogs; a groom32 on horseback, with the swollen33 post-bag slung34 round him, passed Mr. Effingham in the avenue; everywhere around were signs of wealth and prosperity.
"Yes," said Mr. Effingham to himself, as he stopped and surveyed the scene, "this is better than my lodgings35 in Doory Lane, this is! No end better! And why should this fellow have it, and not me--that's what I want to know? I could do it up pretty brown, here, I'm thinkin'; not like him--not in the same way, that is, but quite as good. There mighn't be so many nobs, but there'd be plenty of good fellers; and as for the nobs, Lord bless you, when they found there was plenty of good grub and drink, and good fun to be had, they'd come fast enough. I should just like to try it, that's all; I'd show him. And why shouldn't I try it? Not in this way, perhaps--not to cut it quite so fat as this, but still reg'lar comfortable and nice. A nice little box at Finchley or Hampstead, with a bit o' lawn, and a pony-trap, and chickens, and a spare bed for a pal,--that's my notion of comfort! And why shouldn't I have it, if I play my cards properly? Damme, I will have it! I'm sick of cadgin' about from hand to mouth, never knowin' what's goin' to turn up next. This bit o' stiff ought to be worth anything to me--anything in reason, that is to say. So, when I've once got it from our friend here, and that won't be just yet,--I must get her away from here, and have her well under my thumb, before I try that on,--when I once get, that docyment, I'll take it straight to Sir Charles, and let him have it for a sum down--must be a big sum too--and then I'll cut the whole lot of 'em, and go and live somewhere in the country by myself! That's what I'll do!"
L'appétit vient en mangeant. When Mr. Effingham was utterly37 destitute38 he accommodated himself to his position, and lived on, from hand to mouth, in the best way he could. He retired39 to the back-ways and slums then, and seeing very few people much better off than he was himself, his envy and jealousy40 were not excited. Sir Charles's ten pounds had disturbed the little man's mental equilibrium41; the readiness with which they melted in his grasp showed him how easily he could get rid of a hundred, of a thousand, of ten thousand. The sight of the comfort and luxury of Redmoor contrasted horribly with the wretchedness of his own lodging36, and lashed42 him into a storm of rage.
"It's too bad!" said he, striking his stick against the tree by which he was standing,--"it's too bad that there should be all this lot of money in the world, and that I should have none of it, while this cove43 here--O yes, if you please, my horses goin' out with the grooms44; my gardeners a bringin' pines and melons and all the rest of it; my keeper a-waitin' to know how many pheasants I'm going to kill to-day! Damme, it's sickening!" Mr. Effingham struck the tree again, pushed his hat over his eyes, and started off in his walk. When he had proceeded about half-way up the avenue, he climbed the iron fence, and started off to the right over the park, until he reached a little knoll45, on the top of which were two magnificent cedars46. On the other side of these cedars, and completely hidden by them from the house, was a carved rustic47 seat. On reaching the top of the knoll, Mr. Effingham looked round, and seeing nobody, sat down, put his feet up, and made himself most comfortable.
A lengthened48 contemplation of the cedars, however, instead, as might have been expected, of bringing calm to his perturbed49 soul, served only to remind him that they, in common with all the surroundings, were the property of somebody else, and that on that somebody else he had a tremendous hold, provided he went properly to work.
"And I'll do it!" said he, taking his feet off the bench, and pushing the felt wideawake hat into all kinds of shapes in his excitement,--"I'll do it too! Now, let me see! My friend will be here presently--let me just run through what's to be done. Quiet's the game with her, I think; no bullyrag and bluster--quiet and soft. No connection with any one here--never even heard the name--sent by the other parties--I'm so innocent. Yes, I think that will do; then, when we've once started together, I can make my own terms.--How late she is! She must be awfully50 down on her luck at being spotted51 down here, and she must suspect something by the quick way in which she agreed to meet me here when I spoke6 to her yesterday as she was walkin' with the young 'un,--made no bones about it at all. She won't fail me, I suppose."
Oh no, she would not fail him. There she was, crossing the park apparently52 from the back of the stables, and making straight for the cedars. Could it be she? A figure bent53 nearly double, dressed in an old-fashioned black-silk cloak and a poke-bonnet54, and leaning on a thick umbrella. It was not until she was well under the shadow of the cedars, that she straightened herself, pushed back her bonnet, and stood revealed as Miss Gillespie.
"Good-morning," said she, so crisply and blithely55 that Mr. Effingham, who had expected she would adopt a very, different tone, was quite astonished; "I'm afraid I'm a little late, Mr. ----; you did not favour me with your name; but the fact is, as you probably know, I am not my own mistress, and my services were required just as I was about to start."
"All right, miss," said Mr. Effingham, taking off his hat, and making a bow as near as possible after the manner of walking-gentlemen on the stage--a proceeding56 with which the limpness of the wideawake's brim interfered57 considerably58; "my name's Effingham."
"Indeed! what a pretty name! so romantic. You would not mind my sitting down, would you? No; that's all right. And now, Mr. Effingham, I suppose you want something of me, don't you, after that mysterious communication which you made to me yesterday when I was walking with my pupil? Poor child! she's been in a state of wonderment ever since; and I've had to invent such stories about you. And what is it you want, Mr. Effingham?"
Mr. Effingham scarcely liked the tone; he felt he was being "chaffed;" so he thought he would bring matters to a crisis by saying, "My name's not Effingham--at least, not more than yours is Gillespie."
"Oh, I perceive," said she with a little nod.
"My name's Butler as much as yours is Ponsford. Now d'ye see?"
"O yes; now I see perfectly59. Butler, eh? Any relation of a man named Tony Butler who is now dead?"
"Yes--his brother. He may have spoken to you of a brother in America."
"In America! ay, ay. Well, Mr. Butler," she continued with a bright smile, "now I know that you're the brother of Tony Butler, there's scarcely any need of repeating my question whether you wanted anything; for--pardon me--you could hardly belong to that interesting family without wanting something. The question is, what do you want? Money? and if so, how much?"
"No; I don't want money--"
"That's very unlike Tony Butler. I shall begin to discredit60 your statements," said she, still with the pleasant smile.
"At least not yet, nor from you. But I do want something."
"Ye-es, and that is--"
"I want you to go away from here with me at once."
"To go away from here! O no. Connu, my dear Mr. Butler; I see the whole of the play. This is not your own business at all, dear sir. You dance, and kick your legs and swing your arms very well; but you are a puppet, and the gentleman who pulls the strings61 lives over yonder;" and she pointed62 with her umbrella to Redmoor House.
"I can't make out what you mean."
"O yes, you can. 'A master I have, and I am his man.' You are Sir Charles Mitford's man, Mr. Butler; and he has set you on to tell me that I must leave this place and rid him of my influence. Now, you may go back to Sir Charles Mitford, your master, and tell him that I set him utterly at defiance63; that I won't move, and that he can't make me. Do you hear that, my dear Mr. Butler?"
She had risen from her seat, and stood erect64 before him, looking very grand and savage65. Her companion knew that the success of his scheme depended wholly upon the manner in which he carried out the next move, and accordingly he threw all his power into the acting66 of it.
"You're one of those who answer their own questions, I see," said he with perfect calmness. "I've met lots o' that sort in my travels, and I never found 'em do so much good as those that waited. All you've been saying's Greek to me. Who's Sir Charles Mitford? I've heard of him, of course, as the swell67 that lives in that house. They've never done talking of him at the Mitford Arms and all about there. But what's he to do with you? I suppose it don't matter to him who his friends' governesses is. He's not sweet on you, is he? If so, he wouldn't want you to go away. And what's he to do with me? and how's he likely to hear of my having been in the place? I haven't left my card upon him, I promise you," said Mr. Effingham with a grim humour.
Miss Gillespie looked at him hard, very hard. But his perfect command of feature had often stood Mr. Effingham in good stead, and it did not desert him now. The saucy68 laughter on his lips corresponded with the easy bantering69 tone of his voice; he sat swinging his legs and sucking his stick, the incarnation of insolence70. So far he was triumphant71.
She waited a minute or two, biting her lips, and turning her plans in her mind. Then she said, "Granting what you say--and it was rather a preposterous72 proposition of mine, I admit--you are still a puppet in somebody's hands. You had no knowledge of my previous life, and yet you come to me and say I must come away at once with you. Why must I come away?"
"Because you're wanted."
"And by whom?"
"By the crew of the Albatross. Ah, I thought you wouldn't be quite so much amused and so full of your grins when I mentioned them."
"Oh," said she, recovering herself, "I can still grin when there's anything to amuse me. But we seem to have changed places; now you're talking riddles73 which I cannot understand."
"Can't you? then I must explain them for you. If what I'm told is right--but it's very little I know--you belonged to that crew yourself once. My brother Tony was one of them, I understand; and though he's dead now, there's several of 'em left. Old Lyons, for instance,--you recollect74 him? Crockett, Griffiths--"
"Suppose, to avoid giving you further trouble, I say I do recollect them, what then?"
"You're angry, although you smile; I can see that fast enough. But what's the good of being angry with me? You know when a feller gets into their hands what chance he has. You know that fast enough, or ought to. Well, I'm in their hands, and have to do what they order me."
"And they've ordered you to come down to me?"
"They found out where you were, and sent me after you."
"Ha! And what on earth can have induced them, after a certain lapse75 of time, to be so suddenly solicitous76 of my welfare?" said Miss Gillespie, laughingly. "There was never any great love between any of those you have named and myself. I have no money for them to rob me of, nor do I see that I can be of any great use to them."
"I don't know that," said Mr. Effingham, laying his forefinger77 knowingly alongside his nose. "You see, you're a pretty gal78, and you've rather got over me--"
"Flattered, I am sure," said Miss Gillespie, showing all her teeth.
"No, it ain't that," said he, with a dim perception that his compliment was not too graciously received; "it ain't that; but I do like a pretty girl somehow. Well, you see, they don't let me much into their secrets--don't tell me the reason why I'm told to do so and so; they only tell me to go and do it. But I don't mind tellin' you--taking an interest in you, as I've just said--that, from what they've let drop accidentally, I think you can be of great use to them."
"Indeed! have you any notion how?"
"Well, now look here. I'm blowin' their gaff to you, and you know what I should get if they knew it; so swear you'll never let on. From what I can make out, there's certain games which you used to do for them that they've never been able to find anybody to come near you in. I mean the Mysterious Lady, the fortune-tellin', and the electro-biology business."
Some scenes recalled to her memory by these words seemed to amuse Miss Gillespie, and she laughed heartily79.
"But that's 'general work,'" continued Mr. Effingham; "what they want you particularly for just now is this. Some swell, so far as I can make out, came to grief early in life, and made a mistake in putting somebody else's name to paper; what they call forgery80, you know."
She nodded.
"Old Lyons has got hold of this paper, and he wants to put the screw on the swell and make him bleed. Now there's none of the lot has half your manner, nor, as they say, half your tact12; and that's why, as I believe, is the reason they want you back in town amongst them."
"Ah! to--what did you say?--'to put the screw on a swell and make him bleed,' wasn't it? How very nice! Well, now you've obeyed your orders, and it's for me to speak. And suppose--just suppose for the fun of the thing--I were to hold by my original decision and declare I would not come, what would you do?"
"I should go back to town and tell 'em all that had passed."
"And they?--what would they do?"
"I can tell you that, because that was part of my instructions. Old Lyons put that very plain. 'If she rides rusty,' he says,--'and she's got a temper of her own, I can tell you,--just let her know from me that I'll ruin her. I'll never leave her; she knows me of old; it won't be merely,' he says, 'her being turned away in disgrace out of where she is now; but I'll never leave her. She may go where she likes, but I've found her out once, and I'll find her out again; I'll foller her up, and I'll be the ruin of her,' he says, 'so sure's her name's what it is.'"
He looked up to see the effect of his speech, but Miss Gillespie was looking full at him with an expression of great interest and a very pleasant smile, as if she were listening to the narration81 of a thrilling story with which she had no connection save that of listener.
"Did he indeed say all that?" said she, after a pause. "Oh, he's a most terrible old man, and whatever he determines on, he never fails of carrying out. However, I think I won't put him to much trouble this time."
"How do you mean?"
"Well, do you know I've a strong mind to save you any further worry, and to crown you with glory by allowing you to carry me back in triumph."
"You don't say so! but this is too sudden, you know. I don't put much trust in such sudden conversions82."
"Mine is not the least sudden. I generally act on the impulse of the moment. That now urges me to go back to my old life. The shackles83 of this respectability are beginning to strain a little. I feel cramped84 by them occasionally, and I suppose I have originally something of the Bohemian in my nature, for you have fired me with au ardent85 longing86 for freedom and irresponsibility."
"That's right!" cried Mr. Effingham, delighted at the success of his scheme; "that's just as it should be. It's all very well for those swells87 to live on here, and go on their daily round. They've got the best of it, so far as they know; but they haven't seen as much as we have. They don't know the pleasure of--well, of pitting your wits against somebody else who think themselves deuced sharp, and beating them, do they?"
"No," said Miss Gillespie, with her crispest little laugh; "of course they don't."
"Well, now," said Mr. Effingham, "you know what old Lyons is, reg'lar man of business; want's everything done at once, right off the reel. When will you be ready to start?"
"What a practical man you are, Mr. Butler!" cried she, still laughing; "it will be quite delightful88 to get back again into the society of practical people after all this easy-going laissez-aller time. But you must not be too hard upon me at first. I've several things to do."
"You won't be saying 'goodbye' to anybody or anything of that sort?"
"O no, nothing of that sort, you may depend."
"That's right; you mean putting your things together, eh?"
"Yes; packing and getting ready to start."
"Well, twenty-four hours will be enough for that, I should think. Suppose we say to-morrow at noon?"
"Ye-es, give me a little longer: say two in the afternoon, then I shall be perfectly ready."
"And where shall we meet?"
"We must get across to the rail at once. Not to Torquay; there's a small station nearer here, where they won't think of looking for us. Not that I suppose they'd take any trouble of that kind when they find I'm once gone. However, it's best to be prepared. Can you drive?"
"I should think so!" said Mr. Effingham with a chuckle89. "I've driven most things, from a shofle-cab in town to the mail-sleigh in Canada!"
"How very nice!" said she; "that will do beautifully, then. You must get a gig or a dog-cart, or something light, from some place in Torquay. I shall have very little luggage, and have it all ready at a little side-gate of the park, which you can see--over there," again bringing the umbrella into requisition. "That gate is invisible from the house; it's perfectly quiet and unfrequented, and I have a key of it. That once closed behind me I'm thoroughly safe."
"And there's no chance of our being met, and you being recognized?"
"Not the very smallest. The people staying in the house will all be at luncheon90; the gardeners and stable-people, should we come across any, will all be in that state of comatose91 repletion92 which succeeds the after-dinner tobacco. Besides, very few of them know me by sight; and the road which I have pointed out skirts the Redmoor, and is very little frequented."
"That'll do! that will be first-rate! Now, let me see if all's understood. A dog-cart to be ready to-morrow at yon gate of the park, at two o'clock sharp. There you'll be and your luggage--eh? By the by, how's that to get there?"
"All right,--I only wanted to know. Two o'clock to-morrow, then." He put out his hand, and as she lightly touched it with the tips of her fingers, offered to seize hers and convey it to his lips; but she slid it through his clumsy fist, and had pulled the poke-bonnet over her face, resumed the bent walk and the clumsy umbrella, and was making her way back across the park almost before he had missed her.
"And if ever a man did a good day's work, I've done one this blessed morning," said Mr. Effingham, as he strolled quietly back through the avenue. "They may talk about great genius, if they please. Great genius means getting hold of a good idea at the right minute, and strikin' while the iron's hot. That's great genius! and they was two great ideas which I've worked just now! That pretendin' to know nothin' of the Bart., and gammonin' her that old Lyons sent me after her, was first-rate! I thought old Lyons's name would bring her round. They're all afraid of him, it seems. Now when we've got some distance on the road, I'll tell her the truth, or, at least, as much as I choose, and just sound her about the bill. D'Ossay, my boy, you've done a good day's work, and can afford to go into Torquay and dine like a swell to-night!"
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1
debut
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| n.首次演出，初次露面 | |
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lodge
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| v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆 | |
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purely
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| adv.纯粹地，完全地 | |
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inquiry
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| n.打听，询问，调查，查问 | |
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bout
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| n.侵袭，发作；一次(阵，回)；拳击等比赛 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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peculiarities
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solitary
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| adj.孤独的，独立的，荒凉的；n.隐士 | |
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thoroughly
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reticent
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questionable
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| adj.可疑的，有问题的 | |
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tact
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| n.机敏，圆滑，得体 | |
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chatter
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| vi.／n.喋喋不休；短促尖叫；(牙齿)打战 | |
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alteration
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| n.变更，改变；蚀变 | |
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artistic
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| adj.艺术(家)的，美术(家)的；善于艺术创作的 | |
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attire
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celebrated
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portentous
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| adj.不祥的，可怕的，装腔作势的 | |
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jotting
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memoranda
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initiated
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potentate
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proximity
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forth
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glade
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glistening
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winking
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rugged
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hooded
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conservatory
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standing
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groom
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| vt.给（马、狗等）梳毛，照料，使...整洁 | |
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swollen
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slung
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lodgings
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lodging
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utterly
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destitute
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| adj.缺乏的；穷困的 | |
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retired
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| adj.隐退的，退休的，退役的 | |
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jealousy
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| n.妒忌，嫉妒，猜忌 | |
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equilibrium
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| n.平衡，均衡，相称，均势，平静 | |
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lashed
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| adj.具睫毛的v.鞭打( lash的过去式和过去分词 )；煽动；紧系；怒斥 | |
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cove
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| n.小海湾，小峡谷 | |
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grooms
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| n.新郎( groom的名词复数 )；马夫v.照料或梳洗（马等）( groom的第三人称单数 )；使做好准备；训练；（给动物）擦洗 | |
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knoll
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| n.小山，小丘 | |
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cedars
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| 雪松，西洋杉( cedar的名词复数 ) | |
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rustic
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| adj.乡村的，有乡村特色的；n.乡下人，乡巴佬 | |
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lengthened
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| （时间或空间）延长，伸长( lengthen的过去式和过去分词 ) | |
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perturbed
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| adj.烦燥不安的v.使（某人）烦恼，不安( perturb的过去式和过去分词 ) | |
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awfully
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| adv.可怕地，非常地，极端地 | |
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spotted
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| adj.有斑点的，斑纹的，弄污了的 | |
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apparently
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| adv.显然地；表面上，似乎 | |
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bent
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| n.爱好，癖好；adj.弯的；决心的，一心的 | |
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bonnet
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| n.无边女帽；童帽 | |
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blithely
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| adv.欢乐地，快活地，无挂虑地 | |
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proceeding
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| n.行动，进行，(pl.)会议录，学报 | |
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interfered
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| v.干预( interfere的过去式和过去分词 )；调停；妨碍；干涉 | |
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considerably
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| adv.极大地；相当大地；在很大程度上 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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discredit
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| vt.使不可置信；n.丧失信义；不信，怀疑 | |
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strings
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| n.弦 | |
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pointed
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| adj.尖的，直截了当的 | |
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defiance
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| n.挑战，挑衅，蔑视，违抗 | |
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erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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acting
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| n.演戏，行为，假装；adj.代理的，临时的，演出用的 | |
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swell
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| vi.膨胀，肿胀；增长，增强 | |
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saucy
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| adj.无礼的；俊俏的；活泼的 | |
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bantering
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| adj.嘲弄的v.开玩笑，说笑，逗乐( banter的现在分词 )；（善意地）取笑，逗弄 | |
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insolence
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| n.傲慢；无礼；厚颜；傲慢的态度 | |
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triumphant
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| adj.胜利的，成功的；狂欢的，喜悦的 | |
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preposterous
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| adj.荒谬的，可笑的 | |
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riddles
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| n.谜（语）( riddle的名词复数 )；猜不透的难题，难解之谜 | |
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recollect
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| v.回忆，想起，记起，忆起，记得 | |
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lapse
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| n.过失，流逝，失效，抛弃信仰，间隔；vi.堕落，停止，失效，流逝；vt.使失效 | |
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solicitous
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| adj.热切的，挂念的 | |
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forefinger
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| n.食指 | |
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gal
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| n.姑娘，少女 | |
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heartily
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| adv.衷心地，诚恳地，十分，很 | |
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forgery
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| n.伪造的文件等，赝品，伪造（行为） | |
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narration
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| n.讲述，叙述；故事；记叙体 | |
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82
conversions
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| 变换( conversion的名词复数 )； （宗教、信仰等）彻底改变； （尤指为居住而）改建的房屋； 橄榄球（触地得分后再把球射中球门的）附加得分 | |
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83
shackles
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| 手铐( shackle的名词复数 )； 脚镣； 束缚； 羁绊 | |
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cramped
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| a.狭窄的 | |
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ardent
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| adj.热情的，热烈的，强烈的，烈性的 | |
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longing
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| n.（for）渴望 | |
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87
swells
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| 增强( swell的第三人称单数 )； 肿胀； （使）凸出； 充满（激情） | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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chuckle
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| vi.／n.轻声笑，咯咯笑 | |
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luncheon
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| n.午宴，午餐，便宴 | |
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comatose
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| adj.昏睡的，昏迷不醒的 | |
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repletion
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| n.充满，吃饱 | |
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devoted
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| adj.忠诚的，忠实的，热心的，献身于...的 | |
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