It was not that he lacked strength; on the contrary, he was tall and well, if loosely, built. Grace is not a common manly6 attribute, but he possessed7 it to an eminent8 degree. There was a careless ease in his manner, an unconscious picturesqueness9 in his poses, a turn, that would have smacked10 of haughtiness11 had there been the slightest element of pride in his disposition12, in the curve of the neck, and well-poised head.
His life was chiefly passed among artists, and like them as a class, he affected13 loose and easy attire14. He wore turn-down collars with a carelessly-knotted necktie, and a velvet15 jacket. He was one of those men whom his intimates declared to be capable of doing anything he chose, and who chose to do nothing. He had never distinguished16 himself in any way at Harrow. He had maintained a fair place in his forms as he moved up in the school, but had done so rather from natural ability than from study. He had never been in the eleven, although it was the general opinion he would have certainly had a place in it had he chosen to play regularly. As he sauntered through Harrow so he sauntered through Cambridge; keeping just enough chapels17 and lectures to avoid getting into trouble, passing the examinations without actual discredit18, rowing a little, playing cricket when the fit seized him, but preferring to take life easily and to avoid toil4, either mental or bodily. Neverthe[Pg 19]less he read a great deal, and on general subjects was one of the best informed men of his college.
He spent a good deal of his time in sketching19 and painting, art being his one passion. His sketches21 were the admiration22 of his friends, but although he had had the best lessons he could obtain at the University he lacked the application and industry to convert the sketches into finished paintings. His vacations were spent chiefly on the Continent, for his life at home bored him immensely, and to him a week among the Swiss lakes, or in the galleries of Munich or Dresden, was worth more than all the pleasures that country life could give him.
He went home for a short time after leaving the University, but his stay there was productive of pleasure to neither his father nor himself. They had not a single taste in common, and though Cuthbert made an effort to take an interest in field sports and farming, it was not long before his father himself told him that as it was evident the life was altogether distasteful to him, and his tastes lay in another direction, he was perfectly23 ready to make him an allowance that would enable him either to travel or to live in chambers24 in London.
"I am sorry, of course, lad," he said, "that you could not make yourself happy with me here, but I don't blame you, for it is after all a matter of natural disposition. Of course you will come down here sometimes, and at any rate I shall be happier in knowing that you are living your own life and enjoying yourself in your own way, than I should be in seeing you trying in vain to take to pursuits from which you would derive25 no pleasure whatever."
"I am awfully26 sorry, father," Cuthbert had said. "I heartily27 wish it had been otherwise, but I own that I would rather live in London on an almost starvation income than settle down here. I have really tried hard to get to like things that you do. I feel it would have been better if I had always stayed here and had a tutor; then, no doubt, I should have taken to field sports and so on. However, it is no use regretting that now, and I am very thankful for your offer."
Accordingly he had gone up to London, taken chambers in[Pg 20] Gray's Inn, where two or three of his college friends were established, and joined a Bohemian Club, where he made the acquaintance of several artists, and soon became a member of their set. He had talked vaguely28 of taking up art as a profession, but nothing ever came of it. There was an easel or two in his rooms and any number of unfinished paintings; but he was fastidious over his own work and unable from want of knowledge of technique to carry out his ideas, and the canvases were one after another thrown aside in disgust. His friends upbraided29 him bitterly with his want of application, not altogether without effect; he took their remonstrances30 in perfect good temper, but without making the slightest effort to improve. He generally accompanied some of them on their sketching expeditions to Normandy, Brittany, Spain, or Algiers, and his portfolios31 were the subject of mingled32 admiration and anger among his artist friends in St. John's Wood; admiration at the vigor33 and talent that his sketches displayed, anger that he should be content to do nothing greater.
His days were largely spent in their studios where, seated in the most comfortable chair he could find, he would smoke lazily and watch them at work and criticise34 freely. Men grumbled35 and laughed at his presumption37, but were ready to acknowledge the justice of his criticism. He had an excellent eye for color and effect and for the contrast of light and shade, and those whose pictures were hung, were often ready enough to admit that the canvas owed much of its charm to some happy suggestion on Cuthbert's often ready part.
Every two or three months he went home for a fortnight. He was greatly attached to his father, and it was the one drawback to the contentment of his life that he had been unable to carry out the Squire38's wishes, and to settle down with him at Fairclose. He would occasionally bemoan39 himself over this to his friends.
"I am as bad as the prodigal40 son," he would say, "except that I don't get what I deserve, and have neither to feed on husks nor to tend swine; but though the fatted calf41 would be ready for me if I were to return I can't bring myself to do so."
"I don't know about being a prodigal," Wilson, one of the[Pg 21] oldest of his set would grumble36 in reply, "but I do know you are a lazy young beggar, and are wasting your time and opportunities; it is a thousand pities you were born with a silver spoon in your mouth. Your father ought to have turned you adrift with an allowance just sufficient to have kept you on bread and butter, and have left you to provide everything else for yourself; then you would have been an artist, sir, and would have made a big name for yourself. You would have had no occasion to waste your time in painting pot-boilers, but could have devoted42 yourself to good, honest, serious work, which is more than most of us can do. We are obliged to consider what will sell and to please the public by turning out what they call pretty pictures—children playing with dogs, and trumpery43 things of that sort. Bah, it is sickening to see a young fellow wasting his life so."
But Cuthbert only laughed good-temperedly, he was accustomed to such tirades44, and was indeed of a singularly sweet and easy temper.
It was the end of the first week in May, the great artistic45 event of the year was over, the Academy was opened, the pictures had been seen and criticised, there was the usual indignation at pictures being hung generally voted to be daubs, while others that had been considered among the studios as certain of acceptance, had been rejected. Two or three of Cuthbert's friends were starting at once for Cornwall to enjoy a rest after three months' steady work and to lay in a stock of fresh sketches for pictures for the following year.
"I will go with you," Cuthbert said when they informed him of their intention, "it is early yet, but it is warm enough even for loafing on the rocks, and I hate London when it's full. I will go for a fortnight anyhow," and so with Wilson and two younger men, he started for Newquay, on the north of Cornwall. Once established there the party met only at meals.
"We don't want to be doing the same bits," Wilson said, "and we shall see plenty of each other of an evening." Cuthbert was delighted with the place, and with his usual enthusiasm speedily fixed46 upon a subject, and setting up his easel and camp-[Pg 22]stool began work on the morning after his arrival. He had been engaged but a few hours when two young ladies came along. They stopped close to him, and Cuthbert, who hated being overlooked when at work, was on the point of growling47 an anathema48 under his fair drooping49 mustache, when one of the girls came close and said quietly—
"How are you, Mr. Hartington? Who would have thought of meeting you here?"
He did not recognize her for a moment and then exclaimed—
"Why, it is Mary Brander. I beg your pardon," he went on, taking off his soft, broad-brimmed hat, "I ought to have said Miss Brander, but having known you so long as Mary Brander, the name slipped out. It must have been three years since we met, and you have shot up from a girl into a full-grown young lady. Are your father and mother here?"
"No, I came down last week to stay with my friend, Miss Treadwyn, who was at Girton with me. Anna, this is Mr. Cuthbert Hartington. Mr. Hartington's place is near Abchester, and he is one of my father's clients."
Miss Treadwyn bowed and Cuthbert took off his hat.
"We have known each other ever since we were children," Mary went on, "that is to say ever since I was a child, for he was a big boy then; he often used to come into our house, while Mr. Hartington was going into business matters with my father, and generally amused himself by teasing me. He used to treat me as if I was a small sort of monkey, and generally ended by putting me in a passion; of course that was in the early days."
"Before you came to years of discretion50, Miss Brander. You were growing a very discreet51 damsel when I last saw you, and I felt rather afraid of you. I know that you were good enough to express much disapproval52 of me and my ways."
"I do not think you have changed much in that respect, Mary," Miss Treadwyn said.
"Why should one say what one does not think," Mary said,[Pg 23] sturdily, "it would be much better if we all did so. Do you not agree with me, Mr. Hartington?"
"It depends upon what 'better' means; it would be awful to think of the consequences if we all did so. Society would dissolve itself into its component54 parts and every man's hand would be against his neighbor. I do not say that people should say what they do not think, but I am sure that the world would not be so pleasant as it is by a long way if every one was to say exactly what he did think. Just imagine what the sensation of authors or artists would be if critics were to state their opinions with absolute candor55!"
"I think it were better if they did so, Mr. Hartington; in that case there would be fewer idiotic56 books written and fewer men wasting their lives in trying vainly to produce good paintings."
"That is true enough," Cuthbert laughed, "but you must remember that critics do not buy either books or paintings, and that there are plenty of people who buy the idiotic books and are perfectly content with pictures without a particle of artistic merit."
"I suppose so," she admitted, reluctantly, "but so much the worse, for it causes mediocrity!"
"But we are most of us mediocre—authors like Dickens, Thackeray, and George Eliot are the exception—and so are artists like Millais and Landseer, but when books and paintings give pleasure they fulfil their purpose, don't they?"
"If their purpose is to afford a livelihood57 to those that make them, I suppose they do, Mr. Hartington; but they do not fulfil what ought to be their purpose—which should, of course, be to elevate the mind or to improve the taste."
He shook his head.
"That is too lofty an ideal altogether for me," he said. "I doubt whether men are much happier for their minds being improved or their tastes elevated, unless they are fortunate enough to have sufficient means to gratify those tastes. If a man is happy and contented58 with the street he lives in, the house he inhabits, the pictures on his walls, and the books he gets from[Pg 24] a library, is he better off when you teach him that the street is mean and ugly, the house an outrage59 on architectural taste, the wall-papers revolting, the pictures daubs, and the books trash? Upon my word I don't think so. I am afraid I am a Philistine60."
"But you are an artist, are you not, Mr. Hartington," Miss Treadwyn said, looking at the sketch20 which had already made considerable progress.
"Unfortunately, no; I have a taste for art, but that is all. I should be better off if I had not, for then I should be contented with doing things like this; as it is I am in a perpetual state of grumble because I can do no better."
"You know the Latin proverb meliora video, and so on, Mr. Hartington, does it apply?"
"That is the first time I have had Latin quoted against me by a young lady," Cuthbert said, smilingly, but with a slight flush that showed the shaft61 had gone home. "I will not deny that the quotation62 exactly hits my case. I can only plead that nature, which gave me the love for art, did not give me the amount of energy and the capacity for hard work that are requisite63 to its successful cultivation64, and has not even given me the stimulus65 of necessity, which is, I fancy, the greatest human motor."
"I should be quite content to paint as well as you do, Mr. Hartington," Anna Treadwyn said. "It must add immensely to the pleasure of travelling to be able to carry home such remembrances of places one has seen."
"Yes, it does so, Miss Treadwyn. I have done a good deal of wandering about in a small way, and have quite a pile of portfolios by whose aid I can travel over the ground again and recall not only the scenery but almost every incident, however slight, that occurred in connection therewith."
"Well, Anna, I think we had better be continuing our walk."
"I suppose we had. May I ask, Mr. Hartington, where you are staying? I am sure my mother will be very pleased if you will call upon us at Porthalloc. There is a glorious view from the garden. I suppose you will be at work all day, but you are sure to find us in of an evening."[Pg 25]
"Yes, I fancy I shall live in the open air as long as there is light enough to sketch by, Miss Treadwyn, but if your mother will be good enough to allow me to waive66 ceremony, I will come up some evening after dinner; in the meantime may I say that I shall always be found somewhere along the shore, and will be glad to receive with due humility67 any chidings that my old playmate, if she will allow me to call her so, may choose to bestow68 upon me."
Anna Treadwyn nodded. "I expect we shall be here every day; the sea is new to Mary, and at present she is wild about it."
"How could you go on so, Mary," she went on, as they continued their walk.
"How could I?" the girl replied. "Have we not agreed that one of the chief objects of women's lives should not only be to raise their own sex to the level of man, but generally to urge men to higher aims, and yet because I have very mildly shown my disapproval of Cuthbert Hartington's laziness and waste of his talents, you ask me how I can do it!"
"Well, you see, Mary, it is one thing for us to form all sorts of resolutions when we were sitting eight or ten of us together in your rooms at Girton; but when it comes to putting them into execution one sees things in rather a different light. I quite agree with our theories and I hope to live up to them, as far as I can, but it seems to me much easier to put the theories into practice in a general way than in individual cases. A clergyman can denounce faults from the pulpit without giving offence to anyone, but if he were to take one of his congregation aside and rebuke69 him, I don't think the experiment would be successful."
"Nathan said unto David, thou art the man."
"Yes, my dear, but you will excuse my saying that at present you have scarcely attained70 the position of Nathan."
Mary Brander laughed.
"Well, no, but you see Cuthbert Hartington is not a stranger. I have known him ever since I can remember, and used to like him very much, though he did delight in teasing me; but I have[Pg 26] been angry with him for a long time, and though I had forgotten it, I remember I did tell him my mind last time I saw him. You see his father is a dear old man, quite the beau-ideal of a country squire, and there he is all alone in his big house while his son chooses to live up in London. I have heard my father and mother say over and over again that he ought to be at home taking his place in the county instead of going on his own way, and I have heard other ladies say the same."
"Perhaps mothers with marriageable daughters, Mary," Anna Treadwyn said with a smile, "but I don't really see why you should be so severe on him for going his own way. You are yourself doing so without, I fancy, much deference71 to your parents' opinions, and besides I have heard you many a time rail against the soullessness of the conversation and the gossip and tittle-tattle of society in country towns, meaning in your case in Abchester, and should, therefore, be the last to blame him for revolting against it."
"You forget, Anna," Mary said, calmly, "that the cases are altogether different. He goes his way with the mere72 selfish desire to amuse himself. I have set, what I believe to be a great and necessary aim before me. I don't pretend that there is any sacrifice in it, on the contrary it is a source of pleasure and satisfaction to devote myself to the mission of helping73 my sex to regain74 its independence, and to take up the position which it has a right to."
"Of course we are both agreed on that, my dear, we only differ in the best way of setting about it."
"I don't suppose Mr. Hartington will take what I said to heart," Mary replied serenely75, "and if he does it is a matter of entire indifference76 to me."
The subject of their conversation certainly showed no signs of taking the matter to heart. He smiled as he resumed his work.
"She is just what she used to be," he said to himself. "She was always terribly in earnest. My father was saying last time I was down that he had learned from Brander that she had taken up all sorts of Utopian notions about women's rights and[Pg 27] so on, and was going to spend two years abroad, to get up her case, I suppose. She has grown very pretty. She was very pretty as a child, though of course last time I saw her she was at the gawky age. She is certainly turning the tables on me, and she hit me hard with that stale old Latin quotation. I must admit it was wonderfully apt. She has a good eye for dress; it is not many girls that can stand those severely77 plain lines, but they suit her figure and face admirably. I must get her and her friend to sit on a rock and let me put them into the foreground of one of my sketches; funny meeting her here, however, it will be an amusement."
After that it became a regular custom for the two girls to stop as they came along the shore for a chat with Cuthbert, sometimes sitting down on the rocks for an hour; their stay, however, being not unfrequently cut short by Mary getting up with heightened color and going off abruptly78. It was Cuthbert's chief amusement to draw her out on her favorite subject, and although over and over again she told herself angrily that she would not discuss it with him, she never could resist falling into the snares79 Cuthbert laid for her. She would not have minded had he argued seriously with her, but this was just what he did not do, either laughing at her theory, or replying to her arguments with a mock seriousness that irritated her far more than his open laughter.
Anna Treadwyn took little part in the discussions, but sat an amused listener. Mary had been the recognized leader of her set at Girton; her real earnestness and the fact that she intended to go abroad to fit herself the better to carry out her theories, but making her a power among the others. Much as Anna liked and admired her, it amused her greatly to see her entangled80 in the dilemma81, into which Cuthbert led her, occasionally completely posing her by his laughing objections. Of an evening Cuthbert often went up to Porthalloc, where he was warmly welcomed by Anna's mother, whose heart he won by the gentle and deferential82 manner that rendered him universally popular among the ladies of the families of his artist friends. She would sit smilingly by when the conflicts of the morning[Pg 28] were sometimes renewed, for she saw with satisfaction that Anna at least was certainly impressed with Cuthbert's arguments and banter83, and afforded very feeble aid to Mary Brander in her defence of their opinions.
"I feel really obliged to you, Mr. Hartington," she said one evening, when the two girls happened to be both out of the room when he arrived, "for laughing Anna out of some of the ideas she brought back from Girton. At one time these gave me a great deal of concern, for my ideas are old-fashioned, and I consider a woman's mission is to cheer and brighten her husband's home, to be a good wife and a good mother, and to be content with the position God has assigned to her as being her right and proper one. However, I have always hoped and believed that she would grow out of her new-fangled ideas, which I am bound to say she never carried to the extreme that her friend does. The fact that I am somewhat of an invalid84 and that it is altogether impossible for her to carry out such a plan as Miss Brander has sketched85 for herself, and that there is no opportunity whatever for her to get up a propaganda in this quiet little Cornish town, has encouraged that hope; she herself has said but little on the subject since she came home, and I think your fights with Miss Brander will go far to complete her cure."
"It is ridiculous from beginning to end," Cuthbert said, "but it is natural enough. It is in just the same way that some young fellows start in life with all sorts of wild radical86 notions, and settle down in middle age into moderate Liberals, if not into contented Conservatives. The world is good enough in its way and at any rate if it is to get better it will be by gradual progress and not by individual effort. There is much that is very true in Miss Brander's views that things might be better than they are, it is only with her idea that she has a mission to set them right that I quarrel. Earnestness is no doubt a good thing, but too much of it is a misfortune rather than an advantage. No doubt I am prejudiced," he laughed, "because I am afraid that I have no particle of it in my composition. Circumstances have been against its growth, and there is no saying[Pg 29] what I might be if they were to change. At present, at any rate, I have never felt the want of it, but I can admire it among others even though I laugh at it."
A month passed, and Wilson and his two companions moved further along the coast in search of fresh subjects, but Cuthbert declined to accompany them, declaring that he found himself perfectly comfortable where he was, at which his companions all laughed, but made no attempt to persuade him further.
"Do you know, Mary," Anna said, a few days later, "you and Mr. Hartington remind me strongly of Beatrice and Benedict."
"What do you mean, Anna?" Mary asked, indignantly.
"We may be that," Mary said, shortly, "but we certainly shall not arrive at the same kind of conclusion to our quarrel."
"You might do worse, Mary; Mr. Hartington is charming. My mother, who is not given to general admiration, says he is one of the most delightful88 men that she ever met. He is heir to a good estate, and unless I am greatly mistaken, the idea has occurred to him if not to you. I thought so before, but have been convinced of it since he determined89 to remain here while those men he was with have all gone away."
"You will make me downright angry with you, Anna, if you talk such nonsense," Mary said, severely. "You know very well that I have always made up mind that nothing shall induce me to marry and give up my freedom, at any rate for a great many years, and then only to a man who will see life as I do, become my co-worker and allow me my independence. Mr. Hartington is the last man I should choose; he has no aim or purpose whatever, and he would ruin my life as well as his own. No, thank you. However, I am convinced that you are altogether mistaken, and Cuthbert Hartington would no more dream of asking me to be his wife than I should of taking him for a husband—the idea is altogether preposterous90."
However, a week later, Cuthbert, on going up to Porthalloc one morning, and catching91 sight of Mary Brander in the[Pg 30] garden by herself, joined her there and astonished her by showing that Anna was not mistaken in her view. He commenced abruptly—
"Do you know, Miss Brander, I have been thinking over your arguments, and I have come to the conclusion that woman has really a mission in life. Its object is not precisely92 that which you have set yourself, but it is closely allied93 to it, my view being that her mission is to contribute to the sum of human happiness by making one individual man happy!"
"Do you mean, is it possible that you can mean, that you think woman's mission is to marry?" she asked, with scorn, "are you going back to that?"
"That is entirely94 what I meant, but it is a particular case I was thinking of, rather than a general one. I was thinking of your case and mine. I do not say that you might not do something towards adding to the happiness of mankind, but mankind are not yearning95 for it. On the other hand I am sure that you could make me happy, and I am yearning for that kind of happiness."
"Are you really in earnest, Mr. Hartington?"
"Quite in earnest, very much so; in the six weeks that I have been here I have learnt to love you, and to desire, more earnestly certainly than I have ever desired anything before, that you should be my wife. I know that you do not credit me with any great earnestness of purpose, but I am quite earnest in this. I do love you, Mary."
"I am sorry to hear it, and am surprised, really and truly surprised. I thought you disapproved97 of me altogether, but I did think you gave me credit for being sincere. It is clear you did not, or you could not suppose that I would give up all my plans before even commencing them. I like you very much, Cuthbert, though I disapprove96 of you as much as I thought you disapproved of me; but if ever I do marry, and I hope I shall never be weak enough to do so, it must be to someone who has the same views of life that I have; but I feel sure that I shall never love anyone if love is really what one reads of in books, where woman is always ready to sacrifice her whole life and her[Pg 31] whole plans to a man who graciously accepts the sacrifice as a matter of course."
"I was afraid that that would be your answer," he said gravely. "And yet I was not disposed to let the chance of happiness go without at least knowing that it was so. I can quite understand that you do not even feel that I am really in earnest. So small did I feel my chances were, that I should have waited for a time before I risked almost certain refusal, had it not been that you are on the point of going abroad for two years. And two years is a long time to wait when one feels that one's chance is very small at the end of that time. Well, it is of no use saying anything more about it. I may as well say good-bye at once, for I shall pack up and go. Good-bye, dear; I hope that you are wrong, and that some day you will make some man worthy98 of you happy, but when the time comes remember that I prophesy99 that he will not in the slightest degree resemble the man you picture to yourself now. I think that the saying that extremes meet is truer than those that assert that like meets like; but whoever he is I hope that he will be someone who will make you as happy as I should have tried to do."
"Good-bye, Cuthbert," she said, frankly100, "I think this has all been very silly, and I hope that by the time we meet again you will have forgotten all about it."
There was something in his face, as she looked up into it, that told her what she had before doubted somewhat, that he had been really in earnest for once in his life, and she added, "I do hope we shall be quite good friends when we meet again, and that you will then see I am quite right about this."
He smiled, gave her a little nod, and then dropping her hand sauntered into the house.
"It is the most foolish thing I have ever heard of," she said to herself, pettishly101, as she looked after him. "I can't think how such an idea ever occurred to him. He must have known that even if I had not determined as I have done to devote myself to our cause, he was the last sort of man I should ever have thought of marrying. Of course he is nice and I always thought[Pg 32] so, but what is niceness when he has no aims, no ambitions in life, and he is content to waste it as he is doing."
Five minutes later Anna Treadwyn joined her in the garden.
"So I was right after all, Mary?"
"How do you know, do you mean to say that he has told you?"
"Not exactly, but one can use one's eyes, I suppose. He said nothing last night about going away, and now he is leaving by this afternoon's coach; besides, although he laughed and talked as usual one could see with half an eye that it was forced. So you have actually refused him?"
"Of course I have, how can you ask such a question? It was the most perfectly absurd idea I ever heard of."
"Well, I hope that you will never be sorry for it, Mary."
"There is not much fear of that," Mary said, with a toss of her head, "and let me say that it is not very polite, either of you or him, to think that I should be ready to give up all my plans in life, the first time I am asked, and that by a gentleman who has not the slightest sympathy with them. It is a very silly and tiresome102 affair altogether, and I do hope I shall never hear anything of it again."
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1 essentially | |
adv.本质上,实质上,基本上 | |
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2 scarlet | |
n.深红色,绯红色,红衣;adj.绯红色的 | |
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长时间或辛苦地工作( toil的现在分词 ); 艰难缓慢地移动,跋涉 | |
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4 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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5 turnip | |
n.萝卜,芜菁 | |
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6 manly | |
adj.有男子气概的;adv.男子般地,果断地 | |
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7 possessed | |
adj.疯狂的;拥有的,占有的 | |
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adj.显赫的,杰出的,有名的,优良的 | |
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10 smacked | |
拍,打,掴( smack的过去式和过去分词 ) | |
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11 haughtiness | |
n.傲慢;傲气 | |
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12 disposition | |
n.性情,性格;意向,倾向;排列,部署 | |
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adj.不自然的,假装的 | |
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14 attire | |
v.穿衣,装扮[同]array;n.衣着;盛装 | |
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n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
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adj.卓越的,杰出的,著名的 | |
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18 discredit | |
vt.使不可置信;n.丧失信义;不信,怀疑 | |
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19 sketching | |
n.草图 | |
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20 sketch | |
n.草图;梗概;素描;v.素描;概述 | |
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21 sketches | |
n.草图( sketch的名词复数 );素描;速写;梗概 | |
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22 admiration | |
n.钦佩,赞美,羡慕 | |
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23 perfectly | |
adv.完美地,无可非议地,彻底地 | |
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24 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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25 derive | |
v.取得;导出;引申;来自;源自;出自 | |
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26 awfully | |
adv.可怕地,非常地,极端地 | |
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27 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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28 vaguely | |
adv.含糊地,暖昧地 | |
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29 upbraided | |
v.责备,申斥,谴责( upbraid的过去式和过去分词 ) | |
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30 remonstrances | |
n.抱怨,抗议( remonstrance的名词复数 ) | |
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31 portfolios | |
n.投资组合( portfolio的名词复数 );(保险)业务量;(公司或机构提供的)系列产品;纸夹 | |
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32 mingled | |
混合,混入( mingle的过去式和过去分词 ); 混进,与…交往[联系] | |
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33 vigor | |
n.活力,精力,元气 | |
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34 criticise | |
v.批评,评论;非难 | |
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35 grumbled | |
抱怨( grumble的过去式和过去分词 ); 发牢骚; 咕哝; 发哼声 | |
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36 grumble | |
vi.抱怨;咕哝;n.抱怨,牢骚;咕哝,隆隆声 | |
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37 presumption | |
n.推测,可能性,冒昧,放肆,[法律]推定 | |
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38 squire | |
n.护卫, 侍从, 乡绅 | |
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39 bemoan | |
v.悲叹,哀泣,痛哭;惋惜,不满于 | |
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40 prodigal | |
adj.浪费的,挥霍的,放荡的 | |
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41 calf | |
n.小牛,犊,幼仔,小牛皮 | |
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42 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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43 trumpery | |
n.无价值的杂物;adj.(物品)中看不中用的 | |
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44 tirades | |
激烈的长篇指责或演说( tirade的名词复数 ) | |
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45 artistic | |
adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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46 fixed | |
adj.固定的,不变的,准备好的;(计算机)固定的 | |
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47 growling | |
n.吠声, 咆哮声 v.怒吠, 咆哮, 吼 | |
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48 anathema | |
n.诅咒;被诅咒的人(物),十分讨厌的人(物) | |
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49 drooping | |
adj. 下垂的,无力的 动词droop的现在分词 | |
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50 discretion | |
n.谨慎;随意处理 | |
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51 discreet | |
adj.(言行)谨慎的;慎重的;有判断力的 | |
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52 disapproval | |
n.反对,不赞成 | |
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53 outspoken | |
adj.直言无讳的,坦率的,坦白无隐的 | |
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54 component | |
n.组成部分,成分,元件;adj.组成的,合成的 | |
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55 candor | |
n.坦白,率真 | |
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56 idiotic | |
adj.白痴的 | |
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57 livelihood | |
n.生计,谋生之道 | |
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58 contented | |
adj.满意的,安心的,知足的 | |
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59 outrage | |
n.暴行,侮辱,愤怒;vt.凌辱,激怒 | |
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60 philistine | |
n.庸俗的人;adj.市侩的,庸俗的 | |
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61 shaft | |
n.(工具的)柄,杆状物 | |
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62 quotation | |
n.引文,引语,语录;报价,牌价,行情 | |
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63 requisite | |
adj.需要的,必不可少的;n.必需品 | |
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64 cultivation | |
n.耕作,培养,栽培(法),养成 | |
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65 stimulus | |
n.刺激,刺激物,促进因素,引起兴奋的事物 | |
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66 waive | |
vt.放弃,不坚持(规定、要求、权力等) | |
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67 humility | |
n.谦逊,谦恭 | |
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68 bestow | |
v.把…赠与,把…授予;花费 | |
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69 rebuke | |
v.指责,非难,斥责 [反]praise | |
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70 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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71 deference | |
n.尊重,顺从;敬意 | |
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72 mere | |
adj.纯粹的;仅仅,只不过 | |
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73 helping | |
n.食物的一份&adj.帮助人的,辅助的 | |
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74 regain | |
vt.重新获得,收复,恢复 | |
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75 serenely | |
adv.安详地,宁静地,平静地 | |
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76 indifference | |
n.不感兴趣,不关心,冷淡,不在乎 | |
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77 severely | |
adv.严格地;严厉地;非常恶劣地 | |
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78 abruptly | |
adv.突然地,出其不意地 | |
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79 snares | |
n.陷阱( snare的名词复数 );圈套;诱人遭受失败(丢脸、损失等)的东西;诱惑物v.用罗网捕捉,诱陷,陷害( snare的第三人称单数 ) | |
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80 entangled | |
adj.卷入的;陷入的;被缠住的;缠在一起的v.使某人(某物/自己)缠绕,纠缠于(某物中),使某人(自己)陷入(困难或复杂的环境中)( entangle的过去式和过去分词 ) | |
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81 dilemma | |
n.困境,进退两难的局面 | |
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82 deferential | |
adj. 敬意的,恭敬的 | |
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83 banter | |
n.嘲弄,戏谑;v.取笑,逗弄,开玩笑 | |
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84 invalid | |
n.病人,伤残人;adj.有病的,伤残的;无效的 | |
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85 sketched | |
v.草拟(sketch的过去式与过去分词形式) | |
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86 radical | |
n.激进份子,原子团,根号;adj.根本的,激进的,彻底的 | |
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87 demurely | |
adv.装成端庄地,认真地 | |
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88 delightful | |
adj.令人高兴的,使人快乐的 | |
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89 determined | |
adj.坚定的;有决心的 | |
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90 preposterous | |
adj.荒谬的,可笑的 | |
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91 catching | |
adj.易传染的,有魅力的,迷人的,接住 | |
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92 precisely | |
adv.恰好,正好,精确地,细致地 | |
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93 allied | |
adj.协约国的;同盟国的 | |
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94 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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95 yearning | |
a.渴望的;向往的;怀念的 | |
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96 disapprove | |
v.不赞成,不同意,不批准 | |
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97 disapproved | |
v.不赞成( disapprove的过去式和过去分词 ) | |
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98 worthy | |
adj.(of)值得的,配得上的;有价值的 | |
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99 prophesy | |
v.预言;预示 | |
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100 frankly | |
adv.坦白地,直率地;坦率地说 | |
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101 pettishly | |
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102 tiresome | |
adj.令人疲劳的,令人厌倦的 | |
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