CHAPTER I LONGFELLOW AS A CLASSIC

 The death of Henry Wadsworth Longfellow made the first breach¹ in that well-known group of poets which adorned² Boston and its vicinity so long. The first to go was also the most widely famous. Emerson reached greater depths of thought; Whittier touched the problems of the nation’s life more deeply; Holmes came personally more before the public; Lowell was more brilliant and varied³; but, taking the English-speaking world at large, it was Longfellow whose fame overshadowed all the others; he was also better known and more translated upon the continent of Europe than all the rest put together, and, indeed, than any other contemporary poet of the English-speaking race, at least if bibliographies⁴ afford any test. Add to this that his place of residence was so accessible and so historic, his 2 personal demeanor⁵ so kindly⁶, his life so open and transparent⁷, that everything really conspired⁸ to give him the highest accessible degree of contemporary fame. There was no literary laurel that was not his, and he resolutely⁹ declined all other laurels¹⁰; he had wealth and ease, children and grandchildren, health and a stainless¹¹ conscience; he had also, in a peculiar¹² degree, the blessings¹³ that belong to Shakespeare’s estimate of old age,—“honor, love, obedience¹⁴, troops of friends.” Except for two great domestic bereavements, his life would have been one of absolutely unbroken sunshine; in his whole career he never encountered any serious rebuff, while such were his personal modesty¹⁵ and kindliness¹⁶ that no one could long regard him with envy or antagonism¹⁷. Among all the sons of song there has rarely been such an instance of unbroken and unstained success.

Yet the fact that his death took place twenty years ago may justly raise the question how far this wave of success has followed his memory, or how far the passage of time has impaired¹⁸ his traditional influence; and here we must compare a variety of tests and standards to ascertain¹⁹ the result. Some analysis of this kind may well precede any new attempt to delineate his career.

The editor of one of the great London weeklies said to an American traveller not many years 3 ago, “A stranger can hardly have an idea of how familiar many of our working people, especially women, are with Longfellow. Thousands can repeat some of his poems who have never read a line of Tennyson and probably never heard of Browning.” This passage I take from an admirable recent sketch²⁰ by Professor Edwin A. Grosvenor of Amherst College, one of the most cosmopolitan²¹ of Americans, who spent seven years as professor of history at Robert College, Constantinople. He goes on to tell how, in the largest private library in the Ottoman Empire, the grand vizier showed him as his favorite book a large volume of Longfellow, full of manuscript comments in Turkish on the margin²², adding that he knew some of the poems by heart. Professor Grosvenor was at one time—in 1879—travelling by steamer from Constantinople to Marseilles with a Russian lady who had been placed under his escort, and whose nationality could have been detected only by her marvellous knowledge of half a dozen languages beside her own. A party of passengers had been talking in French of Victor Hugo, when the Russian lady exclaimed in English to the last speaker, “How can you, an American, give to him the place that is occupied by your own Longfellow? Longfellow is the universal poet. He is better known, too, among foreigners, than 4 any one except their own poets!” She then repeated the verses beginning, “I stood on the bridge at midnight,” and added, “I long to visit Boston, that I may stand on the bridge.” Then an English captain, returning from the Zulu war, said, “I can give you something better than that,” and recited in a voice like a trumpet,—

“Tell me not, in mournful numbers,

Life is but an empty dream.”

Presently a gray-haired Scotchman began to recite the poem,—

“There is no flock, however watched and tended,

But one dead lamb is there!”

An American contributed “My Lost Youth,” being followed by a young Greek temporarily living in England, who sang “Stars of the Summer Night.” Finally the captain of the steamer, an officer of the French navy detailed²³ for that purpose, whom nobody had suspected of knowing a word of English, recited, in an accent hardly recognizable, the first verse of “Excelsior,” and when the Russian lady, unable to understand him, denied the fact of its being English at all, he replied, “Ah, oui, madame, ?a a vient de votre Longfellow” (Yes, madam, that is from your Longfellow). Six nationalities had thus been represented, and the Russian lady said, as they rose from the table, “Do you suppose there is any other poet of any country, living or dead, 5 from whom so many of us could have quoted? Not one. Not even Shakespeare, or Victor Hugo, or Homer.”[1]

One has merely to glance at any detailed catalogue of the translations from Longfellow’s works—as for instance that given in the appendix to this volume—to measure the vast extent of his fame. The list includes thirty-five versions of whole books or detached poems in German, twelve in Italian, nine each in French and Dutch, seven in Swedish, six in Danish, five in Polish, three in Portuguese²⁵, two each in Spanish, Russian, Hungarian, and Bohemian, with single translations in Latin, Hebrew, Chinese, Sanskrit, Marathi, and Judea-German—yielding one hundred versions altogether, extending into eighteen languages, apart from the original English. There is no evidence that any other English-speaking poet of the last century has been so widely appreciated.

Especially is this relative superiority noticeable in that wonderful literary cyclop?dia, the vast and many-volumed catalogue of the British Museum. There, under each author’s name, is found not merely the record of his works in every successive edition, but every secondary or relative book, be it memoir²⁶, criticism, attack, parody²⁷, or translation; and it is always curious 6 to consider the relative standing²⁸ of American and English authors under this severe and inexorable test. The entries or items appearing in the interleaved catalogue under the name of Tennyson, for instance, up to September, 1901, were 487; under Longfellow, 357; then follow, among English-writing poets, Browning (179), Emerson (158), Arnold (140), Holmes (135), Morris (117), Lowell (114), Whittier (104), Poe (103), Swinburne (99), Whitman (64). The nearest approach to a similar test of appreciation²⁹ in the poet’s own country is to be found in the balloting³⁰ for the new Hall of Fame, established by an unknown donor³¹ on the grounds of the New York University with the avowed³² object of creating an American Westminster Abbey. The names of those who were to appear in it were selected by a board of one hundred judges carefully chosen from men of all occupations and distributed over every State in the union; and these balloted³³ for the first hundred occupants of the Hall of Fame. Only thirty-nine names obtained a majority of votes, these being taken, of course, from men of all pursuits; and among these Longfellow ranked tenth, having eighty-five votes, and being preceded only by Washington, Lincoln, Webster, Franklin, Grant, Marshall, Jefferson, Emerson, and Fulton. Besides Emerson and Longfellow, only two literary 7 men were included, these being Irving with eighty-four votes and Hawthorne with seventy-three.

It is a well-known fact that when the temporary leader in any particular branch of literature or science passes away, there is often visible a slight reaction, perhaps in the interest of supposed justice, when people try to convince themselves that his fame has already diminished. Such reactions have notably³⁴ occurred, for instance, in the cases of Scott, Byron, Wordsworth, and even of Burns, yet without visible or permanent results, while the weaker fame of Southey or of Campbell has yielded to them. It is safe to say that up to the present moment no serious visible reaction has occurred in the case of Longfellow. So absolutely simple and truthful³⁵ was his nature and so clear the response of the mass of readers, that time has so far left his hold upon them singularly unaffected. During a recent visit to England, the author of this volume took some pains, in every place he visited in city or country, to inquire of the local bookseller as to the demand for Longfellow’s poems, and the answer was always in substance and sometimes in express words, “He is a classic,”—in other words, his books had a steady and trustworthy sale. I always found his poems on the shelves, and this was true of no other American 8 poet. Several editions of his works, single or collective, had recently appeared in London. Poems newly set to music had lately been published at the music stalls, and familiar citations³⁶ from his poems were constantly heard in public speeches. Inquiries³⁷ similar to mine were made a few years since in the book-stores of Switzerland and Germany by my friend, Professor W. J. Rolfe, who found without difficulty the German and English text of single or collected poems by Longfellow at Nuremberg, Cologne, Strasburg, Lucerne, Interlaken, and elsewhere.

Another form of obtaining statistics bearing on the relative position of Longfellow among English-writing poets would be to inspect books of selections made in Great Britain out of this class. I find two such lying near at hand; the first is “Pen and Pencil Pictures from the Poets,” published by William P. Nimmo at Edinburgh, containing fifty-six poems in all, each with a full-page illustration, generally by Scottish artists. Of these selections, six are taken from Longfellow, five each from Wordsworth and Thomson, and three each from Shakespeare, Burns, and Moore. Of other American poets Bryant and Willis alone appear, each with one contribution. Another such book is “Words from the Poets; selected for the use 9 of parochial schools and libraries.” To this the leading contributors are Wordsworth (twenty-one), Longfellow (eighteen), Cowper (eleven), and Tennyson (nine), the whole number of contributors being forty-three. Such statistics could be easily multiplied; indeed, it will be readily admitted that no American poet can be compared to Longfellow in the place occupied by his poems in the English market. Readily admitting that this is not the sole or highest standard, it must at least be recognized as one of the side tests by which that standard may be determined³⁸.

Some occasional expressions of distrust as to Longfellow’s permanent fame have been based wholly upon his virtues³⁹. Many still cling to Dryden’s maxim⁴⁰, “Great wits are sure to madness near allied⁴¹.” Those who grew up during the period when the Lake poets of England were still under discussion can well recall that the typical poet was long supposed to be necessarily something of a reprobate⁴², or at any rate wild and untamable; so that Byron and Shelley gained in fame by the supposition that the domestic and law-abiding gifts were far from them. The prominence⁴³ of Wordsworth was developed in spite of this tradition, and even when the report cheered some of his would-be admirers that he had once been intoxicated⁴⁴ at the university, 10 it was damped by the opinion expressed by Theodore Hook that “Wordsworth’s conceptions of inebriation⁴⁵ were no doubt extremely limited.” The popular impression in such matters is too deep to be easily removed; and yet every test continues to prove that the hold taken on the average human heart by Longfellow is far greater than that held, for instance, by Poe or Whitman. This was practically conceded by those poets themselves, and it is this fact which in reality excited the wrath⁴⁶ of their especial admirers. No man ever sacrificed less for mere²⁴ fame than Longfellow, no man ever bore attack or jealousy⁴⁷ with more of manly⁴⁸ self-respect and sweetness; he simply lived his own life, and worked out his own literary method; all that he asked was to be taken for what he was worth, and the world’s praise was the answer to his request. The continuance of this hold on men surely affords a sufficient reason for the renewed study of this poet’s life, training, and career.

1 breach   

n.违反，不履行；破裂；vt.冲破，攻破

参考例句：

• We won't have any breach of discipline.我们不允许任何破坏纪律的现象。
• He was sued for breach of contract.他因不履行合同而被起诉。

2 adorned   

[计]被修饰的

参考例句：

• The walls were adorned with paintings. 墙上装饰了绘画。
• And his coat was adorned with a flamboyant bunch of flowers. 他的外套上面装饰着一束艳丽刺目的鲜花。

3 varied   

adj.多样的，多变化的

参考例句：

• The forms of art are many and varied.艺术的形式是多种多样的。
• The hotel has a varied programme of nightly entertainment.宾馆有各种晚间娱乐活动。

4 bibliographies   

（有关某一专题或某一作者的著作的）书目( bibliography的名词复数 )； 书志学，文献学

参考例句：

• Bibliographies are lists of books and are compiled in many different forms. 书目是以许多不同形式编制的图书目录。
• The sources have been indicated in the bibliographies of the various chapters. 每章中的参考书目指出资料来源。

5 demeanor   

n.行为；风度

参考例句：

• She is quiet in her demeanor.她举止文静。
• The old soldier never lost his military demeanor.那个老军人从来没有失去军人风度。

6 kindly   

adj.和蔼的，温和的，爽快的；adv.温和地，亲切地

参考例句：

• Her neighbours spoke of her as kindly and hospitable.她的邻居都说她和蔼可亲、热情好客。
• A shadow passed over the kindly face of the old woman.一道阴影掠过老太太慈祥的面孔。

7 transparent   

adj.明显的，无疑的；透明的

参考例句：

• The water is so transparent that we can see the fishes swimming.水清澈透明，可以看到鱼儿游来游去。
• The window glass is transparent.窗玻璃是透明的。

8 conspired   

密谋( conspire的过去式和过去分词 )； 搞阴谋； （事件等）巧合； 共同导致

参考例句：

• They conspired to bring about the meeting of the two people. 他们共同促成了两人的会面。
• Bad weather and car trouble conspired to ruin our vacation. 恶劣的气候连同汽车故障断送了我们的假日。

9 resolutely   

adj.坚决地，果断地

参考例句：

• He resolutely adhered to what he had said at the meeting. 他坚持他在会上所说的话。
• He grumbles at his lot instead of resolutely facing his difficulties. 他不是果敢地去面对困难，而是抱怨自己运气不佳。

10 laurels   

n.桂冠，荣誉

参考例句：

• The path was lined with laurels.小路两旁都种有月桂树。
• He reaped the laurels in the finals.他在决赛中荣膺冠军。

11 stainless   

adj.无瑕疵的，不锈的

参考例句：

• I have a set of stainless knives and forks.我有一套不锈钢刀叉。
• Before the recent political scandal,her reputation had been stainless.在最近的政治丑闻之前，她的名声是无懈可击的。

12 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

13 blessings   

n.（上帝的）祝福( blessing的名词复数 )；好事；福分；因祸得福

参考例句：

• Afflictions are sometimes blessings in disguise. 塞翁失马，焉知非福。 来自《简明英汉词典》
• We don't rely on blessings from Heaven. 我们不靠老天保佑。 来自《现代汉英综合大词典》

14 obedience   

n.服从，顺从

参考例句：

• Society has a right to expect obedience of the law.社会有权要求人人遵守法律。
• Soldiers act in obedience to the orders of their superior officers.士兵们遵照上级军官的命令行动。

15 modesty   

n.谦逊，虚心，端庄，稳重，羞怯，朴素

参考例句：

• Industry and modesty are the chief factors of his success.勤奋和谦虚是他成功的主要因素。
• As conceit makes one lag behind,so modesty helps one make progress.骄傲使人落后，谦虚使人进步。

16 kindliness   

n.厚道，亲切，友好的行为

参考例句：

• Martha looked up into a strange face and dark eyes alight with kindliness and concern. 马撒慢慢抬起头，映入眼帘的是张陌生的脸，脸上有一双充满慈爱和关注的眼睛。 来自辞典例句
• I think the chief thing that struck me about Burton was his kindliness. 我想，我对伯顿印象最深之处主要还是这个人的和善。 来自辞典例句

17 antagonism   

n.对抗，敌对，对立

参考例句：

• People did not feel a strong antagonism for established policy.人们没有对既定方针产生强烈反应。
• There is still much antagonism between trades unions and the oil companies.工会和石油公司之间仍然存在着相当大的敌意。

18 impaired   

adj.受损的；出毛病的；有（身体或智力）缺陷的v.损害，削弱( impair的过去式和过去分词 )

参考例句：

• Much reading has impaired his vision. 大量读书损害了他的视力。 来自《现代汉英综合大词典》
• His hearing is somewhat impaired. 他的听觉已受到一定程度的损害。 来自《现代汉英综合大词典》

19 ascertain   

vt.发现，确定，查明，弄清

参考例句：

• It's difficult to ascertain the coal deposits.煤储量很难探明。
• We must ascertain the responsibility in light of different situtations.我们必须根据不同情况判定责任。

20 sketch   

n.草图；梗概；素描；v.素描；概述

参考例句：

• My sister often goes into the country to sketch. 我姐姐常到乡间去写生。
• I will send you a slight sketch of the house.我将给你寄去房屋的草图。

21 cosmopolitan   

adj.世界性的，全世界的，四海为家的，全球的

参考例句：

• New York is a highly cosmopolitan city.纽约是一个高度世界性的城市。
• She has a very cosmopolitan outlook on life.她有四海一家的人生观。

22 margin   

n.页边空白；差额；余地，余裕；边，边缘

参考例句：

• We allowed a margin of 20 minutes in catching the train.我们有20分钟的余地赶火车。
• The village is situated at the margin of a forest.村子位于森林的边缘。

23 detailed   

adj.详细的，详尽的，极注意细节的，完全的

参考例句：

• He had made a detailed study of the terrain.他对地形作了缜密的研究。
• A detailed list of our publications is available on request.我们的出版物有一份详细的目录备索。

24 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

25 Portuguese   

n.葡萄牙人；葡萄牙语

参考例句：

• They styled their house in the Portuguese manner.他们仿照葡萄牙的风格设计自己的房子。
• Her family is Portuguese in origin.她的家族是葡萄牙血统。

26 memoir   

n.[pl.]回忆录，自传；记事录

参考例句：

• He has just published a memoir in honour of his captain.他刚刚出了一本传记来纪念他的队长。
• In her memoir,the actress wrote about the bittersweet memories of her first love.在那个女演员的自传中，她写到了自己苦乐掺半的初恋。

27 parody   

n.打油诗文，诙谐的改编诗文，拙劣的模仿；v.拙劣模仿，作模仿诗文

参考例句：

• The parody was just a form of teasing.那个拙劣的模仿只是一种揶揄。
• North Korea looks like a grotesque parody of Mao's centrally controlled China,precisely the sort of system that Beijing has left behind.朝鲜看上去像是毛时代中央集权的中国的怪诞模仿，其体制恰恰是北京方面已经抛弃的。

28 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

29 appreciation   

n.评价；欣赏；感谢；领会，理解；价格上涨

参考例句：

• I would like to express my appreciation and thanks to you all.我想对你们所有人表达我的感激和谢意。
• I'll be sending them a donation in appreciation of their help.我将送给他们一笔捐款以感谢他们的帮助。

30 balloting   

v.（使）投票表决( ballot的现在分词 )

参考例句：

• Clark took a commanding leading in the early balloting. 在最初投票时，克拉克遥遥领先。 来自辞典例句
• The balloting had stagnated, he couldn't win. 投票工作陷于停顿，他不能得胜。 来自辞典例句

31 donor   

n.捐献者；赠送人；(组织、器官等的)供体

参考例句：

• In these cases,the recipient usually takes care of the donor afterwards.在这类情况下，接受捐献者以后通常会照顾捐赠者。
• The Doctor transplanted the donor's heart to Mike's chest cavity.医生将捐赠者的心脏移植进麦克的胸腔。

32 avowed   

adj.公开声明的，承认的v.公开声明，承认( avow的过去式和过去分词)

参考例句：

• An aide avowed that the President had known nothing of the deals. 一位助理声明，总统对这些交易一无所知。
• The party's avowed aim was to struggle against capitalist exploitation. 该党公开宣称的宗旨是与资本主义剥削斗争。 来自《简明英汉词典》

33 balloted   

v.（使）投票表决( ballot的过去式和过去分词 )

参考例句：

• Most of us balloted for the decision. 我们大部分人都投票赞成那项决定。 来自《简明英汉词典》
• Members were balloted on the resolution. 会员们被人拉票对这个议案投了赞成票。 来自《现代英汉综合大词典》

34 notably   

adv.值得注意地，显著地，尤其地，特别地

参考例句：

• Many students were absent,notably the monitor.许多学生缺席，特别是连班长也没来。
• A notably short,silver-haired man,he plays basketball with his staff several times a week.他个子明显较为矮小，一头银发，每周都会和他的员工一起打几次篮球。

35 truthful   

adj.真实的，说实话的，诚实的

参考例句：

• You can count on him for a truthful report of the accident.你放心，他会对事故作出如实的报告的。
• I don't think you are being entirely truthful.我认为你并没全讲真话。

36 citations   

n.引用( citation的名词复数 )；引证；引文；表扬

参考例句：

• The apt citations and poetic gems have adorned his speeches. 贴切的引语和珠玑般的诗句为他的演说词增添文采。 来自《现代汉英综合大词典》
• Some dictionary writers use citations to show what words mean. 有些辞典的编纂者用引文作例证以解释词义。 来自辞典例句

37 inquiries   

n.调查( inquiry的名词复数 )；疑问；探究；打听

参考例句：

• He was released on bail pending further inquiries. 他获得保释，等候进一步调查。
• I have failed to reach them by postal inquiries. 我未能通过邮政查询与他们取得联系。 来自《现代汉英综合大词典》

38 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

39 virtues   

美德( virtue的名词复数 )； 德行； 优点； 长处

参考例句：

• Doctors often extol the virtues of eating less fat. 医生常常宣扬少吃脂肪的好处。
• She delivered a homily on the virtues of family life. 她进行了一场家庭生活美德方面的说教。

40 maxim   

n.格言，箴言

参考例句：

• Please lay the maxim to your heart.请把此格言记在心里。
• "Waste not,want not" is her favourite maxim.“不浪费则不匮乏”是她喜爱的格言。

41 allied   

adj.协约国的；同盟国的

参考例句：

• Britain was allied with the United States many times in history.历史上英国曾多次与美国结盟。
• Allied forces sustained heavy losses in the first few weeks of the campaign.同盟国在最初几周内遭受了巨大的损失。

42 reprobate   

n.无赖汉；堕落的人

参考例句：

• After the fall,god begins to do the work of differentiation between his elect and the reprobate.人堕落之后，上帝开始分辨选民与被遗弃的人。
• He disowned his reprobate son.他声明与堕落的儿子脱离关系。

43 prominence   

n.突出；显著；杰出；重要

参考例句：

• He came to prominence during the World Cup in Italy.他在意大利的世界杯赛中声名鹊起。
• This young fashion designer is rising to prominence.这位年轻的时装设计师的声望越来越高。

44 intoxicated   

喝醉的，极其兴奋的

参考例句：

• She was intoxicated with success. 她为成功所陶醉。
• They became deeply intoxicated and totally disoriented. 他们酩酊大醉，东南西北全然不辨。

45 inebriation   

n.醉，陶醉

参考例句：

• His practice of inebriation was lamentable. 他的酗酒常闹得别人束手无策。 来自辞典例句
• Poor Tom lamentably disgraced himself at Sir Charles Mirable's table, by premature inebriation. 可怜的汤姆在查尔斯·米拉贝尔爵士的宴会上，终于入席不久就酩酊大醉，弄得出丑露乖，丢尽了脸皮。 来自辞典例句

46 wrath   

n.愤怒，愤慨，暴怒

参考例句：

• His silence marked his wrath. 他的沉默表明了他的愤怒。
• The wrath of the people is now aroused. 人们被激怒了。

47 jealousy   

n.妒忌，嫉妒，猜忌

参考例句：

• Some women have a disposition to jealousy.有些女人生性爱妒忌。
• I can't support your jealousy any longer.我再也无法忍受你的嫉妒了。

48 manly   

adj.有男子气概的；adv.男子般地，果断地

参考例句：

• The boy walked with a confident manly stride.这男孩以自信的男人步伐行走。
• He set himself manly tasks and expected others to follow his example.他给自己定下了男子汉的任务，并希望别人效之。