HAD HANGED IN HIS LIBRARIE AND OF A NOBLE PORTRAITURE4 OF THE
POET HOMER THE WHICH THE AFORESAID PHILEMON DID PRIZE ABOVE
ALL OTHER LIMNINGS
PHILEMON was used to confess how, in the fire of his callow youth and fine flower of his lustie springal days, he had been stung with murderous frenzie at view of a certaine picture of Apelles, the which in those times was showed in a temple. And the said picture did present Alexander the Great laying on right shrewdly at Darius, king of the Indians, whiles round about these twain, soldiers and captains were a-slaying one another with a savage5 furie and in divers6 strange fashions. And the said work was right cunningly wrought7 and in very close mimicrie of nature. And none, an they were in the hot and lustie season of their life, could cast a look thereon without being stirred incontinent to be striking and killing8 poor harmlesse folk for the sole sake of donning so rich an harnesse and bestriding such high-stepping chargers as did these good codpieces in their battle,—for that young blood doth aye take pleasure in horseflesh and the practise of arms. This had the aforesaid Philemon proven in his day. And he was used to say how ever after ‘twas his wont9 to turn aside his eyen of set purpose from suchlike pictures of wars and bloodshed, and that he did so heartily10 loathe11 these cruelties as that he could not abear to behold12 them even set forth13 in counterfeit14 presentment.
And he was used to say that any honest and prudent15 wight must needs be sore offended and scandalized by all this appalling16 array of armour17 and bucklers and the horde18 of warriors19 Homer calls Corythaioloi (glancing-helmed) by reason of the terrifying hideousness20 of their head-gear, and that the portrayal21 of these same fighting fellows was in very truth unseemly, as contrarie to good and peaceable manners, immodest, no thing in the world being more shameful22 then homicide, and eke23 lascivious24, as alluring25 folk to cruelty, the which is the worst of all allurements26. For to entice27 to pleasant dalliaunce is a far lesse heinous28 fault.
And the aforesaid Philemon was used to say that it was honest, decent, of good ensample and entirely29 modest to show by painting, chiselling30, or any other fine artifice31 the scenes of the Golden Age, to wit maidens32 and young men interlacing limbs in accord with the craving33 of kindly34 Nature, or other the like delectable35 fancy, as of a Nymph lying laughing in the grass. And on her ripe smiling mouth a Faun is crushing a purple grape.
And he was used to say that belike the Golden Age had never flourished save only in the fond imagining of the poets, and that our first forebears of human kind, being yet barbarous and silly folk, had known naught36 at all thereof; but that, an the said age could not credibly37 be deemed to have been at the beginning of the world, we might well wish it should be at the end, and that meanwhiles it was a gracious boon38 to offer us a likeness39 of the same in pictured image.
And like as it is (so he would say) obscene,—‘t is the word Virgil writes of dogs wallowing in the mud and mire,—to depict40 murderers, whoreson men-at arms, fighting-men, conquering heroes and plundering41 thieves, wreaking42 their foul43 and wicked will, yea! and poor devils licking the dust and swallowing the same in great mouthfuls, and one unhappie wretch44 that hath been felled to the earth and is striving to get to his feet againe, but is pinned down by an horse’s hoof45 pressing on his chops, and another that looketh piteously about him for that his pennon hath been shorn from him and his hand with it,—so is it of right subtile and so to say heavenly art to exhibit prettie blandishments, caresses46, frolickings, beauties and delights, and the loves of the Nymphs and Fauns in the woods. And he would have it there was none offence in these naked bodies, clothed upon enow with their owne grace and comeliness47.
And he had in his closet, this same Philemon aforesaid, a very marvellous painting, wherein was limned48 a young Faun in act to filch49 away with a craftie hand a light cloth did cover the belly50 of a sleeping Nymph. ‘T was plain to see he was full fain of his freak and seemed to be saying: The body of this young goddess is so sweet and refreshing51 as that the fountaine springing in the shade of the woods is not more delightsome. How I do love to look upon you, soft sweet lap, and prettie white thighs52, and shady cavern53 at once terrifying and entrancing! And over the heads of the twain did hover54 winged Cupids and watched them laughingly, whiles fair dames55 and their gallants, their brows wreathen with flowers, footed it on the lush grass.
And he had, the aforesaid Philemon, yet other limnings of cunning craftsmanship56 in his closet. And he did prize very high the portraiture of a good doctor a-sitting in his cabinet writing at a table by candle-light. The said cabinet was fully57 furnished with globes, gnomons, and astrolabes, proper for meting58 the movements of the orbs59 of heaven, the which is a right praiseworthy task and one that doth lift the spirit to sublime60 thoughts and the exceeding pure love of Venus Urania.
And there was hanging from the joists of the said cabinet a great serpent and crocodile, forasmuch as they be rarities and very needful for the due understanding of anatomy61. And he had likewise, the said doctor, amid his belongings62, the books of the most excellent philosophers of Antiquity63 and eke the treatises64 of Hippocrates. And he was an ensample to young men which should be fain, by hard swinking, to stuff their pates65 with as much high learning and occult lore66 as he had under his own bonnet67.
And he had, the aforesaid Philemon, painted on a panel that shined like a polished mirror a portraiture of Homer in the guise68 of an old blind man, his beard white as the flowers of the hawthorn69 and his temples bound about with the fillets sacred to the god Apollo, which had loved him above all other men. And, to look at that good old man, you deemed verily his lips were presently to ope and break into words of mélodie.
点击收听单词发音
1 sundry | |
adj.各式各样的,种种的 | |
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2 amorous | |
adj.多情的;有关爱情的 | |
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3 sage | |
n.圣人,哲人;adj.贤明的,明智的 | |
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4 portraiture | |
n.肖像画法 | |
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5 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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6 divers | |
adj.不同的;种种的 | |
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7 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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8 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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9 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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10 heartily | |
adv.衷心地,诚恳地,十分,很 | |
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11 loathe | |
v.厌恶,嫌恶 | |
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12 behold | |
v.看,注视,看到 | |
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13 forth | |
adv.向前;向外,往外 | |
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14 counterfeit | |
vt.伪造,仿造;adj.伪造的,假冒的 | |
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15 prudent | |
adj.谨慎的,有远见的,精打细算的 | |
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16 appalling | |
adj.骇人听闻的,令人震惊的,可怕的 | |
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17 armour | |
(=armor)n.盔甲;装甲部队 | |
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18 horde | |
n.群众,一大群 | |
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19 warriors | |
武士,勇士,战士( warrior的名词复数 ) | |
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20 hideousness | |
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21 portrayal | |
n.饰演;描画 | |
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22 shameful | |
adj.可耻的,不道德的 | |
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23 eke | |
v.勉强度日,节约使用 | |
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24 lascivious | |
adj.淫荡的,好色的 | |
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25 alluring | |
adj.吸引人的,迷人的 | |
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26 allurements | |
n.诱惑( allurement的名词复数 );吸引;诱惑物;有诱惑力的事物 | |
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27 entice | |
v.诱骗,引诱,怂恿 | |
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28 heinous | |
adj.可憎的,十恶不赦的 | |
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29 entirely | |
ad.全部地,完整地;完全地,彻底地 | |
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30 chiselling | |
n.錾v.凿,雕,镌( chisel的现在分词 ) | |
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31 artifice | |
n.妙计,高明的手段;狡诈,诡计 | |
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32 maidens | |
处女( maiden的名词复数 ); 少女; 未婚女子; (板球运动)未得分的一轮投球 | |
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33 craving | |
n.渴望,热望 | |
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34 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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35 delectable | |
adj.使人愉快的;美味的 | |
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36 naught | |
n.无,零 [=nought] | |
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37 credibly | |
ad.可信地;可靠地 | |
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38 boon | |
n.恩赐,恩物,恩惠 | |
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39 likeness | |
n.相像,相似(之处) | |
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40 depict | |
vt.描画,描绘;描写,描述 | |
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41 plundering | |
掠夺,抢劫( plunder的现在分词 ) | |
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42 wreaking | |
诉诸(武力),施行(暴力),发(脾气)( wreak的现在分词 ) | |
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43 foul | |
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规 | |
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44 wretch | |
n.可怜的人,不幸的人;卑鄙的人 | |
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45 hoof | |
n.(马,牛等的)蹄 | |
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46 caresses | |
爱抚,抚摸( caress的名词复数 ) | |
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47 comeliness | |
n. 清秀, 美丽, 合宜 | |
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48 limned | |
v.画( limn的过去式和过去分词 );勾画;描写;描述 | |
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49 filch | |
v.偷窃 | |
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50 belly | |
n.肚子,腹部;(像肚子一样)鼓起的部分,膛 | |
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51 refreshing | |
adj.使精神振作的,使人清爽的,使人喜欢的 | |
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52 thighs | |
n.股,大腿( thigh的名词复数 );食用的鸡(等的)腿 | |
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53 cavern | |
n.洞穴,大山洞 | |
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54 hover | |
vi.翱翔,盘旋;徘徊;彷徨,犹豫 | |
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55 dames | |
n.(在英国)夫人(一种封号),夫人(爵士妻子的称号)( dame的名词复数 );女人 | |
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56 craftsmanship | |
n.手艺 | |
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57 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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58 meting | |
v.(对某人)施以,给予(处罚等)( mete的现在分词 ) | |
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59 orbs | |
abbr.off-reservation boarding school 在校寄宿学校n.球,天体,圆形物( orb的名词复数 ) | |
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60 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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61 anatomy | |
n.解剖学,解剖;功能,结构,组织 | |
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62 belongings | |
n.私人物品,私人财物 | |
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63 antiquity | |
n.古老;高龄;古物,古迹 | |
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64 treatises | |
n.专题著作,专题论文,专著( treatise的名词复数 ) | |
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65 pates | |
n.头顶,(尤指)秃顶,光顶( pate的名词复数 ) | |
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66 lore | |
n.传说;学问,经验,知识 | |
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67 bonnet | |
n.无边女帽;童帽 | |
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68 guise | |
n.外表,伪装的姿态 | |
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69 hawthorn | |
山楂 | |
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