* Perhaps the structural20 talent of our Salamis arachnids is exceptional. Perhaps it is due to the fact that the famous Engineers' Country Club is near by. Can the spiders have learned their technology by watching those cheerful scientists on the golf greens?
All this sort of thing is, quite plainly, magic. It is rather important to know, when you are dealing21 with magic, just where ordinary life ends and the mystery begins, so that you can adjust yourself to incantations and spells. As you make your green escape from town (which has magic of its own, but quite different) you must clearly mark the place where you pierce the veil. We showed it to Endymion lately. We will tell you about it.
[164]There is a certain point, as you go out to Salamis on the railroad, when you begin to perceive a breath of enchantment22 in the landscape. For our own part, we become aware of a subtle spice of gramarye as soon as we see the station lamps at East Williston, which have tops like little green hats. Lamps of this sort have always had a fascination23 for us, and whenever we see them at a railway station we have a feeling that that would be a nice place to get off and explore.
And, of course, after you pass East Williston there is that little pond in which, if one went fishing, he could very likely pull up a fine fleecy cloud on his hook. Then the hills begin, or what we on Long Island consider hills. There are some fields on the left of the train that roll like great green waves of the sea; they surge up against the sky and seem about to spill over in a surf of daisies.
A quiet road runs up a hill, and as soon as you pass along its green channel, between rising thickets24 where rabbits come out to gape25, you feel as though walking into a poem by Walter de la Mare26. This road, if pursued, passes by a pleasing spot where four ways cross in an attenuated27 X. Off to one side is a field that is very theatrical28 in effect: it always reminds us of a stage set for "As You Like It," the Forest of Arden. There are some gigantic oak trees and even some very papier-maché-looking stumps29, all ready for the duke, "and other Lords, like Foresters," to do their moralizing upon; and in place of the poor sequestered30 stag there is a very fine plushy cow, grazing, hard by a very agreeable morass31. At the back (L.U.E.) is discovered a pleasing ruin, the carcass of an ancient farmstead, [165]whose stony32 ribs33 are thickset with brambles; and the pleasant melancholy34 of an abandoned orchard35 rounds off the scene in the wings, giving a fine place for Rosalind and Celia and the leg-weary Touchstone to abide36 their cue.
Choosing the left-hand arm of the X, and moving past wild rose bushes toward the even richer rose-garden of the sunset, the fastidious truant37 is ushered38 (as was our friend Endymion the other evening) upon a gentle meadow where a solitary39 house of white stucco begs for a poet as occupant. This house, having been selected by Titania and ourself as a proper abode40 for Endymion and his family, we waited until sunset, frogsong, and all the other amenities41 of life in Salamis were suitable for the introduction of our guest to the scene. This dwelling42, having long lain untenanted, has a back door that stands ajar and we piloted the awe-struck lyrist inside. Now nothing rages so merrily in the blood as the instinct of picking out houses for other people, houses that you yourself do not have to live in; and those Realtors whom we have dismayed by our lack of enthusiasm would have been startled to hear the orotund43 accents in which we vouched44 for that property, sewage, messuage, and all. Here, we cried, is the front door (facing the sunset) where the postman will call with checks from your publishers; and here are the porcelain45 laundry tubs that will make glad the heart of the washerwoman (when you can get one).
Endymion's guileless heart was strongly uplifted. Not a question did he ask as to heating arrangements, save to show a mild spark in his eye when he saw the [166]two fireplaces. Plumbing46 was to him, we saw, a matter to be taken on faith. His paternal47 heart was slightly perturbed48 by a railing that ran round the top of the stairs. This railing, he feared, was so built that small and impetuous children would assuredly fall headlong through it, and we discussed means of thwarting49 such catastrophe50. But upstairs we found the room that caused our guest to glimmer51 with innocent cheer. It had tall casement52 windows looking out upon a quiet glimpse of trees. It had a raised recess53, very apt for a bust54 of Pallas. It had space for bookcases. And then, on the windowsill, we found the dead and desiccated corpse55 of a swallow. It must have flown in through a broken pane56 on the ground floor long ago and swooped57 vainly about the empty house. It lay, pathetically, close against the shut pane. Like a forgotten and un-uttered beauty in the mind of a poet, it lay there, stiffened58 and silent.

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1
pricks
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刺痛( prick的名词复数 ); 刺孔; 刺痕; 植物的刺 | |
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2
gems
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growth; economy; management; and customer satisfaction 增长 | |
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mildewy
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adj.发霉的 | |
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4
hilarity
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n.欢乐;热闹 | |
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5
struts
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(框架的)支杆( strut的名词复数 ); 支柱; 趾高气扬的步态; (尤指跳舞或表演时)卖弄 | |
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cantilevers
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n.悬臂( cantilever的名词复数 ) | |
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7
gossamer
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n.薄纱,游丝 | |
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foliage
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n.叶子,树叶,簇叶 | |
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apparently
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adv.显然地;表面上,似乎 | |
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tablecloth
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n.桌布,台布 | |
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rim
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n.(圆物的)边,轮缘;边界 | |
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shaft
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n.(工具的)柄,杆状物 | |
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elastic
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n.橡皮圈,松紧带;adj.有弹性的;灵活的 | |
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sagged
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下垂的 | |
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15
strands
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n.(线、绳、金属线、毛发等的)股( strand的名词复数 );缕;海洋、湖或河的)岸;(观点、计划、故事等的)部份v.使滞留,使搁浅( strand的第三人称单数 ) | |
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16
filament
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n.细丝;长丝;灯丝 | |
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17
intrepid
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adj.无畏的,刚毅的 | |
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weaver
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n.织布工;编织者 | |
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hurl
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vt.猛投,力掷,声叫骂 | |
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structural
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adj.构造的,组织的,建筑(用)的 | |
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dealing
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n.经商方法,待人态度 | |
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enchantment
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n.迷惑,妖术,魅力 | |
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fascination
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n.令人着迷的事物,魅力,迷恋 | |
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24
thickets
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n.灌木丛( thicket的名词复数 );丛状物 | |
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gape
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v.张口,打呵欠,目瞪口呆地凝视 | |
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mare
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n.母马,母驴 | |
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attenuated
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v.(使)变细( attenuate的过去式和过去分词 );(使)变薄;(使)变小;减弱 | |
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28
theatrical
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adj.剧场的,演戏的;做戏似的,做作的 | |
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stumps
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(被砍下的树的)树桩( stump的名词复数 ); 残肢; (板球三柱门的)柱; 残余部分 | |
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30
sequestered
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adj.扣押的;隐退的;幽静的;偏僻的v.使隔绝,使隔离( sequester的过去式和过去分词 );扣押 | |
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31
morass
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n.沼泽,困境 | |
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stony
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adj.石头的,多石头的,冷酷的,无情的 | |
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33
ribs
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n.肋骨( rib的名词复数 );(船或屋顶等的)肋拱;肋骨状的东西;(织物的)凸条花纹 | |
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melancholy
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n.忧郁,愁思;adj.令人感伤(沮丧)的,忧郁的 | |
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orchard
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n.果园,果园里的全部果树,(美俚)棒球场 | |
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abide
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vi.遵守;坚持;vt.忍受 | |
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truant
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n.懒惰鬼,旷课者;adj.偷懒的,旷课的,游荡的;v.偷懒,旷课 | |
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ushered
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v.引,领,陪同( usher的过去式和过去分词 ) | |
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solitary
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adj.孤独的,独立的,荒凉的;n.隐士 | |
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abode
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n.住处,住所 | |
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amenities
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n.令人愉快的事物;礼仪;礼节;便利设施;礼仪( amenity的名词复数 );便利设施;(环境等的)舒适;(性情等的)愉快 | |
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42
dwelling
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n.住宅,住所,寓所 | |
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orotund
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adj.宏亮的,宏壮的;浮夸的 | |
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44
vouched
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v.保证( vouch的过去式和过去分词 );担保;确定;确定地说 | |
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45
porcelain
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n.瓷;adj.瓷的,瓷制的 | |
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46
plumbing
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n.水管装置;水暖工的工作;管道工程v.用铅锤测量(plumb的现在分词);探究 | |
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47
paternal
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adj.父亲的,像父亲的,父系的,父方的 | |
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48
perturbed
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adj.烦燥不安的v.使(某人)烦恼,不安( perturb的过去式和过去分词 ) | |
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49
thwarting
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阻挠( thwart的现在分词 ); 使受挫折; 挫败; 横过 | |
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50
catastrophe
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n.大灾难,大祸 | |
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51
glimmer
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v.发出闪烁的微光;n.微光,微弱的闪光 | |
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52
casement
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n.竖铰链窗;窗扉 | |
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53
recess
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n.短期休息,壁凹(墙上装架子,柜子等凹处) | |
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54
bust
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vt.打破;vi.爆裂;n.半身像;胸部 | |
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55
corpse
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n.尸体,死尸 | |
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56
pane
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n.窗格玻璃,长方块 | |
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57
swooped
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俯冲,猛冲( swoop的过去式和过去分词 ) | |
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58
stiffened
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加强的 | |
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