If you want to see a really good anthology (I said)[Pg 67] have a look at Pearsall Smith's “Treasury of English Prose,” just out. The only thing that surprises me is that Mr. Smith didn't include some free verse in it. The best thing about free verse is that it is often awfully1 good prose.
It's a superb clear night: a milky3 pallor washed in the blue: a white moon overhead: stars rare but brilliant, one in the south twinkles and flutters like a tiny flower stirred by faint air. The wind is “a cordial of incredible virtue” (Emerson)—sharp and chill, but with a milder tincture. To-day, though brisk and snell on the streets, the sunshine had a lively vigour4, a generous quality, a promissory note of the equinox. I felt it from first rising this morning—the old demiurge at work! As I sat in the bathtub (when a man is fifty he may be pardoned for taking a warm bath on winter mornings) my mind fell upon the desire of wandering: it occurred to me that a spread of legs in the vital air would be richly repaid. The windows called me: as soon as shirt and trousers were on, I was at the sill peering out over Gissing Street. Later, even through closed panes5, the chink of milk bottles on the pavement below seemed to rise with a clearer, merrier note. Setting out for some tobacco about 8:30, I stopped to study the ice-man's great blocks of silvery translucence6, lying along the curb7 by a big apartment house. “Artificial” ice, I suppose: it was interesting to see, in the meridian8 of each cake, a kind of silvery[Pg 68] fracture or membrane9, with the grain of air-bubbles tending outward therefrom—showing, no doubt, if one knew the mechanics of refrigeration, just how the freezing proceeded. Even in so humble10 a thing as a block of ice are these harmonic and lovely patterns, the seal of Nature's craft, inscrutable, inimitable. I might have made a point of this in talking to that free verse poet. I'm glad I didn't, however: he would have had some tedious reply, convincing to himself. That's the trouble with replies: they are always convincing to the replier. As a friend of mine used to say, one good taciturn deserves another.
I was thinking, as I took a parcel of laundry up to the Chinaman on McFee Street just now, it would be interesting to write a book dealing11 solely12, candidly13, exactly, and fully2 with the events, emotions, and thoughts of just one day in a man's life. If one could do that, in a way to carry conviction, assent14, and reality, to convey to the reader's senses a recognition of genuine actual human being, one might claim to be a true artist.
I have found an admirable book for reading in bed—this little anthology of prose, collected by Pearsall Smith. He knows what good prose is, having written some of the daintiest bits of our time in his “Trivia,” a book with which I occasionally delight a truly discerning customer. What a fascination15 there is in good prose—“the cool element[Pg 69] of prose” as Milton calls it—a sort of fluid happiness of the mind, unshaken by the violent pangs16 of great poetry. I am not subtle enough to describe it, but in the steadily17 cumulating satisfaction of first-class prose there seems to be something that speaks direct to the brain, unmarred by the claims of the senses, the emotions. I meditate18 much, ignorantly and fumblingly19, on the modes and purposes of writing. It is so simple—“Fool!” said my Muse20 to me, “look in thy heart and write!”—all that is needful is to tell what happens; and yet how hard it is to summon up that necessary candor21. Every time I read great work I see the confirmation22 of what I grope for. How vivid, straight, and cleanly it seems when done: merely the outward utterance23 of “what the mind at home, in the spacious24 circuits of her musing25, hath liberty to propose to herself.” Let a man's mind depart from his audience; let him have no concern whether to shock or to please. Let him carry no consideration save to utter, with unsparing fidelity26, what passes in his own spirit. One can trust the brain to do its part. All that is needed is honourable27 frankness: not to be ashamed to open our hearts, to speak our privy28 weakness, our inward exulting29. Then the pain and perplexity, or the childish satisfactions, of our daily life are the true material of the writer's art, and that which is sown in weakness may be raised in power. Curious indeed that in this life, brief and precariously30 enjoyed, men[Pg 70] should so set their hearts on building a permanence in words: something to stand, in the lovely stability of ink and leaden types, as our speech out of silence to those who follow on. Indefensible absurdity31, and yet the secret and impassioned dream of those who write!
I was about to say that, for the writing of anything truly durable32, the first requisite33 is plenty of silence. Then I recall Dr. Johnson's preface to his Dictionary—“written not in the soft obscurities of retirement34, or under the shelter of academic bowers35, but amid inconvenience and distraction36, in sickness and in sorrow.”
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1
awfully
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adv.可怕地,非常地,极端地 | |
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2
fully
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adv.完全地,全部地,彻底地;充分地 | |
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3
milky
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adj.牛奶的,多奶的;乳白色的 | |
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vigour
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(=vigor)n.智力,体力,精力 | |
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panes
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窗玻璃( pane的名词复数 ) | |
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6
translucence
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n.半透明 | |
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7
curb
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n.场外证券市场,场外交易;vt.制止,抑制 | |
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8
meridian
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adj.子午线的;全盛期的 | |
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9
membrane
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n.薄膜,膜皮,羊皮纸 | |
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10
humble
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adj.谦卑的,恭顺的;地位低下的;v.降低,贬低 | |
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11
dealing
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n.经商方法,待人态度 | |
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12
solely
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adv.仅仅,唯一地 | |
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13
candidly
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adv.坦率地,直率而诚恳地 | |
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14
assent
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v.批准,认可;n.批准,认可 | |
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15
fascination
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n.令人着迷的事物,魅力,迷恋 | |
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16
pangs
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突然的剧痛( pang的名词复数 ); 悲痛 | |
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17
steadily
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adv.稳定地;不变地;持续地 | |
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18
meditate
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v.想,考虑,(尤指宗教上的)沉思,冥想 | |
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19
fumblingly
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令人羞辱地 | |
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20
muse
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n.缪斯(希腊神话中的女神),创作灵感 | |
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21
candor
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n.坦白,率真 | |
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22
confirmation
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n.证实,确认,批准 | |
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23
utterance
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n.用言语表达,话语,言语 | |
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24
spacious
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adj.广阔的,宽敞的 | |
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musing
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n. 沉思,冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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26
fidelity
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n.忠诚,忠实;精确 | |
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honourable
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adj.可敬的;荣誉的,光荣的 | |
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privy
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adj.私用的;隐密的 | |
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exulting
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vi. 欢欣鼓舞,狂喜 | |
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30
precariously
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adv.不安全地;危险地;碰机会地;不稳定地 | |
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31
absurdity
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n.荒谬,愚蠢;谬论 | |
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32
durable
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adj.持久的,耐久的 | |
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33
requisite
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adj.需要的,必不可少的;n.必需品 | |
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34
retirement
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n.退休,退职 | |
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35
bowers
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n.(女子的)卧室( bower的名词复数 );船首锚;阴凉处;鞠躬的人 | |
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36
distraction
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n.精神涣散,精神不集中,消遣,娱乐 | |
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