Chapter 1

 The beginning of this strange adventure was my going to see a motion picture which had been made in Germany. It was three years after the end of the war, and you'd have thought that the people of Western City would have got over their war-phobias. But apparently¹ they hadn't; anyway, there was a mob to keep anyone from getting into the theatre, and all the other mobs started from that. Before I tell about it, I must introduce Dr. Karl Henner, the well-known literary critic from Berlin, who was travelling in this country, and stopped off in Western City at that time. Dr. Henner was the cause of my going to see the picture, and if you will have a moment's patience, you will see how the ideas which he put into my head served to start me on my extraordinary adventure.

You may not know much about these cultured foreigners. Their manners are like softest velvet², so that when you talk to them, you feel as a Persian cat must feel while being stroked. They have read everything in the world; they speak with quiet certainty; and they are so old—old with memories of racial griefs stored up in their souls. I, who know myself for a member of the best clubs in Western City, and of the best college fraternity in the country—I found myself suddenly indisposed to mention that I had helped to win the battle of the Argonne. This foreign visitor asked me how I felt about the war, and I told him that it was over, and I bore no hard feelings, but of course I was glad that Prussian militarism was finished. He answered: “A painful operation, and we all hope that the patient may survive it; also we hope that the surgeon has not contracted the disease.” Just as quietly as that.

Of course I asked Dr. Henner what he thought about America. His answer was that we had succeeded in producing the material means of civilization by the ton, where other nations had produced them by the pound. “We intellectuals in Europe have always been poor, by your standards over here. We have to make a very little food support a great many ideas. But you have unlimited³ quantities of food, and—well, we seek for the ideas, and we judge by analogy they must exist—”

“But you don't find them?” I laughed.

“Well,” said he, “I have come to seek them.”

This talk occurred while we were strolling down our Broadway, in Western City, one bright afternoon in the late fall of 1921. We talked about the picture which Dr. Henner had recommended to me, and which we were now going to see. It was called “The Cabinet of Dr. Caligari,” and was a “futurist” production, a strange, weird⁴ freak of the cinema art, supposed to be the nightmare of a madman. “Being an American,” said Dr. Henner, “you will find yourself asking, 'What good does such a picture do?' You will have the idea that every work of art must serve some moral purpose.” After a pause, he added: “This picture could not possibly have been produced in America. For one thing, nearly all the characters are thin.” He said it with the flicker⁵ of a smile—“One does not find American screen actors in that condition. Do your people care enough about the life of art to take a risk of starving for it?”

Now, as a matter of fact, we had at that time several millions of people out of work in America, and many of them starving. There must be some intellectuals among them, I suggested; and the critic replied: “They must have starved for so long that they have got used to it, and can enjoy it—or at any rate can enjoy turning it into art. Is not that the final test of great art, that it has been smelted⁶ in the fires of suffering? All the great spiritual movements of humanity began in that way; take primitive⁷ Christianity, for example. But you Americans have taken Christ, the carpenter—”

I laughed. It happened that at this moment we were passing St. Bartholomew's Church, a great brown-stone structure standing⁸ at the corner of the park. I waved my hand towards it. “In there,” I said, “over the altar, you may see Christ, the carpenter, dressed up in exquisite⁹ robes of white and amethyst¹⁰, set up as a stained glass window ornament¹¹. But if you'll stop and think, you'll realize it wasn't we Americans who began that!”

“No,” said the other, returning my laugh, “but I think it was you who finished him up as a symbol of elegance¹², a divinity of the respectable inane¹³.”

Thus chatting, we turned the corner, and came in sight of our goal, the Excelsior Theatre. And there was the mob!

1 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

2 velvet   

n.丝绒，天鹅绒；adj.丝绒制的，柔软的

参考例句：

• This material feels like velvet.这料子摸起来像丝绒。
• The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。

3 unlimited   

adj.无限的，不受控制的，无条件的

参考例句：

• They flew over the unlimited reaches of the Arctic.他们飞过了茫茫无边的北极上空。
• There is no safety in unlimited technological hubris.在技术方面自以为是会很危险。

4 weird   

adj.古怪的，离奇的；怪诞的，神秘而可怕的

参考例句：

• From his weird behaviour,he seems a bit of an oddity.从他不寻常的行为看来，他好像有点怪。
• His weird clothes really gas me.他的怪衣裳简直笑死人。

5 flicker   

vi./n.闪烁，摇曳，闪现

参考例句：

• There was a flicker of lights coming from the abandoned house.这所废弃的房屋中有灯光闪烁。
• At first,the flame may be a small flicker,barely shining.开始时，光辉可能是微弱地忽隐忽现，几乎并不灿烂。

6 smelted   

v.熔炼，提炼（矿石）( smelt的过去式和过去分词 )；合演( costar的过去式和过去分词 )；闻到；嗅出

参考例句：

• The lead paste is smelted in a blast furnace. 铅团在鼓风炉中被溶解。 来自互联网
• Iron is taken from the earth, and copper is smelted from ore. 铁从地里挖出，铜从石中熔化。 来自互联网

7 primitive   

adj.原始的；简单的；n.原(始)人，原始事物

参考例句：

• It is a primitive instinct to flee a place of danger.逃离危险的地方是一种原始本能。
• His book describes the march of the civilization of a primitive society.他的著作描述了一个原始社会的开化过程。

8 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

9 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

10 amethyst   

n.紫水晶

参考例句：

• She pinned a large amethyst brooch to her lapel.她在翻领上别了一枚大大的紫水晶饰针。
• The exquisite flowers come alive in shades of amethyst.那些漂亮的花儿在紫水晶的映衬下显得格外夺目。

11 ornament   

v.装饰，美化；n.装饰，装饰物

参考例句：

• The flowers were put on the table for ornament.花放在桌子上做装饰用。
• She wears a crystal ornament on her chest.她的前胸戴了一个水晶饰品。

12 elegance   

n.优雅；优美，雅致；精致，巧妙

参考例句：

• The furnishings in the room imparted an air of elegance.这个房间的家具带给这房间一种优雅的气氛。
• John has been known for his sartorial elegance.约翰因为衣着讲究而出名。

13 inane   

adj.空虚的，愚蠢的，空洞的

参考例句：

• She started asking me inane questions.她开始问我愚蠢的问题。
• Such comments are inane because they don't help us solve our problem.这种评论纯属空洞之词，不能帮助我们解决问题。