As a convinced socialist10 and eager advocate of unpopular doctrines11, as an exposer of social conditions that would otherwise be screened away from the public eye, the most influential12 journals of his country were as a rule arraigned13 against him. Though always a poor man, though never willing to grant to publishers the concessions14 essential for many editions and general popularity, he was maliciously15 represented to be a carpet knight16 of radicalism17 and a socialist millionaire. He has several times been obliged to change his publisher, which goes to prove that he is no seeker of material gain.
Upton Sinclair is one of the writers of the present time most deserving of a sympathetic interest. He shows his patriotism18 as an American, not by joining in hymns19 to the very conditional20 kind of liberty peculiar21 to the United States, but by agitating22 for infusing it with the elixir23 of real liberty, the liberty of humanity. He does not limit himself to a dispassionate and entertaining description of things as they are. But in his appeals to the honour and good-fellowship of his compatriots, he opens their eyes to the appalling24 conditions under which wage-earning slaves are living by the hundreds of thousands. His object is to better these unnatural25 conditions, to obtain for the very poorest a glimpse of light and happiness, to make even them realise the sensation of cosy26 well-being27 and the comfort of knowing that justice is to be found also for them.
This time Upton Sinclair has absorbed himself in the study of the miner's life in the lonesome pits of the Rocky Mountains, and his sensitive and enthusiastic mind has brought to the world an American parallel to GERMINAL, Emile Zola's technical masterpiece.
The conditions described in the two books are, however, essentially28 different. While Zola's working-men are all natives of France, one meets in Sinclair's book a motley variety of European emigrants29, speaking a Babel of languages and therefore debarred from forming some sort of association to protect themselves against being exploited by the anonymous30 limited Company. Notwithstanding this natural bar against united action on the part of the wage-earning slaves, the Company feels far from at ease and jealously guards its interests against any attempt of organising the men.
A young American of the upper class, with great sympathy for the downtrodden and an honest desire to get a first-hand knowledge of their conditions in order to help them, decides to take employment in a mine under a fictitious31 name and dressed like a working-man. His unusual way of trying to obtain work arouses suspicion. He is believed to be a professional strike-leader sent out to organise32 the miners against their exploiters, and he is not only refused work, but thrashed mercilessly. When finally he succeeds in getting inside, he discovers with growing indignation the shameless and inhuman33 way in which those who unearth34 the black coal are being exploited.
These are the fundamental ideas of the book, but they give but a faint notion of the author's poetic35 attitude. Most beautifully is this shown in Hal's relation to a young Irish girl, Red Mary. She is poor, and her daily life harsh and joyless, but nevertheless her wonderful grace is one of the outstanding features of the book. The first impression of Mary is that of a Celtic Madonna with a tender heart for little children. She develops into a Valküre of the working-class, always ready to fight for the worker's right.
The last chapters of the book give a description of the miners' revolt against the Company. They insist upon their right to choose a deputy to control the weighing-in of the coal, and upon having the mines sprinkled regularly to prevent explosion. They will also be free to buy their food and utensils36 wherever they like, even in shops not belonging to the Company.
In a postscript37 Sinclair explains the fundamental facts on which his work of art has been built up. Even without the postscript one could not help feeling convinced that the social conditions he describes are true to life. The main point is that Sinclair has not allowed himself to become inspired by hackneyed phrases that bondage38 and injustice and the other evils and crimes of Kingdoms have been banished39 from Republics, but that he is earnestly pointing to the honeycombed ground on which the greatest modern money-power has been built. The fundament of this power is not granite40, but mines. It lives and breathes in the light, because it has thousands of unfortunates toiling41 in the darkness. It lives and has its being in proud liberty because thousands are slaving for it, whose thraldom42 is the price of this liberty.
This is the impression given to the reader of this exciting novel.
GEORG BRANDES.
点击收听单词发音
1 consecrated | |
adj.神圣的,被视为神圣的v.把…奉为神圣,给…祝圣( consecrate的过去式和过去分词 );奉献 | |
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2 agitation | |
n.搅动;搅拌;鼓动,煽动 | |
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3 enrolled | |
adj.入学登记了的v.[亦作enrol]( enroll的过去式和过去分词 );登记,招收,使入伍(或入会、入学等),参加,成为成员;记入名册;卷起,包起 | |
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4 enthusiast | |
n.热心人,热衷者 | |
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5 flinched | |
v.(因危险和痛苦)退缩,畏惧( flinch的过去式和过去分词 ) | |
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6 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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7 earnings | |
n.工资收人;利润,利益,所得 | |
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8 ward | |
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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9 injustice | |
n.非正义,不公正,不公平,侵犯(别人的)权利 | |
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10 socialist | |
n.社会主义者;adj.社会主义的 | |
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11 doctrines | |
n.教条( doctrine的名词复数 );教义;学说;(政府政策的)正式声明 | |
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12 influential | |
adj.有影响的,有权势的 | |
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13 arraigned | |
v.告发( arraign的过去式和过去分词 );控告;传讯;指责 | |
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14 concessions | |
n.(尤指由政府或雇主给予的)特许权( concession的名词复数 );承认;减价;(在某地的)特许经营权 | |
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15 maliciously | |
adv.有敌意地 | |
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16 knight | |
n.骑士,武士;爵士 | |
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17 radicalism | |
n. 急进主义, 根本的改革主义 | |
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18 patriotism | |
n.爱国精神,爱国心,爱国主义 | |
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19 hymns | |
n.赞美诗,圣歌,颂歌( hymn的名词复数 ) | |
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20 conditional | |
adj.条件的,带有条件的 | |
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21 peculiar | |
adj.古怪的,异常的;特殊的,特有的 | |
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22 agitating | |
搅动( agitate的现在分词 ); 激怒; 使焦虑不安; (尤指为法律、社会状况的改变而)激烈争论 | |
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23 elixir | |
n.长生不老药,万能药 | |
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24 appalling | |
adj.骇人听闻的,令人震惊的,可怕的 | |
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25 unnatural | |
adj.不自然的;反常的 | |
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26 cosy | |
adj.温暖而舒适的,安逸的 | |
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27 well-being | |
n.安康,安乐,幸福 | |
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28 essentially | |
adv.本质上,实质上,基本上 | |
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29 emigrants | |
n.(从本国移往他国的)移民( emigrant的名词复数 ) | |
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30 anonymous | |
adj.无名的;匿名的;无特色的 | |
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31 fictitious | |
adj.虚构的,假设的;空头的 | |
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32 organise | |
vt.组织,安排,筹办 | |
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33 inhuman | |
adj.残忍的,不人道的,无人性的 | |
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34 unearth | |
v.发掘,掘出,从洞中赶出 | |
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35 poetic | |
adj.富有诗意的,有诗人气质的,善于抒情的 | |
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36 utensils | |
器具,用具,器皿( utensil的名词复数 ); 器物 | |
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37 postscript | |
n.附言,又及;(正文后的)补充说明 | |
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38 bondage | |
n.奴役,束缚 | |
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39 banished | |
v.放逐,驱逐( banish的过去式和过去分词 ) | |
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40 granite | |
adj.花岗岩,花岗石 | |
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41 toiling | |
长时间或辛苦地工作( toil的现在分词 ); 艰难缓慢地移动,跋涉 | |
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42 thraldom | |
n.奴隶的身份,奴役,束缚 | |
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