HE newly-arrived traveller in Sydney is generally pestered1 by the urbane2 and well-meaning citizens of that London of the South by three or more questions. Until he has answered these, and done so to their satisfaction,—and the correct reply is the “Open Sesame” to their hospitable3 homes and hearts,—his polite inquisitors will look coldly upon him. This knowledge is worth much to those of our readers who intend visiting Sydney for the first time; and we highly recommend such persons to study what we have to say upon this highly important subject.
Many a time have we seen the learned scholar, the gallant4 soldier, and the wealthy globe-trotter turned back from the very gates of that Antipodean Paradise, the inner circle of Sydney society, from an inability to pass this curious test. As often we have seen the artful “new chum,” who has received a clear hint 20 from his friends, and acted upon such, glide5 without exertion6 into the Elysium fields of Elizabeth Bay and Pott’s Point.
The principal of these questions, and the first one generally asked, is, “What do you think of our beautiful harbour?” (Time being precious in Sydney, the aspirate is seldom sounded in this case.)
The second screw of the interviewer’s mental thumb-smasher is, “What do you think of the Post-Office carvings7?”
Now experience has shown us that to the first two questions the simple words “Awfully jolly, bai Jove!” especially if accompanied with a long drawl, will put the knowing if unscrupulous candidate upon his way rejoicing. That he may be able to answer the third in a satisfactory manner, we ask him to follow our story through the wastes that lie over against Cambell and Hay Streets.
It is a curious and interesting fact that no one, whatever command of language he may possess, can describe a place, or thing, successfully to another, if his auditor9 has never had personal experience of something similar. Who could picture up in his mind the ocean in a storm, or a cavalry10 charge, from a mere11 verbal or written description?
The best literary effort would be thrown away upon a man of no experience. Such an individual would, after reading or hearing of the glories of the sea, probably still have only a vague idea that it was in appearance something similar to an animated12 potato-bed of a green colour.
21
We trouble our readers with all this in order that they may assist us in picturing the scene we are about to describe, by conjuring13 up “in the mind’s eye,” one of the flaring14 midnight markets of the Old World,—Petticoat Lane, Seven Dials, Deptford, the more ancient parts of the Cité, Paris, or the like.
The best admirers of Sydney—and it rightly has many of these—will scarcely proclaim it as a moral city. The unlimited15 license16 granted to its youth of both sexes and every class, by the custom and habits of the community, is fraught18 with those dangerous elements that encourage the growth of the worst sorts of crimes. Monied and unscrupulous blackguards are to be found here, as elsewhere in the world; and nowhere can they have their fling—that every devil’s dance—to better advantage than in Sydney.
Paddy’s Market is one of the hunting-grounds of this class of individuals.
As evening draws over the city vast crowds are to be seen hurrying homeward past the glaring shops and brilliantly-lighted hotels. Now dodging19 red- and green-eyed steam-trams, as they screech20 and rumble21 along the handsome but narrow streets; and anon dashing in open order like frighted sheep across the bus-covered squares, the migratory22 sojourners of the city flock nightly outwards23 from the business centres.
Let us allow ourselves to be carried down George Street in the human stream “Southward Ho!” till Cambell Street is reached. Here in the slack-water of the comparatively deserted24 footpath25 of a side street we can look around us. A vacant space of ground surrounded by a white railing is on the opposite side of the way, and we become aware of a Chinese quarter22 being at hand from the acrid26 stench that reaches us from up the street.
The open square in front of us is being appropriated for the night by a noisy crowd of itinerant27 ragamuffin “entertainers of the public,” of various callings.
There are the usual Try-yer-weight, Balm-of-Gilead, and Try-afore-yer-buy rascals28, and others of like kidney. These, with the dirty evangelists of Kings-of-Pain and Quack-doctors, are busy erecting29 various machines and tables for the night’s work. The place is busy with moving figures and the Norse-alphabetical rappings of twenty hammers, and gay with the crowd-attracting glories of red paint and bright brass-work. The gloaming gradually sinks into night, and flaring lamps appear in all directions; and four long buildings, that during the week have formed the Covent Garden of Sydney, begin to light up as the numerous stall-holders within commence business. Most of these are Jews of the lower classes; but here and there the child-like smile of a quarantine-flag-coloured follower30 of Confucius, or the merry, black, oily face of an African, breaks the monotony. At one stall half-a-dozen under-sized Chinamen are fingering some shoddy clothes; at another a “young man from the country” is hurriedly purchasing some indecent photographs from a dealer31 in church pictures and altar decorations, looking around him nervously32 the while, lest “his people” should see him. Close by, a lump of human flesh, in black oily ringlets and an astoundingly ample dress of vivid green, is showing off the glories of a ruby-coloured velvet33 skirt to two fragile “daughters of the public” by holding it against her majestic34 base. Near this last group, seated upon the only empty show 23 bench within sight, are two men. One, enveloped35 in a long, light dust-coat, and wearing a fashionable light-felt hat, looks to the casual observer like what he once was, namely, a gentleman. His companion is a short, thick-set fellow, with the ever-restless eyes of a detective or a criminal. His otherwise stolid-looking features are those that mark him at once as a foreigner, probably a Wurtemburger. As far as can be made out, as he sits in the shadow, he is more anxious to avoid notice than is his companion, and is dressed in a suit of dark-coloured tweed. Both are apparently36 watching for somebody they expect in the column of men, women, and children, as with the orderly manner, characteristic of a Sydney crowd, it dawdles37 its long length past.
“I know he left the hotel, and I know he’s not been able to see the firm to-day,” whispers the man in the dust-coat, rising and striking a match upon his pants, and proceeding38 to light a cigarette. “I slung39 him a moral yarn40 or two about Paddy’s Market that’ll fetch him along.”
“Because, my dear sir, if anything should happen to the young man, and I had been seen in his company, I might find it awkward; d’ye see, Grosse?”
The last speaker continues, after knocking the ashes off his cigarette with a delicate little cane42 he held in his gloved hands,—
“When I see him I’ll touch your arm. Clear out then at once. And when you see us again—at, you know where—don’t attempt to act if you don’t hear me whistling ‘Killaloo.’”
24
Here he of the cigarette whistled a bar of that melody for the benefit of his accomplice43.
The two men continue for some time sitting moodily44 watching the faces of the crowd, till the one in the tweed clothes abruptly45 rises, and, pulling his hat well over his eyes, slouches off. His companion shortly after leaves his seat, and, settling his collar, strolls off in the opposite direction. His walk is slow and deliberate, and as his lack-lustre eyes gaze alternately right and left upon the busy stalls, more than one remark about “swell attire” reaches his ear. His face, however, remains46 a perfect blank, until he meets the eye of a gentleman going the other way, when it becomes suffused47 with the smiles and beams of gratified pleasure.
A few words of recognition pass between the two and they join company, and pushing onward48 are lost to our view. The latest arrival, as our readers have no doubt guessed, is the hero of this story. Regardful of all his uncle’s instructions, save that clause concerning the risk he ran by using his own name in Sydney, he has just met a casual but delightful49 acquaintance, who is stopping at the same hotel that he has put up at. But before we follow the pair let us try and learn a lesson from, or rather philosophize over, the human panorama50 before us.
One of the first things that would strike a thoughtful observer of the habitués of Paddy’s Market are the number of young people to be seen there,—that is, persons under twenty-one years of age. Of course anywhere in the Australian colonies, save, perhaps, in some parts of Tasmania, the balance of population will be found to be in favour of youth rather than age, but25 here there are far more than one would expect to meet at such a place and at such an hour, for it is past eleven o’clock.
Numbers of these young people are pale-faced girls of tender age, who, earning their own livelihood51 at the big warehouses52 or millinery establishments of the city, laugh at the discipline of home (too often far away “up-country”), and are rapidly following that easy path that, with ever-increasing declivity53, will likely land them ultimately amongst the unfortunates of the pavements. The “pals” of these young damsels are also there by scores. Most of these have been “turned out” after one general pattern; and, to use another mechanic’s term, are chiefly “wasters.” The same disgusting, unnatural54, and unhealthy manikin appearance surrounds all of them. There is hardly any sight more pitiful to behold55 than these youthful bodies, that have never known the youth which Coleridge describes as “the body and spirit in unity17.” These little weak-eyed, weak-kneed, man-like creatures are mostly addicted56 to sham57 meerschaums, “flash ties,” and “blunderbuss” cut trousers, the bell-bottoms of which cover nearly the whole of their high-heeled “number nineteens.”
Why, for the sake of these unhappy chickens of Hers, does not fair Liberty—who is fast being dethroned in Sydney by her sly bastard-sister License—wake up, and let some paternal58 edict become law that will make it a State concern to watch over these truly “fatherless and motherless bairns”?
“The childhood,” said Milton, “shows the man, as morning shows the day.” What will Australia’s day be like with all this wealth of youth, that should one26 day form the voting and the thinking power of the rising Republic of the South, wasting its sweetness upon the tobacco-and-gin-stained wilderness59 of vice60 and idleness in all her cities? Who that knows Sydney is not also aware of the fact that these merry, over-dressed companions of these miserable61 little “market-toffs” fall an easy prey62 before the devilish machinations of the foul63 prowler and her client-slaves of appetence? Each girl—womanlike—vies with her work-fellows in extravagance of dress, destroying the beautiful architectural lines of “Nature’s divine building” with her uneducated idea of a perfect vestis forensis. If her legitimate64 exertions65 and the pocket money of her “pal” is insufficient66 for her purpose, other persons, whose business it is to do so, come forward to show her other means of obtaining the necessary funds, and the mischief67 is done.
The colony of New South Wales is badly in want of wives and mothers, and cries out ceaselessly to the older countries that she cannot give to every man a wife. Yet here are her own flesh and blood, female forms of which she need not be ashamed, all hurrying down the sewer68 of crime, like drowning butterflies, to rot in the foul slums and gutters69 of the capital.
As democracy grows used to her new-born powers, perhaps the people will cease to toy with the bright but keen-edged weapons of responsibility, and turn to guard their boys and girls. At present, however, and that is what concerns the object of this book, Sydney is a gigantic bait-pond where the wealthy debauchee can luxuriously70 roll in sin, and feed, shark-like and unchecked, upon the daughters of the colony.
27
But to return to Claude, and the delightful acquaintance he has made. Our hero, having discovered that he must wait a few days in Sydney before starting northwards to prosecute71 the object of his journey, has become fidgety and impatient. It is so annoying that he cannot begin his work at once; and he is only too glad to find any means of passing the intervening time. As the two men stroll along, Claude’s companion discourses72 eloquently73 to him upon the scenes around them, and Claude, walking silent and thoughtful at his side, feels grateful to him for doing all the talking.
“You have no idea, my dear fellow,” rattles74 on the young man in the grey coat, “you can’t have the slightest idea of the growing tendency which the unlimited freedom of the youth of this colony encourages towards the doctrine75 of Free-love.
“We see the lower orders here,” gracefully76 waving his cane, “and, mind you, the ‘lower orders’ is not a synonymous term with that of ‘poorer classes,’ as in the older countries. And which of the young people here to-night looks forward to marriage as more or less of a certainty, as people do in the older countries? Even in the parent-land the new doctrine is growing in strength. Here, I assure you, the girls dread77 marriage, and simply because it curtails78 that freedom of life, of following their own inclination79, that passion that is bred in their bones, and was the holiest creed80 of their parents.
“Only a wealthy husband, who is not likely to be too uxorious81 or too particular, will be endured in a few years. Do we not see it already in some of the States of America? Steady fellows like you may call28 the new doctrine simply open sin. But after all, what is sin? What but the breaking of certain unstable82 laws, that change and give way to others, as the nations that made them clamber painfully upwards83 towards the attractive light of freedom. Divorce is becoming every day more common, and easier to obtain. Every day home life is more and more exposed, and is fading away before the searching bull’s-eye of the unsympathetic paper-reading public. The beauties of home, that suited our mutton-headed fathers, are departing; and the price—marriage—is too much nowadays to give for what is often everybody’s property, as much as that of the unfortunate and foolish purchaser. But, as I said, you can see here the lower orders of the people. If you can judge the mind from the exterior84 body, you will acknowledge I am right in my deductions85. And now, if you have no objection, we will visit another place I want you to see, where we can study those human fowls86 that roost upon the second perch87 from the ground. Are you agreeable?”
“Oh, I’m in your hands entirely,” replies Claude. His companion smiles grimly,—turning his head away, for they are passing under a lamp. “It’s only too good of you to take the trouble of entertaining a dull country-fellow like myself. Where do you propose taking me to next?”
“Oh, it isn’t far, and I’ll take you a short cut. I want you to see a skating-rink. You’ll see lots of human moths88 there, and very pretty specimens89 of lepidoptera some of them are, fluttering, or rather rolling, round the lamp of sin. These rinks are little more or less than places of assignation.”
The young men have left the whirring, noisy, lamplit 29 crowds of Paddy’s Market during this conversation, and are making their way westward90 to George Street. The air is hot, and steamy with the butyric odours of a Saturday-night crowd. Crossing the wide rattling91 thoroughfare just mentioned, with its thousands of lights, and busy streams of thundering omnibuses and cabs, Claude and his companion push their way across the pavement,—crowded with purchasing humanity,—and find themselves suddenly in a new world. It is in this locality that one of the few nests of ancient rookeries that still remain in Sydney exists,—a menace breathing the foul odours of vice and sickness upon the rest of the city. Stately warehouses are, bit by bit, pushing these plague spots out of existence, and in a few more years they will happily be swept away. Here is before us an example of Dr. Johnson’s saying “that men are seldom better employed than when making money,”—commerce successfully waging a war of extermination92 against those fortresses93 of the city’s criminal population. A few gas lamps here and there, at long intervals94, make the dark dreariness95 of the blank wall, and lightless broken windows of the tumble-down houses, more complete. Black, suspicious-looking alleys96 and lanes slink off to nowhere in particular from unexpected corners to right and left of the midnight passer-by, as if fearful of being noticed.
At the end of the dark silent street, by the flickering97 light of a solitary98 broken lamp, Claude reads, upon the dirty wall of a house, a notice to the effect that a collar-maker had once lived there. That he or any one else existed there now, and was within call, was hardly to be imagined, so lonely did the spot appear 30 to be,—no lights at the windows, no sign of life, and no sound save the lessening99 roar of the great, hot, artery100 of traffic fast being left behind.
The two men walked quickly on, their hollow footsteps echoing over the broken pavements, and then another and still darker lane is crossed, surrounded by still more tumble-down wooden tenements101. The place is a wilderness, long deserted, surely, by mankind; only peopled by ghostly cats, and half-starved supernatural dogs, that, at the sound of footsteps, slink off like shadows into fetid drains, or through broken doors and fences, under cover of the blackness beyond.
“Where the dickens are you taking me to?” presently asked Claude,—the sound of his voice making quite a pleasant relief to the dead silence around.
“Oh! we’re quite near to Liverpool Street now,” replies his companion. “It’s a dreary102 neighbourhood, this; is not it? By Jupiter, it’s warm walking too! I’ll take my coat off.” The speaker stops for a moment, and, divesting103 himself of his dust-coat, hangs it doubled over his left arm.
“There,” he cries, a few steps further on, pointing with his cane, “there are the lights of the rink.” At this moment the two men left the shadowy lane, and felt under their feet the surface of a well-kept street, a pleasant change after the broken ways they had just traversed. Above where they stand, and about a quarter of a mile off, the blue-white radiance of several electric lights show the location of the famous cosmopolitan104 rink.
The street they are in terminates as such some twenty feet from where they stand, and, changing to31 a well-paved road, rises upwards, on a wide, serpentine105 viaduct built upon arches, to the dim building-clad hill before them. A low wall has been built on either side to prevent passengers from falling off upon the pavement below. On the right hand side of the viaduct is a large cobble-stoned yard, covered with hundreds of boxes, crates106, and empty barrels of all kinds. It is part of the railway goods station, and is at one point some twenty-five or thirty feet below the road upon the arches.
The faint earth-tremors of moving trucks and carriages, and the distant whirr of machinery107, announces that there are persons not very far-off. But, save for a hansom cab that dashes by the spot, it is almost as lonely as the slums just left.
“We’ll soon be there,” says Claude’s companion, who, glancing up the viaduct, has caught sight of a short, stout108 figure, as it passed under one of the few lamps above, coming slowly down the footing.
“I can hear the music, too, I declare,” he adds presently, as they reach the highest and darkest part of the incline overlooking the railway yard below. “Do you know the air? It’s Killaloo.”
Claude’s friend ceases speaking, and whistles a bar or two of the well-known song. Just then a short lame109 man is seen hobbling out of the darkness towards them, leaning upon a stick. He passes, and it is odd to notice how he at once becomes cured of his infirmities. At the same instant Claude’s companion exclaims, “A fire, by Jove!” and points towards a distant glare in the sky. Immediately afterwards he quickly steps backward, and seizing his light overcoat in both hands suddenly, with great dexterity110 flings it32 over his companion’s head, so as to completely muffle111 any attempted cry. Claude’s head is turned in the direction indicated by his companion, when he feels his arms suddenly pinioned112 behind. At the same instant some rough kind of drapery is dragged tightly over his head. He gasps113 for breath, and with the sudden anger of a surprised and wounded tiger dashes himself backward on his unseen foes114. His frantic115 efforts are unavailing; and before his half-dazed senses have properly taken in his terrible situation, he feels himself raised by four strong arms upon the parapet of the viaduct. The fearful truth flashes through his reeling brain. His whole body breaks out into suddenly alternating hot and icy sweats. He vainly tries with struggling feet and back-bound hands to save himself. It is but for an instant. The next moment he feels his back upon the sharp edge of the coping stones. The hot blood surges through his brain in a red, wild, lurid116, ever-increasing rush. Then he suddenly turns cold. His back overhangs the wall! He is resting upon nothing! He is falling!
点击收听单词发音
1 pestered | |
使烦恼,纠缠( pester的过去式和过去分词 ) | |
参考例句: |
|
|
2 urbane | |
adj.温文尔雅的,懂礼的 | |
参考例句: |
|
|
3 hospitable | |
adj.好客的;宽容的;有利的,适宜的 | |
参考例句: |
|
|
4 gallant | |
adj.英勇的,豪侠的;(向女人)献殷勤的 | |
参考例句: |
|
|
5 glide | |
n./v.溜,滑行;(时间)消逝 | |
参考例句: |
|
|
6 exertion | |
n.尽力,努力 | |
参考例句: |
|
|
7 carvings | |
n.雕刻( carving的名词复数 );雕刻术;雕刻品;雕刻物 | |
参考例句: |
|
|
8 query | |
n.疑问,问号,质问;vt.询问,表示怀疑 | |
参考例句: |
|
|
9 auditor | |
n.审计员,旁听着 | |
参考例句: |
|
|
10 cavalry | |
n.骑兵;轻装甲部队 | |
参考例句: |
|
|
11 mere | |
adj.纯粹的;仅仅,只不过 | |
参考例句: |
|
|
12 animated | |
adj.生气勃勃的,活跃的,愉快的 | |
参考例句: |
|
|
13 conjuring | |
n.魔术 | |
参考例句: |
|
|
14 flaring | |
a.火焰摇曳的,过份艳丽的 | |
参考例句: |
|
|
15 unlimited | |
adj.无限的,不受控制的,无条件的 | |
参考例句: |
|
|
16 license | |
n.执照,许可证,特许;v.许可,特许 | |
参考例句: |
|
|
17 unity | |
n.团结,联合,统一;和睦,协调 | |
参考例句: |
|
|
18 fraught | |
adj.充满…的,伴有(危险等)的;忧虑的 | |
参考例句: |
|
|
19 dodging | |
n.避开,闪过,音调改变v.闪躲( dodge的现在分词 );回避 | |
参考例句: |
|
|
20 screech | |
n./v.尖叫;(发出)刺耳的声音 | |
参考例句: |
|
|
21 rumble | |
n.隆隆声;吵嚷;v.隆隆响;低沉地说 | |
参考例句: |
|
|
22 migratory | |
n.候鸟,迁移 | |
参考例句: |
|
|
23 outwards | |
adj.外面的,公开的,向外的;adv.向外;n.外形 | |
参考例句: |
|
|
24 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
参考例句: |
|
|
25 footpath | |
n.小路,人行道 | |
参考例句: |
|
|
26 acrid | |
adj.辛辣的,尖刻的,刻薄的 | |
参考例句: |
|
|
27 itinerant | |
adj.巡回的;流动的 | |
参考例句: |
|
|
28 rascals | |
流氓( rascal的名词复数 ); 无赖; (开玩笑说法)淘气的人(尤指小孩); 恶作剧的人 | |
参考例句: |
|
|
29 erecting | |
v.使直立,竖起( erect的现在分词 );建立 | |
参考例句: |
|
|
30 follower | |
n.跟随者;随员;门徒;信徒 | |
参考例句: |
|
|
31 dealer | |
n.商人,贩子 | |
参考例句: |
|
|
32 nervously | |
adv.神情激动地,不安地 | |
参考例句: |
|
|
33 velvet | |
n.丝绒,天鹅绒;adj.丝绒制的,柔软的 | |
参考例句: |
|
|
34 majestic | |
adj.雄伟的,壮丽的,庄严的,威严的,崇高的 | |
参考例句: |
|
|
35 enveloped | |
v.包围,笼罩,包住( envelop的过去式和过去分词 ) | |
参考例句: |
|
|
36 apparently | |
adv.显然地;表面上,似乎 | |
参考例句: |
|
|
37 dawdles | |
v.混(时间)( dawdle的第三人称单数 ) | |
参考例句: |
|
|
38 proceeding | |
n.行动,进行,(pl.)会议录,学报 | |
参考例句: |
|
|
39 slung | |
抛( sling的过去式和过去分词 ); 吊挂; 遣送; 押往 | |
参考例句: |
|
|
40 yarn | |
n.纱,纱线,纺线;奇闻漫谈,旅行轶事 | |
参考例句: |
|
|
41 growls | |
v.(动物)发狺狺声, (雷)作隆隆声( growl的第三人称单数 );低声咆哮着说 | |
参考例句: |
|
|
42 cane | |
n.手杖,细长的茎,藤条;v.以杖击,以藤编制的 | |
参考例句: |
|
|
43 accomplice | |
n.从犯,帮凶,同谋 | |
参考例句: |
|
|
44 moodily | |
adv.喜怒无常地;情绪多变地;心情不稳地;易生气地 | |
参考例句: |
|
|
45 abruptly | |
adv.突然地,出其不意地 | |
参考例句: |
|
|
46 remains | |
n.剩余物,残留物;遗体,遗迹 | |
参考例句: |
|
|
47 suffused | |
v.(指颜色、水气等)弥漫于,布满( suffuse的过去式和过去分词 ) | |
参考例句: |
|
|
48 onward | |
adj.向前的,前进的;adv.向前,前进,在先 | |
参考例句: |
|
|
49 delightful | |
adj.令人高兴的,使人快乐的 | |
参考例句: |
|
|
50 panorama | |
n.全景,全景画,全景摄影,全景照片[装置] | |
参考例句: |
|
|
51 livelihood | |
n.生计,谋生之道 | |
参考例句: |
|
|
52 warehouses | |
仓库,货栈( warehouse的名词复数 ) | |
参考例句: |
|
|
53 declivity | |
n.下坡,倾斜面 | |
参考例句: |
|
|
54 unnatural | |
adj.不自然的;反常的 | |
参考例句: |
|
|
55 behold | |
v.看,注视,看到 | |
参考例句: |
|
|
56 addicted | |
adj.沉溺于....的,对...上瘾的 | |
参考例句: |
|
|
57 sham | |
n./adj.假冒(的),虚伪(的) | |
参考例句: |
|
|
58 paternal | |
adj.父亲的,像父亲的,父系的,父方的 | |
参考例句: |
|
|
59 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
参考例句: |
|
|
60 vice | |
n.坏事;恶习;[pl.]台钳,老虎钳;adj.副的 | |
参考例句: |
|
|
61 miserable | |
adj.悲惨的,痛苦的;可怜的,糟糕的 | |
参考例句: |
|
|
62 prey | |
n.被掠食者,牺牲者,掠食;v.捕食,掠夺,折磨 | |
参考例句: |
|
|
63 foul | |
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规 | |
参考例句: |
|
|
64 legitimate | |
adj.合法的,合理的,合乎逻辑的;v.使合法 | |
参考例句: |
|
|
65 exertions | |
n.努力( exertion的名词复数 );费力;(能力、权力等的)运用;行使 | |
参考例句: |
|
|
66 insufficient | |
adj.(for,of)不足的,不够的 | |
参考例句: |
|
|
67 mischief | |
n.损害,伤害,危害;恶作剧,捣蛋,胡闹 | |
参考例句: |
|
|
68 sewer | |
n.排水沟,下水道 | |
参考例句: |
|
|
69 gutters | |
(路边)排水沟( gutter的名词复数 ); 阴沟; (屋顶的)天沟; 贫贱的境地 | |
参考例句: |
|
|
70 luxuriously | |
adv.奢侈地,豪华地 | |
参考例句: |
|
|
71 prosecute | |
vt.告发;进行;vi.告发,起诉,作检察官 | |
参考例句: |
|
|
72 discourses | |
论文( discourse的名词复数 ); 演说; 讲道; 话语 | |
参考例句: |
|
|
73 eloquently | |
adv. 雄辩地(有口才地, 富于表情地) | |
参考例句: |
|
|
74 rattles | |
(使)发出格格的响声, (使)作嘎嘎声( rattle的第三人称单数 ); 喋喋不休地说话; 迅速而嘎嘎作响地移动,堕下或走动; 使紧张,使恐惧 | |
参考例句: |
|
|
75 doctrine | |
n.教义;主义;学说 | |
参考例句: |
|
|
76 gracefully | |
ad.大大方方地;优美地 | |
参考例句: |
|
|
77 dread | |
vt.担忧,忧虑;惧怕,不敢;n.担忧,畏惧 | |
参考例句: |
|
|
78 curtails | |
v.截断,缩短( curtail的第三人称单数 ) | |
参考例句: |
|
|
79 inclination | |
n.倾斜;点头;弯腰;斜坡;倾度;倾向;爱好 | |
参考例句: |
|
|
80 creed | |
n.信条;信念,纲领 | |
参考例句: |
|
|
81 uxorious | |
adj.宠爱妻子的 | |
参考例句: |
|
|
82 unstable | |
adj.不稳定的,易变的 | |
参考例句: |
|
|
83 upwards | |
adv.向上,在更高处...以上 | |
参考例句: |
|
|
84 exterior | |
adj.外部的,外在的;表面的 | |
参考例句: |
|
|
85 deductions | |
扣除( deduction的名词复数 ); 结论; 扣除的量; 推演 | |
参考例句: |
|
|
86 fowls | |
鸟( fowl的名词复数 ); 禽肉; 既不是这; 非驴非马 | |
参考例句: |
|
|
87 perch | |
n.栖木,高位,杆;v.栖息,就位,位于 | |
参考例句: |
|
|
88 moths | |
n.蛾( moth的名词复数 ) | |
参考例句: |
|
|
89 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
参考例句: |
|
|
90 westward | |
n.西方,西部;adj.西方的,向西的;adv.向西 | |
参考例句: |
|
|
91 rattling | |
adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
参考例句: |
|
|
92 extermination | |
n.消灭,根绝 | |
参考例句: |
|
|
93 fortresses | |
堡垒,要塞( fortress的名词复数 ) | |
参考例句: |
|
|
94 intervals | |
n.[军事]间隔( interval的名词复数 );间隔时间;[数学]区间;(戏剧、电影或音乐会的)幕间休息 | |
参考例句: |
|
|
95 dreariness | |
沉寂,可怕,凄凉 | |
参考例句: |
|
|
96 alleys | |
胡同,小巷( alley的名词复数 ); 小径 | |
参考例句: |
|
|
97 flickering | |
adj.闪烁的,摇曳的,一闪一闪的 | |
参考例句: |
|
|
98 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
参考例句: |
|
|
99 lessening | |
减轻,减少,变小 | |
参考例句: |
|
|
100 artery | |
n.干线,要道;动脉 | |
参考例句: |
|
|
101 tenements | |
n.房屋,住户,租房子( tenement的名词复数 ) | |
参考例句: |
|
|
102 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
参考例句: |
|
|
103 divesting | |
v.剥夺( divest的现在分词 );脱去(衣服);2。从…取去…;1。(给某人)脱衣服 | |
参考例句: |
|
|
104 cosmopolitan | |
adj.世界性的,全世界的,四海为家的,全球的 | |
参考例句: |
|
|
105 serpentine | |
adj.蜿蜒的,弯曲的 | |
参考例句: |
|
|
106 crates | |
n. 板条箱, 篓子, 旧汽车 vt. 装进纸条箱 | |
参考例句: |
|
|
107 machinery | |
n.(总称)机械,机器;机构 | |
参考例句: |
|
|
109 lame | |
adj.跛的,(辩解、论据等)无说服力的 | |
参考例句: |
|
|
110 dexterity | |
n.(手的)灵巧,灵活 | |
参考例句: |
|
|
111 muffle | |
v.围裹;抑制;发低沉的声音 | |
参考例句: |
|
|
112 pinioned | |
v.抓住[捆住](双臂)( pinion的过去式和过去分词 ) | |
参考例句: |
|
|
113 gasps | |
v.喘气( gasp的第三人称单数 );喘息;倒抽气;很想要 | |
参考例句: |
|
|
114 foes | |
敌人,仇敌( foe的名词复数 ) | |
参考例句: |
|
|
115 frantic | |
adj.狂乱的,错乱的,激昂的 | |
参考例句: |
|
|
116 lurid | |
adj.可怕的;血红的;苍白的 | |
参考例句: |
|
|
欢迎访问英文小说网 |