"Brighter and softer" his mother had said he was looking, and it was true. Brighter and softer still the hard, pleasure-wearied, joyless face became, as the minutes stole over him, among the sycamores and beeches16. He had pursued his desultory17 path a mile or more, and had lost sight of the house and the avenue, when he came to a beautiful open glade18, carpeted with turf of the softest green, and over-arched by forest trees. Looking down its long vista19, he saw that it terminated with a brilliant flower-garden, and a portion of a noble stone terrace, lying beneath one side of the many-turreted house. He stood entranced by the beauty of the scene, and, after a few moments, felt in his pocket for pencil and paper, in order to sketch20 it. He found both, and looking round him, saw a piece of the trunk of a felled tree, not yet removed by the care of the forester.
"A capital place to sketch from," thought George, as he folded his coat, and laid it upon the convenient block, and immediately became absorbed in his occupation. He was proceeding21 rapidly with his sketch, and feeling rather disposed to get it finished as quickly as he could, in order that he might return to the inn and procure22 some food, of which he stood in considerable need, when he caught the sound of galloping23 upon the turf in the distance behind him. He raised his head and listened; there it was, the dull rapid thud of hoofs24 on the grass. Was there one rider, or were there more? He listened again--only one, he thought; and now the rapid noise ceased, and was succeeded by the slow, pattering sound of a horse ridden daintily and gently about and about, by a capricious fancy. Still George listened, and presently there came riding out of the shadowy distance into the full expanse of the glade, down which the declining sun sent golden rays, as if in salutation, a lady, who was, as his first glance showed him, young and beautiful. She was quite unconscious of his presence, for the piece of timber on which he had been sitting was out of the line of sight, and though he had risen, he was still standing25 beside it. She came towards him, her slight form swaying to the movements of her bright bay thorough-bred, as she put the animal through all sorts of fanciful paces, now checking him with the rein27, now encouraging him with her clear sweet young voice, and patting his arched neck with her white-gloved hand. The young man looked out from his hiding-place, enraptured28, as she came on, a vision of youth, beauty, and refinement29, down the wide green glade, the sun shining on her, the birds singing, the flowers blooming for her, the proud walls of the old house rising grandly in the back-ground, as if in boast of the worthy30 shelter that awaited her. Nearer and nearer she came, and now George Dallas could see her face distinctly, and could hear the pretty words with which she coaxed31 her horse. It was a face to remember; a face to be the happier for having seen; a face whose beauty was blended of form and colour, of soul, feature, and expression; a face which had all that the earth has to give of its best and fairest, touched with the glory which is higher and better, which earth has not to bestow32. It was the face of a girl of nineteen, whose clear eyes were of golden brown, whose cheeks bloomed with the purest, most varying flower-like colour, whose rich golden hair shone in the sunlight, as its braids rippled33 and turned about with the movement of her head, tossed childishly to the rhythmical34 measure of her horse's tread.
Half a dozen trees only intervened between her and the spot where George Dallas stood, greedily watching her every movement and glance, when she took her hat off, and pushed the heavy golden hair off her broad white forehead. At that moment her horse jerked the rein she held loosely, and pulled her slightly forward, the hat falling from her hand on the grass.
"Now see what you have done," she said, with a gay laugh, as the animal stood still and looked foolish. "I declare I'll make you pick it up with your mouth. There, sir, turn, I tell you; come, you know how." And she put the horse through all the pretty tricks of stooping and half kneeling, in which she evidently felt much more pleasure than he did. But she did not succeed: he obeyed touch and word readily; but he did not pick up the hat. At last she desisted, and said with a funny look of mock patience:
"Very well, Sir Lancelot, if you won't you won't, so I must get off." She had just gathered her skirt in her hand, and was about to spring from her saddle, when George Dallas stepped out from among the trees, picked up the hat, and handed it to her, with a bow.
The young lady looked at him in astonishment35, but she thanked him with self-possession, which he was far from sharing, and put her hat on, while Sir Lancelot pawed impatiently.
"Thank you," she said; "I did not see any one near."
"I was sitting yonder," said George, pointing to the spot whence he had emerged, "on some fallen timber, and was just taking the liberty of sketching36 the view of the house, when you rode up."
She coloured, looked pleased and interested, and said, hesitatingly, having bidden Sir Lancelot "stand:" "You are an artist, sir?"
"No," he answered, "at least, only in a very small way; but this is such a beautiful place, I was tempted37 to make a little sketch. But I fear I am intruding38; perhaps strangers are not admitted."
"Oh yes, they are," she replied hurriedly. "We have not many strangers in this neighbourhood; but they are all welcome to come into the park, if they like. Had you finished your sketch?" she asked timidly, with a look towards the sheet of paper, which had fallen when Dallas rose, and had been fluttered into sight by the gentle wind. George saw the look, and caught eagerly at any pretext39 for prolonging the interview a few moments.
"May I venture to show you my poor attempt?" he asked, and without awaiting her answer, he stepped quickly back to the place he had left. The girl walked her horse gently forward, and as he stooped for the paper, she was beside him, and, lifting his head, he caught for a moment the full placid40 gaze of her limpid41 eyes. He reddened under the look, full of gentleness and interest as it was, and a pang42 shot through his heart, with the swift thought, that once he might have met such a woman as this on equal terms, and might have striven with the highest and the proudest for her favour. That was all over now; but at least he, even he, might sun himself in the brief light of her presence. She laid the rein on Sir Lancelot's neck, and took the little drawing from his hand with a timid expression of thanks.
"I am no judge," she said, when she had looked at it, and he had looked at her, his whole soul in his eyes; "but I think it is very nicely done. Would you not like to finish it? Or perhaps there are some other points of view you would like to take? I am sure my uncle, Sir Thomas Boldero, would be delighted to give you every facility. He is very fond of art, and--and takes a great interest in artists."
"You are very kind," said Dallas. "I shall be at Amherst a day or two longer, and I will take the liberty of making a few sketches--that splendid group of sycamores, for instance."
"Ah, yes," she said, laughing, "I call them the godfathers and godmothers of the park. They would make a pretty picture. I tried to draw them once, myself, but you cannot imagine what a mess I made of it."
"Indeed," said Dallas, with a smile, "and why am I to be supposed unable to imagine a failure?"
"Because you are an artist," she said, with charming archness and simplicity43, "and, of course, do everything well."
This simple exhibition of faith in artists amused Dallas, to whom this girl was a sort of revelation of the possibilities of beauty, innocence44, and na?veté.
"Of course," he replied gravely; "nevertheless I fear I shall not do justice to the sycamores."
And now came an inevitable45 pause, and he expected she would dismiss him and ride away, but she did not. It was not that she had any of the awkward want of manner which makes it difficult to terminate a chance interview, for she was perfectly46 graceful47 and self-possessed, and her manner was as far removed from clumsiness as from boldness. The girl was thinking, during the pause whose termination Dallas dreaded48. After a little, she said:
"There is a very fine picture-gallery at the Sycamores, and I am sure it would give my uncle great pleasure to show it to you. Whenever any gentlemen from London are staying at Amherst, or passing through, Mr. Page at the inn tells them about the picture-gallery, and they come to see it, if they care about such things; perhaps it was he who told you?"
"No," said Dallas, "I am not indebted for the pleasure--for the happiness--of this day to Mr. Page. No one guided me here, but I happened to pass the gate, and a very civil old gentleman, who was doing some gardening at the lodge49, asked me in."
His looks said more than his words dared to express, of the feelings with which his chance visit had inspired him. But the girl did not see his looks; she was idly playing with Sir Lancelot's mane, and thinking.
"Well," she said at last, settling herself in the saddle in a way unmistakably preliminary to departure, "if you would like to see the picture-gallery, and will walk round that way, through those trees, to the front of the house"--she pointed50 out the direction with the handle of her riding-whip--"I will go on before, and tell my uncle he is about to have a visitor to inspect his treasures."
"You are very kind," said Dallas earnestly, "and you offer me a very great pleasure. But Sir Thomas Boldero may be engaged--ay think it an intrusion."
"And a thousand other English reasons for not accepting at once a civility frankly51 offered," said the girl, with a delightful52 laugh. "I assure you, I could not gratify my uncle more than by picking up a stray connoisseur53; or my aunt than by bringing to her a gentleman of sufficient taste to admire her trees and flowers."
"And her niece, Miss Carruthers," thought George Dallas.
"So pray go round to the house. Don't forget your coat. I see it upon the ground--there. It has got rubbed against the damp bark, and there's a great patch of green upon it."
"You must not make little of Amherst," said the girl, with mock gravity, as George stood rubbing the green stain off his coat with his handkerchief; "we regard the town here as a kind of metropolis55, and have profound faith in the shops and all to be purchased therein. Did dear old Evans make that coat?"
"A venerable person of that name sold it me," returned George, who had now thrown the coat over his arm, and stood, hat in hand, beside her horse.
"The dear! I should not mind letting him make me a habit," she said. "Good-bye, for the present--that way," again she pointed with her whip, and then cantered easily off, leaving George in a state of mind which he would have found it very difficult to define, so conflicting where his thoughts and emotions. He looked after her, until the last flutter of her skirt was lost in the distance, and then he struck into the path which she had indicated, and pursued it, musing56.
"And that is Clare Carruthers! I thought I had seen that head before, that graceful neck, that crown of golden hair. Yes, it is she; and little she thinks whom she is about to bring into her uncle's house--the outcast and exile from Poynings! I will see it out; why should I not? I owe nothing to Carruthers that I should avoid this fair, sweet girl, because he chooses to banish57 me from her presence. What a presence it is! What am I that I should come into it?" He paused a moment, and a bitter tide of remembrance and self-reproach rushed over him, almost overwhelming him. Then he went on more quickly, and with a flushed cheek and heated brow, for anger was again rising within him. "You are very clever as well as very obstinate58, my worthy stepfather, but you are not omnipotent59 yet. Your darling niece, the beauty, the heiress, the great lady, the treasure of price to be kept from the sight of me, from the very knowledge of anything so vile60 and lost, has met me, in the light of day, not by any device of mine, and has spoken to me, not in strained, forced courtesy, but of her own free will. What would you think of that, I wonder, if you knew it! And my mother? If the girl should ask my name, and should tell my mother of her chance meeting with a wandering artist, one Paul Ward26, what will my mother think?--my dear conscientious62 mother, who has done for me what wounds her conscience so severely63, and who will feel as if it were wounded afresh by this accidental meeting, with which she has nothing in the world to do." He lifted his hat, and fanned his face with it. His eyes were gleaming, his colour had risen; he looked strong, daring, active, and handsome--a man whom an innocent girl, all unlearned in life and in the world's ways, might well exalt64 in her guileless fancy into a hero, and be pardoned her mistake by older, sadder, and wiser heads.
"How beautiful she is, how frank, how graceful, how unspeakably innocent and refined! She spoke61 to me with such an utter absence of conventional pretence65, without a notion that she might possibly be wrong in speaking to a stranger, who had offered her a civility in her uncle's park. She told that man on the balcony that night that Sir Thomas Boldero was her uncle. I did not remember it when the old man mentioned the name. How long has she been here, I wonder? Is she as much here as at Poynings? How surprised she would be if she knew that I know who she is; that I have heard her voice before to-day; that in the pocket-book she held in her hand a few minutes ago there lies a withered66 flower, which she once touched and wore. Good God! What would a girl like that think of me, if she knew what I am--if she knew that I stole like a thief to the window of my mother's house, and looked in, shivering, a poverty-stricken wretch67, come there to ask for alms, while she herself glittered among my mother's company, like the star of beauty and youth she is? How could she but despise me if she knew it! But she will never know it, or me, most likely. I shall try to get away and work out all this, far away in a country where no memories of sin and shame and sorrow will rise up around me like ghosts. I am glad to have seen and spoken to Clare Carruthers; it must do me good to remember that such a woman really exists, and is no poet's or romancer's dream. I am glad to think of her as my mother's friend, companion, daughter almost. My mother, who never had a daughter, and has, God help her, no son but me! But I shall never see her again, most likely. When I reach the house, I shall find a pompous68 servant, no doubt, charged with Sir Thomas's compliments, and orders to show me round a gallery of spurious Dutch pictures, copies of Raphael and Carlo Dolce, and a lot of languishing69 Lelys and gluttony-suggesting Knellers."
"With these disparaging70 words in his thoughts, George Dallas reached the border of the park, and found himself in front of the house. The fa?ade was even more imposing71 and beautiful than he had been led to expect by the distant view of it, and the wide arched doorway72 gave admittance to an extensive quadrangle beyond. A stone terrace stretched away at either side of the entrance, as at Poynings. Standing on the lower step, a tame peacock displaying his gaudy73 plumage by her side, he saw Miss Carruthers. She came forward to meet him with a heightened colour and an embarrassed manner, and said:
"I am very sorry, indeed, but Sir Thomas and my aunt are not at home. They had no intention of leaving home when I went out for my ride, but they have been gone for some time." She looked towards a servant who stood near, and added: "I am so sorry; nothing would have given my uncle more pleasure; but if you will allow me, I will send--"
George interrupted her, but with perfect politeness.
"Thank you very much, but, if you will allow me, I will take my leave, and hope to profit by Sir Thomas Boldero's kindness on a future occasion." He bowed deeply, and was turning away, when, seeing that she looked really distressed74, he hesitated.
"I will show you the pictures myself, if you will come with me," she said, in a tone so frank, so kindly75 and engaging, that the sternest critic of manners in existence, supposing that critic to have been any other than an old maid, could not have condemned76 the spontaneous courtesy as forwardness. "I am an indifferent substitute for my uncle, as a cicerone, but I think I know the names of all the artists, and where all the pictures came from. Stephen,"--she spoke now to the servant,--"I am going to take this gentleman through the picture-gallery; go on before us if you please."
So George Dallas and Clare Carruthers entered the house together, and lingered over the old carvings77 in the hall, over their inspection78 of the sporting pictures which adorned79 it, and the dining-room, over the family portraits in the vestibule, the old china vases, and the rococo80 furniture. Every subject had an interest for them, and they did not think of asking themselves in what that interest originated and consisted. The girl did not know the young man's name, but his voice was full of the charm of sweet music for her, and in his face her fancy read strange and beautiful things. He was an artist, she knew already, which in sober language meant that she had seen a very tolerable sketch which he had made. He was a poet, she felt quite convinced; for did he not quote Tennyson, and Keats, and Coleridge, and even Herrick and Herbert, as they wandered among the really fine and valuable paintings which formed Sir Thomas Boldero's collection, so aptly and with such deep feeling and appreciation81 as could spring only from a poetic82 soul?
It was the old story, which has never been truly told, which shall never cease in the telling. Both were young, and one was beautiful; and though the present is an age which mocks at love at first sight, and indeed regards love at all, under any circumstances, with only decent toleration, not by any means amounting to favour, it actually witnesses it sometimes. The young man and the girl--the idle, dissolute, perverted83 young man; the beautiful, pure, innocent, proud, pious84 young girl--talked together that spring afternoon, as the hours wore on to evening, of art, of literature, of music, of travel, of the countless85 things over which their fancy rambled86, and which had wondrous87 charms for her bright intellect and her secluded88 life, simple and ignorant in the midst of its luxury and refinement. All that was best and noblest in George's mind came out at the gentle bidding of the voice that sounded for him with a new, undreamed-of music; and the hard, cold, wicked world in which he lived, in which hitherto, with rare intervals89 of better impulses, he had taken delight, fell away from him, and was forgotten. The girl's grace and beauty, refinement and gentleness, were not more conspicuous90 than her bright intelligence and taste, cultivated, not indeed by travel or society, but by extensive and varied91 reading. Such was the influence which minute after minute was gaining upon George. And for her? Her fancy was busily at work too. She loved art; it filled her with wonder and reverence92. Here was an artist, a young and handsome artist, of unexceptionable manners. She adored poetry, regarding it as a divine gift; and here was a poet--yes, a poet; for she had made Dallas confess that he very often wrote "verses;" but that was his modesty93: she knew he wrote poetry--beautiful poetry. Would he ever let her see any of it?
"Yes, certainly," he had answered; "when I am famous, and there is a brisk competition for me among the publishers, I will send a copy of my poems to you."
"To me! But you do not know my name."
"O yes, I do. You are Miss Carruthers."
"I am; but who told you?"
The question disconcerted Dallas a little. He turned it off by saying, "Why, how can you suppose I could be at Amherst without learning that the niece of Sir Thomas Boldero, of the Sycamores, is Miss Carruthers?"
"Ah, true; I did not think of that," said Clare simply. "But I do not live here generally; I live with another uncle, my father's brother--Sir Thomas is my mother's--Mr. Capel Carruthers, at Poynings, seven miles from here. Have you heard of Poynings?"
Yes, Mr. Dallas had heard of Poynings; but now he must take his leave. It had long been too dark to look at the pictures, and the young people were standing in the great hall, near the open door, whence they could see the gate and the archway, and a cluster of servants idling about and looking out for the return of the carriage. Clare was suddenly awakened94 to a remembrance of the lateness of the hour, and at once received her visitor's farewell, gracefully95 reiterating96 her assurances that her uncle would gladly make him free of the park for sketching purposes. She would tell Sir Thomas of the pleasant occurrences of the day;--by the by, she had not the pleasure of knowing by what name she should mention him to her uncle.
"A very insignificant97 one, Miss Carruthers. My name is Paul Ward."
And so he left her, and, going slowly down the great avenue among the beeches, met a carriage containing a comely98, good-humoured lady and an old gentleman, also comely and good-humoured who both bowed and smiled graciously as he lifted his hat to them.
"Sir Thomas and my lady, of course," thought George; "a much nicer class of relatives than Capel Carruthers, I should say."
He walked briskly towards the town. While he was in Clare's company he had forgotten how hungry he was, but now the remembrance returned with full vigour99, and he remembered very clearly how many hours had elapsed since he had eaten. When he came in sight of the railway station, a train was in the act of coming in from London. As he struck into a little by-path leading to the inn, the passengers got out of the carriages, passed through the station gate, and began to straggle up in the same direction. He and they met where the by-path joined the road, and he reached the inn in the company of three of the passengers, who were about to remain at Amherst. Mr. Page was in the hall, and asked George if he would dine.
"Dine?" said George. "Certainly. Give me anything you like, so that you don't keep me waiting; that's the chief thing."
"It is late, sir, indeed," remarked Mr. Page; "half-past seven, sir."
"So late?" said George carelessly, as he turned into the coffee-room.
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1
admiration
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| n.钦佩，赞美，羡慕 | |
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profusion
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| n.挥霍；丰富 | |
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artistically
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| adv.艺术性地 | |
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appreciative
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| adj.有鉴赏力的，有眼力的；感激的 | |
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aspirations
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| 强烈的愿望( aspiration的名词复数 )； 志向； 发送气音； 发 h 音 | |
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jaded
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| adj.精疲力竭的；厌倦的；（因过饱或过多而）腻烦的；迟钝的 | |
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faculty
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| n.才能；学院，系；(学院或系的)全体教学人员 | |
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enjoyment
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| n.乐趣；享有；享用 | |
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blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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elastic
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| n.橡皮圈，松紧带；adj.有弹性的；灵活的 | |
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winding
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| n.绕，缠，绕组，线圈 | |
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twig
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| n.小树枝，嫩枝；v.理解 | |
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lark
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| n.云雀，百灵鸟；n.嬉戏，玩笑；vi.嬉戏 | |
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strand
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| vt.使（船）搁浅，使（某人）困于（某地） | |
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tavern
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| n.小旅馆，客栈；小酒店 | |
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beeches
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| n.山毛榉( beech的名词复数 )；山毛榉木材 | |
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desultory
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| adj.散漫的，无方法的 | |
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glade
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| n.林间空地，一片表面有草的沼泽低地 | |
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vista
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| n.远景，深景，展望，回想 | |
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sketch
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| n.草图；梗概；素描；v.素描；概述 | |
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proceeding
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| n.行动，进行，(pl.)会议录，学报 | |
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procure
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| vt.获得，取得，促成；vi.拉皮条 | |
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galloping
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| adj. 飞驰的, 急性的 动词gallop的现在分词形式 | |
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hoofs
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| n.（兽的）蹄，马蹄( hoof的名词复数 )v.（兽的）蹄，马蹄( hoof的第三人称单数 ) | |
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standing
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ward
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| n.守卫，监护，病房，行政区，由监护人或法院保护的人（尤指儿童）；vt.守护，躲开 | |
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rein
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| n.疆绳，统治，支配；vt.以僵绳控制，统治 | |
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enraptured
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| v.使狂喜( enrapture的过去式和过去分词 ) | |
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refinement
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| n.文雅；高尚；精美；精制；精炼 | |
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worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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coaxed
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| v.哄，用好话劝说( coax的过去式和过去分词 )；巧言骗取；哄劝，劝诱 | |
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bestow
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| v.把…赠与，把…授予；花费 | |
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rippled
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| 使泛起涟漪（ripple的过去式与过去分词形式） | |
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rhythmical
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| adj.有节奏的，有韵律的 | |
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astonishment
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| n.惊奇，惊异 | |
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sketching
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| n.草图 | |
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tempted
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| v.怂恿（某人）干不正当的事；冒…的险（tempt的过去分词） | |
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intruding
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| v.侵入，侵扰，打扰( intrude的现在分词)；把…强加于 | |
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pretext
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| n.借口，托词 | |
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placid
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| adj.安静的，平和的 | |
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limpid
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| adj.清澈的，透明的 | |
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pang
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| n.剧痛，悲痛，苦闷 | |
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simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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innocence
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| n.无罪；天真；无害 | |
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inevitable
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| adj.不可避免的，必然发生的 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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graceful
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| adj.优美的，优雅的；得体的 | |
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dreaded
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| adj.令人畏惧的；害怕的v.害怕，恐惧，担心( dread的过去式和过去分词) | |
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lodge
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| v.临时住宿，寄宿，寄存，容纳；n.传达室，小旅馆 | |
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pointed
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| adj.尖的，直截了当的 | |
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frankly
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| adv.坦白地，直率地；坦率地说 | |
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delightful
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| adj.令人高兴的，使人快乐的 | |
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connoisseur
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| n.鉴赏家，行家，内行 | |
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gaily
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| adv.欢乐地，高兴地 | |
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metropolis
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| n.首府；大城市 | |
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musing
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| n. 沉思，冥想 adj. 沉思的, 冥想的 动词muse的现在分词形式 | |
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banish
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| vt.放逐，驱逐；消除，排除 | |
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obstinate
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| adj.顽固的，倔强的，不易屈服的，较难治愈的 | |
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omnipotent
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| adj.全能的，万能的 | |
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vile
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| adj.卑鄙的，可耻的，邪恶的；坏透的 | |
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spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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conscientious
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| adj.审慎正直的，认真的，本着良心的 | |
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severely
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| adv.严格地；严厉地；非常恶劣地 | |
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exalt
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| v.赞扬，歌颂，晋升，提升 | |
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pretence
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| n.假装，作假；借口，口实；虚伪；虚饰 | |
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withered
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| adj. 枯萎的，干瘪的，（人身体的部分器官）因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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wretch
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| n.可怜的人，不幸的人；卑鄙的人 | |
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pompous
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| adj.傲慢的，自大的；夸大的；豪华的 | |
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languishing
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| a. 衰弱下去的 | |
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disparaging
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| adj.轻蔑的，毁谤的v.轻视( disparage的现在分词 )；贬低；批评；非难 | |
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imposing
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| adj.使人难忘的，壮丽的，堂皇的，雄伟的 | |
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doorway
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| n.门口，(喻)入门；门路，途径 | |
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gaudy
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| adj.华而不实的；俗丽的 | |
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distressed
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| 痛苦的 | |
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kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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condemned
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| adj. 被责难的, 被宣告有罪的 动词condemn的过去式和过去分词 | |
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carvings
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| n.雕刻( carving的名词复数 )；雕刻术；雕刻品；雕刻物 | |
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inspection
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| n.检查，审查，检阅 | |
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adorned
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| [计]被修饰的 | |
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rococo
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| n.洛可可；adj.过分修饰的 | |
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appreciation
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| n.评价；欣赏；感谢；领会，理解；价格上涨 | |
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poetic
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| adj.富有诗意的，有诗人气质的，善于抒情的 | |
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perverted
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| adj.不正当的v.滥用( pervert的过去式和过去分词 )；腐蚀；败坏；使堕落 | |
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pious
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| adj.虔诚的；道貌岸然的 | |
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countless
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| adj.无数的，多得不计其数的 | |
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rambled
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| （无目的地）漫游( ramble的过去式和过去分词 )； （喻）漫谈； 扯淡； 长篇大论 | |
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wondrous
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| adj.令人惊奇的，奇妙的；adv.惊人地；异乎寻常地；令人惊叹地 | |
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secluded
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| adj.与世隔绝的；隐退的；偏僻的v.使隔开，使隐退( seclude的过去式和过去分词) | |
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intervals
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| n.[军事]间隔( interval的名词复数 )；间隔时间；[数学]区间；（戏剧、电影或音乐会的）幕间休息 | |
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conspicuous
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| adj.明眼的，惹人注目的；炫耀的，摆阔气的 | |
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varied
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| adj.多样的，多变化的 | |
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reverence
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| n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬 | |
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modesty
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| n.谦逊，虚心，端庄，稳重，羞怯，朴素 | |
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awakened
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| v.（使）醒( awaken的过去式和过去分词 )；（使）觉醒；弄醒；（使）意识到 | |
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95
gracefully
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| ad.大大方方地；优美地 | |
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96
reiterating
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| 反复地说，重申( reiterate的现在分词 ) | |
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97
insignificant
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| adj.无关紧要的，可忽略的，无意义的 | |
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98
comely
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| adj.漂亮的，合宜的 | |
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99
vigour
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| （=vigor）n.智力，体力，精力 | |
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