Hector Brunton tottered1 out of his car and up the steps into his chambers2 like a man in a palsy. Three clients were waiting in the outer office for consultations3. He told Patterson: "Send them away. Get rid of them. Say I'm too ill to see anybody." Then heavily he sat down at his desk.
The shock of Maggie Peterson's arrest, climaxing4 emotion, was still on him. Definitely his experience knew himself defeated. "God!" he muttered, "another night--another night of the rack."
The previous night had been torment5 enough. Then he had thought: "I may fail. Cavendish may have something up his sleeve"; then he had seen only success in jeopardy6; dreaded7 only the failure of his vengeance8. But now--now he was beaten--worse than beaten--delivered up, body and soul, to the Furies.
The clerk came in to ask if he might go. "Yes," said Brunton; "go. Go as soon as you like." The clerk went out, leaving him alone; alone with his Furies.
The Furies showed him Aliette, infinitely9 fastidious, infinitely desirable; they showed him Renée, Renée who would even now be awaiting him; they showed Lucy, Lucy Towers, stubborn in her cell. "Don't let her go free from her cell," whispered the Furies. "You're not beaten yet. She did kill the man. Convict her, Hector Brunton. Convict her of manslaughter."
They showed him Cavendish, Cavendish gloating at the prospect10 of victory. "To be beaten," whispered the Furies, "to be beaten by Cavendish, by the adulterer who stole away your wife!"
But all the time Hector Brunton knew in his inmost soul that he had sought to compass the death of an innocent woman; that he had sinned against his own code, against the holy ghost of justice.
And gradually, terrifyingly, the reason of that sinning was brought home to him. He had sinned, not as a woman sins, lovingly, but for sheer hate. Out of his hatred11 for Cavendish he had plotted--as surely as any murderer--the death of Lucy Towers.
And suddenly, starkly12, irresistibly13, it was brought home to him that--even as he had plotted the death of Lucy Towers--so, and for the same hideous14 reason, he had plotted the social ruin of his own wife.
Till finally the ultimate pretext15, the pretext of his love for Aliette, was stripped from him, and he saw that love in all its hideous nakedness, as lust16--the savage17 sadic lust which had hounded him to crime.
David Patterson had long gone home; but Brunton sat on--alone in his chambers--alone with his conscience, naked before his God. His worldly house, the sure material legal house of his own making, had crashed, in that one second of time when he watched Lucy Towers step down from the dock, to ruin. The law, basis of work and life, lay--a tablet shattered to ten thousand fragments--at his feet. Ghosts--the palpable ghosts of those two women for the compassing of whose ruin he had invoked18 the law--sidled about the darkling room, terrifying him. He knew himself a prisoner--prisoner in the invisible house of God.
Was there no way out? No escape from God's house of conscience? Had he, abiding19 by the letter of man's law, forfeited--for all time--the merciful spirit of the law of God?
"Yes," said conscience, "there is one way out. One way, and one way only, of escape. Make reparation, Hector Brunton. Set both these women free."
Must he, then, give up everything--wife, vengeance, victory--because of this one damnable insistent21 whisper, this whisper of conscience that was driving him to madness?
And now, again, he saw the phantoms--phantom22 of Aliette and phantom of Lucy Towers. They were behind bars--bars--innocent women behind bars which he, Hector Brunton, had socketed23 home with his own hands.
At last, thought of those bars drove him into the night. King's Bench Walk lay deserted24, chill-gleaming under autumnal trees. Leaves strewed25 it, swishing against his boots as he strode. "Autumn," thought Brunton. "Autumn! We've reached middle age, the year and I. And what have I garnered26? Nothing."
Suddenly he realized whither his feet were carrying him; suddenly he found himself under the colonnade27 of Pump Court, at the door of his rival's chambers. The door was shut, the court deserted. Yet for a long time Brunton stood by the door; stood, as a man stands who waits for some sign, for an opening window or the gleam of a light. But no window opened, no light gleamed.
He came, hardly knowing how, out of the gloom of the Temple into the raw glare of empty Fleet Street. In front of him uprose the long fa?ade of the high courts, the courts where he had won fame and money. What did fame and money matter to him--to Hector Brunton, who, gaining the whole legal world, had lost his own soul?
2
Counsel for the defense28, as he watched counsel for the prosecution29 make his way into court next morning, could almost feel sorry for the man. Brunton, the overbearing, overconfident Brunton, looked the veriest wreck30 of his old self. He tottered rather than walked to his seat. His eyes were dull, bloodshot; his hands trembled; his jowl twitched31 and twitched.
The judge had not yet arrived; and Ronnie's eyes, switching here and there about the packed court, suddenly envisaged32, below the judge's dais, the "exhibits" of the prosecution: among them the revolver which had killed its man. More than once, in the last year, he, Ronald Cavendish, had known the desire to kill his man. But now, looking on the wreck which had been Brunton, he knew the desire dead. No longer could he even hate Brunton. The man was beaten--beaten.
Bunce, approaching, handed up a telegram: "Congratulations. Masterly. Feel confident of your success. Bertram Standon."
Ronnie's heart glowed at the penciled words. Already he saw success, fame, victory; already the sentences he would speak throbbed33 in his brain. And then, abruptly34, the sight of Lucy Towers entering the witness-box for re?xamination recalled the fact that Brunton was still undefeated. The alternative charge of manslaughter had yet to be fought out between them!
The judge took his seat. The short re?xamination of Lucy Towers began--ended. Quietly she went back to the dock; quietly she took her seat by the blue-uniformed wardress.
"Robert Fielding!" called the constables36 on guard outside the doors.
The armless sailor, unskilled in law, had taken small comfort from the morning's papers. His face, shaved clean, was gray with apprehension37; his whole body drooped38 as he made his way into the box. Ronnie could see pity written clear on the faces of the jury. The fat matron--she still wore her red hat--made a convulsive movement as if to assist, when the crier of the court lifted the Bible to the kiss of that trembling mouth. Even the two dour39 spinsters seemed moved.
Robert Fielding's tale of the happenings at Laburnum Grove40 on the afternoon of July 5 corroborated41 his cousin's in almost every detail. Yet he told it haltingly; only when Ronnie asked, "Have you any knowledge of the relations between Mrs. Towers and her husband?" did any certainty come into the low voice.
"Nobody except me," said Robert Fielding, "knows all that Lucy had to put up with from that fellow. He was always a wrong 'un, was Bill Towers. I looked after her all I could, but a cripple like me hasn't got much chance."
"Did you ever make any secret of your affection for your cousin?"
"No, sir."
"When you told James Travers that your cousin's husband ought to be shot, what did you mean to imply?"
The sailor hesitated; and Ronnie, nervous of the one weakness left in his case, tried to prompt him. "When you told James Travers that Bill Towers ought to be shot, did you have any intention----"
But at that, the judge intervened--leading questions being barred in law; and Ronnie, a trifle annoyed with himself for the solecism, repeated his former query42.
Again Fielding hesitated; then he said, self-excusingly: "When I made that remark, I made it as a good many of us who have been in the service do make it--in a general sort of way, meaning that Bill Towers was a bad lot, and that it wouldn't be any loss if somebody did shoot him."
"I see." Ronnie smiled; and a man on the jury, obviously an ex-service man, smiled with him. "Now, about the pistol--or rather the revolver. Can you tell us how long it had been in your possession?"
"Two years, I should say."
"Had it always been loaded?"
"Yes. Ever since I can remember."
"Not until that afternoon."
"Which afternoon?"
"The afternoon she shot Bill Towers."
"One other point. James Travers told us that you said to him, 'I'd rather cut off my right hand than that Lucy should marry Bill Towers.' Did you ever make such a statement to James Travers?"
The sailor looked down, piteously, at his two empty sleeves. "I may have," he said. "But if I did, it must have been a long time ago."
"Before she married?"
"Yes, before she married."
"James Travers also told us that you said to him, when you showed him the revolver, 'This will cook Bill's goose for him.' Did you say that?"
"Yes." The answer was hardly audible. "He'd been knocking Lucy about--and I was mad with him."
"Was there any other reason why you were mad with him?"
"Yes, there was." And the sailor--fears momentarily forgotten--rapped out, so swiftly that even the judge could not stop him, "He drank, and he was carrying on with another woman. Everybody in the house knew about it."
On the hush44 which followed that statement--a statement confirmatory of the point which Ronnie, without specifically alleging45 it, had been trying to establish ever since his opening question to Maggie Peterson--fell the last question of Mr. Justice Heber: "Do you know, of your own knowledge, any woman other than his wife with whom the dead man was on terms of sexual intimacy46?"
And Robert Fielding, looking squarely into those gleaming spectacles, answered, "Yes, my lord. With Maggie Peterson. Many's the time I've seen the blackguard a-sneaking into her room."
3
At two o'clock of the afternoon, in a court packed to suffocation47 point, Ronald Cavendish rose to begin his final speech for the defense of Lucy Towers.
Robert Fielding's testimony48, unshaken in cross-examination, had been followed by more evidence, collected by Standon's assiduous reporters, as to the character of the dead man; and that evidence--Ronnie felt,--coupled with the arrest of Maggie Peterson, made the main issue, the issue of wilful49 murder, safe.
Nevertheless, the Wixton imagination in him was doubtful of the second issue, the issue of manslaughter. In England, the unwritten law did not run; and although, thanks to the press, the streets outside were black with people, with a mob hungry for news of the verdict, determined50 on his client's acquittal, Ronnie knew the difficulties of securing that acquittal too well for overconfidence.
Again he had spent the luncheon52 interval53 alone; praying--voicelessly--that his oratory54 might not fail; visualizing55 always those two dour-faced spinsters on the jury, and Mr. Justice Heber, having summed up in cold legal phraseology the bare facts of the case, awarding, on the jury's recommendation, the lenient56 sentence of a year's imprisonment57.
In those few seconds of time before his speech began, Ronnie's imagination could almost hear the murmur58 of the mob without. The murmur flustered59 him. After all, Lucy had shot her husband. Between her, pale in the dock, and the dark cell of felony, stood only a dumb advocate, a fencer unskilled with the sword of the spoken word.
Till suddenly, standing61 there silent before Lucy's peers, it seemed to Ronnie as though all the emotions of the last year stirred in his heart, as though all that pity for womankind which Aliette had engendered62 in him fought for utterance63 at his lips. For one fleeting64 moment, his keen gaze swept the court, envisaging65 judge, jury, the motionless figure of his client, the constable35 and the wardress either side of her, the spectators standing two-deep round the closed doors, Benjamin Bunce, David Patterson, John Cartwright, Brunton. For one fleeting moment he thought of Brunton, and of the wrong which Brunton had done to the woman he loved. Then, gravely, quietly, feeling the sword of the spoken word quiver like a live blade at his lips, he engaged his enemy.
Sentence by calm sentence, Julia Cavendish's son--making scarcely a gesture, referring hardly to a note--traversed the statements of his enemy and of the witnesses for his enemy; sentence by grave sentence, he demonstrated to those twelve watchful66 faces, to the nine men and the three women in the jury-box, that the crime---if crime it were--had been committed on a sudden impulse, without motive67, without malice68, without premeditation.
"Members of the jury, if we except the evidence of Maggie Peterson--evidence which we now know to be one tissue of lies,--what proof have we of motive or of malice aforethought? No proof, no proof whatsoever69. When counsel for the Crown dared to call my client an adulteress, on what did he base his foul70 allegation? On the word of a proved liar71. I venture to tell him that, if any one fact has emerged from the evidence which he has seen fit to put before you, it is the fact of my client's fidelity72 to the blackguard whom she had the misfortune to marry."
At that, fearfully, the "hanging prosecutor73" craned forward in his seat; and fearfully--as though it were of himself and not of the dead that Ronnie spoke60--his bloodshot eyes glanced up at the set, stern face of counsel for the defense. But counsel for the defense deigned74 him never a glance. Terribly, counsel for the defense went on:
"My lord, members of the jury, he, counsel for the Crown, is a distinguished75, perhaps our most distinguished advocate. Behind him are all the resources of the public purse, of the public power. Yet I, the humblest of pleaders, should not be doing my duty to my client did I not tell him that this prosecution to which he has thought fit to add the weight of his advocacy is a prosecution founded on false witness, bolstered76 on perjury77, a prosecution which no just advocate would have dared to support."
With those words, unprofessional, unpremeditated--for now the sword of oratory had outlunged Ronnie's self-control, so that he spoke from his heart, careless of etiquette,--a shiver of excitement rippled78 the gray-wigged80 heads behind. The wigged heads nodded toward one another, whispering, "I say! Why the deuce don't Brunton protest!" But Brunton did not protest. And counsel for the defense spoke on:
"Why he has so dared, is for my learned friend to explain. My learned friend spoke of mercy. The poet tells us that the quality of mercy is not strained. Did my learned friend ponder that saying when his hands drew up the indictment81 against my client? Did any spirit of mercy move him when his brain schemed the evidence which has been put before this court? Is he merciful or merciless, truthful82 or truthless, when he asks you to believe that this woman, this unfortunate Lucy Towers, is guilty not only of murder but of adultery?"
Still Brunton did not protest. His eyes, the bloodshot eyes under the wig79 awry84, dared look no more upon his enemy. For now it seemed to Hector Brunton as though Ronnie pleaded with him--as he had pleaded long ago--not only for the freedom of the woman in the dock, but for the freedom of Aliette.
"Adultery!" pleaded Ronnie. "Has my learned friend brought any proof of that adultery? He has brought none. None. None. Has he brought any proof of murder? Any proof of that malice aforethought without which--as he himself has told you--there can be no murder? He has brought none. None. None. Yet deliberately85 he has sought to twine"--one hand shot out, pointing first at Brunton, then at the unmoving figure of Lucy Towers--"the hangman's rope round the neck of this innocent woman. For she is innocent! Innocent of murder as she is of adultery. Innocent--I declare it to you in all solemnity!--innocent before the sight of man as she is innocent before the sight of God--of any and of every charge that counsel for the Crown has thought fit to bring against her. Of no charge, not even of manslaughter, can she be found guilty! Is it manslaughter to defend the defenseless? Is it manslaughter when a weak woman protects the man she loves from the beast who makes her days and her nights a living hell?
"A living hell!" For a second the flood of oratory ceased; for a second, through the silence of bated breaths, it seemed to Ronald Cavendish as though once again he caught the murmurs86 of the crowd without. But now the crowd gave strength to his words.
"Members of the jury, I do not ask for mercy. I ask only for justice. I ask you, when you weigh your verdict, to remember what manner of man was this William Towers. I ask you to look upon my client. I ask you to think of this woman, faithful always, complaining never, enduring always--year after hellish year--the bestial87 defilements of the drunken reprobate88 into whose black heart, not of premeditation but in sheer and sudden defense of a fellow-creature, she fired her fatal shot. Oh, yes, Lucy Towers fired that shot. Lucy Towers and no other killed her husband. That is the one truth in the tissue of lies which has been put before you. But was that killing89 a crime? Is not the world well rid of men like William Towers? Members of the jury, you, who have heard from the lips of unbiased witnesses what were his cruelties, what his drinkings and what his lecheries90, will you not say to yourselves--as I say to myself--when you come to consider your verdict: 'God save all women from such a man.'"
And then, for the first time, Ronnie deigned one scornful look upon his enemy.
"Yet, believe me, you men and you women on whose word depends life or death for this woman I am defending, it is not on the ground of her husband's cruelties that I ask you to let her go free. However degraded, however debauched, however cruel; this man, this William Towers still had the right to live. Neither by his lechery91 nor by his drunkenness did he forfeit20 his life. Yet his life was forfeit. Why? Let me tell you why. Let me tell you in one sentence. Because he sought to take the life of another.
"Remember that. Never forget that. William Towers sought to take the life of another!" Ronnie's voice slowed to emphasis. Subconsciously92, he knew himself at the very core of his defense. But consciously he knew nothing. The faces of the judge, of the jury and the spectators--phantom symbols whose intelligences his own intelligence must now grapple--blurred93 to his sight. He swayed as he stood.
"Members of the jury, that is the issue; the whole simple issue before this court. Dismiss from your minds all prejudice. That my learned friend stooped to call false witnesses is for my learned friend's conscience to excuse. You have not been summoned to decide the guilt83 of Maggie Peterson. You are not here to weigh the sins of the dead. You have been summoned to decide whether or no my client is guilty of any crime. Judge--impartially yet compassionately--that single simple issue. And, judging, keep before your minds this picture, the picture my client herself painted for you in unshaken, unforgettable words, the picture of the poor clean room in the tenement-house where Lucy Towers sits with her cousin; with the armless man, whose arms (need I remind you?) were sacrificed for your sake and for mine.
"Day by day Lucy Towers has visited that room; day by day her hands and hers alone have ministered to its helpless, to its defenseless occupant. Day by day she has brought him, despite her husband's threats, a little money--food perhaps. Is that a crime? But to-day she has not even brought money. She has only helped him--the piteousness of it!--to drink his tea. They are cousins, these two. They are happy with one another; not, as my learned friend would have you believe, guiltily happy, but innocently happy. They love one another--as they themselves told you--in the best, in the highest way, even as brother and sister love one another.
"So, they are sitting. And then, without warning, comes the crash of a stick-handle on the door. Startled, they look up. Startled, they see, framed in the doorway95, the cruel terrible face of a man, of this woman's legal owner, of William Towers. In his hand this reprobate, this cruel drunken reprobate, brandishes96 his stick. The stick is no ordinary walking-stick. It is a weapon--a deadly weapon--a loaded stick. William Towers grasps the loaded stick by the ferrule. He lifts it menacingly; he makes as though to brain Robert Fielding--the armless, the helpless, the defenseless man, Robert Fielding. Robert Fielding's cousin is afraid; she fears this reprobate's violence, fears that he has been drinking, fears his ungovernable temper. There is a revolver in the cupboard. A revolver!
"A revolver!" Unconsciously, Ronnie's hand shot out, pointing at the weapon.
"My client runs to the cupboard. She opens the cupboard. She sees the revolver. Mad with fear, she grasps the revolver. She points it at William Towers. And William Towers jeers97 at her, jeers at them both. 'I'll do you in. I'll do you both in, damn you!' shouts this madman, this drunken madman who has made my client's life a living hell. And again he brandishes his stick, threatening a defenseless man.
"And then? Even then, does Robert Fielding call upon his cousin to fire? No. Remember that he knows himself in danger of his life; knows that one pressure of his cousin's finger on the trigger will save his life. Yet Robert Fielding does not call upon his cousin to fire. He warns the man--the reprobate who is seeking to slay98 him; he cries, 'Look out, Bill. The gun's loaded.' But William Towers only sneers99. 'You can't frighten me,' sneers William Towers, and once more he brandishes his weapon, making as though to batter100 out Robert Fielding's life.
"To batter out Robert Fielding's life!" Now, irresistible101, the sword of the spoken word plunges102 to its peroration103. "My lord, members of the jury, was it murder, or a defense against murder, when my client, my innocent client, maddened by fear--driven to desperation by the thought of this foul crime which only she could prevent--pulled the trigger, sped the bullet which sent William Towers to his account with God? My lord, members of the jury, all you who listen to me in this court to-day, is there any one of you who--fearful as my client was fearful--provoked as my client was provoked--maddened as my client was maddened, by the sight of an armless man, of the one creature she loved in all the world, about to suffer death at the hands of a reprobate--would not have done what Lucy Towers did, would not have torn madly at the revolver trigger, would not have taken a life that a life might live?
"Men and women in whose hands lies the fate of my client, it is on that plea--on that plea alone--on the plea that the life she took was a life already forfeit--that I ask you to set her free. Were I in France, were I in America, I might plead the unwritten law. I do not plead it. By the written statutes104 of England; by every precedent105 of British justice; by the written law and by the written law alone; by that inalienable right which every citizen of this country possesses, the right to kill in another's defense, I ask you by your verdict to-day to manumit Lucy Towers of all and every penalty, to let her go free from this court, to acquit51 her at the hands of her fellow-men--as I, her advocate, am convinced that she stands acquitted106 at the hands of God."
4
To Ronald Cavendish, the actual world--the judge, the jury, the spectators, the motionless woman in the dock--were still blurred, a blur94 of many faces. He knew only that he had made his effort; that he was still on his feet; that he was tottering107 on his feet. His hands still gripped the lapels of his robe. He could feel the sweat of his hands as they gripped the black stuff; feel the sweat pouring down his body. He knew that his body was twitching108; twitching in every nerve. But his brain was a gutted109 mechanism110, unfunctioning, telling neither success nor failure. Of all the words his lips had spoken, no memory remained.
And then, sharply, the actual world came back. He saw the faces distinctly; Heber's face, the faces of the jury. Followed tumult111. Men, men and women, were applauding; applauding him, Ronald Cavendish, who could remember no word of all the words he had spoken. Had he succeeded? Surely, he must have succeeded? Mr. Justice Heber was threatening to have the court cleared; but the men, the men and the women in the well of the court still applauded. Even Cartwright--"that old stick Cartwright" was applauding. . . .
At last the tumult quelled112; and Ronnie was conscious of a silence, the silence of abashed113 English folk. Only one sound--the sound of a woman's sobs--intruded upon that silence. And Ronnie knew that the woman in the dock was crying; crying like a broken soul; crying to herself, faintly, feebly, careless of the judge, careless of the spectators, careless of the other woman, the woman in the blue prison-uniform, who bent114 over her, patting her shoulder, striving to comfort.
Then even that sound ceased; and Ronnie, leaning back exhausted115 against the oak, saw that his enemy had risen.
But no words came from Hector Brunton. Speechless, he eyed the jury. The jury turned from him; turned their heads this way and that in conference. The jury--men and women--shifted up and down on their benches, taking counsel with one another. Whispers carried across from the jury-box; tense shrill116 whispers: "It ought to stop." "I've heard enough." "Too much." "Don't let him say any more." And promptly117, a bearded man rose among the jury and turned to the judge.
"My lord," the man's lips trembled, "we have heard all we want to hear. We are all of one opinion. We have made up our minds. We find the prisoner not guilty."
Once again, tumult--the tumult of men and women applauding--broke upon Ronnie's ears. Then he saw Mr. Justice Heber hold up his hand; heard the crier calling for silence; heard his lordship's quiet "Prisoner at the bar, the jury have found you not guilty. With that verdict I concur118. You are discharged"; and saw Hector Brunton collapse119, as a stricken boxer120 collapses121 to the knock-out.
5
There followed, on that amazing and unprecedented122 verdict, the craziest half-hour in Ronnie's life. Still stunned123 by the swiftness of his victory, he heard--as a man battle-mazed hears gunfire--the plaudits in the court, the plaudits on landing and staircase, the plaudits of the mob without.
The plaudits of the mob deepened to a roar, to a great sullen124 roar of cheers, till it seemed to Ronnie as though all England must have been waiting in the street below. And within, all about him, were men; mad excitable men. One of those men--Cartwright--was shouting in his ear, "Bravo, my boy! Bravo!" A second--Spillcroft--kept on smiting125 him between the shoulders. A third--the gigantic Henry Smith-Assher--had grasped both his hands, whispering, "By God, you deserved to beat us," as another robed figure, a figure whom Ronnie remembered to have been his one-time enemy, slunk off through the crowding people.
Then, for a second, the people parted; and his eyes--dazed as his brain--saw Aliette. Aliette stood, high above him, ringed by people, in the oak-paneled dock. A wardress, a blue-uniformed prison-wardress, was kissing her; kissing his Aliette on the cheeks. Damn it, he had freed Aliette, freed her from the dock! Why didn't the wardress release her? Damn it, he'd release her himself.
"Come on, old man," said a voice; Spillcroft's voice; and suddenly Ronnie felt himself impelled126 through the people, impelled toward the dock.
And Aliette came down to him from the dock! Only now his brain, clearing a little, knew that this was not Aliette, but Lucy, Lucy Towers whom he had saved from the hangman's rope and the felon's cell.
She came toward him through the ringing, crowding people. He was looking into her eyes; Aliette's eyes. The eyes were tear-stained; and he knew, thrilling, that her reserve--the reserve stubborn as Aliette's own--had been broken at last.
They had reached one another. Both her hands were outstretched. Her hands grasped his. He knew that she was trying to raise his hands to her lips. But people pressed on them. People--panting, emotional people--pressed them apart. He heard some one say, "Let's chair them. Let's chair them both." He felt himself lifted off his feet. He heard a constable's voice: "Easy on, gentlemen. Easy on. This ain't a bear-garden."
And suddenly he found himself in the street of Old Bailey. The street, from wall to wall, was a river of upturned faces, laughing faces, cheering faces, shouting faces.
For the London mob had gone mob-mad; and the police could not hold them, hardly tried to hold them. "Good old Cavendish," howled the mob. "Good old Cut Cavendish. Put that in yer pipe and smoke it!" And again: "Luc-ee Towers. We want ter see Luc-ee. Where's Luc-ee? We want to see Standon--Standon. Where's Bertram Standon?"
6
Hector Brunton, K.C., hearing, alone in the deserted robing-room, the hoarse127 cheering of the mob, seemed to hear in it his father's rumbling128 voice: "The man who lets his wife live with somebody else is a common or garden pimp."
点击收听单词发音
1 tottered | |
v.走得或动得不稳( totter的过去式和过去分词 );踉跄;蹒跚;摇摇欲坠 | |
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2 chambers | |
n.房间( chamber的名词复数 );(议会的)议院;卧室;会议厅 | |
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3 consultations | |
n.磋商(会议)( consultation的名词复数 );商讨会;协商会;查找 | |
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4 climaxing | |
vt.& vi.达到顶点(climax的现在分词形式) | |
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5 torment | |
n.折磨;令人痛苦的东西(人);vt.折磨;纠缠 | |
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6 jeopardy | |
n.危险;危难 | |
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7 dreaded | |
adj.令人畏惧的;害怕的v.害怕,恐惧,担心( dread的过去式和过去分词) | |
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8 vengeance | |
n.报复,报仇,复仇 | |
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9 infinitely | |
adv.无限地,无穷地 | |
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10 prospect | |
n.前景,前途;景色,视野 | |
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11 hatred | |
n.憎恶,憎恨,仇恨 | |
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12 starkly | |
adj. 变硬了的,完全的 adv. 完全,实在,简直 | |
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13 irresistibly | |
adv.无法抵抗地,不能自持地;极为诱惑人地 | |
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14 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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15 pretext | |
n.借口,托词 | |
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16 lust | |
n.性(淫)欲;渴(欲)望;vi.对…有强烈的欲望 | |
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17 savage | |
adj.野蛮的;凶恶的,残暴的;n.未开化的人 | |
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18 invoked | |
v.援引( invoke的过去式和过去分词 );行使(权利等);祈求救助;恳求 | |
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19 abiding | |
adj.永久的,持久的,不变的 | |
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20 forfeit | |
vt.丧失;n.罚金,罚款,没收物 | |
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21 insistent | |
adj.迫切的,坚持的 | |
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22 phantom | |
n.幻影,虚位,幽灵;adj.错觉的,幻影的,幽灵的 | |
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23 socketed | |
v.把…装入托座(或插座),给…装上托座(或插座)( socket的过去分词 );[高尔夫球]用棒头承口部位击(球) | |
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24 deserted | |
adj.荒芜的,荒废的,无人的,被遗弃的 | |
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25 strewed | |
v.撒在…上( strew的过去式和过去分词 );散落于;点缀;撒满 | |
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26 garnered | |
v.收集并(通常)贮藏(某物),取得,获得( garner的过去式和过去分词 ) | |
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27 colonnade | |
n.柱廊 | |
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28 defense | |
n.防御,保卫;[pl.]防务工事;辩护,答辩 | |
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29 prosecution | |
n.起诉,告发,检举,执行,经营 | |
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30 wreck | |
n.失事,遇难;沉船;vt.(船等)失事,遇难 | |
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31 twitched | |
vt.& vi.(使)抽动,(使)颤动(twitch的过去式与过去分词形式) | |
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32 envisaged | |
想像,设想( envisage的过去式和过去分词 ) | |
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33 throbbed | |
抽痛( throb的过去式和过去分词 ); (心脏、脉搏等)跳动 | |
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34 abruptly | |
adv.突然地,出其不意地 | |
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35 constable | |
n.(英国)警察,警官 | |
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36 constables | |
n.警察( constable的名词复数 ) | |
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37 apprehension | |
n.理解,领悟;逮捕,拘捕;忧虑 | |
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38 drooped | |
弯曲或下垂,发蔫( droop的过去式和过去分词 ) | |
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39 dour | |
adj.冷酷的,严厉的;(岩石)嶙峋的;顽强不屈 | |
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40 grove | |
n.林子,小树林,园林 | |
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41 corroborated | |
v.证实,支持(某种说法、信仰、理论等)( corroborate的过去式 ) | |
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42 query | |
n.疑问,问号,质问;vt.询问,表示怀疑 | |
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43 possessed | |
adj.疯狂的;拥有的,占有的 | |
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44 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
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45 alleging | |
断言,宣称,辩解( allege的现在分词 ) | |
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46 intimacy | |
n.熟悉,亲密,密切关系,亲昵的言行 | |
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47 suffocation | |
n.窒息 | |
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48 testimony | |
n.证词;见证,证明 | |
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49 wilful | |
adj.任性的,故意的 | |
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50 determined | |
adj.坚定的;有决心的 | |
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51 acquit | |
vt.宣判无罪;(oneself)使(自己)表现出 | |
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52 luncheon | |
n.午宴,午餐,便宴 | |
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53 interval | |
n.间隔,间距;幕间休息,中场休息 | |
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54 oratory | |
n.演讲术;词藻华丽的言辞 | |
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55 visualizing | |
肉眼观察 | |
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56 lenient | |
adj.宽大的,仁慈的 | |
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57 imprisonment | |
n.关押,监禁,坐牢 | |
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58 murmur | |
n.低语,低声的怨言;v.低语,低声而言 | |
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59 flustered | |
adj.慌张的;激动不安的v.使慌乱,使不安( fluster的过去式和过去分词) | |
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60 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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61 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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62 engendered | |
v.产生(某形势或状况),造成,引起( engender的过去式和过去分词 ) | |
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63 utterance | |
n.用言语表达,话语,言语 | |
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64 fleeting | |
adj.短暂的,飞逝的 | |
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65 envisaging | |
想像,设想( envisage的现在分词 ) | |
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66 watchful | |
adj.注意的,警惕的 | |
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67 motive | |
n.动机,目的;adv.发动的,运动的 | |
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68 malice | |
n.恶意,怨恨,蓄意;[律]预谋 | |
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69 whatsoever | |
adv.(用于否定句中以加强语气)任何;pron.无论什么 | |
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70 foul | |
adj.污秽的;邪恶的;v.弄脏;妨害;犯规;n.犯规 | |
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71 liar | |
n.说谎的人 | |
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72 fidelity | |
n.忠诚,忠实;精确 | |
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73 prosecutor | |
n.起诉人;检察官,公诉人 | |
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74 deigned | |
v.屈尊,俯就( deign的过去式和过去分词 ) | |
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75 distinguished | |
adj.卓越的,杰出的,著名的 | |
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76 bolstered | |
v.支持( bolster的过去式和过去分词 );支撑;给予必要的支持;援助 | |
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77 perjury | |
n.伪证;伪证罪 | |
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78 rippled | |
使泛起涟漪(ripple的过去式与过去分词形式) | |
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79 wig | |
n.假发 | |
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80 wigged | |
adj.戴假发的 | |
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81 indictment | |
n.起诉;诉状 | |
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82 truthful | |
adj.真实的,说实话的,诚实的 | |
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83 guilt | |
n.犯罪;内疚;过失,罪责 | |
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84 awry | |
adj.扭曲的,错的 | |
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85 deliberately | |
adv.审慎地;蓄意地;故意地 | |
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86 murmurs | |
n.低沉、连续而不清的声音( murmur的名词复数 );低语声;怨言;嘀咕 | |
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87 bestial | |
adj.残忍的;野蛮的 | |
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88 reprobate | |
n.无赖汉;堕落的人 | |
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89 killing | |
n.巨额利润;突然赚大钱,发大财 | |
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90 lecheries | |
n.好色,色欲,淫荡( lechery的名词复数 ) | |
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91 lechery | |
n.好色;淫荡 | |
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92 subconsciously | |
ad.下意识地,潜意识地 | |
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93 blurred | |
v.(使)变模糊( blur的过去式和过去分词 );(使)难以区分;模模糊糊;迷离 | |
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94 blur | |
n.模糊不清的事物;vt.使模糊,使看不清楚 | |
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95 doorway | |
n.门口,(喻)入门;门路,途径 | |
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96 brandishes | |
v.挥舞( brandish的第三人称单数 );炫耀 | |
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97 jeers | |
n.操纵帆桁下部(使其上下的)索具;嘲讽( jeer的名词复数 )v.嘲笑( jeer的第三人称单数 ) | |
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98 slay | |
v.杀死,宰杀,杀戮 | |
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99 sneers | |
讥笑的表情(言语)( sneer的名词复数 ) | |
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100 batter | |
v.接连重击;磨损;n.牛奶面糊;击球员 | |
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101 irresistible | |
adj.非常诱人的,无法拒绝的,无法抗拒的 | |
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102 plunges | |
n.跳进,投入vt.使投入,使插入,使陷入vi.投入,跳进,陷入v.颠簸( plunge的第三人称单数 );暴跌;骤降;突降 | |
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103 peroration | |
n.(演说等之)结论 | |
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104 statutes | |
成文法( statute的名词复数 ); 法令; 法规; 章程 | |
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105 precedent | |
n.先例,前例;惯例;adj.在前的,在先的 | |
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106 acquitted | |
宣判…无罪( acquit的过去式和过去分词 ); 使(自己)作出某种表现 | |
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107 tottering | |
adj.蹒跚的,动摇的v.走得或动得不稳( totter的现在分词 );踉跄;蹒跚;摇摇欲坠 | |
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108 twitching | |
n.颤搐 | |
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109 gutted | |
adj.容易消化的v.毁坏(建筑物等)的内部( gut的过去式和过去分词 );取出…的内脏 | |
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110 mechanism | |
n.机械装置;机构,结构 | |
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111 tumult | |
n.喧哗;激动,混乱;吵闹 | |
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112 quelled | |
v.(用武力)制止,结束,镇压( quell的过去式和过去分词 ) | |
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113 abashed | |
adj.窘迫的,尴尬的v.使羞愧,使局促,使窘迫( abash的过去式和过去分词 ) | |
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114 bent | |
n.爱好,癖好;adj.弯的;决心的,一心的 | |
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115 exhausted | |
adj.极其疲惫的,精疲力尽的 | |
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116 shrill | |
adj.尖声的;刺耳的;v尖叫 | |
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117 promptly | |
adv.及时地,敏捷地 | |
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118 concur | |
v.同意,意见一致,互助,同时发生 | |
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119 collapse | |
vi.累倒;昏倒;倒塌;塌陷 | |
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120 boxer | |
n.制箱者,拳击手 | |
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121 collapses | |
折叠( collapse的第三人称单数 ); 倒塌; 崩溃; (尤指工作劳累后)坐下 | |
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122 unprecedented | |
adj.无前例的,新奇的 | |
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123 stunned | |
adj. 震惊的,惊讶的 动词stun的过去式和过去分词 | |
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124 sullen | |
adj.愠怒的,闷闷不乐的,(天气等)阴沉的 | |
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125 smiting | |
v.猛打,重击,打击( smite的现在分词 ) | |
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126 impelled | |
v.推动、推进或敦促某人做某事( impel的过去式和过去分词 ) | |
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127 hoarse | |
adj.嘶哑的,沙哑的 | |
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128 rumbling | |
n. 隆隆声, 辘辘声 adj. 隆隆响的 动词rumble的现在分词 | |
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