There were two: one the gray-cheeked thrush, the other the veery or Wilson's, and they passed a year in my house, filling it with a marvelous rippling3 music like the sweet babble4 of a brook5 over stones; like the gentle sighing of the wind in pine-trees; like other of nature's enchanting sounds, which I really must borrow a poet's words to characterize:
"O liquid and free and tender!
O wild and loose to my soul!
The gray-cheeked, most charming in every look and motion, uttered his notes in a free[Pg 162] sweep or crescendo7, which began low, gathered force as he went on, and then gradually died out; all in one long slur8, without a defined or staccato note, making a wonderful resemblance to wind sounds, as Emerson expresses it:
"His music was the Southwind's sigh."
The song of the veery was quite different, low, rapid, interspersed9 with a louder, wild-sounding cry, or, as aptly described by a listener, like the gurgling sounds made by blowing through a tube into soft water, with occasional little explosions. The soft, whispered warble of a brown thrush added a certain under-tone which combined and harmonized both these, forming with them a rhapsody of a rippling, bubbling character impossible to describe, but constantly reminding one of running streams, and gentle water-falls, and coming nearer to "put my woods in song" than any other bird-notes whatever. Neither of the performers opened his mouth, so that the trio was very low, a true whisper-song.
It was somewhat curious that with one exception all the birds in the room through these months sang whisper-songs also, without opening the bill. There were six of them, and every one delighted in singing; the three thrushes, a bluebird, a female orchard10 oriole, and a Mexican clarin. To the thrushes, music[Pg 163] seemed necessary to life; hour after hour they stood on their respective perches11 across the room, puffed13 out into balls, "pouring out their souls," and entrancing us not only with their suggestive melody, but with graceful14 and poetical15 movements, and a beauty of look and bearing that moved one deeply. During the aria16 both birds stood motionless, one with wings drooping17, and accenting every note, the other with tail slightly jerking for the same purpose.
In character no less than in song the birds differed; bright, active and high-spirited, the gray-cheeked delighted in the freedom of the room, feared nothing, came upon the desk freely, and calmly met one's eyes with his own, brave free soul that he was, while his vis-à-vis was timid and shy, could not be induced to leave the shelter of his home though the door stood open all day. He never resented the intrusion of a neighbor, nor disputed the possession of his own dish.
Almost as interesting as his song was a bewitching dance with which the gray-cheeked charmed every one fortunate enough to see him. His chosen hour was the approach of evening, when, with body very erect18 and head thrown up in ecstasy19, he lifted his wings high above his back, fluttering them rapidly with a[Pg 164] sound like soft patter of summer rain, while he moved back and forth20 on his perch12 with the daintiest of little steps and hops21: now up, now down, now across the cage, with gentle noise of feet and wings. No music accompanied it, and none was needed—it was music itself. Not only did he dance away the long hours of twilight22, till so dark he could not be seen, but he greeted the dawn in the same way; long before any other bird stirred, before the hideous23 morning call of the first sparrow in the street, the soft flutter of his wings, the light patter of his feet was heard. In the night also, if gas was lighted, however dimly, dancing began and was continued in the darkness, long after the light was out and every other feather at rest. A sudden light stopped the motion, but revealed the dancer agitated24, stirred, with soft dark eyes fixed25 upon the observer. This dance was not an attempt or indication of a desire to escape, as I am sure for several reasons. I can tell the instant that longing26 for freedom sets in. It was a fresh sign of the strange, mysterious emotion with which all thrushes greet the rising and setting of the sun.
The singular use of the feet by this bird was very peculiar27, and not confined to his dancing hours. While standing28 on the edge of the[Pg 165] bathing-dish, longing, yet dreading29 to enter the water, on alighting upon an unaccustomed perch, or venturing on to the desk, many times a day he took the little steps, lifting first one, then the other foot very slightly, and bringing it down with a sound without changing his position. It seemed to be an evidence of excitement, as another bird might exhibit by a quivering of the wings. The veery was also a dancer, but in a different way. He fanned his wings violently and moved back and forth across the top of a cage, but always in daylight, and then only on the rare occasions when, by placing his food outside, he was coaxed30 from his cage.
Bathing was—next to singing—the dear delight of the gray-cheeked's life, yet no bird ever had more misgivings31 about taking the fatal plunge32. His first movement on leaving the cage was to go to the bath, around which he hovered33, now this side, now that, one moment on the perch above, the next on the edge of the dish, plainly longing to be in, yet the mere34 approach of the smallest bird in the room drove him away. Not that he was afraid, he was not in the least a coward; he met everybody and everything with the dignity and bravery of a true thrush. Neither was it that he was disabled when wet, which makes some birds hesitate; he was never at all disordered by his[Pg 166] bath, and however long he soaked, or thoroughly35 he spattered, his plumage remained in place and he was perfectly36 able to fly at once. It appeared simply that he could not make up his mind to go in. Then too, it soon became apparent that he noticed his reflection in the water. He often stood on the edge after bathing, as well as before, looking intently upon the image. Before the glass he did the same, looking earnestly and in a low tone "uttering his thoughts to the ideal bird which he fancied he saw before him." Indeed, I think this ideal thrush was a great comfort to him.
Once having decided37 to go into the bath he enjoyed it exceedingly, though in an unusual way, fluttering and splashing vigorously for a moment, then standing motionless up to his body in the water, not shaking or pluming38 himself, not alarmed, but quietly enjoying the soaking. After several fits of splashing alternated with soaking, he went to a perch and shook and plumed39 himself nearly dry, and just when one would think he had entirely40 finished, he returned to the dish, and began again—hesitating on the brink41, coquetting with the "ideal thrush" in the water, and in fact doing the whole thing over again.
My bird had a genuine thrush's love of quiet and dislike of a crowd, preferred unfrequented[Pg 167] places to alight on, and was quite ingenious in finding them. The ornamental42 top of a gas-fixture a few inches below the ceiling, which was cup-shaped and nearly hid him, was a favorite place. So was also the loose edge of a hanging cardboard map which, having been long rolled, hung out from the wall like a half-open scroll43. This he liked best, for no other bird ever approached it, and here he passed much time swinging, as if he enjoyed the motion which he plainly made efforts to keep up. His plan was to fly across the room and alight suddenly upon it, when, of course it swayed up and down with his weight. The moment it came to a rest, he flew around the room in a wide circle and came down again heavily, holding on with all his might, and keeping his balance with wings and tail. He enjoyed it so well that he often swung for a long time.
Later he found another snug44 retreat where no bird ever intruded45. He discovered it in this way: one day, on being suddenly startled by an erratic46 dash around the room of the brown thrush, which scattered47 the smaller birds like leaves before the wind, he brought up under the bed on the floor. The larger bird had evidently marked the place of his retreat, for he followed him, and in his mad way rushed under when the gray-cheeked disappeared. The bedstead[Pg 168] was a light iron one, high from the floor, so that all this was plainly seen. No one being in sight, the brown thrush came out and turned to his regular business of stirring up the household while the little thrush was not to be seen, and perfect silence seemed to indicate that he was not there at all. After some search, aided by an indiscreet movement on his part, he was found perched on the framework, between the mattress48 and the wall. This narrow retreat, apparently49 discovered by accident, soon became a favorite retiring place when he did not care for society.
This interesting bird, with all his dignity, had a playful disposition50. Nothing pleased him better than rattling51 and tearing to bits a newspaper or the paper strips over a row of books, although he had to stand on the latter while he worked at it; and notwithstanding it not only rustled52, but disturbed his footing as well, he was never discouraged. A more violent jerk than usual sometimes startled him so that he bounded six or eight inches into the air in his surprise, but he instantly returned to the play and never rested till he had picked holes, torn pieces out, and reduced it to a complete wreck53.
All through the long winter this charming thrush, with his two neighbors, delighted the house with his peculiar and matchless music,[Pg 169] and endeared himself by his gentle and lovely disposition. No harsh sound was ever heard from him, there was no intrusion upon the rights of others, and no vulgar quarrels disturbed his serene54 soul. But as spring began to stir his blood he changed a little; he grew somewhat belligerent55, refused to let any one alight in his chosen places, and even drove others away from his side of the room. Now, too, he added to his already melting song an indescribable trill, something so spiritual, so charged with the wildness of the woods, that no words—even of a poet—can do it justice. Now, too, he began to turn longing glances out of the window, and evidently his heart was no longer with us. So, on the first perfect day in May he was taken to a secluded56 nook in a park and his door set open. His first flight was to a low tree, twenty feet from the silent spectator, who waited, anxious to see if his year's captivity57 had unfitted him for freedom.
Perching on the lowest branch, the thrush instantly crouched58 in an attitude of surprise and readiness for anything, which was common with him, his bill pointed59 up at an angle of forty-five degrees, head sunk in the shoulders, and tail standing out stiffly, thus forming a perfectly straight line from the point of his beak60 to the tip of his tail. There he stood, perfectly[Pg 170] motionless, apparently not moving so much as an eyelid61 for twenty minutes, trying to realize what had happened to him and in the patient, deliberate manner of a thrush to adjust himself to his new conditions. In the nook were silence and delicious odors of the woods; from a thick shrub62 on one side came the sweet erratic song of a cat-bird, and at a little distance the rich organ-tones of the wood-thrush. All these entered the soul of the emancipated63 bird; he listened, he looked, and at last he spoke64, a low, soft, "wee-o." That broke the spell, he drew himself up, hopped65 about the tree, flew to a shrub, all the time posturing66 and jerking wings and tail in extreme excitement and no doubt happiness to the tips of his toes. At last he dropped to the ground and fell to digging and reveling in the soft loose earth with enthusiasm. The loving friend looking on was relieved; this was what she had waited for, to be assured that he knew where to look for supplies, and though she left his familiar dish full of food where he could see it in case of accident, she came away feeling that he had not been incapacitated for a free life by his months with her.
One more glimpse of him made it clear also that he could fly as well as his wild neighbors, and removed the last anxiety about him. A wood-thrush, after noticing the stranger for[Pg 171] some minutes, finally braved the human presence and made a rush for the little fellow about half his size. Whether war or welcome moved him was not evident, for away they flew across the nook, not more than a foot apart, now sweeping67 low over the grass, then mounting higher to pass over the shrubs68 that defined it. A hundred feet or more the chase continued, and then the smaller bird dropped into a low bush, and the larger one passed on.
Then lonely, with empty cage and a happy heart-ache, his friend turned away and left the beautiful bird to his fate, assured that he was well able to supply his needs and to protect himself—in a word, to be free.
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1
reluctance
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| n.厌恶，讨厌，勉强，不情愿 | |
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2
enchanting
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| a.讨人喜欢的 | |
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3
rippling
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| 起涟漪的，潺潺流水般声音的 | |
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4
babble
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| v.含糊不清地说，胡言乱语地说，儿语 | |
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brook
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| n.小河，溪；v.忍受，容让 | |
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6
wondrous
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| adj.令人惊奇的，奇妙的；adv.惊人地；异乎寻常地；令人惊叹地 | |
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crescendo
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| n.(音乐)渐强，高潮 | |
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8
slur
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| v.含糊地说；诋毁；连唱；n.诋毁；含糊的发音 | |
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interspersed
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| adj.[医]散开的；点缀的v.intersperse的过去式和过去分词 | |
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10
orchard
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| n.果园，果园里的全部果树，(美俚)棒球场 | |
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11
perches
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| 栖息处( perch的名词复数 )； 栖枝； 高处； 鲈鱼 | |
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perch
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| n.栖木，高位，杆；v.栖息，就位，位于 | |
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13
puffed
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| adj.疏松的v.使喷出( puff的过去式和过去分词 )；喷着汽（或烟）移动；吹嘘；吹捧 | |
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14
graceful
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| adj.优美的，优雅的；得体的 | |
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15
poetical
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| adj.似诗人的；诗一般的；韵文的；富有诗意的 | |
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16
aria
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| n.独唱曲，咏叹调 | |
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17
drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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18
erect
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| n./v.树立，建立，使竖立；adj.直立的，垂直的 | |
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19
ecstasy
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| n.狂喜，心醉神怡，入迷 | |
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forth
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| adv.向前；向外，往外 | |
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21
hops
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| 跳上[下]( hop的第三人称单数 )； 单足蹦跳； 齐足（或双足）跳行； 摘葎草花 | |
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22
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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23
hideous
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| adj.丑陋的，可憎的，可怕的，恐怖的 | |
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agitated
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| adj.被鼓动的，不安的 | |
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25
fixed
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| adj.固定的，不变的，准备好的；(计算机)固定的 | |
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26
longing
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| n.（for）渴望 | |
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27
peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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28
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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29
dreading
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| v.害怕，恐惧，担心( dread的现在分词 ) | |
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30
coaxed
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| v.哄，用好话劝说( coax的过去式和过去分词 )；巧言骗取；哄劝，劝诱 | |
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31
misgivings
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| n.疑虑，担忧，害怕；疑虑，担心，恐惧( misgiving的名词复数 )；疑惧 | |
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32
plunge
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| v.跳入，(使)投入，(使)陷入；猛冲 | |
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33
hovered
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| 鸟( hover的过去式和过去分词 )； 靠近（某事物）； （人）徘徊； 犹豫 | |
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34
mere
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| adj.纯粹的；仅仅，只不过 | |
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35
thoroughly
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| adv.完全地，彻底地，十足地 | |
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perfectly
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| adv.完美地，无可非议地，彻底地 | |
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decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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38
pluming
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| 用羽毛装饰（plume的现在分词形式） | |
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plumed
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| 饰有羽毛的 | |
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40
entirely
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| ad.全部地，完整地；完全地，彻底地 | |
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41
brink
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| n.(悬崖、河流等的)边缘，边沿 | |
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42
ornamental
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| adj.装饰的；作装饰用的；n.装饰品；观赏植物 | |
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43
scroll
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| n.卷轴，纸卷；(石刻上的)漩涡 | |
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44
snug
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| adj.温暖舒适的，合身的，安全的；v.使整洁干净，舒适地依靠，紧贴；n.（英）酒吧里的私房 | |
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45
intruded
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| n.侵入的，推进的v.侵入，侵扰，打扰( intrude的过去式和过去分词 )；把…强加于 | |
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46
erratic
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| adj.古怪的，反复无常的，不稳定的 | |
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47
scattered
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| adj.分散的，稀疏的；散步的；疏疏落落的 | |
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48
mattress
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| n.床垫，床褥 | |
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49
apparently
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| adv.显然地；表面上，似乎 | |
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50
disposition
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| n.性情，性格；意向，倾向；排列，部署 | |
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51
rattling
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| adj. 格格作响的, 活泼的, 很好的 adv. 极其, 很, 非常 动词rattle的现在分词 | |
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52
rustled
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| v.发出沙沙的声音( rustle的过去式和过去分词 ) | |
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53
wreck
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| n.失事，遇难；沉船；vt.(船等)失事，遇难 | |
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54
serene
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| adj. 安详的，宁静的，平静的 | |
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55
belligerent
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| adj.好战的，挑起战争的；n.交战国，交战者 | |
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56
secluded
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| adj.与世隔绝的；隐退的；偏僻的v.使隔开，使隐退( seclude的过去式和过去分词) | |
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57
captivity
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| n.囚禁；被俘；束缚 | |
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58
crouched
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| v.屈膝，蹲伏( crouch的过去式和过去分词 ) | |
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59
pointed
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| adj.尖的，直截了当的 | |
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60
beak
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| n.鸟嘴，茶壶嘴，钩形鼻 | |
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61
eyelid
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| n.眼睑，眼皮 | |
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62
shrub
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| n.灌木，灌木丛 | |
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63
emancipated
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| adj.被解放的，不受约束的v.解放某人（尤指摆脱政治、法律或社会的束缚）( emancipate的过去式和过去分词 ) | |
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64
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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65
hopped
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| 跳上[下]( hop的过去式和过去分词 )； 单足蹦跳； 齐足（或双足）跳行； 摘葎草花 | |
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66
posturing
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| 做出某种姿势( posture的现在分词 ) | |
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67
sweeping
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| adj.范围广大的，一扫无遗的 | |
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68
shrubs
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| 灌木( shrub的名词复数 ) | |
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