The summer of 1901 was spent in this way at Kingsmere in the province of Quebec, a[57] more beautiful spot than which there is not to be found along the whole range of the Laurentian hills. It is a distance by road of twelve miles from the capital, eight of which can be covered by rail. Harper’s real sense of freedom began when, after a day’s work in town, that eight miles of travelling was at an end, and the chance came for a four mile walk across fields, through the woods and along the country roads, or for a ride upon his wheel or by stage. Then came the evenings with their glorious sunsets, and the walks and talks in the twilight11, and then night with its unbroken panoply12 of star-lit sky.
It is, perhaps, impossible to convey, save to those who have known the experience, any conception of what a constant association of this kind with Nature really means. It proves, to use Harper’s own words, “how beauty, grandeur13, sublimity14 and purity in God’s world, find a ready response in the human heart unfettered.” Yet it is this perception of God, this communion of soul between the[58] creature and the Creator as He is revealed in Nature, that is the conscious or unconscious secret of all the refreshment15 and joy which comes from a contact of this kind. Some natures are more susceptible16 to this kind of revelation than others. Harper’s nature was one that could share and did share it to the full.
A few paragraphs from his diary may serve to show how real was the “response” of which he spoke17 between the world of nature and his own heart, and how sweetly sensitive to even the most delicate of impressions, his soul became when under this favouring influence.
Having climbed one Sunday morning to the top of the mountain at Kingsmere, to find after a hard week’s work that rest which is the truest reward of toil18, he gave himself up for a little to recording19 some of the enjoyments of the place and the hour. He writes:
“Here I am having church all by myself in this majestically20 beautiful spot. It was a hot[59] climb, for it is a sweltering morning, but I am amply repaid. I had a five minutes’ conversation with a red squirrel on the way up the mountain. He was a little nervous at first, but became reassured21, climbed down the tree trunk until he was ten feet from me, and looked me in the face steadily22 as I prattled23 away to him. The little fellow felt like myself, he could not imagine vicious intentions in such a place. A delightful24 breeze is making music in the tree-tops, a bird with a clear yet sympathetic note, I can’t describe the note, and I don’t know the name of the bird, is leading in a medley25 of wood sounds infinitely26 refreshing27 after a hard week’s work.
“The thought of the past week has caused me to look up for a moment to take another glance at the capital, which stands out clearly in the bright sunshine, though the lines of the buildings are softened28 by a blue white summer haze29, sufficiently30 marked to give the effect of distance. If men could only get to a mountain occasionally and look down upon the world in which they live and move and have their being, there would be less dilettantism31, less worship of forms, institutions, baubles32 and lath and plaster. The foot-hills, when last I saw them from here, were rich in the[60] full colour of maturity33. To-day they are strong in the deep refreshing green of youth. They are happy. Everything about me is happy, and I thank God for it all.”
Recording the events of a day on a short trip taken in the spring of the year to the city of Quebec and points of interest in that vicinity, he writes:
“This day was easily the best of our trip. In a few minutes we were away from civilization, and started our climb, with the assistance of two locomotives, up the mountains. At every turn some new beauty burst upon us. First, it was a cloud capped range of hills, then a quaint34 whitewashed35 village, then a laughing mountain stream, then a tree-encircled, hill-girt lake, then a rushing river, then a quiet wood, then a deep shadowy valley, then a burst of sun on the new-leafed trees, until one felt one’s self getting away forever from the pettiness of the world. Shortly after midday we swung across the bridge at Grand’ Mère, and had a capital view of the falls which have been turned to practical use by the Laurentide Pulp36 Company, and, about three o’clock, ar[61]rived at Shawenegan Falls, our objective point. We lunched at the Cascade37 Inn, a picturesque38 summer hotel on a hilltop, and, guided by a staff of engineers, visited the works of the Shawenegan Falls Power Company which I found extremely interesting. All this was as nothing, however, compared with the marvellous scene which burst upon us when we turned a spur of the hill and came out at the foot of the roaring, raging cataract39. Down a steep, narrow, boulder-strewn gorge40, rushed the mighty41 river, struggling, tumbling, roaring, throwing itself into the air, and shooting forward in huge mountains of surging foam42 or clouds of sunlit spray. I could feel my breast heave in sympathy with the great struggle that was going forward, and my whole being kindle43 with the beauty and power of it all. Nowhere have I seen anything that can rival that magnificent spectacle. My nature seemed touched to its depths, and I found myself in immediate44 sympathy with the Indians who saw in these prodigious45 efforts of Nature, in the presence of which man’s littleness is so apparent, the manifestations46 of the work of the Great Spirit. As we wound our way through the mountains one had a feeling that, once stripped of its forest wealth,[62] this district would be a lonely wilderness47 so far as practical utility was concerned. As I gazed into the raging torrent48, I felt that it was worth a whole province of desolation to have that grand, sublime49, soul purging50 sight. After gazing long and earnestly into the mighty maelstrom51, I raised my eyes to the tree clad mountains around, rich in the fresh foliage52 of spring, and furrowed53 with deep shadowy glens. I felt that the world was indeed grand, beautiful, that no man could stand where I stood without feeling that he had a soul.
“And as our train wound its way homeward towards a sublimely54 beautiful sunset, behind the glorious tumbled-together hills, the scene of loveliness was set in my mind and in my heart in deep rich tints55 of crimson56 and gold. That day was one of the happiest in my life. I cannot attempt to describe what I saw in words. All I can do is to record something of the impression. It was soul stirring.”
Later in the year Harper visited the Maritime57 Provinces with members of the Canadian Press Association on their annual excursion. His account of the trip contains much that is full of interest, and something in the way of[63] recorded observation which might surprise those who had had the same opportunities, or had visited simultaneously58 these places and participated in the same events. Two brief paragraphs may suffice to further illustrate59 how he was wont60 to be influenced by scenes of great natural beauty, and in what regard, relative to other things, he was accustomed to hold them. Speaking of the Montmorency Falls he says:
“At the Montmorency Falls we spent a very happy hour. We decided61 to scramble62 up the cliff side, instead of taking the steps. At the top we had a splendid view of the falls which impressed me differently from any I had seen. The volume of the river is not great, but it descends63 from a giddy height, throwing out a great cloud of white spray, peaceful and beautiful. To me the message it conveyed was of chastity and purity, like a beautiful, faithful woman, who had gone through the world to a white age, unspotted and unstained. The great semicircular basin beneath seemed wrought64 by Nature to give full effect to the beautiful work of the Creator.”
[64]
And referring to the evening of the same day, after returning to Quebec, he says:
“After dinner —— and I gave up a trip to a summer theatre for a stroll on the terrace before the Chateau65 Frontenac. It was a night not soon to be forgotten. The moon’s rays, softened by a faint film of the most delicate of clouds, fell quietly about us, and, from the dancing waves far below, came the signal bells of steamers and the distant calls of boatmen. I can recall few nights to rival it. The world seemed more kind, and my own work in it more clear and possible, as we sat there and gazed into the quiet night, which wore an ethereal, fairy-land air about it, pure and inspiring. Most of our fellows were off ‘seeing’ the city, but none of them could have had half the pleasure that was ours. Few things in the world could have been more beautiful than that night out there on the terrace, under the frowning guns of the hard war citadel66, and above the moon-bathed waters of the grand old St. Lawrence. I felt my heart throb67 as I thought that this noble river was the gateway68 to Canada, the land which gave me birth, and which I am learning to love more and more dearly as years roll by.”
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1 potent | |
adj.强有力的,有权势的;有效力的 | |
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2 thoroughly | |
adv.完全地,彻底地,十足地 | |
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3 enjoyment | |
n.乐趣;享有;享用 | |
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4 enjoyments | |
愉快( enjoyment的名词复数 ); 令人愉快的事物; 享有; 享受 | |
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5 creeks | |
n.小湾( creek的名词复数 );小港;小河;小溪 | |
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6 bleak | |
adj.(天气)阴冷的;凄凉的;暗淡的 | |
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7 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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8 primitive | |
adj.原始的;简单的;n.原(始)人,原始事物 | |
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9 necessitated | |
使…成为必要,需要( necessitate的过去式和过去分词 ) | |
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10 thereby | |
adv.因此,从而 | |
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11 twilight | |
n.暮光,黄昏;暮年,晚期,衰落时期 | |
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12 panoply | |
n.全副甲胄,礼服 | |
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13 grandeur | |
n.伟大,崇高,宏伟,庄严,豪华 | |
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14 sublimity | |
崇高,庄严,气质高尚 | |
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15 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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16 susceptible | |
adj.过敏的,敏感的;易动感情的,易受感动的 | |
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17 spoke | |
n.(车轮的)辐条;轮辐;破坏某人的计划;阻挠某人的行动 v.讲,谈(speak的过去式);说;演说;从某种观点来说 | |
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18 toil | |
vi.辛劳工作,艰难地行动;n.苦工,难事 | |
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19 recording | |
n.录音,记录 | |
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20 majestically | |
雄伟地; 庄重地; 威严地; 崇高地 | |
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21 reassured | |
adj.使消除疑虑的;使放心的v.再保证,恢复信心( reassure的过去式和过去分词) | |
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22 steadily | |
adv.稳定地;不变地;持续地 | |
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23 prattled | |
v.(小孩般)天真无邪地说话( prattle的过去式和过去分词 );发出连续而无意义的声音;闲扯;东拉西扯 | |
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24 delightful | |
adj.令人高兴的,使人快乐的 | |
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25 medley | |
n.混合 | |
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26 infinitely | |
adv.无限地,无穷地 | |
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27 refreshing | |
adj.使精神振作的,使人清爽的,使人喜欢的 | |
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28 softened | |
(使)变软( soften的过去式和过去分词 ); 缓解打击; 缓和; 安慰 | |
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29 haze | |
n.霾,烟雾;懵懂,迷糊;vi.(over)变模糊 | |
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30 sufficiently | |
adv.足够地,充分地 | |
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31 dilettantism | |
n.业余的艺术爱好,浅涉文艺,浅薄涉猎 | |
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32 baubles | |
n.小玩意( bauble的名词复数 );华而不实的小件装饰品;无价值的东西;丑角的手杖 | |
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33 maturity | |
n.成熟;完成;(支票、债券等)到期 | |
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34 quaint | |
adj.古雅的,离奇有趣的,奇怪的 | |
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35 whitewashed | |
粉饰,美化,掩饰( whitewash的过去式和过去分词 ) | |
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36 pulp | |
n.果肉,纸浆;v.化成纸浆,除去...果肉,制成纸浆 | |
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37 cascade | |
n.小瀑布,喷流;层叠;vi.成瀑布落下 | |
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38 picturesque | |
adj.美丽如画的,(语言)生动的,绘声绘色的 | |
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39 cataract | |
n.大瀑布,奔流,洪水,白内障 | |
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40 gorge | |
n.咽喉,胃,暴食,山峡;v.塞饱,狼吞虎咽地吃 | |
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41 mighty | |
adj.强有力的;巨大的 | |
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42 foam | |
v./n.泡沫,起泡沫 | |
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43 kindle | |
v.点燃,着火 | |
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44 immediate | |
adj.立即的;直接的,最接近的;紧靠的 | |
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45 prodigious | |
adj.惊人的,奇妙的;异常的;巨大的;庞大的 | |
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46 manifestations | |
n.表示,显示(manifestation的复数形式) | |
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47 wilderness | |
n.杳无人烟的一片陆地、水等,荒漠 | |
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48 torrent | |
n.激流,洪流;爆发,(话语等的)连发 | |
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49 sublime | |
adj.崇高的,伟大的;极度的,不顾后果的 | |
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50 purging | |
清洗; 清除; 净化; 洗炉 | |
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51 maelstrom | |
n.大乱动;大漩涡 | |
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52 foliage | |
n.叶子,树叶,簇叶 | |
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53 furrowed | |
v.犁田,开沟( furrow的过去式和过去分词 ) | |
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54 sublimely | |
高尚地,卓越地 | |
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55 tints | |
色彩( tint的名词复数 ); 带白的颜色; (淡色)染发剂; 痕迹 | |
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56 crimson | |
n./adj.深(绯)红色(的);vi.脸变绯红色 | |
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57 maritime | |
adj.海的,海事的,航海的,近海的,沿海的 | |
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58 simultaneously | |
adv.同时发生地,同时进行地 | |
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59 illustrate | |
v.举例说明,阐明;图解,加插图 | |
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60 wont | |
adj.习惯于;v.习惯;n.习惯 | |
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61 decided | |
adj.决定了的,坚决的;明显的,明确的 | |
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62 scramble | |
v.爬行,攀爬,杂乱蔓延,碎片,片段,废料 | |
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63 descends | |
v.下来( descend的第三人称单数 );下去;下降;下斜 | |
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64 wrought | |
v.引起;以…原料制作;运转;adj.制造的 | |
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65 chateau | |
n.城堡,别墅 | |
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66 citadel | |
n.城堡;堡垒;避难所 | |
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67 throb | |
v.震颤,颤动;(急速强烈地)跳动,搏动 | |
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68 gateway | |
n.大门口,出入口,途径,方法 | |
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