“We’ve all worked at it till we don’t know what it’s about. We’ve changed everything in it, so let’s put it on and get rid of it.”
The weather of the rehearsal1 week for the Vickery play was barbarously hot. The theater at night was a sea of rippling2 fans. The house was none the less packed; the
crowd was almost always the same. People had their theater nights as they had their church nights. The prices were very low and a seat could be had for the price of an
ice-cream soda3. People were no hotter in the theater than on their own porches, and the play took their minds off their thermometers.
Reben had come down for the rehearsals4. There were to be few of them—five mornings and Sunday. There was no chance to put in or take out. The actors could do no more
Still Reben found so much fault with everything that Vickery was ready for the asylum6. Sheila simply had to comfort him through the crisis. Eldon proceeded to
complicate7 matters by developing into a fiend of jealousy8. Fatigue9 and strain and the weather were all he could bear. The extra courtesies to Vickery were the final
back-breaking straws.
He told Sheila he had a mind to throw the play. The distracted girl, realizing his irresponsible and perilous10 state, tried to tide him over the ordeal11 by adopting him
and mothering him with melting looks and rapturous compliments. This course brought her into further difficulties with the peevish12 author.
While they were rehearsing Vickery’s play they were of course performing another.
By some unconscious irony13 the manager had chosen to revive a melodrama14 of arctic adventure, thinking perhaps to cool the audience with the journey to boreal regions.
The actors were forced to dress in polar-bear pelts15, and each costume was an ambulant Turkish bath. The men wore long wigs16 and false beards. The spirit gum that held
the false hair in place frequently washed away from the raining pores and there were astonishingly sudden shaves that sent the audience into peals17 of laughter.
Eldon congratulated himself that his face at least was free, for he was a faithful Eskimo. But in one scene, which had been rehearsed without the properties, it was
his duty to lose his life in saving his master’s life. On the first night of the performance the hero and the villain18 struggled on two big wabbly blocks of blue
papier-maché supposed to represent icebergs19. Eldon, the Eskimo, was slain20 and fell dead to magnificent applause. But his perspiratory21 glands22 refused to die and his
diaphragm continued to pant.
And then his grateful master delivered a farewell eulogy23 over him. And as a last tribute spread across his face a great suffocating24 polar-bear skin! There were fifteen
minutes more of the act, and Sheila in the wings wondered if Eldon would be alive or completely Desdemonatized when the curtain fell.
During the rest of the week his master’s farewell tribute was omitted at Eldon’s request. But it was impossible to change the scene to Florida and the arctic
costumes had to be endured. Sheila’s own costumes were almost fatal to her.
And that was the play they played afternoons and evenings while they devoted26 their mornings to whipping Vickery’s drama into shape.
And now Reben, goaded27 by the heat as by innumerable gnats28, and fuming29 at the time he was wasting in the dull, hot town where there was nothing to do of evenings but
walk the stupid streets or visit a moving-picture shed or see another performance of that detestable arctic play—Reben proceeded to resent Sheila’s graciousness to
Sheila said to Pennock: “I’m going to run away to some nice quiet madhouse and ask for a padded cell and iron bars. I want to go before they take me. If I don’t I’
ll commit murder or suicide. These men! these men! these infernal men! Why don’t they let me alone?”
All Pennock could say was: “There, there, there, you poor child! Let me put a cold cloth on your head.”
“If you could pour cold water on the men I’d be all right,” Sheila would groan31. She had hysterics regularly every night when she got to her room. She would scream
and pull her hair and stamp her feet and wail32: “I vow33 I’ll never act again. Or if I do, I’ll never marry; or if I marry, I’ll marry somebody that never heard of
the stage. I’ll marry a Methodist preacher. They don’t believe in the theater, and neither do I!”
Thus Sheila stormed against the men. But her very excitement showed that love was becoming an imperious need. She was growing up to her mating-time. Just now she was
like a bird surrounded by suitors, and they were putting on their Sunday feathers for her, trilling their best, and fighting each other for her possession. She was the
Three men had made ardent36 love to her, and her heart had slain them each in turn. She was a veritable Countess of Monte Cristo. She had scored off “One!” “Two!”
and “Three!”
Only her long training and her tremendous resources of endurance could have carried her through that multiplex exhaustion37 of every emotion.
Numbers of soldiers desert the firing-line in almost every battle. Occasional firemen refrain from dashing into burning and collapsing38 buildings. Policemen sometimes
feel themselves outnumbered beyond resistance. But actors do not abstain39 from first-night performances. Even a death-certificate is hardly excuse enough for that
treachery.
So on the appointed night Sheila played the part that Vickery wrote for her, and played it brilliantly. She stepped on the stage as from a bandbox and she flitted from
scene to scene with the volatility40 of a humming-bird.
Eldon covered himself with glory and lent her every support. The kiln-dried company danced through the other r?les with vivacity41 and the freshness of débutancy. They
had had the unusual privilege of a Monday afternoon off.
The big face of the audience that night glistened42 with joy and perspiration43, and found the energy somewhere to demand a speech from the author and another from Sheila.
Vickery was in the seventh heaven. If there were an eighth it would belong to playwrights44 who see the chaos45 of their manuscripts changed into men and women applauded
by a multitude. Vickery could not believe the first howl of laughter from the many-headed, one-mooded beast. The second long roll of delight rendered him to the
clouds. He went up higher on the next, and when a meek46 little witticism47 of his was received with an earthquake of joy, followed by a salvo of applause, he hardly
recognized the moon as he shot past it.
Later, there were moments of tautness48 and hush49 when the audience sat on the edge of its seats and held its breath with excitement. That was heroic bliss50. But when from
his coign of espionage51 in the back of a box he saw tears glistening52 on the eyes of pretty girls, and old women with handkerchiefs at their wet cheeks, and hard-faced
business men sneaking53 their thumbs past their dripping lashes54, the ecstasy55 was divine. When the tension was relaxed and the audience blew its great nose he thought he
heard the music of the spheres.
The play was almost an hour too long, but the audience risked the last street-cars and stuck to its post till the delightful56 end. Then it lingered to applaud the
curtain up three times. As the amiable57 mob squeezed out, Vickery wound his way among it, eavesdropping58 like a spy, and hearing nothing but good of his work and of its
performers.
As soon as he could he worked his way free and darted59 back to the stage. There he found Sheila standing60 and crying her heart out with laughter, while Eldon held one
hand and Reben the other.
Vickery thrust in between them, caught her hands away from theirs, and gathered her into his arms. And kissed her. Both were laughing and both were crying. It was a
very salty kiss, but he found it wonderful.
点击收听单词发音
1 rehearsal | |
n.排练,排演;练习 | |
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2 rippling | |
起涟漪的,潺潺流水般声音的 | |
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3 soda | |
n.苏打水;汽水 | |
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4 rehearsals | |
n.练习( rehearsal的名词复数 );排练;复述;重复 | |
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5 tack | |
n.大头钉;假缝,粗缝 | |
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6 asylum | |
n.避难所,庇护所,避难 | |
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7 complicate | |
vt.使复杂化,使混乱,使难懂 | |
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8 jealousy | |
n.妒忌,嫉妒,猜忌 | |
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9 fatigue | |
n.疲劳,劳累 | |
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10 perilous | |
adj.危险的,冒险的 | |
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11 ordeal | |
n.苦难经历,(尤指对品格、耐力的)严峻考验 | |
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12 peevish | |
adj.易怒的,坏脾气的 | |
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13 irony | |
n.反语,冷嘲;具有讽刺意味的事,嘲弄 | |
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14 melodrama | |
n.音乐剧;情节剧 | |
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15 pelts | |
n. 皮毛,投掷, 疾行 vt. 剥去皮毛,(连续)投掷 vi. 猛击,大步走 | |
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16 wigs | |
n.假发,法官帽( wig的名词复数 ) | |
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17 peals | |
n.(声音大而持续或重复的)洪亮的响声( peal的名词复数 );隆隆声;洪亮的钟声;钟乐v.(使)(钟等)鸣响,(雷等)发出隆隆声( peal的第三人称单数 ) | |
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18 villain | |
n.反派演员,反面人物;恶棍;问题的起因 | |
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19 icebergs | |
n.冰山,流冰( iceberg的名词复数 ) | |
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20 slain | |
杀死,宰杀,杀戮( slay的过去分词 ); (slay的过去分词) | |
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21 perspiratory | |
排汗的,引起排汗的 | |
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22 glands | |
n.腺( gland的名词复数 ) | |
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23 eulogy | |
n.颂词;颂扬 | |
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24 suffocating | |
a.使人窒息的 | |
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25 smothered | |
(使)窒息, (使)透不过气( smother的过去式和过去分词 ); 覆盖; 忍住; 抑制 | |
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26 devoted | |
adj.忠诚的,忠实的,热心的,献身于...的 | |
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27 goaded | |
v.刺激( goad的过去式和过去分词 );激励;(用尖棒)驱赶;驱使(或怂恿、刺激)某人 | |
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28 gnats | |
n.叮人小虫( gnat的名词复数 ) | |
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29 fuming | |
愤怒( fume的现在分词 ); 大怒; 发怒; 冒烟 | |
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30 homage | |
n.尊敬,敬意,崇敬 | |
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31 groan | |
vi./n.呻吟,抱怨;(发出)呻吟般的声音 | |
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32 wail | |
vt./vi.大声哀号,恸哭;呼啸,尖啸 | |
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33 vow | |
n.誓(言),誓约;v.起誓,立誓 | |
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34 wed | |
v.娶,嫁,与…结婚 | |
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35 runaway | |
n.逃走的人,逃亡,亡命者;adj.逃亡的,逃走的 | |
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36 ardent | |
adj.热情的,热烈的,强烈的,烈性的 | |
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37 exhaustion | |
n.耗尽枯竭,疲惫,筋疲力尽,竭尽,详尽无遗的论述 | |
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38 collapsing | |
压扁[平],毁坏,断裂 | |
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39 abstain | |
v.自制,戒绝,弃权,避免 | |
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40 volatility | |
n.挥发性,挥发度,轻快,(性格)反复无常 | |
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41 vivacity | |
n.快活,活泼,精神充沛 | |
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42 glistened | |
v.湿物闪耀,闪亮( glisten的过去式和过去分词 ) | |
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43 perspiration | |
n.汗水;出汗 | |
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44 playwrights | |
n.剧作家( playwright的名词复数 ) | |
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45 chaos | |
n.混乱,无秩序 | |
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46 meek | |
adj.温顺的,逆来顺受的 | |
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47 witticism | |
n.谐语,妙语 | |
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48 tautness | |
拉紧,紧固度 | |
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49 hush | |
int.嘘,别出声;n.沉默,静寂;v.使安静 | |
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50 bliss | |
n.狂喜,福佑,天赐的福 | |
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51 espionage | |
n.间谍行为,谍报活动 | |
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52 glistening | |
adj.闪耀的,反光的v.湿物闪耀,闪亮( glisten的现在分词 ) | |
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53 sneaking | |
a.秘密的,不公开的 | |
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54 lashes | |
n.鞭挞( lash的名词复数 );鞭子;突然猛烈的一击;急速挥动v.鞭打( lash的第三人称单数 );煽动;紧系;怒斥 | |
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55 ecstasy | |
n.狂喜,心醉神怡,入迷 | |
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56 delightful | |
adj.令人高兴的,使人快乐的 | |
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57 amiable | |
adj.和蔼可亲的,友善的,亲切的 | |
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58 eavesdropping | |
n. 偷听 | |
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59 darted | |
v.投掷,投射( dart的过去式和过去分词 );向前冲,飞奔 | |
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60 standing | |
n.持续,地位;adj.永久的,不动的,直立的,不流动的 | |
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