Pageants and Dress

 The only objection to the excellent series of Pageants¹ that has adorned³ England of late is that they are made too expensive. The mass of the common people cannot afford to see the Pageant²; so they are obliged to put up with the inferior function of acting⁴ in it. I myself got in with the rabble⁵ in this way. It was to the Church Pageant; and I was much impressed with certain illuminations which such an experience makes possible. A Pageant exhibits all the fun of a Fancy Dress Ball, with this great difference: that its motive⁶ is reverent⁷ instead of irreverent. In the one case a man dresses up as his great-grandfather in order to make game of his great-grandfather; in the other case, in order to do him honour. What the great-grandfather himself would think of either of them we fortunately have not to conjecture⁸. The alteration⁹ is important and satisfactory. All natural men regard their ancestors as dignified¹⁰ because they are dead; it was a great pity and folly¹¹ that we had fallen into the habit of regarding the Middle Ages as a mere¹² second-hand¹³ shop for comic costumes. Medi?val costume and heraldry had been meant as the very manifestation¹⁴ of courage and publicity¹⁵ and a decent pride. Colours were worn that they might be conspicuous¹⁶ across a battle-field; an animal was rampant¹⁷ on a helmet that he might stand up evident against the sky. The medi?val time has been talked of too much as if it were full of twilight¹⁸ and secrecies¹⁹. It was a time of avowal²⁰ and of what many modern people call vulgarity. A man’s dress was that of his family or his trade or his religion; and these are exactly the three things which we now think it bad taste to discuss. Imagine a modern man being dressed in green and orange because he was a Robinson. Or imagine him dressed in blue and gold because he was an auctioneer. Or imagine him dressed in purple and silver because he was an agnostic. He is now dressed only in the ridiculous disguise of a gentleman; which tells one nothing at all, not even whether he is one. If ever he dresses up as a cavalier or a monk²¹ it is only as a joke—very often as a disreputable and craven joke, a joke in a mask. That vivid and heraldic costume which was meant to show everybody who a man was is now chiefly worn by people at Covent Garden masquerades who wish to conceal²² who they are. The clerk dresses up as a monk in order to be absurd. If the monk dressed up as a clerk in order to be absurd I could understand it; though the escapade might disturb his monastic superiors. A man in a sensible gown and hood²³ might possibly put on a top-hat and a pair of trousers in order to cover himself with derision, in some extravagance of mystical humility²⁴. But that a man who calmly shows himself to the startled sky every morning in a top-hat and trousers should think it comic to put on a simple and dignified robe and hood is a situation which almost splits the brain. Things like the Church Pageant may do something towards snubbing this silly and derisive²⁵ view of the past. Hitherto the young stockbroker²⁶, when he wanted to make a fool of himself, dressed up as Cardinal²⁷ Wolsey. It may now begin to dawn on him that he ought rather to make a wise man of himself before attempting the impersonation.

Nevertheless, the truth which the Pageant has to tell the British public is rather more special and curious than one might at first assume. It is easy enough to say in the rough that modern dress is dingy²⁸, and that the dress of our fathers was more bright and picturesque²⁹. But that is not really the point. At Fulham Palace one can compare the huge crowd of people acting in the Pageant with the huge crowd of people looking at it. There is a startling difference, but it is not a mere difference between gaiety and gloom. There is many a respectable young woman in the audience who has on her own hat more colours than the whole Pageant put together. There are belts of brown and black in the Pageant itself: the Puritans round the scaffold of Laud³⁰, or the black-robed doctors of the eighteenth century. There are patches of purple and yellow in the audience: the more select young ladies and the less select young gentlemen. It is not that our age has no appetite for the gay or the gaudy—it is a very hedonistic age. It is not that past ages—even the rich symbolic³¹ Middle Ages—did not feel any sense of safety in what is sombre or restrained. A friar in a brown coat is much more severe than an 'Arry in a brown bowler³². Why is it that he is also much more pleasant?

I think the whole difference is in this: that the first man is brown with a reason and the second without a reason. If a hundred monks³³ wore one brown habit it was because they felt that their toil³⁴ and brotherhood³⁵ were well expressed in being clad in the coarse, dark colour of the earth. I do not say that they said so, or even clearly thought so; but their artistic³⁶ instinct went straight when they chose the mud-colour for laborious³⁷ brethren or the flame-colour for the first princes of the Church. But when 'Arry puts on a brown bowler he does not either with his consciousness or his subconsciousness³⁸ (that rich soil) feel that he is crowning his brows with the brown earth, clasping round his temples a strange crown of clay. He does not wear a dust-coloured hat as a form of strewing³⁹ dust upon his head. He wears a dust-coloured hat because the nobility and gentry⁴⁰ who are his models discourage him from wearing a crimson⁴¹ hat or a golden hat or a peacock-green hat. He is not thinking of the brownness of brown. It is not to him a symbol of the roots, of realism, or of autochthonous humility; on the contrary, he thinks it looks rather “classy.”

The modern trouble is not that the people do not see splendid colours or striking effects. The trouble is that they see too much of them and see them divorced from all reason. It is a misfortune of modern language that the word “insignificant⁴²” is vaguely⁴³ associated with the words “small” or “slight.” But a thing is insignificant when we do not know what it signifies. An African elephant lying dead in Ludgate Circus would be insignificant. That is, one could not recognize it as the sign or message of anything. One could not regard it as an allegory or a love-token. One could not even call it a hint. In the same way the solar system is insignificant. Unless you have some special religious theory of what it means, it is merely big and silly, like the elephant in Ludgate Circus. And similarly, modern life, with its vastness, its energy, its elaboration, its wealth, is, in the exact sense, insignificant. Nobody knows what we mean; we do not know ourselves. Nobody could explain intelligently why a coat is black, why a waistcoat is white, why asparagus is eaten with the fingers, or why Hammersmith omnibuses are painted red. The medi?vals had a much stronger idea of crowding all possible significance into things. If they had consented to waste red paint on a large and ugly Hammersmith omnibus it would have been in order to suggest that there was some sort of gory⁴⁴ magnanimity about Hammersmith. A heraldic lion is no more like a real lion than a chimney-pot hat is like a chimney-pot. But the lion was meant to be a lion. And the chimney-pot hat was not meant to be like a chimney-pot or like anything else. The resemblance only struck certain philosophers (probably gutter-boys) afterwards. The top-hat was not intended as a high uncastellated tower; it was not intended at all. This is the real baseness of modernity. This is, for example, the only real vulgarity of advertisements. It is not that the colours on the posters are bad. It is that they are much too good for the meaningless work which they serve. When at last people see—as at the Pageant—crosses and dragons, leopards⁴⁵ and lilies, there is scarcely one of the things that they now see as a symbol which they have not already seen as a trade-mark. If the great “Assumption of the Virgin” were painted in front of them they might remember Blank’s Blue. If the Emperor of China were buried before them, the yellow robes might remind them of Dash’s Mustard. We have not the task of preaching colour and gaiety to a people that has never had it, to Puritans who have neither seen nor appreciated it. We have a harder task. We have to teach those to appreciate it who have always seen it.

1 pageants   

n.盛装的游行( pageant的名词复数 )；穿古代服装的游行；再现历史场景的娱乐活动；盛会

参考例句：

• It is young people who favor holding Beauty pageants. 赞成举办选美的是年轻人。 来自互联网
• Others say that there's a fine line between the pageants and sexual exploitation. 其他人说，选美和性剥削之间只有非常细微的界线。 来自互联网

2 pageant   

n.壮观的游行；露天历史剧

参考例句：

• Our pageant represented scenes from history.我们的露天历史剧上演一幕幕的历史事件。
• The inauguration ceremony of the new President was a splendid pageant.新主席的就职典礼的开始是极其壮观的。

3 adorned   

[计]被修饰的

参考例句：

• The walls were adorned with paintings. 墙上装饰了绘画。
• And his coat was adorned with a flamboyant bunch of flowers. 他的外套上面装饰着一束艳丽刺目的鲜花。

4 acting   

n.演戏，行为，假装；adj.代理的，临时的，演出用的

参考例句：

• Ignore her,she's just acting.别理她，她只是假装的。
• During the seventies,her acting career was in eclipse.在七十年代，她的表演生涯黯然失色。

5 rabble   

n.乌合之众，暴民；下等人

参考例句：

• They formed an army out of rabble.他们用乌合之众组成一支军队。
• Poverty in itself does not make men into a rabble.贫困自身并不能使人成为贱民。

6 motive   

n.动机，目的；adv.发动的，运动的

参考例句：

• The police could not find a motive for the murder.警察不能找到谋杀的动机。
• He had some motive in telling this fable.他讲这寓言故事是有用意的。

7 reverent   

adj.恭敬的，虔诚的

参考例句：

• He gave reverent attention to the teacher.他恭敬地听老师讲课。
• She said the word artist with a gentle,understanding,reverent smile.她说作家一词时面带高雅，理解和虔诚的微笑。

8 conjecture   

n./v.推测，猜测

参考例句：

• She felt it no use to conjecture his motives.她觉得猜想他的动机是没有用的。
• This conjecture is not supported by any real evidence.这种推测未被任何确切的证据所证实。

9 alteration   

n.变更，改变；蚀变

参考例句：

• The shirt needs alteration.这件衬衣需要改一改。
• He easily perceived there was an alteration in my countenance.他立刻看出我的脸色和往常有些不同。

10 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

11 folly   

n.愚笨，愚蠢，蠢事，蠢行，傻话

参考例句：

• Learn wisdom by the folly of others.从别人的愚蠢行动中学到智慧。
• Events proved the folly of such calculations.事情的进展证明了这种估计是愚蠢的。

12 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

13 second-hand   

adj.用过的，旧的，二手的

参考例句：

• I got this book by chance at a second-hand bookshop.我赶巧在一家旧书店里买到这本书。
• They will put all these second-hand goods up for sale.他们将把这些旧货全部公开出售。

14 manifestation   

n.表现形式；表明；现象

参考例句：

• Her smile is a manifestation of joy.她的微笑是她快乐的表现。
• What we call mass is only another manifestation of energy.我们称之为质量的东西只是能量的另一种表现形态。

15 publicity   

n.众所周知，闻名；宣传，广告

参考例句：

• The singer star's marriage got a lot of publicity.这位歌星的婚事引起了公众的关注。
• He dismissed the event as just a publicity gimmick.他不理会这件事，只当它是一种宣传手法。

16 conspicuous   

adj.明眼的，惹人注目的；炫耀的，摆阔气的

参考例句：

• It is conspicuous that smoking is harmful to health.很明显，抽烟对健康有害。
• Its colouring makes it highly conspicuous.它的色彩使它非常惹人注目。

17 rampant   

adj.(植物)蔓生的；狂暴的，无约束的

参考例句：

• Sickness was rampant in the area.该地区疾病蔓延。
• You cannot allow children to rampant through the museum.你不能任由小孩子在博物馆里乱跑。

18 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

19 secrecies   

保密（secrecy的复数形式）

参考例句：

20 avowal   

n.公开宣称，坦白承认

参考例句：

• The press carried his avowal throughout the country.全国的报纸登载了他承认的消息。
• This was not a mere empty vaunt,but a deliberate avowal of his real sentiments.这倒不是一个空洞的吹牛，而是他真实感情的供状。

21 monk   

n.和尚，僧侣，修道士

参考例句：

• The man was a monk from Emei Mountain.那人是峨眉山下来的和尚。
• Buddhist monk sat with folded palms.和尚合掌打坐。

22 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

23 hood   

n.头巾，兜帽，覆盖；v.罩上，以头巾覆盖

参考例句：

• She is wearing a red cloak with a hood.她穿着一件红色带兜帽的披风。
• The car hood was dented in.汽车的发动机罩已凹了进去。

24 humility   

n.谦逊，谦恭

参考例句：

• Humility often gains more than pride.谦逊往往比骄傲收益更多。
• His voice was still soft and filled with specious humility.他的声音还是那么温和，甚至有点谦卑。

25 derisive   

adj.嘲弄的

参考例句：

• A storm of derisive applause broke out.一阵暴风雨般的哄笑声轰然响起。
• They flushed,however,when she burst into a shout of derisive laughter.然而，当地大声嘲笑起来的时候，她们的脸不禁涨红了。

26 stockbroker   

n.股票（或证券），经纪人（或机构）

参考例句：

• The main business of stockbroker is to help clients buy and sell shares.股票经纪人的主要业务是帮客户买卖股票。
• My stockbroker manages my portfolio for me.我的证券经纪人替我管理投资组合。

27 cardinal   

n.(天主教的)红衣主教；adj.首要的，基本的

参考例句：

• This is a matter of cardinal significance.这是非常重要的事。
• The Cardinal coloured with vexation. 红衣主教感到恼火，脸涨得通红。

28 dingy   

adj.昏暗的，肮脏的

参考例句：

• It was a street of dingy houses huddled together. 这是一条挤满了破旧房子的街巷。
• The dingy cottage was converted into a neat tasteful residence.那间脏黑的小屋已变成一个整洁雅致的住宅。

29 picturesque   

adj.美丽如画的，（语言）生动的，绘声绘色的

参考例句：

• You can see the picturesque shores beside the river.在河边你可以看到景色如画的两岸。
• That was a picturesque phrase.那是一个形象化的说法。

30 laud   

n.颂歌；v.赞美

参考例句：

• Kathy was very pleased to have graduated cum laud in her class.凯西在班上以优等成绩毕业，她为此而非常高兴。
• We laud him a warmhearted man.我们称赞他是个热心人。

31 symbolic   

adj.象征性的，符号的，象征主义的

参考例句：

• It is symbolic of the fighting spirit of modern womanhood.它象征着现代妇女的战斗精神。
• The Christian ceremony of baptism is a symbolic act.基督教的洗礼仪式是一种象征性的做法。

32 bowler   

n.打保龄球的人，（板球的）投（球）手

参考例句：

• The bowler judged it well,timing the ball to perfection.投球手判断准确，对球速的掌握恰到好处。
• The captain decided to take Snow off and try a slower bowler.队长决定把斯诺撤下，换一个动作慢一点的投球手试一试。

33 monks   

n.修道士，僧侣( monk的名词复数 )

参考例句：

• The monks lived a very ascetic life. 僧侣过着很清苦的生活。
• He had been trained rigorously by the monks. 他接受过修道士的严格训练。 来自《简明英汉词典》

34 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

35 brotherhood   

n.兄弟般的关系，手中情谊

参考例句：

• They broke up the brotherhood.他们断绝了兄弟关系。
• They live and work together in complete equality and brotherhood.他们完全平等和兄弟般地在一起生活和工作。

36 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

37 laborious   

adj.吃力的，努力的，不流畅

参考例句：

• They had the laborious task of cutting down the huge tree.他们接受了伐大树的艰苦工作。
• Ants and bees are laborious insects.蚂蚁与蜜蜂是勤劳的昆虫。

38 subconsciousness   

潜意识；下意识

参考例句：

• Tucked away in our subconsciousness is an idyllic vision. 我们的潜意识里藏着一派田园诗般的风光！ 来自互联网
• If common subconsciousness is satisfied, aesthetic perception is of general charactor. 共性潜意识得到满足与否，产生的审美接受体验就有共性。 来自互联网

39 strewing   

v.撒在…上( strew的现在分词 )；散落于；点缀；撒满

参考例句：

• What a mess! Look at the pajamas strewing on the bed. 真是乱七八糟！看看睡衣乱放在床上。 来自英汉 - 翻译样例 - 口语

40 gentry   

n.绅士阶级，上层阶级

参考例句：

• Landed income was the true measure of the gentry.来自土地的收入是衡量是否士绅阶层的真正标准。
• Better be the head of the yeomanry than the tail of the gentry.宁做自由民之首，不居贵族之末。

41 crimson   

n./adj.深(绯)红色(的)；vi.脸变绯红色

参考例句：

• She went crimson with embarrassment.她羞得满脸通红。
• Maple leaves have turned crimson.枫叶已经红了。

42 insignificant   

adj.无关紧要的，可忽略的，无意义的

参考例句：

• In winter the effect was found to be insignificant.在冬季，这种作用是不明显的。
• This problem was insignificant compared to others she faced.这一问题与她面临的其他问题比较起来算不得什么。

43 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

44 gory   

adj.流血的；残酷的

参考例句：

• I shuddered when I heard the gory details.我听到血淋淋的详情，战栗不已。
• The newspaper account of the accident gave all the gory details.报纸上报道了这次事故中所有骇人听闻的细节。

45 leopards   

n.豹( leopard的名词复数 )；本性难移

参考例句：

• Lions, tigers and leopards are all cats. 狮、虎和豹都是猫科动物。 来自《简明英汉词典》
• For example, airlines never ship leopards and canaries on the same flight. 例如，飞机上从来不会同时运送豹和金丝雀。 来自英语晨读30分（初三）