For me, I felt myself now, just an expectant human snow-storm; and as I sat on the box by the coachman, I rejoiced to greet the first flake11, which alighted on the tip of my nose even before we had cleared our own grounds. Before we had got up street, the wind had risen, and the snow thickened, till the horses seemed inclined to turn their tails to the hill and the storm together, for the storm came down the hill in their faces. It was soon impossible to see one's hand before one's eyes; and the carriage lamps served only to reveal a chaotic12 fury of snow-flakes, crossing each other's path at all angles, in the eddies13 of the wind amongst the houses. The coachman had to keep encouraging his horses to get them to face it at all. The ground was very slippery; and so fast fell the snow, that it had actually begun to ball in the horses' feet before we reached our destination. When we were all safe in Mrs. Armstrong's drawing-room, we sat for a while listening to the wind roaring in the chimney, before any of us spoke14. And then I did not join in the conversation, but pleased myself with looking at the room; for next to human faces, I delight in human abodes15, which will always, more or less, according to the amount of choice vouchsafed16 in the occupancy, be like the creatures who dwell in them. Even the soldier-crab must have some likeness17 to the snail18 of whose house he takes possession, else he could not live in it at all.
The first thing to be done by one who would read a room is, to clear it as soon as possible of the air of the marvellous, the air of the storybook, which pervades19 every place at the first sight of it. But I am not now going to write a treatise20 upon this art, for which I have not time to invent a name; but only to give as much of a description of this room as will enable my readers to feel quite at home with us in it, during our evening there. It was a large low room, with two beams across the ceiling at unequal distances. There was only a drugget on the floor, and the window curtains were scanty22. But there was a glorious fire on the hearth23, and the tea-board was filled with splendid china, as old as the potteries24. The chairs, I believe, had been brought from old Mr. Armstrong's lumber-room, and so they all looked as if they could tell stories themselves. At all events they were just the proper chairs to tell stories in, and I could not help regretting that we were not to have any to-night. The rest of the company had arrived before us. A warm corner in an old-fashioned sofa had been prepared for Adela, and as soon as she was settled in it, our hostess proceeded to pour out the tea with a simplicity25 and grace which showed that she had been just as much a lady when carrying parcels for the dressmaker, and would have been a lady if she had been a housemaid. Such a women are rare in every circle, the best of every kind being rare. It is very disappointing to the imaginative youth when, coming up to London and going into society, he finds that so few of the men and women he meets, come within the charmed circle of his ideal refinement26.
I said to myself: "I am sure she could write a story if she would. I must have a try for one from her."
When tea was over, she looked at her husband, and then went to the piano, and sang the following ballad27:
"'Traveller, what lies over the hill?
Traveller, tell to me:
I am only a child—from the window-sill
Over I cannot see.'
"'Child, there's a valley over there,
Pretty and woody and shy;
Or I'll drown you by and by.'
"'And what comes next?' 'A little town;
And a towering hill again;
More hills and valleys, up and down,
And a river now and then.'
Without a beaten way;
And grey clouds sailing slow, before
A wind that will not stay.'
"'And then?' 'Dark rocks and yellow sand,
And a moaning sea beside.'
'And then?' 'More sea, more sea more land,
And rivers deep and wide.'
"'And then?' 'Oh! rock and mountain and vale,
Rivers and fields and men;
Over and over—a weary tale—
And round to your home again.'
"'Is that the end? It is weary at best.'
'No, child; it is not the end.
On summer eves, away in the west,
"'Built of all colours of lovely stones—
A stair up into the sky;
Where no one is weary, and no one moans,
Or wants to be laid by.'
"'I will go.' 'But the steps are very steep:
If you would climb up there,
You must lie at its foot, as still as sleep,
And be a step of the stair,
"'For others to put their feet on you,
To reach the stones high-piled;
Till Jesus comes and takes you too,
And leads you up, my child!'"
"That is one of your parables33, I am sure, Ralph," said the doctor, who was sitting, quite at his ease, on a footstool, with his back against the wall, by the side of the fire opposite to Adela, casting every now and then a glance across the fiery34 gulf, just as he had done in church when I first saw him. And Percy was there to watch them, though, from some high words I overheard, I had judged that it was with difficulty his mother had prevailed on him to come. I could not help thinking myself, that two pairs of eyes met and parted rather oftener than any other two pairs in the room; but I could find nothing to object.
"Now, Miss Cathcart, it is your turn to sing."
"Would you mind singing another of Heine's songs?" said the doctor, as he offered his hand to lead her to the piano.
"No," she answered. "I will not sing one of that sort. It was not liked last time. Perhaps what I do sing won't be much better though.
"The waters are rising and flowing
Over the weedy stone—
Over and over it going:
It is never gone.
Over the head of pain—
Over and over it leaping:
It will rise again."
"Very lovely, but not much better than what I asked for. In revenge, I will give you one of Heine's that my brother translated. It always reminds me, with a great difference, of one in In Memoriam, beginning: Dark house."
"The shapes of the days forgotten
Out of their graves arise,
And show me what once my life was,
In the presence of thine eyes.
"All day through the streets I wandered,
As in dreams men go and come;
The people in wonder looked at me,
I was so mournful dumb.
"It was better though, at night-fall,
When, through the empty town,
I and my shadow together
Went silent up and down.
"With echoing, echoing footstep,
Over the bridge I walk;
The moon breaks out of the waters,
And looks as if she would talk.
Like a tree that prays for rain;
I stood gazing up at thy window—
My heart was in such pain.
"And thou lookedst through thy curtains—
I saw thy shining hand;
And thou sawest me, in the moonlight,
Still as a statue stand."
"Excuse me," said Mrs. Cathcart, with a smile, "but I don't think such sentimental39 songs good for anybody. They can't be healthy—I believe that is the word they use now-a-days."
"I don't say they are," returned the doctor; "but many a pain is relieved by finding its expression. I wish he had never written worse."
"That is not why I like them," said the curate. "They seem to me to hold the same place in literature that our dreams do in life. If so much of our life is actually spent in dreaming, there must be some place in our literature for what corresponds to dreaming. Even in this region, we cannot step beyond the boundaries of our nature. I delight in reading Lord Bacon now; but one of Jean Paul's dreams will often give me more delight than one of Bacon's best paragraphs. It depends upon the mood. Some dreams like these, in poetry or in sleep, arouse individual states of consciousness altogether different from any of our waking moods, and not to be recalled by any mere40 effort of the will. All our being, for the moment, has a new and strange colouring. We have another kind of life. I think myself, our life would be much poorer without our dreams; a thousand rainbow tints41 and combinations would be gone; music and poetry would lose many an indescribable exquisiteness42 and tenderness. You see I like to take our dreams seriously, as I would even our fun. For I believe that those new mysterious feelings that come to us in sleep, if they be only from dreams of a richer grass and a softer wind than we have known awake, are indications of wells of feeling and delight which have not yet broken out of their hiding-places in our souls, and are only to be suspected from these rings of fairy green that spring up in the high places of our sleep."
"Oh, no, no; not that one. Mrs. Cathcart would not like it at all."
"Yes, please do," said Adela.
"Pray don't think of me, gentlemen," said the aunt.
"No, I won't," said the curate.
"Then I will," said the doctor, with a glance at Adela, which seemed to say—"If you want it, you shall have it, whether they like it or not."
He repeated, with just a touch of the recitative in his tone, the following verses:
Upon my mouth lay lead;
I lay among the dead.
I knew not in the gloom.
I wakened up, and listened
To a knocking at my tomb.
The dead are all arisen;
The endless joy begun.'
"'My love, I cannot raise me;
Nor could I find the door;
My eyes with bitter weeping
Are blind for evermore.'
"'But from thine eyes, dear Henry,
I'll kiss away the night;
And Heaven's own blessed light.'
"'My love, I cannot raise me;
The blood is flowing still,
Where thou, heart-deep, didst stab me,
With a dagger-speech, to kill.'
"'Oh! I will lay my hand, Henry,
So soft upon thy heart;
And that will stop the bleeding—
Stop all the bitter smart.'
"'My love, I cannot raise me;
My head is bleeding too.
When thou wast stolen from me,
I shot it through and through.'
"'With my thick hair, my Henry,
I will stop the fountain red;
Press back again the blood-stream,
And heal thy wounded head.'
"She begged so soft, so dearly,
I could no more say no;
"Then the wounds again burst open;
From head and heart—life's torrents—
And lo! I am awake."
"There now, that is enough!" said the curate. "That is not nice—is it, Mrs. Cathcart?"
Mrs. Cathcart smiled, and said:
"I should hardly have thought your time well-spent in translating it, Mr. Armstrong."
"It took me a few idle minutes only," said the curate. "But my foolish brother, who has a child's fancy for horrid54 things, took a fancy to that; and so he won't let my sins be forgotten. But I will take away the taste of it with another of Heine's, seeing we have fallen upon him. I should never have dreamed of introducing him here. It was Miss Cathcart's first song that opened the vein55, I believe."
"I am the guilty person," said Adela; "and I fear I am not sorry for my sins—the consequences have been too pleasant. Do go on, Mr. Armstrong."
He repeated:
"Peace.
"High in the heavens the sun was glowing;
Around him the white clouds, like waves, were flowing;
The sea was very still and grey.
Dreamily thinking as I lay,
In white and waving garments go;
Walking in giant form went he
Over the land and sea.
High in the heaven he towered his head,
Over the land and sea.
And for a heart, O wonder meet!
In his breast, for a heart to the only One,
Shone the red, the flaming sun.
The flaming red sunheart of the Lord
Forth its gracious life-beams poured;
Its fair and love-benignant light
Softly shone, with warming might,
Over the land and sea.
"Sounds of solemn bells that go
Through the still air to and fro,
Breaks and jags the line of the sky.
"Oh, wonder of peach, how still was the town!
Men and women, and youths and maids,
White clothes wearing,
Palm branches bearing,
Walked through the clean and echoing streets;
And when one with another meets,
They look at each other with eyes that tell
That they understand each other well;
And, trembling with love and sweet restraint,
Each kisses the other upon the brow,
And looks above, like a hoping saint,
To the holy, healing sunheart's glow;
Downward in still outwelling beams;
Till, threefold blessed, they call aloud,
The single hearts of a happy crowd.
Praised be Jesus Christ!"
"You will like that better," concluded the curate, again addressing Mrs. Cathcart.
"Fanciful," she answered. "I don't like fancies about sacred things."
"I fear, however," replied he, "that most of our serious thoughts about sacred things are little better than fancies."
"Sing that other of his about the flowers, and I promise you never to mention his name in this company again," said Harry.
"Very well, I will, on that condition," answered Ralph.
"In the sunny summer morning
Into the garden I come;
The flowers are whispering and speaking,
But I, I wander dumb.
"The flowers are whispering and speaking,
'You must not be cross with our sister,
You melancholy69 man!'"
"Is that all?" said Adela.
"Yes, that's all," answered the singer.
"But we cannot let you off with that only," she said.
"What an awful night it is!" interrupted the colonel, rising and going to the window to peep out. "Between me and the lamp, the air looks solid with driving snow."
"Sing one of your winter songs, Ralph," said the curate's wife. "This is surely stormy enough for one of your Scotch70 winters that you are so proud of."
"A morning clear, with frosty light
From sunbeams late and low;
They shine upon the snow so white,
And shine back from the snow.
"From icy spears a drop will run—
Not fall: at afternoon,
It shines a diamond for the sun,
An opal for the moon.
"And when the bright sad sun is low
Behind the mountain-dome,
All round the children's home;
As night's dim footsteps pass;
But waiting, in its grave below,
Green lies the summer-grass."
"Now it seems to me," said the colonel, "though I am no authority in such matters, that it is just in such weather as this, that we don't need songs of that sort. They are not very exhilarating."
"There is truth in that," replied Mr. Armstrong. "I think it is in winter chiefly that we want songs of summer, as the Jews sang—if not the songs of Zion, yet of Zion, in a strange land. Indeed most of our songs are of this sort."
"Then sing one of your own summer songs."
"No, my dear; I would rather not. I don't altogether like them. Besides, if Harry could sing that Tryst74 of Schiller's, it would bring back the feeling of the summer better than any brooding over the remembrances of it could do."
"Did you translate that too?" I asked.
"Yes. As I told you, at one time of my life translating was a constant recreation to me. I have had many half-successes, some of which you have heard. I think this one better."
"What is the name of it?"
"It is 'Die Erwartung'—The Waiting, literally75, or Expectation. But the Scotch word Tryst (Rendezvous) is a better name for a poem, though English. It is often curious how a literal rendering76, even when it gives quite the meaning, will not do, because of the different ranks of the two words in their respective languages."
"I have heard you say," said Harry, "that the principles of the translation of lyrics77 have yet to be explored."
"Yes. But what I have just said, applies nearly as much to prose as to the verse.—Sing, Harry. You know it well enough."
"Part is in recitative,"
"So it is. Go on."
"To enter into the poem, you must suppose a lover waiting in an arbour for his lady-love. First come two recited lines of expectation; then two more, in quite a different measure, of disappointment; and then a long-lined song of meditation78; until expectation is again aroused, to be again disappointed—and so on through the poem.
"THE TRYST.
"That was the wicket a-shaking!
That was its clang as it fell!
No, 'twas but the night-wind waking,
Put on thy beauty, foliage-vaulted roof,
To greet her entrance, radiant all with grace;
Ye branches weave a holy tent, star-proof;
With lovely darkness, silent, her embrace;
Sweet, wandering airs, creep through the leafy woof,
When with its load of beauty, lightly borne,
Steps that are almost a race!
No, a bird—some terror scaring—
Started from its roosting place.
Spread, purple blossoms, round us, in a sphere;
Twin, lattice-boughs, the mystery enhancing;
Love's joy would die, if more than two were here—
Gazes unblamed, from far across the sea.
Hark! distant voices, that lightly
No; the swans that, circling nightly,
Through the silver waters sweep.
Around me wavers an harmonious87 flow;
The flower beneath the west wind's kiss bends low;
A trembling joy from each to all outgushes.
The winds, cooled with the sighs of flowers asleep,
Light waves of odour o'er my forehead sweep.
Hear I not echoing footfalls,
Hither along the pleached walk?
No; the over-ripened fruit falls
Heavy-swollen, from off its stalk.
Dull is the eye of day that flamed so bright;
In gentle death, its colours all are dim;
Unfolding fearless in the fair half light,
The flower-cups ope, that all day closed their brim;
Calm lifts the moon her clear face on the night;
Dissolved in masses faint, Earth's features swim;
Each grace withdraws the soft relaxing zone—
Beauty unrobed shines full on me alone.
Something with pale silken shine?
'Gainst the gloomy hedge of pine.
With shadow-forms—a sweet deceiving pleasure;
Filling thy arms but as the vault of night
Infoldeth darkness without hope or measure.
O lead the living beauty to my sight,
That living love her loveliness may treasure!
Let but her shadow fall across my eyes,
And soft as, when, purple and golden,
And wakened with kisses her friend."
Never had song a stranger accompaniment than this song; for the air was full of fierce noises near and afar. Again the colonel went to the window. When he drew back the curtains, at Adela's request, and pulled up the blind, you might have fancied the dark wind full of snowy Banshees, fleeting98 and flickering99 by, and uttering strange ghostly cries of warning. The friends crowded into the bay-window, and stared out into the night with a kind of happy awe38. They pressed their brows against the panes100, in the vain hope of seeing where there was no light. Every now and then the wind would rush up against the window in fierce attack, as if the creatures that rode by upon the blast had seen the row of white faces, and it angered them to be thus stared at, and they rode their airy steeds full tilt101 against the thin rampart of glass that protected the human weaklings from becoming the spoil of their terrors.
While every one was silent with the intensity102 of this outlook, and with the awe of such an uproar103 of wild things without souls, there came a loud knock at the door, which was close to the window where they stood. Even the old colonel, whose nerves were as hard as piano-wires, started back and cried "God bless me!" The doctor, too, started, and began mechanically to button his coat, but said nothing. Adela gave a little suppressed scream, and ashamed of the weakness, crept away to her sofa-corner.
The servant entered, saying that Dr. Armstrong's man wanted to see him. Harry went into the passage, which was just outside the drawing-room, and the company overheard the following conversation, every word.
"Well, William?"
"There's a man come after you from Cropstone Farm, sir. His missus is took sudden."
"What?—It's not the old lady then? It's the young mistress?"
"Yes; she's in labour, sir; leastways she was—he's been three hours on the road. I reckon it's all over by this time.—You won't go, sir! It's morally unpossible."
"Then you did think I wouldn't go! You knew well enough Tilter's no use for a job like this. The mare's my only chance."
"I beg your pardon, sir. I did not think you would go."
"Home with you, as hard as Tilter can drive—confound him!—And bring the mare instantly. She's had her supper?"
"Don't let her drink. I'll give her a quart of ale at Job Timpson's."
"You won't go that way, surely, sir?"
"It's the nearest; and the snow can't be very deep yet."
"I've brought your boots and breeches, sir."
"All right."
The man hurried out, and Harry was heard to run up stairs to his brother's room. The friends stared at each other in some perturbation. Presently Harry re-entered, in the articles last mentioned, saying—
"Ralph, have you an old shooting-coat you could lend me?"
"I should think so, Harry. I'll fetch you one."
Now at length the looks of the circle found some expression in the words of the colonel:
"Mr. Armstrong, I am an old soldier, and I trust I know what duty is. The only question is, Can this be done?"
"Colonel, no man can tell what can or cannot be done till he tries. I think it can."
The colonel held out his hand—his sole reply.
The schoolmaster and his wife ventured to expostulate. To them Harry made fun of the danger. Adela had come from the corner to which she had retreated, and joined the group. She laid her hand on Harry's arm, and he saw that she was pale as death.
"Don't go," she said.
As if to enforce her words, the street-door, which, I suppose, William had not shut properly, burst open with a bang against the wall, and the wind went shrieking107 through the house, as if in triumph at having forced an entrance.
"The woman is in labour," said Harry in reply to Adela, forgetting, in the stern reality both for the poor woman and himself, that girls of Adela's age and social position are not accustomed to hear such facts so plainly expressed, from a man's lips. Adela, however, simply accepted the fact, and replied:
"But you will be too late anyhow."
"Perhaps just in time," he answered, as his brother entered with a coat over his arm.
"Ralph," he went on, with a laugh, "they are trying to persuade me not to go."
"Harry, my boy," said the curate solemnly, "I would rather have you brought home dead to-morrow, than see you sitting by that fire five minutes after your mare comes. But you'll put on a great-coat?"
"No, thank you. I shall do much better without one. How comical I shall look in Farmer Prisphig's Sunday clothes! I'm not going to be lost this storm, Mrs. Bloomfield; for I second-see myself at this moment, sitting by the farmer's kitchen fire, in certain habiliments a world too wide for my unshrunk shanks, but doing my best to be worthy109 of them by the attention I am paying to my supper."
Here he stooped to Lizzie and whispered in her ear:
"Don't let them make a fuss about my going. There is really no particular danger. And I don't want my patient there frightened and thrown back, you know."
Mrs. Armstrong nodded a promise. In a moment more, Harry had changed his coat; for the storm had swept away ceremony at least. Lizzie ran and brought him a glass of wine; but he begged for a glass of milk instead, and was soon supplied; after which he buttoned up his coat, tightened110 the straps111 of his spurs, which had been brought slack on his boots, put on one of a thick pair of gloves which he found in his brother's coat, bade them all good night, drew on the other glove, and stood prepared to go.
Did he or did he not see Adela's eyes gazing out of her pale face with an expression of admiring apprehension112, as she stood bending forward, and looking up at the strong man about to fight the storm, and all ready to meet it? I don't know. I only put it to his conscience.
In a moment more, the knock came again—the only sign, for no one could hear the mare's hoofs113 in the wind and snow. With one glance and one good night, he hurried out. The wind once more, for a brief moment, held an infernal carnival114 in the house. They crowded to the window—saw a dim form heave up on horseback, and presently vanish. All space lay beyond; but, for them, he was swallowed up by the jaws115 of the darkness. They knew no more. A flash of pride in his brother shot from Ralph's eyes, as, with restrained excitement, for which he sought some outlet116, he walked towards the piano. His wife looked at Ralph with the same light of pride, tempered by thankfulness; for she knew, if he had been sent for, he would have gone all the same as Harry; but then he was not such a horseman as his brother. The fact was, he had neither seat nor hands, though no end of pluck.
"He will have to turn back," said the colonel. "He can't reach Cropstone Farm to-night. It lies right across the moor. It is impossible."
"Impossible things are always being done," said the curate, "else the world would have been all moor by this time."
"The wind is dead against him," said the schoolmaster.
"Better in front than in flank," said the colonel. "It won't blow him out of the saddle."
Adela had crept back to her corner, where she sat shading her eyes, and listening. I saw that her face was very pale. Lizzie joined her, and began talking to her.
I had not much fear for Harry, for I could not believe that his hour was come yet. I had great confidence in him and his mare. And I believed in the God that made Harry and the mare, and the storm too, through which he had sent them to the aid of one who was doing her part to keep his world going.
But now Mr. Armstrong had found a vent21 for his excitement in another of his winter songs, which might be very well for his mood, though it was not altogether suited to that of some of the rest of us. He sang—
"Oh wildly wild the winter-blast
Is whirling round the snow;
The wintry storms are up at last,
And care not how they go.
In wreaths and mists, the frozen white
Is torn into the air;
An ocean in despair.
Come, darkness! rouse the fancy more;
Storm! wake the silent sea;
Till, roaring in the tempest-roar,
And death-like figures, long and white,
Sweep through the driving spray;
And, fading in the ghastly night,
Cry faintly far away."
I saw Adela shudder119. Presently she asked her papa whether it was not time to go home. Mrs. Armstrong proposed that she should stay all night; but she evidently wished to go. It would be rather perilous120 work to drive down the hill with the wind behind, in such a night, but a servant was sent to hasten the carriage notwithstanding. The colonel and Percy and I ran along side of it, ready to render any assistance that might be necessary; and, although we all said we had never been out in such an uproar of the elements, we reached home in safety.
As Adela bade us good night in the hall, I certainly felt very uneasy as to the effects of the night's adventures upon her—she looked so pale and wretched.
She did not come down to breakfast.
But she appeared at lunch, nothing the worse, and in very good spirits.
If I did not think that this had something to do with another fact I have come to the knowledge of since, I don't know that the particulars of the evening need have been related so minutely. The other fact was this: that in the grey dawn of the morning, by which time the snow had ceased, though the wind still blew, Adela saw from her window a weary rider and wearier horse pass the house, going up the street. The heads of both were sunk low. You might have thought the poor mare was looking for something she had lost last night in the snow; and perhaps it was not all fatigue121 with Harry Armstrong. Perhaps he was giving thanks that he had saved two lives instead of losing his own. He was not so absorbed, however, but that he looked up at the house as he passed, and I believe he saw the blind of her window drop back into its place.
But how did she come to be looking out just at the moment?
If a lady has not slept all night, and has looked out of window ninety-nine times before, it is not very wonderful that at the hundredth time she should see what she was looking for; that is, if the object desired has not been lost in the snow, or drowned in a moorland pit; neither of which had happened to Harry Armstrong. Nor is it unlikely that, after seeing what she has watched for, she will fall too fast asleep to be roused by the breakfast bell.
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1
enjoyment
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| n.乐趣；享有；享用 | |
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2
lessen
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| vt.减少，减轻；缩小 | |
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3
exquisite
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| adj.精美的；敏锐的；剧烈的，感觉强烈的 | |
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cataract
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| n.大瀑布，奔流，洪水，白内障 | |
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gulf
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| n.海湾；深渊，鸿沟；分歧，隔阂 | |
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vile
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| adj.卑鄙的，可耻的，邪恶的；坏透的 | |
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rave
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| vi.胡言乱语；热衷谈论；n.热情赞扬 | |
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vault
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| n.拱形圆顶，地窖，地下室 | |
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verge
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| n.边，边缘；v.接近，濒临 | |
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dome
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| n.圆屋顶，拱顶 | |
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flake
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| v.使成薄片；雪片般落下；n.薄片 | |
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chaotic
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| adj.混沌的，一片混乱的，一团糟的 | |
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eddies
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| （水、烟等的）漩涡，涡流( eddy的名词复数 ) | |
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14
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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15
abodes
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| 住所( abode的名词复数 )； 公寓； （在某地的）暂住； 逗留 | |
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16
vouchsafed
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| v.给予，赐予( vouchsafe的过去式和过去分词 )；允诺 | |
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17
likeness
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| n.相像，相似（之处） | |
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18
snail
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| n.蜗牛 | |
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19
pervades
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| v.遍及，弥漫( pervade的第三人称单数 ) | |
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20
treatise
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| n.专著；(专题)论文 | |
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21
vent
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| n.通风口，排放口；开衩；vt.表达，发泄 | |
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22
scanty
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| adj.缺乏的，仅有的，节省的，狭小的，不够的 | |
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23
hearth
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| n.壁炉炉床，壁炉地面 | |
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24
potteries
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| n.陶器( pottery的名词复数 )；陶器厂；陶土；陶器制造（术） | |
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25
simplicity
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| n.简单，简易；朴素；直率，单纯 | |
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26
refinement
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| n.文雅；高尚；精美；精制；精炼 | |
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27
ballad
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| n.歌谣，民谣，流行爱情歌曲 | |
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28
brook
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| n.小河，溪；v.忍受，容让 | |
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29
lone
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| adj.孤寂的，单独的；唯一的 | |
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30
moor
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| n.荒野，沼泽；vt.(使)停泊；vi.停泊 | |
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31
ascend
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| vi.渐渐上升，升高；vt.攀登，登上 | |
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32
wan
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| (wide area network)广域网 | |
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33
parables
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| n.（圣经中的）寓言故事( parable的名词复数 ) | |
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34
fiery
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| adj.燃烧着的，火红的；暴躁的；激烈的 | |
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35
sweeping
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| adj.范围广大的，一扫无遗的 | |
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36
harry
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| vt.掠夺，蹂躏，使苦恼 | |
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37
dwelling
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| n.住宅，住所，寓所 | |
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38
awe
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| n.敬畏，惊惧；vt.使敬畏，使惊惧 | |
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39
sentimental
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| adj.多愁善感的，感伤的 | |
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40
mere
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| adj.纯粹的；仅仅，只不过 | |
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41
tints
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| 色彩( tint的名词复数 )； 带白的颜色； （淡色）染发剂； 痕迹 | |
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42
exquisiteness
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43
ballads
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| 民歌，民谣，特别指叙述故事的歌( ballad的名词复数 )； 讴 | |
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44
eyelids
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| n.眼睑( eyelid的名词复数 )；眼睛也不眨一下；不露声色；面不改色 | |
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45
withered
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| adj. 枯萎的，干瘪的，（人身体的部分器官）因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式 | |
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46
slumber
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| n.睡眠，沉睡状态 | |
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47
slumbered
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| 微睡，睡眠（slumber的过去式与过去分词形式） | |
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48
wilt
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| v.(使)植物凋谢或枯萎；(指人)疲倦，衰弱 | |
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49
immortal
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| adj.不朽的；永生的，不死的；神的 | |
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50
behold
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| v.看，注视，看到 | |
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51
writhing
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| （因极度痛苦而）扭动或翻滚( writhe的现在分词 ) | |
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52
maiden
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| n.少女，处女；adj.未婚的，纯洁的，无经验的 | |
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53
torrents
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| n.倾注；奔流( torrent的名词复数 )；急流；爆发；连续不断 | |
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54
horrid
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| adj.可怕的；令人惊恐的；恐怖的；极讨厌的 | |
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55
vein
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| n.血管，静脉；叶脉，纹理；情绪；vt.使成脉络 | |
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56
gliding
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| v. 滑翔 adj. 滑动的 | |
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57
sleepless
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| adj.不睡眠的，睡不著的，不休息的 | |
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58
woe
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| n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌 | |
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59
blessing
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| n.祈神赐福；祷告；祝福，祝愿 | |
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60
forth
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| adv.向前；向外，往外 | |
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61
throb
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| v.震颤，颤动；(急速强烈地)跳动，搏动 | |
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62
rosy
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| adj.美好的，乐观的，玫瑰色的 | |
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63
grassy
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| adj.盖满草的；长满草的 | |
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64
mighty
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| adj.强有力的；巨大的 | |
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65
tumult
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| n.喧哗；激动，混乱；吵闹 | |
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66
bustling
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| adj.喧闹的 | |
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67
babbling
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| n.胡说，婴儿发出的咿哑声adj.胡说的v.喋喋不休( babble的现在分词 )；作潺潺声（如流水）；含糊不清地说话；泄漏秘密 | |
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68
atoning
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| v.补偿，赎（罪）( atone的现在分词 )；补偿，弥补，赎回 | |
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69
melancholy
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| n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的 | |
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70
scotch
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| n.伤口，刻痕；苏格兰威士忌酒；v.粉碎，消灭，阻止；adj.苏格兰(人)的 | |
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71
adjured
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| v.（以起誓或诅咒等形式）命令要求( adjure的过去式和过去分词 )；祈求；恳求 | |
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72
twilight
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| n.暮光，黄昏；暮年，晚期，衰落时期 | |
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73
waft
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| v.飘浮，飘荡；n.一股；一阵微风；飘荡 | |
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74
tryst
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| n.约会；v.与…幽会 | |
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75
literally
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| adv.照字面意义，逐字地；确实 | |
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76
rendering
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| n.表现，描写 | |
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77
lyrics
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| n.歌词 | |
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78
meditation
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| n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录 | |
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79
swell
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| vi.膨胀，肿胀；增长，增强 | |
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80
gambol
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| v.欢呼，雀跃 | |
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81
glides
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| n.滑行( glide的名词复数 )；滑音；音渡；过渡音v.滑动( glide的第三人称单数 )；掠过；（鸟或飞机 ） 滑翔 | |
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82
hush
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| int.嘘，别出声；n.沉默，静寂；v.使安静 | |
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83
quench
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| vt.熄灭，扑灭；压制 | |
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84
shuns
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| v.避开，回避，避免( shun的第三人称单数 ) | |
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85
envious
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| adj.嫉妒的，羡慕的 | |
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86
ripple
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| n.涟波，涟漪，波纹，粗钢梳；vt.使...起涟漪，使起波纹； vi.呈波浪状，起伏前进 | |
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87
harmonious
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| adj.和睦的，调和的，和谐的，协调的 | |
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88
swells
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| 增强( swell的第三人称单数 )； 肿胀； （使）凸出； 充满（激情） | |
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89
beckon
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| v.(以点头或打手势)向...示意，召唤 | |
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90
luring
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| 吸引，引诱（lure的现在分词形式） | |
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91
crimson
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| n./adj.深(绯)红色(的)；vi.脸变绯红色 | |
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92
shimmer
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| v./n.发微光，发闪光；微光 | |
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93
glimmer
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| v.发出闪烁的微光；n.微光，微弱的闪光 | |
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94
longing
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| n.（for）渴望 | |
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95
exulting
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| vi. 欢欣鼓舞，狂喜 | |
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96
descend
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| vt./vi.传下来，下来，下降 | |
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97
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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98
fleeting
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| adj.短暂的，飞逝的 | |
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99
flickering
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| adj.闪烁的，摇曳的，一闪一闪的 | |
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100
panes
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| 窗玻璃( pane的名词复数 ) | |
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101
tilt
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| v.(使)倾侧；(使)倾斜；n.倾侧；倾斜 | |
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102
intensity
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| n.强烈，剧烈；强度；烈度 | |
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103
uproar
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| n.骚动，喧嚣，鼎沸 | |
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104
mare
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| n.母马，母驴 | |
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105
tilter
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| 倾斜体； 翻钢机 | |
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106
munching
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| v.用力咀嚼（某物），大嚼( munch的现在分词 ) | |
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107
shrieking
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| v.尖叫( shriek的现在分词 ) | |
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108
tempting
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| a.诱人的, 吸引人的 | |
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109
worthy
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| adj.(of)值得的，配得上的；有价值的 | |
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110
tightened
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| 收紧( tighten的过去式和过去分词 )； （使）变紧； （使）绷紧； 加紧 | |
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111
straps
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| n.带子( strap的名词复数 )；挎带；肩带；背带v.用皮带捆扎( strap的第三人称单数 )；用皮带抽打；包扎；给…打绷带 | |
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112
apprehension
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| n.理解，领悟；逮捕，拘捕；忧虑 | |
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113
hoofs
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| n.（兽的）蹄，马蹄( hoof的名词复数 )v.（兽的）蹄，马蹄( hoof的第三人称单数 ) | |
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114
carnival
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| n.嘉年华会，狂欢，狂欢节，巡回表演 | |
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115
jaws
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| n.口部；嘴 | |
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116
outlet
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| n.出口/路；销路；批发商店；通风口；发泄 | |
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117
dreary
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| adj.令人沮丧的，沉闷的，单调乏味的 | |
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118
ecstasy
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| n.狂喜，心醉神怡，入迷 | |
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119
shudder
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| v.战粟，震动，剧烈地摇晃；n.战粟，抖动 | |
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120
perilous
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| adj.危险的，冒险的 | |
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121
fatigue
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| n.疲劳，劳累 | |
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