CHAPTER VI THE CRUEL PAINTER.

 Now to return to the Story-Club.

 

On the night appointed, we met. And to the delight of all the rest of us, Harry¹ arrived with a look that satisfied us that he was to be no defaulter this time. The look was one of almost nervous uneasiness. Of course this sprung from anxiety to please Adela—at least, so I interpreted it. She occupied her old place on the couch; we all arranged ourselves nearly as before; and the fire was burning very bright. Before he began, however, Harry, turning to our host, said:

 

"May I arrange the scene as I please, for the right effect of my story?"

 

"Certainly," answered the colonel.

 

Harry rose, and extinguished the lamp.

 

"But, my dear sir," said the colonel, "how can you read now?"

 

"Perfectly², by the firelight," answered Harry.

 

He then went to the windows, and drawing aside the curtains, drew up the blinds.

 

It was full high moon, and the light so clear that, notwithstanding the brightness of the fire, each window seemed to lie in ghostly shimmer⁴ on the floor. Not a breath of wind was abroad. The whole country being covered with snow, the air was filled with a snowy light. On one side rose the high roof of another part of the house, on which the snow was lying thick and smooth, undisturbed save by the footprints, visible in the moon, of a large black cat, which had now paused in the middle of it, and was looking round suspiciously towards the source of the light which had surprised him in his midnight walk.

 

"Now," said Harry, returning to his seat, and putting on an air of confidence to conceal⁵ the lack of it, "let any one who has nerves retire at once, both for his own sake and that of the company! This is just such a night as I wanted to read my story in—snow—stillness—moonlight outside, and nothing but firelight inside. Mind, Ralph, you keep up the fire, for the room will be more ready to get cold now the coverings are off the windows.—You will say at once if you feel it cold, Miss Cathcart?"

 

Adela promised; and Harry, who had his manuscript gummed together in a continuous roll, so that he might not have to turn over any leaves, began at once:

 

"THE CRUEL PAINTER.

 

"Among the young men assembled at the University of Prague, in the year 159—, was one called Karl von Wolkenlicht. A somewhat careless student, he yet held a fair position in the estimation of both professors and men, because he could hardly look at a proposition without understanding it. Where such proposition, however, had to do with anything relating to the deeper insights of the nature, he was quite content that, for him, it should remain a proposition; which, however, he laid up in one of his mental cabinets, and was ready to reproduce at a moment's notice. This mental agility⁷ was more than matched by the corresponding corporeal⁸ excellence⁹, and both aided in producing results in which his remarkable¹⁰ strength was equally apparent. In all games depending upon the combination of muscle and skill, he had scarce rivalry¹¹ enough to keep him in practice. His strength, however, was embodied¹² in such a softness of muscular outline, such a rare Greek-like style of beauty, and associated with such a gentleness of manner and behaviour, that, partly from the truth of the resemblance, partly from the absurdity¹³ of the contrast, he was known throughout the university by the diminutive¹⁴ of the feminine form of his name, and was always called Lottchen.

 

"'I say, Lottchen,' said one of his fellow-students, called Richter, across the table in a wine-cellar they were in the habit of frequenting, 'do you know, Heinrich Hoellenrachen here says that he saw this morning, with mortal eyes, whom do you think?—Lilith.'

 

"'Adam's first wife?' asked Lottchen, with an attempt at carelessness, while his face flushed like a maiden¹⁵'s.

 

"'None of your chaff¹⁶!'said Richter. 'Your face is honester than your tongue, and confesses what you cannot deny, that you would give your chance of salvation—a small one to be sure, but all you've got—for one peep at Lilith. Wouldn't you now, Lottchen?'

 

"'Go to the devil!' was all Lottchen's answer to his tormentor¹⁸; but he turned to Heinrich, to whom the students had given the surname above mentioned, because of the enormous width of his jaws¹⁹, and said with eagerness and envy, disguising them as well as he could, under the appearance of curiosity:

 

"'You don't mean it, Heinrich? You've been taking the beggar in!

Confess now.'

"'Not I. I saw her with my two eyes.'

 

"'Notwithstanding the different planes of their orbits,' suggested

Richter.

"'Yes, notwithstanding the fact that I can get a parallax to any of the fixed²¹ stars in a moment, with only the breadth of my nose for the base,' answered Heinrich, responding at once to the fun, and careless of the personal defect insinuated²². 'She was near enough for even me to see her perfectly.'

 

"'When? Where? How?' asked Lottchen.

 

"'Two hours ago. In the churchyard of St. Stephen's. By a lucky chance.

Any more little questions, my child?' answered Hoellenrachen.

"'What could have taken her there, who is seen nowhere?' said Richter.

 

"She was seated on a grave. After she left, I went to the place; but it was a new-made grave. There was no stone up. I asked the sexton about her. He said he supposed she was the daughter of the woman buried there last Thursday week. I knew it was Lilith.'

 

"'Her mother dead!' said Lottchen, musingly²³. Then he thought with himself—'She will be going there again, then!' But he took care that this ghost-thought should wander unembodied. 'But how did you know her, Heinrich? You never saw her before.'

 

"'How do you come to be over head and ears in love with her, Lottchen, and you haven't seen her at all?' interposed Richter.

 

"'Will you or will you not go to the devil?' rejoined Lottchen, with a comic crescendo²⁴; to which the other replied with a laugh.

 

"'No one could miss knowing her,' said Heinrich.

 

"'Is she so very like, then?'

 

"'It is always herself, her very self.'

 

"A fresh flask²⁵ of wine, turning out to be not up to the mark, brought the current of conversation against itself; not much to the dissatisfaction of Lottchen, who had already resolved to be in the churchyard of St. Stephen's at sun-down the following day, in the hope that he too might be favoured with a vision of Lilith.

 

"This resolution he carried out. Seated in a porch of the church, not knowing in what direction to look for the apparition²⁶ he hoped to see, and desirous as well of not seeming to be on the watch for one, he was gazing at the fallen rose-leaves of the sunset, withering²⁷ away upon the sky; when, glancing aside by an involuntary movement, he saw a woman seated upon a new-made grave, not many yards from where he sat, with her face buried in her hands, and apparently²⁸ weeping bitterly. Karl was in the shadow of the porch, and could see her perfectly, without much danger of being discovered by her; so he sat and watched her. She raised her head for a moment, and the rose-flush of the west fell over it, shining on the tears with which it was wet, and giving the whole a bloom which did not belong to it, for it was always pale, and now pale as death. It was indeed the face of Lilith, the most celebrated²⁹ beauty of Prague.

 

"Again she buried her face in her hands; and Karl sat with a strange feeling of helplessness, which grew as he sat; and the longing³⁰ to help her whom he could not help, drew his heart towards her with a trembling reverence³¹ which was quite new to him. She wept on. The western roses withered³² slowly away, and the clouds blended with the sky, and the stars gathered like drops of glory sinking through the vault³³ of night, and the trees about the churchyard grew black, and Lilith almost vanished in the wide darkness. At length she lifted her head, and seeing the night around her, gave a little broken cry of dismay. The minutes had swept over her head, not through her mind, and she did not know that the dark had come.

 

"Hearing her cry, Karl rose and approached her. She heard his footsteps, and started to her feet. Karl spoke³⁴—

 

"'Do not be frightened,' he said. 'Let me see you home. I will walk behind you.'

 

"'Who are you?' she rejoined.

 

"'Karl Wolkenlicht.'

 

"'I have heard of you. Thank you. I can go home alone.'

 

"Yet, as if in a half-dreamy, half-unconscious mood, she accepted his offered hand to lead her through the graves, and allowed him to walk beside her, till, reaching the corner of a narrow street, she suddenly bade him good-night and vanished. He thought it better not to follow her, so he returned her good-night and went home.

 

"How to see her again was his first thought the next day; as, in fact, how to see her at all had been his first thought for many days. She went nowhere that ever he heard of; she knew nobody that he knew; she was never seen at church, or at market; never seen in the street. Her home had a dreary³⁵, desolate³⁶ aspect. It looked as if no one ever went out or in. It was like a place on which decay had fallen because there was no indwelling spirit. The mud of years was baked upon its door, and no faces looked out of its dusty windows.

 

"How then could she be the most celebrated beauty of Prague? How then was it that Heinrich Hoellenrachen knew her the moment he saw her? Above all, how was it that Karl Wolkenlicht had, in fact, fallen in love with her before ever he saw her? It was thus—

 

"Her father was a painter. Belonging thus to the public, it had taken the liberty of re-naming him. Every one called him Teufelsbuerst, or Devilsbrush. It was a name with which, to judge from the nature of his representations, he could hardly fail to be pleased. For, not as a nightmare dream, which may alternate with the loveliest visions, but as his ordinary everyday work, he delighted to represent human suffering.

 

"Not an aspect of human woe³⁸ or torture, as expressed in countenance³⁹ or limb, came before his willing imagination, but he bore it straightway to his easel. In the moments that precede sleep, when the black space before the eyes of the poet teems⁴⁰ with lovely faces, or dawns into a spirit-landscape, face after face of suffering, in all varieties of expression, would crowd, as if compelled by the accompanying fiends, to present themselves, in awful levee, before the inner eye of the expectant master. Then he would rise, light his lamp, and, with rapid hand, make notes of his visions; recording⁴¹, with swift successive sweeps of his pencil, every individual face which had rejoiced his evil fancy. Then he would return to his couch, and, well satisfied, fall asleep to dream yet further embodiments of human ill.

 

"What wrong could man or mankind have done him, to be thus fearfully pursued by the vengeance⁴³ of the artist's hate?

 

"Another characteristic of the faces and form which he drew was, that they were all beautiful in the original idea. The lines of each face, however distorted by pain, would have been, in rest, absolutely beautiful; and the whole of the execution bore witness to the fact that upon this original beauty the painter had directed the artillery⁴⁴ of anguish⁴⁵ to bring down the sky-soaring heights of its divinity to the level of a hated existence. To do this, he worked in perfect accordance with artistic⁴⁶ law, falsifying no line of the original forms. It was the suffering, rather than his pencil, that wrought⁴⁷ the change. The latter was the willing instrument to record what the imagination conceived with a cruelty composed enough to be correct.

 

"To enhance the beauty he had thus distorted, and so to enhance yet further the suffering that produced the distortion, he would often represent attendant demons⁴⁸, whom he made as ugly as his imagination could compass; avoiding, however, all grotesqueness⁵⁰ beyond what was sufficient to indicate that they were demons, and not men. Their ugliness rose from hate, envy, and all evil passions; amongst which he especially delighted to represent a gloating exultation⁵¹ over human distress⁵². And often in the midst of his clouds of demon⁴⁹ faces, would some one who knew him recognise the painter's own likeness⁵³, such as the mirror might have presented it to him when he was busiest over the incarnation of some exquisite⁵⁴ torture.

 

"But apparently with the wish to avoid being supposed to choose such representations for their own sakes, he always found a story, often in the histories of the church, whose name he gave to the painting, and which he pretended to have inspired the pictorial⁵⁵ conception. No one, however, who looked upon his suffering martyrs⁵⁶, could suppose for a moment that he honoured their martyrdom. They were but the vehicles for his hate of humanity. He was the torturer, and not Diocletian or Nero.

 

"But, stranger yet to tell, there was no picture, whatever its subject, into which he did not introduce one form of placid⁵⁷ and harmonious⁵⁸ loveliness. In this, however, his fierceness was only more fully⁴² displayed. For in no case did this form manifest any relation either to the actors or the endurers in the picture. Hence its very loveliness became almost hateful to those who beheld⁵⁹ it. Not a shade crossed the still sky of that brow, not a ripple⁶⁰ disturbed the still sea of that cheek. She did not hate, she did not love the sufferers: the painter would not have her hate, for that would be to the injury of her loveliness: would not have her love, for he hated. Sometimes she floated above, as a still, unobservant angel, her gaze turned upward, dreaming along, careless as a white summer cloud, across the blue. If she looked down on the scene below, it was only that the beholder⁶¹ might see that she saw and did not care—that not a feather of her outspread pinions⁶³ would quiver at the sight. Sometimes she would stand in the crowd, as if she had been copied there from another picture, and had nothing to do with this one, nor any right to be in it at all. Or when the red blood was trickling⁶⁴ drop by drop from the crushed limb, she might be seen standing³ nearest, smiling over a primrose⁶⁵ or the bloom on a peach. Some had said that she was the painter's wife; that she had been false to him; that he had killed her; and, finding that that was no sufficing revenge, thus half in love, and half in deepest hate, immortalized his vengeance. But it was now universally understood that it was his daughter, of whose loveliness extravagant⁶⁶ reports went abroad; though all said, doubtless reading this from her father's pictures, that she was a beauty without a heart. Strange theories of something else supplying its place were rife⁶⁷ among the anatomical students. With the girl in the pictures, the wild imagination of Lottchen, probably in part from her apparently absolute unattainableness and her undisputed heartlessness, had fallen in love, as far as the mere⁶⁹ imagination can fall in love.

 

"But again, how was he to see her? He haunted the house night after night. Those blue eyes never met his. No step responsive to his came from that door. It seemed to have been so long unopened that it had grown as fixed and hard as the stones that held its bolts in their passive clasp. He dared not watch in the daytime, and with all his watching at night, he never saw father or daughter or domestic cross the threshold. Little he thought that, from a shot-window near the door, a pair of blue eyes, like Lilith's, but paler and colder, were watching him just as a spider watches the fly that is likely ere long to fall into his toils⁷¹. And into those toils Karl soon fell. For her form darkened the page; her form stood on the threshold of sleep; and when, overcome with watching, he did enter its precincts, her form entered with him, and walked by his side. He must find her; or the world might go to the bottomless pit for him. But how?

 

"Yes. He would be a painter. Teufelsbuerst would receive him as a humble⁷² apprentice⁷³. He would grind his colours, and Teufelsbuerst would teach him the mysteries of the science which is the handmaiden of art. Then he might see her, and that was all his ambition.

 

"In the clear morning light of a day in autumn, when the leaves were beginning to fall seared from the hand of that Death which has his dance in the chapels⁷⁴ of nature as well as in the cathedral aisles⁷⁵ of men—he walked up and knocked at the dingy⁷⁶ door. The spider painter opened it himself. He was a little man, meagre and pallid⁷⁷, with those faded blue eyes, a low nose in three distinct divisions, and thin, curveless, cruel lips. He wore no hair on his face; but long grey locks, long as a woman's, were scattered⁷⁹ over his shoulders, and hung down on his breast. When Wolkenlicht had explained his errand, he smiled a smile in which hypocrisy⁸⁰ could not hide the cunning, and, after many difficulties, consented to receive him as a pupil, on condition that he would become an inmate⁸¹ of his house. Wolkenlicht's heart bounded with delight, which he tried to hide: the second smile of Teufelsbuerst might have shown him that he had ill succeeded. The fact that he was not a native of Prague, but coming from a distant part of the country, was entirely⁸² his own master in the city, rendered this condition perfectly easy to fulfil; and that very afternoon he entered the studio of Teufelsbuerst as his scholar and servant.

 

"It was a great room, filled with the appliances and results of art. Many pictures, festooned with cobwebs, were hung carelessly on the dirty walls. Others, half finished, leaned against them, on the floor. Several, in different stages of progress, stood upon easels. But all spoke the cruel bent⁸³ of the artist's genius. In one corner a lay figure was extended on a couch, covered with a pall⁷⁸ of black velvet⁸⁴. Through its folds, the form beneath was easily discernible; and one hand and forearm protruded⁸⁵ from beneath it, at right angles to the rest of the frame. Lottchen could not help shuddering⁸⁷ when he saw it. Although he overcame the feeling in a moment, he felt a great repugnance⁸⁸ to seating himself with his back towards it, as the arrangement of an easel, at which Teufelsbuerst wished him to draw, rendered necessary. He contrived⁸⁹ to edge himself round, so that when he lifted his eyes he should see the figure, and be sure that it could not rise without his being aware of it. But his master saw and understood his altered position; and under some pretence⁹⁰ about the light, compelled him to resume the position in which he had placed him at first; after which he sat watching, over the top of his picture, the expression of his countenance as he tried to draw; reading in it the horrid⁹¹ fancy that the figure under the pall had risen, and was stealthily approaching to look over his shoulder. But Lottchen resisted the feeling, and, being already no contemptible⁹² draughtsman, was soon interested enough to forget it. And then, any moment she might enter.

 

"Now began a system of slow torture, for the chance of which the painter had been long on the watch—especially since he had first seen Karl lingering about the house. His opportunities of seeing physical suffering were nearly enough even for the diseased necessities of his art; but now he had one in his power, on whom, his own will fettering⁹⁴ him, he could try any experiments he pleased for the production of a kind of suffering, in the observation of which he did not consider that he had yet sufficient experience. He would hold the very heart of the youth in his hand, and wring⁹⁵ it and torture it to his own content. And lest Karl should be strong enough to prevent those expressions of pain for which he lay on the watch, he would make use of further means, known to himself, and known to few besides.

 

"All that day Karl saw nothing of Lilith; but he heard her voice once—and that was enough for one day. The next, she was sitting to her father the greater part of the day, and he could see her as often as he dared glance up from his drawing. She had looked at him when she entered, but had shown no sign of recognition; and all day long she took no further notice of him. He hoped, at first, that this came of the intelligence of love; but he soon began to doubt it. For he saw that, with the holy shadow of sorrow, all that distinguished⁹⁶ the expression of her countenance from that which the painter so constantly reproduced, had vanished likewise. It was the very face of the unheeding angel whom, as often as he lifted his eyes higher than hers, he saw on the wall above her, playing on a psaltery in the smoke of the torment¹⁷ ascending⁹⁷ for ever from burning Babylon.—The power of the painter had not merely wrought for the representation of the woman of his imagination; it had had scope as well in realizing her.

 

"Karl soon began to see that communication, other than of the eyes, was all but hopeless; and to any attempt in that way she seemed altogether indisposed to respond. Nor if she had wished it, would it have been safe; for as often as he glanced towards her, instead of hers, he met the blue eyes of the painter gleaming upon him like winter lightning. His tones, his gestures, his words, seemed kind: his glance and his smile refused to be disguised.

 

"The first day he dined alone in the studio, waited upon by an old woman; the next he was admitted to the family table, with Teufelsbuerst and Lilith. The room offered a strange contrast to the study. As far as handicraft, directed by a sumptuous⁹⁸ taste, could construct a house-paradise, this was one. But it seemed rather a paradise of demons; for the walls were covered with Teufelsbuerst's paintings. During the dinner, Lilith's gaze scarcely met that of Wolkenlicht; and once or twice, when their eyes did meet, her glance was so perfectly unconcerned, that Karl wished he might look at her for ever without the fear of her looking at him again. She seemed like one whose love had rushed out glowing with seraphic fire, to be frozen to death in a more than wintry cold: she now walked lonely without her love. In the evenings, he was expected to continue his drawing by lamplight; and at night he was conducted by Teufelsbuerst to his chamber⁹⁹. Not once did he allow him to proceed thither¹⁰⁰ alone, and not once did he leave him there without locking and bolting the door on the outside. But he felt nothing except the coldness of Lilith.

 

"Day after day she sat to her father, in every variety of costume that could best show the variety of her beauty. How much greater that beauty might be, if it ever blossomed into a beauty of soul, Wolkenlicht never imagined; for he soon loved her enough to attribute to her all the possibilities of her face as actual possessions of her being. To account for everything that seemed to contradict this perfection, his brain was prolific¹⁰¹ in inventions; till he was compelled at last to see that she was in the condition of a rose-bud, which, on the point of blossoming, had been chilled into a changeless bud by the cold of an untimely frost. For one day, after the father and daughter had become a little more accustomed to his silent presence, a conversation began between them, which went on until he saw that Teufelsbuerst believed in nothing except his art. How much of his feeling for that could be dignified¹⁰² by the name of belief, seeing its objects were such as they were, might have been questioned. It seemed to Wolkenlicht to amount only to this: that, amidst a thousand distastes, it was a pleasant thing to reproduce on the canvas the forms he beheld around him, modifying them to express the prevailing¹⁰³ feelings of his own mind.

 

"A more desolate communication between souls than that which then passed between father and daughter could hardly be imagined. The father spoke of humanity and all its experiences in a tone of the bitterest scorn. He despised men, and himself amongst them; and rejoiced to think that the generations rose and vanished, brood after brood, as the crops of corn grew and disappeared. Lilith, who listened to it all unmoved, taking only an intellectual interest in the question, remarked that even the corn had more life than that; for, after its death, it rose again in the new crop. Whether she meant that the corn was therefore superior to man, forgetting that the superior can produce being without losing its own, or only advanced an objection to her father's argument, Wolkenlicht could not tell. But Teufelsbuerst laughed like the sound of a saw, and said: 'Follow out the analogy, my Lilith, and you will see that man is like the corn that springs again after it is buried; but unfortunately the only result we know of is a vampire¹⁰⁴.'

 

"Wolkenlicht looked up, and saw a shudder⁸⁶ pass through the frame, and over the pale thin face of the painter. This he could not account for. But Teufelsbuerst could have explained it, for there were strange whispers abroad, and they had reached his ear; and his philosophy was not quite enough for them. But the laugh with which Lilith met this frightful¹⁰⁵ attempt at wit, grated dreadfully on Wolkenlicht's feeling. With her, too, however, a reaction seemed to follow. For, turning round a moment after, and looking at the picture on which her father was working, the tears rose in her eyes, and she said: 'Oh! father, how like my mother you have made me this time!' 'Child!' retorted the painter with a cold fierceness, 'you have no mother. That which is gone out is gone out. Put no name in my hearing on that which is not. Where no substance is, how can there be a name?'

 

"Lilith rose and left the room. Wolkenlicht now understood that Lilith was a frozen bud, and could not blossom into a rose. But pure love lives by faith. It loves the vaguely¹⁰⁶ beheld and unrealized ideal. It dares believe that the loved is not all that she ever seemed. It is in virtue¹⁰⁷ of this that love loves on. And it was in virtue of this, that Wolkenlicht loved Lilith yet more after he discovered what a grave of misery¹⁰⁸ her unbelief was digging for her within her own soul. For her sake he would bear anything—bear even with calmness the torments¹⁰⁹ of his own love; he would stay on, hoping and hoping.—The text, that we know not what a day may bring forth¹¹⁰, is just as true of good things as of evil things; and out of Time's womb the facts must come.

 

"But with the birth of this resolution to endure, his suffering abated¹¹¹; his face grew more calm; his love, no less earnest, was less imperious; and he did not look up so often from his work when Lilith was present. The master could see that his pupil was more at ease, and that he was making rapid progress in his art. This did not suit his designs, and he would betake himself to his further schemes.

 

"For this purpose he proceeded first to simulate a friendship for Wolkenlicht, the manifestations¹¹² of which he gradually increased, until, after a day or two, he asked him to drink wine with him in the evening. Karl readily agreed. The painter produced some of his best; but took care not to allow Lilith to taste it; for he had cunningly prepared and mingled¹¹³ with it a decoction of certain herbs and other ingredients, exercising specific actions upon the brain, and tending to the inordinate¹¹⁴ excitement of those portions of it which are principally under the rule of the imagination. By the reaction of the brain during the operation of these stimulants¹¹⁵, the imagination is filled with suggestions and images. The nature of these is determined¹¹⁶ by the prevailing mood of the time. They are such as the imagination would produce of itself, but increased in number and intensity¹¹⁷. Teufelsbuerst, without philosophizing about it, called his preparation simply a love-philtre, a concoction¹¹⁸ well known by name, but the composition of which was the secret of only a few. Wolkenlicht had, of course, not the least suspicion of the treatment to which he was subjected.

 

"Teufelsbuerst was, however, doomed¹¹⁹ to fresh disappointment. Not that his potion failed in the anticipated effect, for now Karl's real sufferings began; but that such was the strength of Karl's will, and his fear of doing anything that might give a pretext¹²¹ for banishing¹²³ him from the presence of Lilith, that he was able to conceal his feelings far too successfully for the satisfaction of Teufelsbuerst's art. Yet he had to fetter⁹³ himself with all the restraints that self-exhortation could load him with, to refrain from falling at the feet of Lilith and kissing the hem²⁰ of her garment. For that, as the lowliest part of all that surrounded her, itself kissing the earth, seemed to come nearest within the reach of his ambition, and therefore to draw him the most.

 

"No doubt the painter had experience and penetration¹²⁴ enough to perceive that he was suffering intensely; but he wanted to see the suffering embodied in outward signs, bringing it within the region over which his pencil held sway. He kept on, therefore, trying one thing after another, and rousing the poor youth to agony; till to his other sufferings were added, at length, those of failing health; a fact which notified itself evidently enough even for Teufelsbuerst, though its signs were not of the sort he chiefly desired. But Karl endured all bravely.

 

"Meantime, for various reasons, he scarcely ever left the house.

 

"I must now interrupt the course of my story to introduce another element.

 

"A few years before the period of my tale, a certain shoemaker of the city had died under circumstances more than suggestive of suicide. He was buried, however, with such precautions, that six weeks elapsed before the rumour¹²⁵ of the facts broke out; upon which rumour, not before, the most fearful reports began to be circulated, supported by what seemed to the people of Prague incontestable evidence.—A spectrum¹²⁶ of the deceased appeared to multitudes of persons, playing horrible pranks¹²⁷, and occasioning indescribable consternation¹²⁸ throughout the whole town. This went on till at last, about eight months after his burial, the magistrates¹²⁹ caused his body to be dug up; when it was found in just the condition of the bodies of those who in the eastern countries of Europe are called vampires¹³⁰. They buried the corpse¹³¹ under the gallows¹³²; but neither the digging up nor the re-burying were of avail to banish¹²² the spectre. Again the spade and pick-axe¹³³ were set to work, and the dead man being found considerably¹³⁴ improved in condition since his last interment, was, with various horrible indignities¹³⁵, burnt to ashes, 'after which the spectrum was never seen more.'

 

"And a second epidemic¹³⁶ of the same nature had broken out a little before the period to which I have brought my story.

 

"About midnight, after a calm frosty day, for it was now winter, a terrible storm of wind and snow came on. The tempest howled frightfully about the house of the painter, and Wolkenlicht found some solace¹³⁷ in listening to the uproar¹³⁸, for his troubled thoughts would not allow him to sleep. It raged on all the next three days, till about noon on the fourth day, when it suddenly fell, and all was calm. The following night, Wolkenlicht, lying awake, heard unaccountable noises in the next house, as of things thrown about, of kicking and fighting horses, and of opening and shutting gates. Flinging wide his lattice and looking out, the noise of howling dogs came to him from every quarter of the town. The moon was bright and the air was still. In a little while he heard the sounds of a horse going at full gallop¹³⁹ round the house, so that it shook as if it would fall; and flashes of light shone into his room. How much of this may have been owing to the effect of the drugs on poor Lottchen's brain, I leave my readers to determine. But when the family met at breakfast in the morning, Teufelsbuerst, who had been already out of doors, reported that he had found the marks of strange feet in the snow, all about the house and through the garden at the back; stating, as his belief, that the tracks must be continued over the roofs, for there was no passage otherwise. There was a wicked gleam in his eye as he spoke; and Lilith believed that he was only trying an experiment on Karl's nerves. He persisted that he had never seen any footprints of the sort before. Karl informed him of his experiences during the night; upon which Teufelsbuerst looked a little graver still, and proceeded to tell them that the storm, whose snow was still covering the ground, had arisen the very moment that their next door neighbour died, and had ceased as suddenly the moment he was buried, though it had raved¹⁴⁰ furiously all the time of the funeral, so that 'it made men's bodies quake and their teeth chatter¹⁴¹ in their heads.' Karl had heard that the man, whose name was John Kuntz, was dead and buried. He knew that he had been a very wealthy, and therefore most respectable, alderman of the town; that he had been very fond of horses; and that he had died in consequence of a kick received from one of his own, as he was looking at his hoof¹⁴². But he had not heard that, just before he died, a black cat 'opened the casement¹⁴³ with her nails, ran to his bed, and violently scratched his face and the bolster¹⁴⁴, as if she endeavoured by force to remove him out of the place where he lay. But the cat afterwards was suddenly gone, and she was no sooner gone, but he breathed his last.'

 

"So said Teufelsbuerst, as the reporter of the town talk. Lilith looked very pale and terrified; and it was perhaps owing to this that the painter brought no more tales home with him. There were plenty to bring, but he heard them all and said nothing. The fact was that the philosopher himself could not resist the infection of the fear that was literally¹⁴⁵ raging in the city; and perhaps the reports that he himself had sold himself to the devil had sufficient response from his own evil conscience to add to the influence of the epidemic upon him. The whole place was infested¹⁴⁶ with the presence of the dead Kuntz, till scarce a man or woman would dare to be alone. He strangled old men; insulted women; squeezed children to death; knocked out the brains of dogs against the ground; pulled up posts; turned milk into blood; nearly killed a worthy¹⁴⁷ clergyman by breathing upon him the intolerable airs of the grave, cold and malignant¹⁴⁸ and noisome¹⁴⁹; and, in short, filled the city with a perfect madness of fear, so that every report was believed without the smallest doubt or investigation¹⁵⁰.

 

"Though Teufelsbuerst brought home no more of the town talk, the old servant was a faithful purveyor¹⁵¹, and frequented the news-mart assiduously. Indeed she had some nightmare experiences of her own that she was proud to add to the stock of horrors which the city enjoyed with such a hearty¹⁵² community of goods. For those regions were not far removed from the birthplace and home of the vampire. The belief in vampires is the quintessential concentration and embodiment of all the passion of fear in Hungary and the adjacent regions. Nor, of all the other inventions of the human imagination, has there ever been one so perfect in crawling terror as this. Lilith and Karl were quite familiar with the popular ideas on the subject. It did not require to be explained to them, that a vampire was a body retaining a kind of animal life after the soul had departed. If any relation existed between it and the vanished ghost, it was only sufficient to make it restless in its grave. Possessed¹⁵³ of vitality¹⁵⁴ enough to keep it uncorrupted and pliant¹⁵⁵, its only instinct was a blind hunger for the sole food which could keep its awful life persistent—living human blood. Hence it, or, if not it, a sort of semi-material exhalation or essence of it, retaining its form and material relations, crept from its tomb, and went roaming about till it found some one asleep, towards whom it had an attraction, founded on old affection. It sucked the blood of this unhappy being, transferring so much of its life to itself as a vampire could assimilate. Death was the certain consequence. If suspicion conjectured¹⁵⁶ aright, and they opened the proper grave, the body of the vampire would be found perfectly fresh and plump, sometimes indeed of rather florid complexion;—with grown hair, eyes half open, and the stains of recent blood about its greedy, leech-like lips. Nothing remained but to consume the corpse to ashes, upon which the vampire would show itself no more. But what added infinitely¹⁵⁷ to the horror was the certainty that whoever died from the mouth of the vampire, wrinkled grandsire or delicate maiden, must in turn rise from the grave, and go forth a vampire, to suck the blood of the dearest left behind. This was the generation of the vampire brood. Lilith trembled at the very name of the creature. Karl was too much in love to be afraid of anything. Yet the evident fear of the unbelieving painter took a hold of his imagination; and, under the influence of the potions of which he still partook unwittingly, when he was not thinking about Lilith, he was thinking about the vampire.

 

"Meantime, the condition of things in the painter's household continued much the same for Wolkenlicht—work all day; no communication between the young people; the dinner and the wine; silent reading when work was done, with stolen glances many over the top of the book, glances that were never returned; the cold good-night; the locking of the door; the wakeful night and the drowsy¹⁵⁸ morning. But at length a change came, and sooner than any of the party had expected. For, whether it was that the impatience¹⁵⁹ of Teufelsbuerst had urged him to yet more dangerous experiments, or that the continuance of those he had been so long employing had overcome at length the vitality of Wolkenlicht—one afternoon, as he was sitting at his work, he suddenly dropped from his chair, and his master hurrying to him in some alarm, found him rigid¹⁶⁰ and apparently lifeless. Lilith was not in the study when this took place. In justice to Teufelsbuerst, it must be confessed that he employed all the skill he was master of, which for beneficent purposes was not very great, to restore the youth; but without avail. At last, hearing the footsteps of Lilith, he desisted in some consternation; and that she might escape being shocked by the sight of a dead body where she had been accustomed to see a living one, he removed the lay figure from the couch, and laid Karl in its place, covering him with a black velvet pall. He was just in time. She started at seeing no one in Karl's place and said:

 

"'Where is your pupil, father?'

 

"'Gone home,' he answered, with a kind of convulsive grin.

 

"She glanced round the room, caught sight of the lay figure where it had not been before, looked at the couch, and saw the pall yet heaved up from beneath, opened her eyes till the entire white sweep around the iris¹⁶¹ suggested a new expression of consternation to Teufelsbuerst, though from a quarter whence he did not desire or look for it; and then, without a word, sat down to a drawing she had been busy upon the day before. But her father, glancing at her now, as Wolkenlicht had used to do, could not help seeing that she was frightfully pale. She showed no other sign of uneasiness. As soon as he released her, she withdrew, with one more glance, as she passed, at the couch and the figure blocked out in black upon it. She hastened to her chamber, shut and locked the door, sat down on the side of the couch, and fell, not a-weeping, but a-thinking. Was he dead? What did it matter? They would all be dead soon. Her mother was dead already. It was only that the earth could not bear more children, except she devoured¹⁶² those to whom she had already given birth. But what if they had to come back in another form, and live another sad, hopeless, loveless life over again?—And so she went on questioning, and receiving no replies; while through all her thoughts passed and repassed the eyes of Wolkenlicht, which she had often felt to be upon her when she did not see them, wild with repressed longing, the light of their love shining through the veil of diffused¹⁶³ tears, ever gathering¹⁶⁴ and never overflowing¹⁶⁵. Then came the pale face, so worshipping, so distant in its self-withdrawn devotion, slowly dawning out of the vapours of her reverie. When it vanished, she tried to see it again. It would not come when she called it; but when her thoughts left knocking at the door of the lost, and wandered away, out came the pale, troubled, silent face again, gathering itself up from some unknown nook in her world of phantasy, and once more, when she tried to steady it by the fixedness¹⁶⁶ of her own regard, fading back into the mist. So the phantasm of the dead drew near and wooed, as the living had never dared.—What if there were any good in loving? What if men and women did not die all out, but some dim shade of each, like that pale, mind-ghost of Wolkenlicht, floated through the eternal vapours of chaos¹⁶⁷? And what if they might sometimes cross each other's path, meet, know that they met, love on? Would not that revive the withered memory, fix the fleeting¹⁶⁸ ghost, give a new habitation, a body even, to the poor, unhoused wanderers, frozen by the eternal frosts, no longer thinking beings, but thoughts wandering through the brain of the 'Melancholy¹⁶⁹ Mass?' Back with the thought came the face of the dead Karl, and the maiden threw herself on her bed in a flood of bitter tears. She could have loved him if he had only lived: she did love him, for he was dead. But even in the midst of the remorse¹⁷⁰ that followed—for had she not killed him?—life seemed a less hard and hopeless thing than before. For it is love itself and not its responses or results that is the soul of life and its pleasures.

 

"Two hours passed ere she could again show herself to her father, from whom she seemed in some new way divided by the new feeling in which he did not, and could not share. But at last, lest he should seek her, and finding her, should suspect her thoughts, she descended¹⁷¹ and sought him.—For there is a maidenliness in sorrow, that wraps her garments close around her.—But he was not to be seen; the door of the study was locked. A shudder passed through her as she thought of what her father, who lost no opportunity of furthering his all but perfect acquaintance with the human form and structure, might be about with the figure which she knew lay dead beneath that velvet pall, but which had arisen to haunt the hollow caves and cells of her living brain. She rushed away, and up once more to her silent room, through the darkness which had now settled down in the house; threw herself again on her bed, and lay almost paralysed with horror and distress.

 

"But Teufelsbuerst was not about anything so frightful as she supposed, though something frightful enough. I have already implied that Wolkenlicht was, in form, as fine an embodiment of youthful manhood as any old Greek republic could have provided one of its sculptors¹⁷² with as model for an Apollo. It is true, that to the eye of a Greek artist he would not have been more acceptable in consequence of the regimen he had been going through for the last few weeks; but the emaciation¹⁷³ of Wolkenlicht's frame, and the consequent prominence¹⁷⁴ of the muscles, indicating the pain he had gone through, were peculiarly attractive to Teufelsbuerst.—He was busy preparing to take a cast of the body of his dead pupil, that it might aid to the perfection of his future labours.

 

"He was deep in the artistic enjoyment¹⁷⁶ of a form, at the same time so beautiful and strong, yet with the lines of suffering in every limb and feature, when his daughter's hand was laid on the latch¹⁷⁷. He started, flung the velvet drapery over the body, and went to the door. But Lilith had vanished. He returned to his labours. The operation took a long time, for he performed it very carefully. Towards midnight, he had finished encasing the body in a close-clinging shell of plaster, which, when broken off, and fitted together, would be the matrix to the form of the dead Wolkenlicht. Before leaving it to harden till the morning, he was just proceeding¹⁷⁸ to strengthen it with an additional layer all over, when a flash of lightning, reflected in all its dazzle from the snow without, almost blinded him. A peal¹⁷⁹ of long-drawn thunder followed; the wind rose; and just such a storm came on as had risen some time before at the death of Kuntz, whose spectre was still tormenting¹⁸⁰ the city. The gnomes¹⁸¹ of terror, deep hidden in the caverns¹⁸² of Teufelsbuerst's nature, broke out jubilant. With trembling hands he tried to cast the pall over the awful white chrysalis,—failed, and fled to his chamber. And there lay the studio naked to the eyes of the lightning, with its tortured forms throbbing¹⁸³ out of the dark, and quivering, as with life, in the almost continuous palpitations of the light; while on the couch lay the motionless mass of whiteness, gleaming blue in the lightning, almost more terrible in its crude indications of the human form, than that which it enclosed. It lay there as if dropped from some tree of chaos, haggard with the snows of eternity—a huge misshapen nut, with a corpse for its kernel¹⁸⁴.

 

"But the lightning would soon have revealed a more terrible sight still, had there been any eyes to behold⁶² it. At midnight, while a peal of thunder was just dying away in the distance, the crust of death flew asunder¹⁸⁵, rending¹⁸⁶ in all directions; and, pale as his investiture, staring with ghastly eyes, the form of Karl started up sitting on the couch. Had he not been far beyond ordinary men in strength, he could not thus have rent his sepulchre. Indeed, had Teufelsbuerst been able to finish his task by the additional layer of gypsum which he contemplated¹⁸⁷, he must have died the moment life revived; although, so long as the trance lasted, neither the exclusion¹⁸⁸ from the air, nor the practical solidification¹⁸⁹ of the walls of his chest, could do him any injury. He had lain unconscious throughout the operations of Teufelsbuerst, but now the catalepsy had passed away, possibly under the influence of the electric condition of the atmosphere. Very likely the strength he now put forth was intensified¹⁹⁰ by a convulsive reaction of all the powers of life, as is not infrequently the case in sudden awakenings from similar interruptions of vital activity. The coming to himself and the bursting of his case were simultaneous. He sat staring about him, with, of all his mental faculties¹⁹¹, only his imagination awake, from which the thoughts that occupied it when he fell senseless had not yet faded. These thoughts had been compounded of feelings about Lilith, and speculations¹⁹² about the vampire that haunted the neighbourhood; and the fumes¹⁹³ of the last drug of which he had partaken, still hovering¹⁹⁴ in his brain, combined with these thoughts and fancies to generate the delusion¹⁹⁵ that he had just broken from the embrace of his coffin¹⁹⁶, and risen, the last-born of the vampire race. The sense of unavoidable obligation to fulfil his doom¹²⁰, was yet mingled with a faint flutter of joy, for he knew that he must go to Lilith. With a deep sigh, he rose, gathered up the pall of black velvet, flung it around him, stepped from the couch, and left the study to find her.

 

"Meantime, Teufelsbuerst had sufficiently¹⁹⁷ recovered to remember that he had left the door of the studio unfastened, and that any one entering would discover in what he had been engaged, which, in the case of his getting into any difficulty about the death of Karl, would tell powerfully against him. He was at the farther end of a long passage, leading from the house to the studio, on his way to make all secure, when Karl appeared at the door, and advanced towards him. The painter, seized with invincible¹⁹⁸ terror, turned and fled. He reached his room, and fell senseless on the floor. The phantom¹⁹⁹ held on its way, heedless.

 

"Lilith, on gaining her room the second time, had thrown herself on her bed as before, and had wept herself into a troubled slumber²⁰⁰. She lay dreaming—and dreadful dreams. Suddenly she awoke in one of those peals²⁰¹ of thunder which tormented²⁰² the high regions of the air, as a storm billows the surface of the ocean. She lay awake and listened. As it died away, she thought she heard, mingling²⁰³ with its last muffled²⁰⁴ murmurs²⁰⁵, the sound of moaning. She turned her face towards the room in keen terror. But she saw nothing. Another light, long-drawn sigh reached her ear, and at the same moment a flash of lightning illumined the room. In the corner farthest from her bed, she spied a white face, nothing more. She was dumb and motionless with fear. Utter darkness followed, a darkness that seemed to enter into her very brain. Yet she felt that the face was slowly crossing the black gulf²⁰⁶ of the room, and drawing near to where she lay. The next flash revealed, as it bended over her, the ghastly face of Karl, down which flowed fresh tears. The rest of his form was lost in blackness. Lilith did not faint, but it was the very force of her fear that seemed to keep her alive. It became for the moment the atmosphere of her life. She lay trembling and staring at the spot in the darkness where she supposed the face of Karl still to be. But the next flash showed her the face far off, looking at her through the panes²⁰⁷ of her lattice-window.

 

"For Lottchen, as soon as he saw Lilith, seemed to himself to go through a second stage of awaking. Her face made him doubt whether he could be a vampire after all; for instead of wanting to bite her arm and suck the blood, he all but fell down at her feet in a passion of speechless love. The next moment he became aware that his presence must be at least very undesirable²⁰⁸ to her; and in an instant he had reached her window, which he knew looked upon a lower roof that extended between two different parts of the house, and before the next flash came, he had stepped through the lattice and closed it behind him.

 

"Believing his own room to be attainable⁶⁸ from this quarter, he proceeded along the roof in the direction he judged best. The cold winter air by degrees restored him entirely to his right mind, and he soon comprehended the whole of the circumstances in which he found himself. Peeping through a window he was passing, to see whether it belonged to his room, he spied Teufelsbuerst, who, at the very moment, was lifting his head from the faint into which he had fallen at the first sight of Lottchen. The moon was shining clear, and in its light the painter saw, to his horror, the pale face staring in at his window. He thought it had been there ever since he had fainted, and dropped again in a deeper swoon than before. Karl saw him fall, and the truth flashed upon him that the wicked artist took him for what he had believed himself to be when first he recovered from his trance—namely, the vampire of the former Karl Wolkenlicht. The moment he comprehended it, he resolved to keep up the delusion if possible. Meantime he was innocently preparing a new ingredient for the popular dish of horrors to be served at the ordinary of the city the next day. For the old servant's were not the only eyes that had seen him besides those of Teufelsbuerst. What could be more like a vampire, dragging his pall after him, than this apparition of poor, half-frozen Lottchen, crawling across the roof? Karl remembered afterwards that he had heard the dogs howling awfully²⁰⁹ in every direction, as he crept along; but this was hardly necessary to make those who saw him conclude that it was the same phantasm of John Kuntz, which had been infesting²¹⁰ the whole city, and especially the house next door to the painter's, which had been the dwelling³⁷ of the respectable alderman who had degenerated²¹¹ into this most disreputable of moneyless vagabonds. What added to the consternation of all who heard of it, was the sickening conviction that the extreme measures which they had resorted to in order to free the city from the ghoul, beyond which nothing could be done, had been utterly²¹² unavailing, successful as they had proved in every other known case of the kind. For, urged as well by various horrid signs about his grave, which not even its close proximity²¹³ to the altar could render a place of repose²¹⁴, they had opened it, had found in the body every peculiarity²¹⁵ belonging to a vampire, had pulled it out with the greatest difficulty on account of a quite supernatural ponderosity²¹⁶; which rendered the horse which had killed him—a strong animal—all but unable to drag it along, and had at last, after cutting it in pieces, and expending²¹⁷ on the fire two hundred and sixteen great billets, succeeded in conquering its incombustibleness, and reducing it to ashes. Such, at least, was the story which had reached the painter's household, and was believed by many; and if all this did not compel the perturbed²¹⁸ corpse to rest, what more could be done?

 

"When Karl had reached his room, and was dressing²¹⁹ himself, the thought struck him that something might be made of the report of the extreme weight of the body of old Kuntz, to favour the continuance of the delusion of Teufelsbuerst, although he hardly knew yet to what use he could turn this delusion. He was convinced that he would have made no progress however long he might have remained in his house; and that he would have more chance of favour with Lilith if he were to meet her in any other circumstances whatever than those in which he invariably saw her—namely, surrounded by her father's influences, and watched by her father's cold blue eyes.

 

"As soon as he was dressed, he crept down to the studio, which was now quiet enough, the storm being over, and the moon filling it with her steady shine. In the corner lay in all directions the fragments of the mould which his own body had formed and filled. The bag of plaster and the bucket of water which the painter had been using stood beside. Lottchen gathered all the pieces together, and then making his way to an outhouse where he had seen various odds²²⁰ and ends of rubbish lying, chose from the heap as many pieces of old iron and other metal as he could find. To these he added a few large stones from the garden. When he had got all into the studio, he locked the door, and proceeded to fit together the parts of the mould, filling up the hollow as he went on with the heaviest things he could get into it, and solidifying²²¹ the whole by pouring in plaster; till, having at length completed it, and obliterated²²², as much as possible, the marks of joining, he left it to harden, with the conviction that now it would make a considerable impression on Teufelsbuerst's imagination, as well as on his muscular sense. He then left everything else as nearly undisturbed as he could; and, knowing all the ways of the house, was soon in the street, without leaving any signs of his exit.

 

"Karl soon found himself before the house in which his friend Hoellenrachen resided. Knowing his studious habits, he had hoped to see his light still burning, nor was he disappointed. He contrived to bring him to his window, and a moment after, the door was cautiously opened.

 

"'Why, Lottchen, where do you come from?'

 

"'From the grave, Heinrich, or next door to it.'

 

"'Come in, and tell me all about it. We thought the old painter had made a model of you, and tortured you to death.'

 

"'Perhaps you were not far wrong. But get me a horn of ale, for even a vampire is thirsty, you know.'

 

"'A vampire!' exclaimed Heinrich, retreating a pace, and involuntarily putting himself upon his guard.

 

"Karl laughed.

 

"'My hand was warm, was it not, old fellow?' he said. Vampires are cold, all but the blood.'

 

"'What a fool I am!' rejoined Heinrich. 'But you know we have been hearing such horrors lately that a fellow may be excused for shuddering a little when a pale-faced apparition tells him at two o'clock in the morning that he is a vampire, and thirsty, too.'

 

"Karl told him the whole story; and the mental process of regarding it for the sake of telling it, revealed to him pretty clearly some of the treatment of which he had been unconscious at the time. Heinrich was quite sure that his suspicions were correct. And now the question was, what was to be done next?

 

"'At all events,' said Heinrich, 'we must keep you out of the way for some time. I will represent to my landlady²²³ that you are in hiding from enemies, and her heart will rule her tongue. She can let you have a garret-room, I know; and I will do as well as I can to bear you company. We shall have time then to invent some plan of operation.'

 

"To this proposal Karl agreed with hearty thanks, and soon all was arranged. The only conclusion they could yet arrive at was, that somehow or other the old demon-painter must be tamed.

 

"Meantime, how fared it with Lilith? She too had no doubt that she had seen the body-ghost of poor Karl, and that the vampire had, according to rule, paid her the first visit because he loved her best. This was horrible enough if the vampire were not really the person he represented; but if in any sense it were Karl himself, at least it gave some expectation of a more prolonged existence than her father had taught her to look for; and if love anything like her mother's still lasted, even along with the habits of a vampire, there was something to hope for in the future. And then, though he had visited her, he had not, as far as she was aware, deprived her of a drop of blood. She could not be certain that he had not bitten her, for she had been in such a strange condition of mind that she might not have felt it, but she believed that he had restrained the impulses of his vampire nature, and had left her, lest he should yet yield to them. She fell fast asleep; and, when morning came, there was not, as far as she could judge, one of those triangular²²⁴ leech-like perforations to be found upon her whole body. Will it be believed that the moment she was satisfied of this, she was seized by a terrible jealousy²²⁵, lest Karl should have gone and bitten some one else? Most people will wonder that she should not have gone out of her senses at once; but there was all the difference between a visit from a real vampire and a visit from a man she had begun to love, even although she took him for a vampire. All the difference does not lie in a name. They were very different causes, and the effects must be very different.

 

"When Teufelsbuerst came down in the morning, he crept into the studio like a murderer. There lay the awful white block, seeming to his eyes just the same as he had left it. What was to be done with it? He dared not open it. Mould and model must go together. But whither? If inquiry²²⁶ should be made after Wolkenlicht, and this were discovered anywhere on his premises²²⁷, would it not be enough to bring him at once to the gallows? Therefore it would be dangerous to bury it in the garden, or in the cellar.

 

"'Besides,' thought he, with a shudder, 'that would be to fix the vampire as a guest for ever.'—And the horrors of the past night rushed back upon his imagination with renewed intensity. What would it be to have the dead Karl crawling about his house for ever, now inside, now out, now sitting on the stairs, now staring in at the windows?

 

"He would have dragged it to the bottom of his garden, past which the Moldau flowed, and plunged²²⁸ it into the stream; but then, should the spectre continue to prove troublesome, it would be almost impossible to reach the body so as to destroy it by fire; besides which, he could not do it without assistance, and the probability of discovery. If, however, the apparition should turn out to be no vampire, but only a respectable ghost, they might manage to endure its presence, till it should be weary of haunting them.

 

"He resolved at last to convey the body for the meantime into a concealed²²⁹ cellar in the house, seeing something must be done before his daughter came down. Proceeding to remove it, his consternation as greatly increased when he discovered how the body had grown in weight since he had thus disposed of it, leaving on his mind scarcely a hope that it could turn out not to be a vampire after all. He could scarcely stir it, and there was but one whom he could call to his assistance—the old woman who acted as his housekeeper²³⁰ and servant.

 

"He went to her room, roused her, and told her the whole story. Devoted²³¹ to her master for many years, and not quite so sensitive to fearful influences as when less experienced in horrors, she showed immediate²³² readiness to render him assistance. Utterly unable, however, to lift the mass between them, they could only drag and push it along; and such a slow toil⁷⁰ was it that there was no time to remove the traces of its track, before Lilith came down and saw a broad white line leading from the door of the studio down the cellar-stairs. She knew in a moment what it meant; but not a word was uttered about the matter, and the name of Karl Wolkenlicht seemed to be entirely forgotten.

 

"But how could the affairs of a house go on all the same when every one of the household knew that a dead body lay in the cellar?—nay more, that, although it lay still and dead enough all day, it would come half alive at nightfall, and, turning the whole house into a sepulchre by its presence, go creeping about like a cat all over it in the dark—perhaps with phosphorescent eyes? So it was not surprising that the painter abandoned his studio early, and that the three found themselves together in the gorgeous room formerly²³³ described, as soon as twilight²³⁴ began to fall.

 

"Already Teufelsbuerst had begun to experience a kind of shrinking from the horrid faces in his own pictures, and to feel disgusted at the abortions²³⁵ of his own mind. But all that he and the old woman now felt was an increasing fear as the night drew on, a kind of sickening and paralysing terror. The thing down there would not lie quiet—at least its phantom in the cellars of their imagination would not. As much as possible, however, they avoided alarming Lilith, who, knowing all they knew, was as silent as they. But her mind was in a strange state of excitement, partly from the presence of a new sense of love, the pleasure of which all the atmosphere of grief into which it grew could not totally quench²³⁶. It comforted her somehow, as a child may comfort when his father is away.

 

"Bedtime came, and no one made a move to go. Without a word spoken on the subject, the three remained together all night; the elders nodding and slumbering²³⁷ occasionally, and Lilith getting some share of repose on a couch. All night the shape of death might be somewhere about the house; but it did not disturb them. They heard no sound, saw no sight; and when the morning dawned, they separated, chilled and stupid, and for the time beyond fear, to seek repose in their private chambers²³⁸. There they remained equally undisturbed.

 

"But when the painter approached his easel a few hours after, looking more pale and haggard still than he was wont²³⁹, from the fears of the night, a new bewilderment took possession of him. He had been busy with a fresh embodiment of his favourite subject, into which he had sketched²⁴⁰ the form of the student as the sufferer. He had represented poor Wolkenlicht as just beginning to recover from a trance, while a group of surgeons, unaware²⁴¹ of the signs of returning life, were absorbed in a minute dissection²⁴² of one of the limbs. At an open door he had painted Lilith passing, with her face buried in a bunch of sweet peas. But when he came to the picture, he found, to his astonishment²⁴³ and terror, that the face of one of the group was now turned towards that of the victim, regarding his revival²⁴⁴ with demoniac satisfaction, and taking pains to prevent the others from discovering it. The face of this prince of torturers was that of Teufelsbuerst himself. Lilith had altogether vanished, and in her place stood the dim vampire reiteration²⁴⁵ of the body that lay extended on the table, staring greedily at the assembled company. With trembling hands the painter removed the picture from the easel, and turned its face to the wall.

 

"Of course this was the work of Lottchen. When he left the house, he took with him the key of a small private door, which was so seldom used that, while it remained closed, the key would not be missed, perhaps for many months. Watching the windows, he had chosen a safe time to enter, and had been hard at work all night on these alterations²⁴⁶. Teufelsbuerst attributed them to the vampire, and left the picture as he found it, not daring to put brush to it again.

 

"The next night was passed much after the same fashion. But the fear had begun to die away a little in the hearts of the women, who did not know what had taken place in the studio on the previous night. It burrowed²⁴⁷, however, with gathered force in the vitals of Teufelsbuerst. But this night likewise passed in peace; and before it was over, the old woman had taken to speculating in her own mind as to the best way of disposing of the body, seeing it was not at all likely to be troublesome. But when the painter entered his studio in trepidation²⁴⁸ the next morning, he found that the form of the lovely Lilith was painted out of every picture in the room. This could not be concealed; and Lilith and the servant became aware that the studio was the portion of the house in haunting which the vampire left the rest in peace.

 

"Karl recounted all the tricks he had played to his friend Heinrich, who begged to be allowed to bear him company the following night. To this Karl consented, thinking it would be considerably more agreeable to have a companion. So they took a couple of bottles of wine and some provisions with them, and before midnight found themselves snug²⁴⁹ in the studio. They sat very quiet for some time, for they knew that if they were seen, two vampires would not be so terrible as one, and might occasion discovery. But at length Heinrich could bear it no longer. "'I say, Lottchen, let's go and look; for your dead body. What has the old beggar done with it?'

 

"'I think I know. Stop; let me peep out. All right! Come along.'

 

"With a lamp in his hand, he led the way to the cellars, and after searching about a little they discovered it.

 

"'It looks horrid enough,' said Heinrich, 'but think a drop or two of wine would brighten it up a little.'

 

"So he took a bottle from his pocket, and after they had had a glass apiece, he dropped a third in blots²⁵⁰ all over the plaster. Being red wine, it had the effect Hoellenrachen desired.

 

"'When they visit it next, they will know that the vampire can find the food he prefers,' said he.

 

"In a corner close by the plaster, they found the clothes Karl had worn.

 

"'Hillo!' said Heinrich, 'we'll make something of this find.'

 

"So he carried them with him to the studio. There he got hold of the lay-figure.

 

"'What are you about, Heinrich?'

 

"'Going to make a scarecrow to keep the ravens²⁵¹ off old Teufel's pictures,' answered Heinrich, as he went on dressing the lay-figure in Karl's clothes. He next seated the creature at an easel with its back to the door, so that it should be the first thing the painter should see when he entered. Karl meant to remove this before he went, for it was too comical to fall in with the rest of his proceedings²⁵². But the two sat down to their supper, and by the time they had finished the wine, they thought they should like to go to bed. So they got up and went home, and Karl forgot the lay-figure, leaving it in busy motionlessness all night before the easel.

 

"When Teufelsbuerst saw it, he turned and fled with a cry that brought his daughter to his help. He rushed past her, able only to articulate:

 

"The vampire! The vampire! Painting!'

 

"Far more courageous²⁵³ than he, because her conscience was more peaceful, Lilith passed on to the studio. She too recoiled²⁵⁴ a step or two when she saw the figure; but with the sight of the back of Karl, as she supposed it to be, came the longing to see the face that was on the other side. So she crept round and round by the wall, as far off as she could. The figure remained motionless. It was a strange kind of shock that she experienced when she saw the face, disgusting from its inanity²⁵⁵. The absurdity next struck her; and with the absurdity flashed into her mind the conviction that this was not the doing of a vampire; for of all creatures under the moon, he could not be expected to be a humorist. A wild hope sprang up in her mind that Karl was not dead. Of this she soon resolved to make herself sure.

 

"She closed the door of the studio; in the strength of her new hope undressed the figure, put it in its place, concealed the garments—all the work of a few minutes; and then, finding her father just recovering from the worst of his fear, told him there was nothing in the studio but what ought to be there, and persuaded him to go and see. He not only saw no one, but found that no further liberties had been taken with his pictures. Reassured²⁵⁶, he soon persuaded himself that the spectre in this case had been the offspring of his own terror-haunted brain. But he had no spirit for painting now. He wandered about the house, himself haunting it like a restless ghost.

 

"When night came, Lilith retired²⁵⁷ to her own room. The waters of fear had begun to subside²⁵⁸ in the house; but the painter and his old attendant did not yet follow her example.

 

"As soon, however, as the house was quite still, Lilith glided²⁵⁹ noiselessly down the stairs, went into the studio, where as yet there assuredly was no vampire, and concealed herself in a corner.

 

"As it would not do for an earnest student like Heinrich to be away from his work very often, he had not asked to accompany Lottchen this time. And indeed Karl himself, a little anxious about the result of the scarecrow, greatly preferred going alone.

 

"While she was waiting for what might happen, the conviction grew upon Lilith, as she reviewed all the past of the story, that these phenomena²⁶⁰ were the work of the real Karl, and of no vampire. In a few moments she was still more sure of this. Behind the screen where she had taken refuge, hung one of the pictures out of which her portrait had been painted the night before last. She had taken a lamp with her into the studio, with the intention of extinguishing it the moment she heard any sign of approach; but as the vampire lingered, she began to occupy herself with examining the picture beside her. She had not looked at it long, before she wetted the tip of her forefinger²⁶¹, and began to rub away at the obliteration²⁶². Her suspicions were instantly confirmed: the substance employed was only a gummy wash over the paint. The delight she experienced at the discovery threw her into a mischievous²⁶³ humour.

 

"'I will see,' she said to herself, 'whether I cannot match Karl

Wolkenlicht at this game.'

"In a closet in the room hung a number of costumes, which Lilith had at different times worn for her father. Among them was a large white drapery, which she easily disposed as a shroud²⁶⁴. With the help of some chalk, she soon made herself ghastly enough, and then placing her lamp on the floor behind the screen, and setting a chair over it, so that it should throw no light in any direction, she waited once more for the vampire. Nor had she much longer to wait. She soon heard a door move, the sound of which she hardly knew, and then the studio door opened. Her heart beat dreadfully, not with fear lest it should be a vampire after all, but with hope that it was Karl. To see him once more was too great joy. Would she not make up to him for all her coldness! But would he care for her now? Perhaps he had been quite cured of his longing for a hard heart like hers. She peeped. It was he sure enough, looking as handsome as ever. He was holding his light to look at her last work, and the expression of his face, even in regarding her handiwork, was enough to let her know that he loved her still. If she had not seen this, she dared not have shown herself from her hiding-place. Taking the lamp in her hand, she got upon the chair, and looked over the screen, letting the light shine from below upon her face. She then made a slight noise to attract Karl's attention. He looked up, evidently rather startled, and saw the face of Lilith in the air. He gave a stifled²⁶⁵ cry threw himself on his knees with his arms stretched towards her, and moaned—

 

"'I have killed her! I have killed her!'

 

"Lilith descended, and approached him noiselessly. He did not move. She came close to him and said—

 

"'Are you Karl Wolkenlicht?'

 

"His lips moved, but no sound came.

 

"'If you are a vampire, and I am a ghost,' she said—but a low happy laugh alone concluded the sentence.

 

"Karl sprang to his feet. Lilith's laugh changed into a burst of sobbing²⁶⁶ and weeping, and in another moment the ghost was in the arms of the vampire.

 

"Lilith had no idea how far her father had wronged Karl, and though, from thinking over the past, he had no doubt that the painter had drugged him, he did not wish to pain her by imparting this conviction. But Lilith was afraid of a reaction of rage and hatred²⁶⁷ in her father after the terror was removed; and Karl saw that he might thus be deprived of all further intercourse²⁶⁸ with Lilith, and all chance of softening²⁶⁹ the old man's heart towards him; while Lilith would not hear of forsaking²⁷⁰ him who had banished²⁷¹ all the human race but herself. They managed at length to agree upon a plan of operation.

 

"The first thing they did was to go to the cellar where the plaster mass lay, Karl carrying with him a great axe used for cleaving²⁷² wood. Lilith shuddered²⁷³ when she saw it, stained as it was with the wine Heinrich had spilt over it, and almost believed herself the midnight companion of a vampire after all, visiting with him the terrible corpse in which he lived all day. But Karl soon reassured her; and a few good blows of the axe revealed a very different core to that which Teufelsbuerst supposed to be in it. Karl broke it into pieces, and with Lilith's help, who insisted on carrying her share, the whole was soon at the bottom of the Moldau and every trace of its ever having existed removed. Before morning, too, the form of Lilith had dawned anew in every picture. There was no time to restore to its former condition the one Karl had first altered; for in it the changes were all that they seemed; nor indeed was he capable of restoring it in the master's style; but they put it quite out of the way, and hoped that sufficient time might elapse before the painter thought of it again.

 

"When they had done, and Lilith, for all his entreaties²⁷⁴, would remain with him no longer, Karl took his former clothes with him, and having spent the rest of the night in his old room, dressed in them in the morning. When Teufelsbuerst entered his studio next day, there sat Karl, as if nothing had happened, finishing the drawing on which he had been at work when the fit of insensibility came upon him. The painter started, stared, rubbed his eyes, thought it was another spectral²⁷⁵ illusion, and was on the point of yielding to his terror, when Karl rose, and approached him with a smile. The healthy, sunshiny countenance of Karl, let him be ghost or goblin, could not fail to produce somewhat of a tranquilizing effect on Teufelsbuerst. He took his offered hand mechanically, his countenance utterly vacant with idiotic²⁷⁶ bewilderment. Karl said:

 

"'I was not well, and thought it better to pay a visit to a friend for a few days; but I shall soon make up for lost time, for I am all right now.'

 

"He sat down at once, taking no notice of his master's behaviour, and went on with his drawing. Teufelsbuerst stood staring at him for some minutes without moving, then suddenly turned and left the room. Karl heard him hurrying down the cellar stairs. In a few moments he came up again. Karl stole a glance at him. There he stood in the same spot, no doubt more full of bewilderment than ever, but it was not possible that his face should express more. At last he went to his easel, and sat down with a long-drawn sigh as if of relief. But though he sat at his easel, he painted none that day; and as often as Karl ventured a glance, he saw him still staring at him. The discovery that his pictures were restored to their former condition aided, no doubt, in leading him to the same conclusion as the other facts, whatever that conclusion might be—probably that he had been the sport of some evil power, and had been for the greater part of a week utterly bewitched. Lilith had taken care to instruct the old woman, with whom she was all-powerful; and as neither of them showed the smallest traces of the astonishment which seemed to be slowly vitrifying his own brain, he was at last perfectly satisfied that things had been going on all right everywhere but in his inner man; and in this conclusion he certainly was not far wrong, in more senses than one. But when all was restored again to the old routine, it became evident that the peculiar¹⁷⁵ direction of his art in which he had hitherto indulged had ceased to interest him. The shock had acted chiefly upon that part of his mental being which had been so absorbed. He would sit for hours without doing anything, apparently plunged in meditation²⁷⁷.—Several weeks elapsed without any change, and both Lilith and Karl were getting dreadfully anxious about him. Karl paid him every attention; and the old man, for he now looked much older than before, submitted to receive his services as well as those of Lilith. At length, one morning, he said in a slow thoughtful tone:

 

"'Karl Wolkenlicht, I should like to paint you.'

 

"'Certainly, sir,' answered Karl, jumping up, 'where would you like me to sit?'

 

"So the ice of silence and inactivity was broken, and the painter drew and painted; and the spring of his art flowed once more; and he made a beautiful portrait of Karl—a portrait without evil or suffering. And as soon as he had finished Karl, he began once more to paint Lilith; and when he had painted her, he composed a picture for the very purpose of introducing them together; and in this picture there was neither ugliness nor torture, but human feeling and human hope instead. Then Karl knew that he might speak to him of Lilith; and he spoke, and was heard with a smile. But he did not dare to tell him the truth of the vampire story till one day that Teufelsbuerst was lying on the floor of a room in Karl's ancestral castle, half smothered²⁷⁸ in grandchildren; when the only answer it drew from the old man was a kind of shuddering laugh and the words—'Don't speak of it, Karl, my boy!'"

 

* * * * *

 

No one had interrupted Harry. His brother had put a shovelful²⁷⁹ of coals on the fire, to keep up the flame; but not a word had been spoken. The cold moon had shone in at the windows all the time, her light made yet colder by the snowy sheen from the face of the earth; and any horror that the story could generate had had full freedom to operate on the minds of the listeners.

 

"Well, I'm glad its over, for my part," said Mrs. Bloomfield. "It made my flesh creep."

 

"I do not see any good in founding a story upon a superstition²⁸⁰. One knows it is false, all the time," said Mrs. Cathcart.

 

"But," said Harry, "all that I have related might have taken place; for the story is not founded on the superstition itself, but on the belief of the people of the time in the superstition. I have merely used this belief to give the general tone to the story, and sometimes the particular occasion for events in it, the vampire being a terrible fact to those times."

 

"You write," said the curate, "as if you quoted occasionally from some authority."

 

"The story of John Kuntz, as well as that of the shoemaker, is told by Henry More in his Antidote²⁸¹ against Atheism²⁸². He believed the whole affair. His authority is Martin Weinrich, a Silesian doctor. I have only taken the liberty of shifting the scene of the post-mortem exploits of Kuntz from a town of Silesia to Prague."

 

"Well, Harry," said his sister-in-law, "if your object was to frighten us, I confess that I for one was tolerably uncomfortable. But I don't know that that is a very high aim in story-telling."

 

"If that were all—certainly not," replied Harry, glancing towards Adela, who had not spoken. Nor did she speak yet. But her expression showed plainly enough that it was not the horror of the story that had taken chief hold of her mind. Her face was full of suppressed light, and she was evidently satisfied—or shall I call it gratified?—as well as delighted with the tale. Something or other in it had touched her not only deeply, but nearly.

 

Nothing was said about another meeting—perhaps because, from Adela's illness, the order had been interrupted, and the present had required a special summons.

 

The ladies had gone up stairs to put on their bonnets²⁸³. I had crossed into the library, which was on the same floor with the drawing-room, to find out if I was right in supposing I had seen some volumes of Henry More's works on the shelves—certainly the colonel could never have bought them. Our host, the curate and the schoolmaster had followed me. Harry had remained behind in the drawing-room. Thinking of something I wanted to say to him before he went, I left the gentlemen looking over the book-shelves, and went to cross again to the drawing-room. But when I reached the door, there stood at the top of the stair, Adela and Harry. She had evidently just said something warm about the story. I could almost read what she had said still lingering on her face, which was turned up a good deal to look into his, so near each other were they standing. Hers had a rosy²⁸⁴ flush as of sunset over it, while his glowed like the sun rising in a mist. Evidently the pleasures of giving and receiving were in this case nearly equal. But they were not of long duration; for the moment I appeared, they bade each other a hurried good night, and parted. I, thinking it better to pretermit my speech to Harry, retreated into the library, and was glad to think that no one had seen that conference but myself. Such a conjunction of planets prefigured, however, not merely warm spring weather, but sultry gloom, and thunderous clouds to follow; and although I was delighted with my astronomical²⁸⁵ observation, I could not help growing anxious about the omen⁶.

1 harry   

vt.掠夺，蹂躏，使苦恼

参考例句：

• Today,people feel more hurried and harried.今天，人们感到更加忙碌和苦恼。
• Obama harried business by Healthcare Reform plan.奥巴马用医改掠夺了商界。

2 perfectly   

adv.完美地，无可非议地，彻底地

参考例句：

• The witnesses were each perfectly certain of what they said.证人们个个对自己所说的话十分肯定。
• Everything that we're doing is all perfectly above board.我们做的每件事情都是光明正大的。

3 standing   

n.持续，地位；adj.永久的，不动的，直立的，不流动的

参考例句：

• After the earthquake only a few houses were left standing.地震过后只有几幢房屋还立着。
• They're standing out against any change in the law.他们坚决反对对法律做任何修改。

4 shimmer   

v./n.发微光，发闪光；微光

参考例句：

• The room was dark,but there was a shimmer of moonlight at the window.屋子里很黑，但靠近窗户的地方有点微光。
• Nor is there anything more virginal than the shimmer of young foliage.没有什么比新叶的微光更纯洁无瑕了。

5 conceal   

v.隐藏，隐瞒，隐蔽

参考例句：

• He had to conceal his identity to escape the police.为了躲避警方，他只好隐瞒身份。
• He could hardly conceal his joy at his departure.他几乎掩饰不住临行时的喜悦。

6 omen   

n.征兆，预兆；vt.预示

参考例句：

• The superstitious regard it as a bad omen.迷信的人认为那是一种恶兆。
• Could this at last be a good omen for peace?这是否终于可以视作和平的吉兆了？

7 agility   

n.敏捷，活泼

参考例句：

• The boy came upstairs with agility.那男孩敏捷地走上楼来。
• His intellect and mental agility have never been in doubt.他的才智和机敏从未受到怀疑。

8 corporeal   

adj.肉体的，身体的；物质的

参考例句：

• The body is the corporeal habitation of the soul.身体为灵魂之有形寓所。
• He is very religious;corporeal world has little interest for him.他虔信宗教，对物质上的享受不感兴趣。

9 excellence   

n.优秀，杰出，(pl.)优点，美德

参考例句：

• His art has reached a high degree of excellence.他的艺术已达到炉火纯青的地步。
• My performance is far below excellence.我的表演离优秀还差得远呢。

10 remarkable   

adj.显著的，异常的，非凡的，值得注意的

参考例句：

• She has made remarkable headway in her writing skills.她在写作技巧方面有了长足进步。
• These cars are remarkable for the quietness of their engines.这些汽车因发动机没有噪音而不同凡响。

11 rivalry   

n.竞争，竞赛，对抗

参考例句：

• The quarrel originated in rivalry between the two families.这次争吵是两家不和引起的。
• He had a lot of rivalry with his brothers and sisters.他和兄弟姐妹间经常较劲。

12 embodied   

v.表现( embody的过去式和过去分词 )；象征；包括；包含

参考例句：

• a politician who embodied the hopes of black youth 代表黑人青年希望的政治家
• The heroic deeds of him embodied the glorious tradition of the troops. 他的英雄事迹体现了军队的光荣传统。 来自《简明英汉词典》

13 absurdity   

n.荒谬，愚蠢；谬论

参考例句：

• The proposal borders upon the absurdity.这提议近乎荒谬。
• The absurdity of the situation made everyone laugh.情况的荒谬可笑使每个人都笑了。

14 diminutive   

adj.小巧可爱的，小的

参考例句：

• Despite its diminutive size,the car is quite comfortable.尽管这辆车很小，但相当舒服。
• She has diminutive hands for an adult.作为一个成年人，她的手显得非常小。

15 maiden   

n.少女，处女；adj.未婚的，纯洁的，无经验的

参考例句：

• The prince fell in love with a fair young maiden.王子爱上了一位年轻美丽的少女。
• The aircraft makes its maiden flight tomorrow.这架飞机明天首航。

16 chaff   

v.取笑，嘲笑；n.谷壳

参考例句：

• I didn't mind their chaff.我不在乎他们的玩笑。
• Old birds are not caught with chaff.谷糠难诱老雀。

17 torment   

n.折磨；令人痛苦的东西(人)；vt.折磨；纠缠

参考例句：

• He has never suffered the torment of rejection.他从未经受过遭人拒绝的痛苦。
• Now nothing aggravates me more than when people torment each other.没有什么东西比人们的互相折磨更使我愤怒。

18 tormentor   

n. 使苦痛之人, 使苦恼之物, 侧幕 =tormenter

参考例句：

• He was the tormentor, he was the protector, he was the inquisitor, he was the friend. 他既是拷打者，又是保护者；既是审问者，又是朋友。 来自英汉文学
• The tormentor enlarged the engagement garment. 折磨者加大了订婚服装。

19 jaws   

n.口部；嘴

参考例句：

• The antelope could not escape the crocodile's gaping jaws. 那只羚羊无法从鱷鱼张开的大口中逃脱。
• The scored jaws of a vise help it bite the work. 台钳上有刻痕的虎钳牙帮助它紧咬住工件。

20 hem   

n.贴边，镶边；vt.缝贴边；(in)包围，限制

参考例句：

• The hem on her skirt needs sewing.她裙子上的褶边需要缝一缝。
• The hem of your dress needs to be let down an inch.你衣服的折边有必要放长1英寸。

21 fixed   

adj.固定的，不变的，准备好的；(计算机)固定的

参考例句：

• Have you two fixed on a date for the wedding yet?你们俩选定婚期了吗？
• Once the aim is fixed,we should not change it arbitrarily.目标一旦确定，我们就不应该随意改变。

22 insinuated   

v.暗示( insinuate的过去式和过去分词 )；巧妙或迂回地潜入；（使）缓慢进入；慢慢伸入

参考例句：

• The article insinuated that he was having an affair with his friend's wife. 文章含沙射影地点出他和朋友的妻子有染。
• She cleverly insinuated herself into his family. 她巧妙地混进了他的家庭。 来自《简明英汉词典》

23 musingly   

adv.沉思地，冥想地

参考例句：

24 crescendo   

n.(音乐)渐强，高潮

参考例句：

• The gale reached its crescendo in the evening.狂风在晚上达到高潮。
• There was a crescendo of parliamentary and press criticism.来自议会和新闻界的批评越来越多。

25 flask   

n.瓶，火药筒，砂箱

参考例句：

• There is some deposit in the bottom of the flask.这只烧杯的底部有些沉淀物。
• He took out a metal flask from a canvas bag.他从帆布包里拿出一个金属瓶子。

26 apparition   

n.幽灵，神奇的现象

参考例句：

• He saw the apparition of his dead wife.他看见了他亡妻的幽灵。
• But the terror of this new apparition brought me to a stand.这新出现的幽灵吓得我站在那里一动也不敢动。

27 withering   

使人畏缩的，使人害羞的，使人难堪的

参考例句：

• She gave him a withering look. 她极其蔑视地看了他一眼。
• The grass is gradually dried-up and withering and pallen leaves. 草渐渐干枯、枯萎并落叶。

28 apparently   

adv.显然地；表面上，似乎

参考例句：

• An apparently blind alley leads suddenly into an open space.山穷水尽，豁然开朗。
• He was apparently much surprised at the news.他对那个消息显然感到十分惊异。

29 celebrated   

adj.有名的，声誉卓著的

参考例句：

• He was soon one of the most celebrated young painters in England.不久他就成了英格兰最负盛名的年轻画家之一。
• The celebrated violinist was mobbed by the audience.观众团团围住了这位著名的小提琴演奏家。

30 longing   

n.（for）渴望

参考例句：

• Hearing the tune again sent waves of longing through her.再次听到那首曲子使她胸中充满了渴望。
• His heart burned with longing for revenge.他心中燃烧着急欲复仇的怒火。

31 reverence   

n.敬畏，尊敬，尊严；Reverence:对某些基督教神职人员的尊称；v.尊敬，敬畏，崇敬

参考例句：

• He was a bishop who was held in reverence by all.他是一位被大家都尊敬的主教。
• We reverence tradition but will not be fettered by it.我们尊重传统，但不被传统所束缚。

32 withered   

adj. 枯萎的，干瘪的，（人身体的部分器官）因病萎缩的或未发育良好的 动词wither的过去式和过去分词形式

参考例句：

• The grass had withered in the warm sun. 这些草在温暖的阳光下枯死了。
• The leaves of this tree have become dry and withered. 这棵树下的叶子干枯了。

33 vault   

n.拱形圆顶，地窖，地下室

参考例句：

• The vault of this cathedral is very high.这座天主教堂的拱顶非常高。
• The old patrician was buried in the family vault.这位老贵族埋在家族的墓地里。

34 spoke   

n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说

参考例句：

• They sourced the spoke nuts from our company.他们的轮辐螺帽是从我们公司获得的。
• The spokes of a wheel are the bars that connect the outer ring to the centre.辐条是轮子上连接外圈与中心的条棒。

35 dreary   

adj.令人沮丧的，沉闷的，单调乏味的

参考例句：

• They live such dreary lives.他们的生活如此乏味。
• She was tired of hearing the same dreary tale of drunkenness and violence.她听够了那些关于酗酒和暴力的乏味故事。

36 desolate   

adj.荒凉的，荒芜的；孤独的，凄凉的；v.使荒芜，使孤寂

参考例句：

• The city was burned into a desolate waste.那座城市被烧成一片废墟。
• We all felt absolutely desolate when she left.她走后，我们都觉得万分孤寂。

37 dwelling   

n.住宅，住所，寓所

参考例句：

• Those two men are dwelling with us.那两个人跟我们住在一起。
• He occupies a three-story dwelling place on the Park Street.他在派克街上有一幢3层楼的寓所。

38 woe   

n.悲哀，苦痛，不幸，困难；int.用来表达悲伤或惊慌

参考例句：

• Our two peoples are brothers sharing weal and woe.我们两国人民是患难与共的兄弟。
• A man is well or woe as he thinks himself so.自认祸是祸，自认福是福。

39 countenance   

n.脸色，面容；面部表情；vt.支持，赞同

参考例句：

• At the sight of this photograph he changed his countenance.他一看见这张照片脸色就变了。
• I made a fierce countenance as if I would eat him alive.我脸色恶狠狠地，仿佛要把他活生生地吞下去。

40 teems   

v.充满( teem的第三人称单数 )；到处都是；（指水、雨等）暴降；倾注

参考例句：

• The swamp teems with mosquitoes. 这片沼泽地蚊子多极了。 来自《现代英汉综合大词典》
• That book teems with blunders. 那本书错误不少。 来自辞典例句

41 recording   

n.录音，记录

参考例句：

• How long will the recording of the song take?录下这首歌得花多少时间？
• I want to play you a recording of the rehearsal.我想给你放一下彩排的录像。

42 fully   

adv.完全地，全部地，彻底地；充分地

参考例句：

• The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气，然后全部呼出。
• They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。

43 vengeance   

n.报复，报仇，复仇

参考例句：

• He swore vengeance against the men who murdered his father.他发誓要向那些杀害他父亲的人报仇。
• For years he brooded vengeance.多年来他一直在盘算报仇。

44 artillery   

n.(军)火炮，大炮；炮兵(部队)

参考例句：

• This is a heavy artillery piece.这是一门重炮。
• The artillery has more firepower than the infantry.炮兵火力比步兵大。

45 anguish   

n.(尤指心灵上的)极度痛苦，烦恼

参考例句：

• She cried out for anguish at parting.分手时，她由于痛苦而失声大哭。
• The unspeakable anguish wrung his heart.难言的痛苦折磨着他的心。

46 artistic   

adj.艺术(家)的，美术(家)的；善于艺术创作的

参考例句：

• The picture on this screen is a good artistic work.这屏风上的画是件很好的艺术品。
• These artistic handicrafts are very popular with foreign friends.外国朋友很喜欢这些美术工艺品。

47 wrought   

v.引起；以…原料制作；运转；adj.制造的

参考例句：

• Events in Paris wrought a change in British opinion towards France and Germany.巴黎发生的事件改变了英国对法国和德国的看法。
• It's a walking stick with a gold head wrought in the form of a flower.那是一个金质花形包头的拐杖。

48 demons   

n.恶人( demon的名词复数 )；恶魔；精力过人的人；邪念

参考例句：

• demons torturing the sinners in Hell 地狱里折磨罪人的魔鬼
• He is plagued by demons which go back to his traumatic childhood. 他为心魔所困扰，那可追溯至他饱受创伤的童年。 来自《简明英汉词典》

49 demon   

n.魔鬼，恶魔

参考例句：

• The demon of greed ruined the miser's happiness.贪得无厌的恶习毁掉了那个守财奴的幸福。
• He has been possessed by the demon of disease for years.他多年来病魔缠身。

50 grotesqueness   

参考例句：

51 exultation   

n.狂喜，得意

参考例句：

• It made him catch his breath, it lit his face with exultation. 听了这个名字，他屏住呼吸，乐得脸上放光。
• He could get up no exultation that was really worthy the name. 他一点都激动不起来。

52 distress   

n.苦恼，痛苦，不舒适；不幸；vt.使悲痛

参考例句：

• Nothing could alleviate his distress.什么都不能减轻他的痛苦。
• Please don't distress yourself.请你不要忧愁了。

53 likeness   

n.相像，相似（之处）

参考例句：

• I think the painter has produced a very true likeness.我认为这位画家画得非常逼真。
• She treasured the painted likeness of her son.她珍藏她儿子的画像。

54 exquisite   

adj.精美的；敏锐的；剧烈的，感觉强烈的

参考例句：

• I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
• I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。

55 pictorial   

adj.绘画的；图片的；n．画报

参考例句：

• The had insisted on a full pictorial coverage of the event.他们坚持要对那一事件做详尽的图片报道。
• China Pictorial usually sells out soon after it hits the stands.《人民画报》往往一到报摊就销售一空。

56 martyrs   

n.martyr的复数形式；烈士( martyr的名词复数 )；殉道者；殉教者；乞怜者（向人诉苦以博取同情）

参考例句：

• the early Christian martyrs 早期基督教殉道者
• They paid their respects to the revolutionary martyrs. 他们向革命烈士致哀。 来自《现代汉英综合大词典》

57 placid   

adj.安静的，平和的

参考例句：

• He had been leading a placid life for the past eight years.八年来他一直过着平静的生活。
• You should be in a placid mood and have a heart-to- heart talk with her.你应该心平气和的好好和她谈谈心。

58 harmonious   

adj.和睦的，调和的，和谐的，协调的

参考例句：

• Their harmonious relationship resulted in part from their similar goals.他们关系融洽的部分原因是他们有着相似的目标。
• The room was painted in harmonious colors.房间油漆得色彩调和。

59 beheld   

v.看，注视( behold的过去式和过去分词 )；瞧；看呀；（叙述中用于引出某人意外的出现）哎哟

参考例句：

• His eyes had never beheld such opulence. 他从未见过这样的财富。 来自《简明英汉词典》
• The soul beheld its features in the mirror of the passing moment. 灵魂在逝去的瞬间的镜子中看到了自己的模样。 来自英汉文学 - 红字

60 ripple   

n.涟波，涟漪，波纹，粗钢梳；vt.使...起涟漪，使起波纹； vi.呈波浪状，起伏前进

参考例句：

• The pebble made a ripple on the surface of the lake.石子在湖面上激起一个涟漪。
• The small ripple split upon the beach.小小的涟漪卷来，碎在沙滩上。

61 beholder   

n.观看者，旁观者

参考例句：

• Beauty is in the eye of the beholder. 看起来觉得美就是美。 来自《简明英汉词典》
• It has been said that art is a tryst, for in the joy of it maker and beholder meet. 有人说艺术是一种幽会，因为艺术家和欣赏者可在幽会的乐趣中相遇在一起。 来自《简明英汉词典》

62 behold   

v.看，注视，看到

参考例句：

• The industry of these little ants is wonderful to behold.这些小蚂蚁辛勤劳动的样子看上去真令人惊叹。
• The sunrise at the seaside was quite a sight to behold.海滨日出真是个奇景。

63 pinions   

v.抓住[捆住]（双臂）( pinion的第三人称单数 )

参考例句：

• These four pinions act as bridges between the side gears. 这四组小齿轮起到连接侧方齿轮组的桥梁作用。 来自互联网
• Tough the sword hidden among pinions may wound you. 虽然那藏在羽翼中间的剑刃也许会伤毁你们。 来自互联网

64 trickling   

n.油画底色含油太多而成泡沫状突起v.滴( trickle的现在分词 )；淌；使)慢慢走；缓慢移动

参考例句：

• Tears were trickling down her cheeks. 眼泪顺着她的面颊流了下来。
• The engine was trickling oil. 发动机在滴油。 来自《简明英汉词典》

65 primrose   

n.樱草，最佳部分，

参考例句：

• She is in the primrose of her life.她正处在她一生的最盛期。
• The primrose is set off by its nest of green.一窝绿叶衬托着一朵樱草花。

66 extravagant   

adj.奢侈的；过分的；(言行等)放肆的

参考例句：

• They tried to please him with fulsome compliments and extravagant gifts.他们想用溢美之词和奢华的礼品来取悦他。
• He is extravagant in behaviour.他行为放肆。

67 rife   

adj.(指坏事情)充斥的，流行的，普遍的

参考例句：

• Disease is rife in the area.疾病在这一区很流行。
• Corruption was rife before the election.选举之前腐败盛行。

68 attainable   

a.可达到的，可获得的

参考例句：

• They set the limits of performance attainable. 它们确定着可达到的运行限度。
• If objectives are to be meaningful to people, they must be clear, attainable, actionable, and verifiable. 如果目标对人们是具有意义的，则目标必须是清晰的，能达到的，可以行动的，以及可供检验的。

69 mere   

adj.纯粹的；仅仅，只不过

参考例句：

• That is a mere repetition of what you said before.那不过是重复了你以前讲的话。
• It's a mere waste of time waiting any longer.再等下去纯粹是浪费时间。

70 toil   

vi.辛劳工作，艰难地行动；n.苦工，难事

参考例句：

• The wealth comes from the toil of the masses.财富来自大众的辛勤劳动。
• Every single grain is the result of toil.每一粒粮食都来之不易。

71 toils   

网

参考例句：

• It did not declare him to be still in Mrs. Dorset's toils. 这并不表明他仍陷于多赛特夫人的情网。
• The thief was caught in the toils of law. 这个贼陷入了法网。

72 humble   

adj.谦卑的，恭顺的；地位低下的；v.降低，贬低

参考例句：

• In my humble opinion,he will win the election.依我拙见，他将在选举中获胜。
• Defeat and failure make people humble.挫折与失败会使人谦卑。

73 apprentice   

n.学徒，徒弟

参考例句：

• My son is an apprentice in a furniture maker's workshop.我的儿子在一家家具厂做学徒。
• The apprentice is not yet out of his time.这徒工还没有出徒。

74 chapels   

n.小教堂， （医院、监狱等的）附属礼拜堂( chapel的名词复数 )；（在小教堂和附属礼拜堂举行的）礼拜仪式

参考例句：

• Both castles had their own chapels too, which was incredible to see. 两个城堡都有自己的礼拜堂，非常华美。 来自互联网
• It has an ambulatory and seven chapels. 它有一条走廊和七个小教堂。 来自互联网

75 aisles   

n. (席位间的)通道, 侧廊

参考例句：

• Aisles were added to the original Saxon building in the Norman period. 在诺曼时期，原来的萨克森风格的建筑物都增添了走廊。
• They walked about the Abbey aisles, and presently sat down. 他们走到大教堂的走廊附近，并且很快就坐了下来。

76 dingy   

adj.昏暗的，肮脏的

参考例句：

• It was a street of dingy houses huddled together. 这是一条挤满了破旧房子的街巷。
• The dingy cottage was converted into a neat tasteful residence.那间脏黑的小屋已变成一个整洁雅致的住宅。

77 pallid   

adj.苍白的，呆板的

参考例句：

• The moon drifted from behind the clouds and exposed the pallid face.月亮从云朵后面钻出来，照着尸体那张苍白的脸。
• His dry pallid face often looked gaunt.他那张干瘪苍白的脸常常显得憔悴。

78 pall   

v.覆盖，使平淡无味；n.柩衣，棺罩；棺材；帷幕

参考例句：

• Already the allure of meals in restaurants had begun to pall.饭店里的饭菜已经不像以前那样诱人。
• I find his books begin to pall on me after a while.我发觉他的书读过一阵子就开始对我失去吸引力。

79 scattered   

adj.分散的，稀疏的；散步的；疏疏落落的

参考例句：

• Gathering up his scattered papers,he pushed them into his case.他把散乱的文件收拾起来，塞进文件夹里。

80 hypocrisy   

n.伪善，虚伪

参考例句：

• He railed against hypocrisy and greed.他痛斥伪善和贪婪的行为。
• He accused newspapers of hypocrisy in their treatment of the story.他指责了报纸在报道该新闻时的虚伪。

81 inmate   

n.被收容者；(房屋等的)居住人；住院人

参考例句：

• I am an inmate of that hospital.我住在那家医院。
• The prisoner is his inmate.那个囚犯和他同住一起。

82 entirely   

ad.全部地，完整地；完全地，彻底地

参考例句：

• The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
• His life was entirely given up to the educational work. 他的一生统统献给了教育工作。

83 bent   

n.爱好，癖好；adj.弯的；决心的，一心的

参考例句：

• He was fully bent upon the project.他一心扑在这项计划上。
• We bent over backward to help them.我们尽了最大努力帮助他们。

84 velvet   

n.丝绒，天鹅绒；adj.丝绒制的，柔软的

参考例句：

• This material feels like velvet.这料子摸起来像丝绒。
• The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。

85 protruded   

v.（使某物）伸出，（使某物）突出( protrude的过去式和过去分词 )

参考例句：

• The child protruded his tongue. 那小孩伸出舌头。 来自《简明英汉词典》
• The creature's face seemed to be protruded, because of its bent carriage. 那人的脑袋似乎向前突出，那是因为身子佝偻的缘故。 来自英汉文学

86 shudder   

v.战粟，震动，剧烈地摇晃；n.战粟，抖动

参考例句：

• The sight of the coffin sent a shudder through him.看到那副棺材，他浑身一阵战栗。
• We all shudder at the thought of the dreadful dirty place.我们一想到那可怕的肮脏地方就浑身战惊。

87 shuddering   

v.战栗( shudder的现在分词 )；发抖；（机器、车辆等）突然震动；颤动

参考例句：

• 'I am afraid of it,'she answered, shuddering. “我害怕，”她发着抖，说。 来自英汉文学 - 双城记
• She drew a deep shuddering breath. 她不由得打了个寒噤，深深吸了口气。 来自飘（部分）

88 repugnance   

n.嫌恶

参考例句：

• He fought down a feelings of repugnance.他抑制住了厌恶感。
• She had a repugnance to the person with whom she spoke.她看不惯这个和她谈话的人。

89 contrived   

adj.不自然的，做作的；虚构的

参考例句：

• There was nothing contrived or calculated about what he said.他说的话里没有任何蓄意捏造的成分。
• The plot seems contrived.情节看起来不真实。

90 pretence   

n.假装，作假；借口，口实；虚伪；虚饰

参考例句：

• The government abandoned any pretence of reform. 政府不再装模作样地进行改革。
• He made a pretence of being happy at the party.晚会上他假装很高兴。

91 horrid   

adj.可怕的；令人惊恐的；恐怖的；极讨厌的

参考例句：

• I'm not going to the horrid dinner party.我不打算去参加这次讨厌的宴会。
• The medicine is horrid and she couldn't get it down.这种药很难吃，她咽不下去。

92 contemptible   

adj.可鄙的，可轻视的，卑劣的

参考例句：

• His personal presence is unimpressive and his speech contemptible.他气貌不扬，言语粗俗。
• That was a contemptible trick to play on a friend.那是对朋友玩弄的一出可鄙的把戏。

93 fetter   

n./vt.脚镣，束缚

参考例句：

• This does not mean that we wish to fetter the trade union movement.这并不意味着我们想限制工会运动。
• Reform will be deepened to remove the institutional obstacles that fetter the development of productive forces.继续深化改革，突破束缚生产力发展的体制性障碍。

94 fettering   

v.给…上脚镣，束缚( fetter的现在分词 )

参考例句：

• Following general observations on timetable and relative emphasis may assist without fettering you freedom of action. 以下关于进度和相关侧重点的总的设想可能对你有所帮助，而不致妨碍你的行动自由。 来自辞典例句

95 wring   

n.扭绞；v.拧，绞出，扭

参考例句：

• My socks were so wet that I had to wring them.我的袜子很湿，我不得不拧干它们。
• I'll wring your neck if you don't behave!你要是不规矩，我就拧断你的脖子。

96 distinguished   

adj.卓越的，杰出的，著名的

参考例句：

• Elephants are distinguished from other animals by their long noses.大象以其长长的鼻子显示出与其他动物的不同。
• A banquet was given in honor of the distinguished guests.宴会是为了向贵宾们致敬而举行的。

97 ascending   

adj.上升的，向上的

参考例句：

• Now draw or trace ten dinosaurs in ascending order of size.现在按照体型由小到大的顺序画出或是临摹出10只恐龙。

98 sumptuous   

adj.豪华的，奢侈的，华丽的

参考例句：

• The guests turned up dressed in sumptuous evening gowns.客人们身着华丽的夜礼服出现了。
• We were ushered into a sumptuous dining hall.我们被领进一个豪华的餐厅。

99 chamber   

n.房间，寝室；会议厅；议院；会所

参考例句：

• For many,the dentist's surgery remains a torture chamber.对许多人来说，牙医的治疗室一直是间受刑室。
• The chamber was ablaze with light.会议厅里灯火辉煌。

100 thither   

adv.向那里；adj.在那边的，对岸的

参考例句：

• He wandered hither and thither looking for a playmate.他逛来逛去找玩伴。
• He tramped hither and thither.他到处流浪。

101 prolific   

adj.丰富的，大量的；多产的，富有创造力的

参考例句：

• She is a prolific writer of novels and short stories.她是一位多产的作家，写了很多小说和短篇故事。
• The last few pages of the document are prolific of mistakes.这个文件的最后几页错误很多。

102 dignified   

a.可敬的，高贵的

参考例句：

• Throughout his trial he maintained a dignified silence. 在整个审讯过程中，他始终沉默以保持尊严。
• He always strikes such a dignified pose before his girlfriend. 他总是在女友面前摆出这种庄严的姿态。

103 prevailing   

adj.盛行的；占优势的；主要的

参考例句：

• She wears a fashionable hair style prevailing in the city.她的发型是这个城市流行的款式。
• This reflects attitudes and values prevailing in society.这反映了社会上盛行的态度和价值观。

104 vampire   

n.吸血鬼

参考例句：

• It wasn't a wife waiting there for him but a blood sucking vampire!家里的不是个老婆，而是个吸人血的妖精！
• Children were afraid to go to sleep at night because of the many legends of vampire.由于听过许多有关吸血鬼的传说，孩子们晚上不敢去睡觉。

105 frightful   

adj.可怕的；讨厌的

参考例句：

• How frightful to have a husband who snores!有一个发鼾声的丈夫多讨厌啊！
• We're having frightful weather these days.这几天天气坏极了。

106 vaguely   

adv.含糊地，暖昧地

参考例句：

• He had talked vaguely of going to work abroad.他含糊其词地说了到国外工作的事。
• He looked vaguely before him with unseeing eyes.他迷迷糊糊的望着前面，对一切都视而不见。

107 virtue   

n.德行，美德；贞操；优点；功效，效力

参考例句：

• He was considered to be a paragon of virtue.他被认为是品德尽善尽美的典范。
• You need to decorate your mind with virtue.你应该用德行美化心灵。

108 misery   

n.痛苦，苦恼，苦难；悲惨的境遇，贫苦

参考例句：

• Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
• He has rescued me from the mire of misery.他把我从苦海里救了出来。

109 torments   

（肉体或精神上的）折磨，痛苦( torment的名词复数 )； 造成痛苦的事物[人]

参考例句：

• He released me from my torments. 他解除了我的痛苦。
• He suffered torments from his aching teeth. 他牙痛得难受。

110 forth   

adv.向前；向外，往外

参考例句：

• The wind moved the trees gently back and forth.风吹得树轻轻地来回摇晃。
• He gave forth a series of works in rapid succession.他很快连续发表了一系列的作品。

111 abated   

减少( abate的过去式和过去分词 )； 减去； 降价； 撤消（诉讼）

参考例句：

• The worker's concern about cuts in the welfare funding has not abated. 工人们对削减福利基金的关心并没有减少。
• The heat has abated. 温度降低了。

112 manifestations   

n.表示，显示（manifestation的复数形式）

参考例句：

• These were manifestations of the darker side of his character. 这些是他性格阴暗面的表现。 来自《简明英汉词典》
• To be wordly-wise and play safe is one of the manifestations of liberalism. 明哲保身是自由主义的表现之一。 来自《现代汉英综合大词典》

113 mingled   

混合，混入( mingle的过去式和过去分词 )； 混进，与…交往[联系]

参考例句：

• The sounds of laughter and singing mingled in the evening air. 笑声和歌声交织在夜空中。
• The man and the woman mingled as everyone started to relax. 当大家开始放松的时候，这一男一女就开始交往了。

114 inordinate   

adj.无节制的；过度的

参考例句：

• The idea of this gave me inordinate pleasure.我想到这一点感到非常高兴。
• James hints that his heroine's demands on life are inordinate.詹姆斯暗示他的女主人公对于人生过于苛求。

115 stimulants   

n.兴奋剂( stimulant的名词复数 )；含兴奋剂的饮料；刺激物；激励物

参考例句：

• Coffee and tea are mild stimulants. 咖啡和茶是轻度兴奋剂。
• At lower concentrations they may even be stimulants of cell division. 在浓度较低时，它们甚至能促进细胞分裂。 来自辞典例句

116 determined   

adj.坚定的；有决心的

参考例句：

• I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
• He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。

117 intensity   

n.强烈，剧烈；强度；烈度

参考例句：

• I didn't realize the intensity of people's feelings on this issue.我没有意识到这一问题能引起群情激奋。
• The strike is growing in intensity.罢工日益加剧。

118 concoction   

n.调配(物)；谎言

参考例句：

• She enjoyed the concoction of foreign dishes.她喜欢调制外国菜。
• His story was a sheer concoction.他的故事实在是一纯属捏造之事。

119 doomed   

命定的

参考例句：

• The court doomed the accused to a long term of imprisonment. 法庭判处被告长期监禁。
• A country ruled by an iron hand is doomed to suffer. 被铁腕人物统治的国家定会遭受不幸的。

120 doom   

n.厄运，劫数；v.注定，命定

参考例句：

• The report on our economic situation is full of doom and gloom.这份关于我们经济状况的报告充满了令人绝望和沮丧的调子。
• The dictator met his doom after ten years of rule.独裁者统治了十年终于完蛋了。

121 pretext   

n.借口，托词

参考例句：

• He used his headache as a pretext for not going to school.他借口头疼而不去上学。
• He didn't attend that meeting under the pretext of sickness.他以生病为借口，没参加那个会议。

122 banish   

vt.放逐，驱逐；消除，排除

参考例句：

• The doctor advised her to banish fear and anxiety.医生劝她消除恐惧和忧虑。
• He tried to banish gloom from his thought.他试图驱除心中的忧愁。

123 banishing   

v.放逐，驱逐( banish的现在分词 )

参考例句：

• And he breathes out fast, like a king banishing a servant. 他呼气则非常迅速，像一个国王驱逐自己的奴仆。 来自互联网
• Banishing genetic disability must therefore be our primary concern. 消除基因缺陷是我们的首要之急。 来自互联网

124 penetration   

n.穿透，穿人，渗透

参考例句：

• He is a man of penetration.他是一个富有洞察力的人。
• Our aim is to achieve greater market penetration.我们的目标是进一步打入市场。

125 rumour   

n.谣言，谣传，传闻

参考例句：

• I should like to know who put that rumour about.我想知道是谁散布了那谣言。
• There has been a rumour mill on him for years.几年来，一直有谣言产生，对他进行中伤。

126 spectrum   

n.谱，光谱，频谱；范围，幅度，系列

参考例句：

• This is a kind of atomic spectrum.这是一种原子光谱。
• We have known much of the constitution of the solar spectrum.关于太阳光谱的构成，我们已了解不少。

127 pranks   

n.玩笑，恶作剧( prank的名词复数 )

参考例句：

• Frank's errancy consisted mostly of pranks. 法兰克错在老喜欢恶作剧。 来自辞典例句
• He always leads in pranks and capers. 他老是带头胡闹和开玩笑。 来自辞典例句

128 consternation   

n.大为吃惊，惊骇

参考例句：

• He was filled with consternation to hear that his friend was so ill.他听说朋友病得那么厉害，感到非常震惊。
• Sam stared at him in consternation.萨姆惊恐不安地注视着他。

129 magistrates   

地方法官，治安官( magistrate的名词复数 )

参考例句：

• to come up before the magistrates 在地方法院出庭
• He was summoned to appear before the magistrates. 他被传唤在地方法院出庭。

130 vampires   

n.吸血鬼( vampire的名词复数 )；吸血蝠；高利贷者；（舞台上的）活板门

参考例句：

• The most effective weapon against the vampires is avampire itself. 对付吸血鬼最有效的武器就是吸血鬼自己。 来自电影对白
• If vampires existed, don`t you think we would`ve found them by now? 如果真有吸血鬼，那我们怎么还没有找到他们呢？ 来自电影对白

131 corpse   

n.尸体，死尸

参考例句：

• What she saw was just an unfeeling corpse.她见到的只是一具全无感觉的尸体。
• The corpse was preserved from decay by embalming.尸体用香料涂抹以防腐烂。

132 gallows   

n.绞刑架，绞台

参考例句：

• The murderer was sent to the gallows for his crimes.谋杀犯由于罪大恶极被处以绞刑。
• Now I was to expiate all my offences at the gallows.现在我将在绞刑架上赎我一切的罪过。

133 axe   

n.斧子；v.用斧头砍，削减

参考例句：

• Be careful with that sharp axe.那把斧子很锋利，你要当心。
• The edge of this axe has turned.这把斧子卷了刃了。

134 considerably   

adv.极大地；相当大地；在很大程度上

参考例句：

• The economic situation has changed considerably.经济形势已发生了相当大的变化。
• The gap has narrowed considerably.分歧大大缩小了。

135 indignities   

n.侮辱，轻蔑( indignity的名词复数 )

参考例句：

• The soldiers who were captured suffered many indignities at the hands of the enemy. 被俘的士兵在敌人手中受尽侮辱。 来自《简明英汉词典》
• What sort of indignities would he be forced to endure? 他会被迫忍受什么样的侮辱呢？ 来自辞典例句

136 epidemic   

n.流行病；盛行；adj.流行性的，流传极广的

参考例句：

• That kind of epidemic disease has long been stamped out.那种传染病早已绝迹。
• The authorities tried to localise the epidemic.当局试图把流行病限制在局部范围。

137 solace   

n.安慰；v.使快乐；vt.安慰(物)，缓和

参考例句：

• They sought solace in religion from the harshness of their everyday lives.他们日常生活很艰难，就在宗教中寻求安慰。
• His acting career took a nosedive and he turned to drink for solace.演艺事业突然一落千丈，他便借酒浇愁。

138 uproar   

n.骚动，喧嚣，鼎沸

参考例句：

• She could hear the uproar in the room.她能听见房间里的吵闹声。
• His remarks threw the audience into an uproar.他的讲话使听众沸腾起来。

139 gallop   

v./n.(马或骑马等)飞奔；飞速发展

参考例句：

• They are coming at a gallop towards us.他们正朝着我们飞跑过来。
• The horse slowed to a walk after its long gallop.那匹马跑了一大阵后慢下来缓步而行。

140 raved   

v.胡言乱语( rave的过去式和过去分词 )；愤怒地说；咆哮；痴心地说

参考例句：

• Andrew raved all night in his fever. 安德鲁发烧时整夜地说胡话。 来自《简明英汉词典》
• They raved about her beauty. 他们过分称赞她的美。 来自《现代英汉综合大词典》

141 chatter   

vi.／n.喋喋不休；短促尖叫；(牙齿)打战

参考例句：

• Her continuous chatter vexes me.她的喋喋不休使我烦透了。
• I've had enough of their continual chatter.我已厌烦了他们喋喋不休的闲谈。

142 hoof   

n.(马，牛等的)蹄

参考例句：

• Suddenly he heard the quick,short click of a horse's hoof behind him.突然间，他听见背后响起一阵急骤的马蹄的得得声。
• I was kicked by a hoof.我被一只蹄子踢到了。

143 casement   

n.竖铰链窗；窗扉

参考例句：

• A casement is a window that opens by means of hinges at the side.竖铰链窗是一种用边上的铰链开启的窗户。
• With the casement half open,a cold breeze rushed inside.窗扉半开，凉风袭来。

144 bolster   

n.枕垫；v.支持，鼓励

参考例句：

• The high interest rates helped to bolster up the economy.高利率使经济更稳健。
• He tried to bolster up their morale.他尽力鼓舞他们的士气。

145 literally   

adv.照字面意义，逐字地；确实

参考例句：

• He translated the passage literally.他逐字逐句地翻译这段文字。
• Sometimes she would not sit down till she was literally faint.有时候，她不走到真正要昏厥了，决不肯坐下来。

146 infested   

adj.为患的，大批滋生的（常与with搭配）v.害虫、野兽大批出没于( infest的过去式和过去分词 )；遍布于

参考例句：

• The kitchen was infested with ants. 厨房里到处是蚂蚁。
• The apartments were infested with rats and roaches. 公寓里面到处都是老鼠和蟑螂。

147 worthy   

adj.(of)值得的，配得上的；有价值的

参考例句：

• I did not esteem him to be worthy of trust.我认为他不值得信赖。
• There occurred nothing that was worthy to be mentioned.没有值得一提的事发生。

148 malignant   

adj.恶性的，致命的；恶意的，恶毒的

参考例句：

• Alexander got a malignant slander.亚历山大受到恶意的诽谤。
• He started to his feet with a malignant glance at Winston.他爬了起来，不高兴地看了温斯顿一眼。

149 noisome   

adj.有害的，可厌的

参考例句：

• The air is infected with noisome gases.空气受到了有害气体的污染。
• I destroy all noisome and rank weeds ,I keep down all pestilent vapours.我摧毁了一切丛生的毒草，控制一切有害的烟雾。

150 investigation   

n.调查，调查研究

参考例句：

• In an investigation,a new fact became known, which told against him.在调查中新发现了一件对他不利的事实。
• He drew the conclusion by building on his own investigation.他根据自己的调查研究作出结论。

151 purveyor   

n.承办商，伙食承办商

参考例句：

• Silence, purveyor of gossip, do not spread that report. 快别那样说，新闻记者阁下，别散布那个消息。 来自互联网
• Teaching purpose: To comprehensively understand the role function and consciousness composition of a news purveyor. 教学目的：全面深入的理解新闻传播者的角色功能和意识构成。 来自互联网

152 hearty   

adj.热情友好的；衷心的；尽情的，纵情的

参考例句：

• After work they made a hearty meal in the worker's canteen.工作完了，他们在工人食堂饱餐了一顿。
• We accorded him a hearty welcome.我们给他热忱的欢迎。

153 possessed   

adj.疯狂的；拥有的，占有的

参考例句：

• He flew out of the room like a man possessed.他像着了魔似地猛然冲出房门。
• He behaved like someone possessed.他行为举止像是魔怔了。

154 vitality   

n.活力，生命力，效力

参考例句：

• He came back from his holiday bursting with vitality and good health.他度假归来之后，身强体壮，充满活力。
• He is an ambitious young man full of enthusiasm and vitality.他是个充满热情与活力的有远大抱负的青年。

155 pliant   

adj.顺从的；可弯曲的

参考例句：

• She's proud and stubborn,you know,under that pliant exterior.你要知道，在温顺的外表下，她既自傲又固执。
• They weave a basket out of osiers with pliant young willows.他们用易弯的柳枝编制篮子。

156 conjectured   

推测，猜测，猜想( conjecture的过去式和过去分词 )

参考例句：

• The old peasant conjectured that it would be an unusually cold winter. 那老汉推测冬天将会异常地寒冷。
• The general conjectured that the enemy only had about five days' supply of food left. 将军推测敌人只剩下五天的粮食给养。

157 infinitely   

adv.无限地，无穷地

参考例句：

• There is an infinitely bright future ahead of us.我们有无限光明的前途。
• The universe is infinitely large.宇宙是无限大的。

158 drowsy   

adj.昏昏欲睡的，令人发困的

参考例句：

• Exhaust fumes made him drowsy and brought on a headache.废气把他熏得昏昏沉沉，还引起了头疼。
• I feel drowsy after lunch every day.每天午饭后我就想睡觉。

159 impatience   

n.不耐烦，急躁

参考例句：

• He expressed impatience at the slow rate of progress.进展缓慢，他显得不耐烦。
• He gave a stamp of impatience.他不耐烦地跺脚。

160 rigid   

adj.严格的，死板的；刚硬的，僵硬的

参考例句：

• She became as rigid as adamant.她变得如顽石般的固执。
• The examination was so rigid that nearly all aspirants were ruled out.考试很严，几乎所有的考生都被淘汰了。

161 iris   

n.虹膜，彩虹

参考例句：

• The opening of the iris is called the pupil.虹膜的开口处叫做瞳孔。
• This incredible human eye,complete with retina and iris,can be found in the Maldives.又是在马尔代夫，有这样一只难以置信的眼睛，连视网膜和虹膜都刻画齐全了。

162 devoured   

吞没( devour的过去式和过去分词 )； 耗尽； 津津有味地看； 狼吞虎咽地吃光

参考例句：

• She devoured everything she could lay her hands on: books, magazines and newspapers. 无论是书、杂志，还是报纸，只要能弄得到，她都看得津津有味。
• The lions devoured a zebra in a short time. 狮子一会儿就吃掉了一匹斑马。

163 diffused   

散布的，普及的，扩散的

参考例句：

• A drop of milk diffused in the water. 一滴牛奶在水中扩散开来。
• Gases and liquids diffused. 气体和液体慢慢混合了。

164 gathering   

n.集会，聚会，聚集

参考例句：

• He called on Mr. White to speak at the gathering.他请怀特先生在集会上讲话。
• He is on the wing gathering material for his novels.他正忙于为他的小说收集资料。

165 overflowing   

n. 溢出物,溢流 adj. 充沛的，充满的 动词overflow的现在分词形式

参考例句：

• The stands were overflowing with farm and sideline products. 集市上农副产品非常丰富。
• The milk is overflowing. 牛奶溢出来了。

166 fixedness   

n.固定；稳定；稳固

参考例句：

• The fixedness of his gaze upset her. 他目不转睛的凝视让她心烦意乱。 来自互联网
• Its distributing of stress is simulated by finite element analysis software order to compare their fixedness. 并使用有限元分析软件对不同微桥进行结构分析，以比较其稳固性。 来自互联网

167 chaos   

n.混乱，无秩序

参考例句：

• After the failure of electricity supply the city was in chaos.停电后，城市一片混乱。
• The typhoon left chaos behind it.台风后一片混乱。

168 fleeting   

adj.短暂的，飞逝的

参考例句：

• The girls caught only a fleeting glimpse of the driver.女孩们只匆匆瞥了一眼司机。
• Knowing the life fleeting,she set herself to enjoy if as best as she could.她知道这种日子转瞬即逝，于是让自已尽情地享受。

169 melancholy   

n.忧郁，愁思；adj.令人感伤（沮丧）的，忧郁的

参考例句：

• All at once he fell into a state of profound melancholy.他立即陷入无尽的忧思之中。
• He felt melancholy after he failed the exam.这次考试没通过，他感到很郁闷。

170 remorse   

n.痛恨，悔恨，自责

参考例句：

• She had no remorse about what she had said.她对所说的话不后悔。
• He has shown no remorse for his actions.他对自己的行为没有任何悔恨之意。

171 descended   

a.为...后裔的，出身于...的

参考例句：

• A mood of melancholy descended on us. 一种悲伤的情绪袭上我们的心头。
• The path descended the hill in a series of zigzags. 小路呈连续的之字形顺着山坡蜿蜒而下。

172 sculptors   

雕刻家，雕塑家( sculptor的名词复数 )； [天]玉夫座

参考例句：

• He is one of Britain's best-known sculptors. 他是英国最有名的雕塑家之一。
• Painters and sculptors are indexed separately. 画家和雕刻家被分开，分别做了索引。

173 emaciation   

n.消瘦，憔悴，衰弱

参考例句：

• His face was hollowed out to the point of emaciation. 他的脸瘦削到了憔悴的地步。 来自《简明英汉词典》
• These photographs show extremes of obesity and emaciation. 这些照片展现了肥胖与消瘦两个极端。 来自《简明英汉词典》

174 prominence   

n.突出；显著；杰出；重要

参考例句：

• He came to prominence during the World Cup in Italy.他在意大利的世界杯赛中声名鹊起。
• This young fashion designer is rising to prominence.这位年轻的时装设计师的声望越来越高。

175 peculiar   

adj.古怪的，异常的；特殊的，特有的

参考例句：

• He walks in a peculiar fashion.他走路的样子很奇特。
• He looked at me with a very peculiar expression.他用一种很奇怪的表情看着我。

176 enjoyment   

n.乐趣；享有；享用

参考例句：

• Your company adds to the enjoyment of our visit. 有您的陪同，我们这次访问更加愉快了。
• After each joke the old man cackled his enjoyment.每逢讲完一个笑话，这老人就呵呵笑着表示他的高兴。

177 latch   

n.门闩，窗闩；弹簧锁

参考例句：

• She laid her hand on the latch of the door.她把手放在门闩上。
• The repairman installed an iron latch on the door.修理工在门上安了铁门闩。

178 proceeding   

n.行动，进行，(pl.)会议录，学报

参考例句：

• This train is now proceeding from Paris to London.这次列车从巴黎开往伦敦。
• The work is proceeding briskly.工作很有生气地进展着。

179 peal   

n.钟声；v.鸣响

参考例句：

• The bells of the cathedral rang out their loud peal.大教堂响起了响亮的钟声。
• A sudden peal of thunder leaves no time to cover the ears.迅雷不及掩耳。

180 tormenting   

使痛苦的，使苦恼的

参考例句：

• He took too much pleasure in tormenting an ugly monster called Caliban. 他喜欢一味捉弄一个名叫凯列班的丑妖怪。
• The children were scolded for tormenting animals. 孩子们因折磨动物而受到责骂。

181 gnomes   

n.矮子( gnome的名词复数 )；侏儒；（尤指金融市场上搞投机的）银行家；守护神

参考例句：

• I have a wonderful recipe: bring two gnomes, two eggs. 我有一个绝妙的配方：准备两个侏儒，两个鸡蛋。 来自互联网
• Illusions cast by gnomes from a small village have started becoming real. 53侏儒对一个小村庄施放的幻术开始变为真实。 来自互联网

182 caverns   

大山洞，大洞穴( cavern的名词复数 )

参考例句：

• Within were dark caverns; what was inside them, no one could see. 里面是一个黑洞，这里面有什么东西，谁也望不见。 来自汉英文学 - 家（1-26） - 家（1-26）
• UNDERGROUND Under water grottos, caverns Filled with apes That eat figs. 在水帘洞里，挤满了猿争吃无花果。

183 throbbing   

a. 跳动的,悸动的

参考例句：

• My heart is throbbing and I'm shaking. 我的心在猛烈跳动，身子在不住颤抖。
• There was a throbbing in her temples. 她的太阳穴直跳。

184 kernel   

n.(果实的)核，仁；(问题)的中心，核心

参考例句：

• The kernel of his problem is lack of money.他的问题的核心是缺钱。
• The nutshell includes the kernel.果壳裹住果仁。

185 asunder   

adj.分离的，化为碎片

参考例句：

• The curtains had been drawn asunder.窗帘被拉向两边。
• Your conscience,conviction,integrity,and loyalties were torn asunder.你的良心、信念、正直和忠诚都被扯得粉碎了。

186 rending   

v.撕碎( rend的现在分词 )；分裂；（因愤怒、痛苦等而）揪扯（衣服或头发等）；（声音等）刺破

参考例句：

• The cries of those imprisoned in the fallen buildings were heart-rending. 被困于倒塌大楼里的人们的哭喊声令人心碎。 来自《现代汉英综合大词典》
• She was rending her hair out in anger. 她气愤得直扯自己的头发。 来自《简明英汉词典》

187 contemplated   

adj. 预期的 动词contemplate的过去分词形式

参考例句：

• The doctor contemplated the difficult operation he had to perform. 医生仔细地考虑他所要做的棘手的手术。
• The government has contemplated reforming the entire tax system. 政府打算改革整个税收体制。

188 exclusion   

n.拒绝，排除，排斥，远足，远途旅行

参考例句：

• Don't revise a few topics to the exclusion of all others.不要修改少数论题以致排除所有其他的。
• He plays golf to the exclusion of all other sports.他专打高尔夫球，其他运动一概不参加。

189 solidification   

凝固

参考例句：

• In the process of solidification the same amount of heat is released. 在固结过程中则将释放出同等的热量。
• The solidification mechanism and adhering formation of the product are also discussed. 对锌粉的凝固机理及粘结现象进行了探讨。

190 intensified   

v.（使）增强， （使）加剧( intensify的过去式和过去分词 )

参考例句：

• Violence intensified during the night. 在夜间暴力活动加剧了。
• The drought has intensified. 旱情加剧了。 来自《简明英汉词典》

191 faculties   

n.能力( faculty的名词复数 )；全体教职员；技巧；院

参考例句：

• Although he's ninety, his mental faculties remain unimpaired. 他虽年届九旬，但头脑仍然清晰。
• All your faculties have come into play in your work. 在你的工作中，你的全部才能已起到了作用。 来自《简明英汉词典》

192 speculations   

n.投机买卖( speculation的名词复数 )；思考；投机活动；推断

参考例句：

• Your speculations were all quite close to the truth. 你的揣测都很接近于事实。 来自《现代英汉综合大词典》
• This possibility gives rise to interesting speculations. 这种可能性引起了有趣的推测。 来自《用法词典》

193 fumes   

n.(强烈而刺激的)气味，气体

参考例句：

• The health of our children is being endangered by exhaust fumes. 我们孩子们的健康正受到排放出的废气的损害。
• Exhaust fumes are bad for your health. 废气对健康有害。

194 hovering   

鸟( hover的现在分词 )； 靠近（某事物）； （人）徘徊； 犹豫

参考例句：

• The helicopter was hovering about 100 metres above the pad. 直升机在离发射台一百米的上空盘旋。
• I'm hovering between the concert and the play tonight. 我犹豫不决今晚是听音乐会还是看戏。

195 delusion   

n.谬见，欺骗，幻觉，迷惑

参考例句：

• He is under the delusion that he is Napoleon.他患了妄想症，认为自己是拿破仑。
• I was under the delusion that he intended to marry me.我误认为他要娶我。

196 coffin   

n.棺材，灵柩

参考例句：

• When one's coffin is covered,all discussion about him can be settled.盖棺论定。
• The coffin was placed in the grave.那口棺材已安放到坟墓里去了。

197 sufficiently   

adv.足够地，充分地

参考例句：

• It turned out he had not insured the house sufficiently.原来他没有给房屋投足保险。
• The new policy was sufficiently elastic to accommodate both views.新政策充分灵活地适用两种观点。

198 invincible   

adj.不可征服的，难以制服的

参考例句：

• This football team was once reputed to be invincible.这支足球队曾被誉为无敌的劲旅。
• The workers are invincible as long as they hold together.只要工人团结一致，他们就是不可战胜的。

199 phantom   

n.幻影，虚位，幽灵；adj.错觉的，幻影的，幽灵的

参考例句：

• I found myself staring at her as if she were a phantom.我发现自己瞪大眼睛看着她，好像她是一个幽灵。
• He is only a phantom of a king.他只是有名无实的国王。

200 slumber   

n.睡眠，沉睡状态

参考例句：

• All the people in the hotels were wrapped in deep slumber.住在各旅馆里的人都已进入梦乡。
• Don't wake him from his slumber because he needs the rest.不要把他从睡眠中唤醒，因为他需要休息。

201 peals   

n.（声音大而持续或重复的）洪亮的响声( peal的名词复数 )；隆隆声；洪亮的钟声；钟乐v.（使）（钟等）鸣响，（雷等）发出隆隆声( peal的第三人称单数 )

参考例句：

• She burst into peals of laughter. 她忽然哈哈大笑起来。
• She went into fits/peals of laughter. 她发出阵阵笑声。 来自辞典例句

202 tormented   

饱受折磨的

参考例句：

• The knowledge of his guilt tormented him. 知道了自己的罪责使他非常痛苦。
• He had lain awake all night, tormented by jealousy. 他彻夜未眠，深受嫉妒的折磨。

203 mingling   

adj.混合的

参考例句：

• There was a spring of bitterness mingling with that fountain of sweets. 在这个甜蜜的源泉中间，已经掺和进苦涩的山水了。
• The mingling of inconsequence belongs to us all. 这场矛盾混和物是我们大家所共有的。

204 muffled   

adj.（声音）被隔的；听不太清的；（衣服）裹严的；蒙住的v.压抑，捂住( muffle的过去式和过去分词 )；用厚厚的衣帽包着（自己）

参考例句：

• muffled voices from the next room 从隔壁房间里传来的沉闷声音
• There was a muffled explosion somewhere on their right. 在他们的右面什么地方有一声沉闷的爆炸声。 来自《简明英汉词典》

205 murmurs   

n.低沉、连续而不清的声音( murmur的名词复数 )；低语声；怨言；嘀咕

参考例句：

• They spoke in low murmurs. 他们低声说着话。 来自辞典例句
• They are more superficial, more distinctly heard than murmurs. 它们听起来比心脏杂音更为浅表而清楚。 来自辞典例句

206 gulf   

n.海湾；深渊，鸿沟；分歧，隔阂

参考例句：

• The gulf between the two leaders cannot be bridged.两位领导人之间的鸿沟难以跨越。
• There is a gulf between the two cities.这两座城市间有个海湾。

207 panes   

窗玻璃( pane的名词复数 )

参考例句：

• The sun caught the panes and flashed back at him. 阳光照到窗玻璃上，又反射到他身上。
• The window-panes are dim with steam. 玻璃窗上蒙上了一层蒸汽。

208 undesirable   

adj.不受欢迎的，不良的，不合意的，讨厌的；n.不受欢迎的人，不良分子

参考例句：

• They are the undesirable elements among the employees.他们是雇员中的不良分子。
• Certain chemicals can induce undesirable changes in the nervous system.有些化学物质能在神经系统中引起不良变化。

209 awfully   

adv.可怕地，非常地，极端地

参考例句：

• Agriculture was awfully neglected in the past.过去农业遭到严重忽视。
• I've been feeling awfully bad about it.对这我一直感到很难受。

210 infesting   

v.害虫、野兽大批出没于( infest的现在分词 )；遍布于

参考例句：

• Crime and drugs are infesting the inner cities. 市中心充斥着犯罪与毒品。 来自辞典例句
• They are mainly forest scavengers infesting damp, rotted wood. 它们主要是些森林食腐动物，多侵害潮湿腐朽的木材。 来自辞典例句

211 degenerated   

衰退，堕落，退化( degenerate的过去式和过去分词 )

参考例句：

• The march degenerated into a riot. 示威游行变成了暴动。
• The wide paved road degenerated into a narrow bumpy track. 铺好的宽阔道路渐渐变窄，成了一条崎岖不平的小径。

212 utterly   

adv.完全地，绝对地

参考例句：

• Utterly devoted to the people,he gave his life in saving his patients.他忠于人民，把毕生精力用于挽救患者的生命。
• I was utterly ravished by the way she smiled.她的微笑使我完全陶醉了。

213 proximity   

n.接近，邻近

参考例句：

• Marriages in proximity of blood are forbidden by the law.法律规定禁止近亲结婚。
• Their house is in close proximity to ours.他们的房子很接近我们的。

214 repose   

v.(使)休息；n.安息

参考例句：

• Don't disturb her repose.不要打扰她休息。
• Her mouth seemed always to be smiling,even in repose.她的嘴角似乎总是挂着微笑，即使在睡眠时也是这样。

215 peculiarity   

n.独特性，特色；特殊的东西；怪癖

参考例句：

• Each country has its own peculiarity.每个国家都有自己的独特之处。
• The peculiarity of this shop is its day and nigth service.这家商店的特点是昼夜服务。

216 ponderosity   

n.沉重，笨重；有质性；可称性

参考例句：

217 expending   

v.花费( expend的现在分词 )；使用（钱等）做某事；用光；耗尽

参考例句：

• The heart pumps by expending and contracting of muscle. 心脏通过收缩肌肉抽取和放出（血液）。 来自互联网
• Criminal action is an action of expending cost and then producing profit. 刑事诉讼是一种需要支付成本、能够产生收益的活动。 来自互联网

218 perturbed   

adj.烦燥不安的v.使（某人）烦恼，不安( perturb的过去式和过去分词 )

参考例句：

• I am deeply perturbed by the alarming way the situation developing. 我对形势令人忧虑的发展深感不安。 来自《简明英汉词典》
• Mother was much perturbed by my illness. 母亲为我的病甚感烦恼不安。 来自《现代英汉综合大词典》

219 dressing   

n.(食物)调料；包扎伤口的用品，敷料

参考例句：

• Don't spend such a lot of time in dressing yourself.别花那么多时间来打扮自己。
• The children enjoy dressing up in mother's old clothes.孩子们喜欢穿上妈妈旧时的衣服玩。

220 odds   

n.让步，机率，可能性，比率；胜败优劣之别

参考例句：

• The odds are 5 to 1 that she will win.她获胜的机会是五比一。
• Do you know the odds of winning the lottery once?你知道赢得一次彩票的几率多大吗？

221 solidifying   

（使）成为固体，（使）变硬，（使）变得坚固( solidify的现在分词 )； 使团结一致； 充实，巩固； 具体化

参考例句：

• The substances are formed from a mixture of liquids solidifying under pressure. 这些材料是由几种液体混合在一起并加压使之凝固而成的。
• Painting is an art solidifies time and space for solidifying. 绘画是凝固了的时间和空间的艺术。

222 obliterated   

v.除去( obliterate的过去式和过去分词 )；涂去；擦掉；彻底破坏或毁灭

参考例句：

• The building was completely obliterated by the bomb. 炸弹把那座建筑物彻底摧毁了。
• He began to drink, drank himself to intoxication, till he slept obliterated. 他一直喝，喝到他快要迷糊地睡着了。 来自《简明英汉词典》

223 landlady   

n.女房东，女地主

参考例句：

• I heard my landlady creeping stealthily up to my door.我听到我的女房东偷偷地来到我的门前。
• The landlady came over to serve me.女店主过来接待我。

224 triangular   

adj.三角（形）的，三者间的

参考例句：

• It's more or less triangular plot of land.这块地略成三角形。
• One particular triangular relationship became the model of Simone's first novel.一段特殊的三角关系成了西蒙娜第一本小说的原型。

225 jealousy   

n.妒忌，嫉妒，猜忌

参考例句：

• Some women have a disposition to jealousy.有些女人生性爱妒忌。
• I can't support your jealousy any longer.我再也无法忍受你的嫉妒了。

226 inquiry   

n.打听，询问，调查，查问

参考例句：

• Many parents have been pressing for an inquiry into the problem.许多家长迫切要求调查这个问题。
• The field of inquiry has narrowed down to five persons.调查的范围已经缩小到只剩5个人了。

227 premises   

n.建筑物，房屋

参考例句：

• According to the rules,no alcohol can be consumed on the premises.按照规定，场内不准饮酒。
• All repairs are done on the premises and not put out.全部修缮都在家里进行，不用送到外面去做。

228 plunged   

v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降

参考例句：

• The train derailed and plunged into the river. 火车脱轨栽进了河里。
• She lost her balance and plunged 100 feet to her death. 她没有站稳，从100英尺的高处跌下摔死了。

229 concealed   

a.隐藏的，隐蔽的

参考例句：

• The paintings were concealed beneath a thick layer of plaster. 那些画被隐藏在厚厚的灰泥层下面。
• I think he had a gun concealed about his person. 我认为他当时身上藏有一支枪。

230 housekeeper   

n.管理家务的主妇，女管家

参考例句：

• A spotless stove told us that his mother is a diligent housekeeper.炉子清洁无瑕就表明他母亲是个勤劳的主妇。
• She is an economical housekeeper and feeds her family cheaply.她节约持家，一家人吃得很省。

231 devoted   

adj.忠诚的，忠实的，热心的，献身于...的

参考例句：

• He devoted his life to the educational cause of the motherland.他为祖国的教育事业贡献了一生。
• We devoted a lengthy and full discussion to this topic.我们对这个题目进行了长时间的充分讨论。

232 immediate   

adj.立即的；直接的，最接近的；紧靠的

参考例句：

• His immediate neighbours felt it their duty to call.他的近邻认为他们有责任去拜访。
• We declared ourselves for the immediate convocation of the meeting.我们主张立即召开这个会议。

233 formerly   

adv.从前，以前

参考例句：

• We now enjoy these comforts of which formerly we had only heard.我们现在享受到了过去只是听说过的那些舒适条件。
• This boat was formerly used on the rivers of China.这船从前航行在中国内河里。

234 twilight   

n.暮光，黄昏；暮年，晚期，衰落时期

参考例句：

• Twilight merged into darkness.夕阳的光辉融于黑暗中。
• Twilight was sweet with the smell of lilac and freshly turned earth.薄暮充满紫丁香和新翻耕的泥土的香味。

235 abortions   

n.小产( abortion的名词复数 )；小产胎儿；（计划）等中止或夭折；败育

参考例句：

• The Venerable Master: By not having abortions, by not killing living beings. 上人：不堕胎、不杀生。 来自互联网
• Conclusion Chromosome abnormality is one of the causes of spontaneous abortions. 结论：染色体异常是导致反复自然流产的原因之一。 来自互联网

236 quench   

vt.熄灭，扑灭；压制

参考例句：

• The firemen were unable to quench the fire.消防人员无法扑灭这场大火。
• Having a bottle of soft drink is not enough to quench my thirst.喝一瓶汽水不够解渴。

237 slumbering   

微睡，睡眠（slumber的现在分词形式）

参考例句：

• It was quiet. All the other inhabitants of the slums were slumbering. 贫民窟里的人已经睡眠静了。
• Then soft music filled the air and soothed the slumbering heroes. 接着，空中响起了柔和的乐声，抚慰着安睡的英雄。

238 chambers   

n.房间( chamber的名词复数 )；（议会的）议院；卧室；会议厅

参考例句：

• The body will be removed into one of the cold storage chambers. 尸体将被移到一个冷冻间里。 来自《简明英汉词典》
• Mr Chambers's readable book concentrates on the middle passage: the time Ransome spent in Russia. Chambers先生的这本值得一看的书重点在中间：Ransome在俄国的那几年。 来自互联网

239 wont   

adj.习惯于；v.习惯；n.习惯

参考例句：

• He was wont to say that children are lazy.他常常说小孩子们懒惰。
• It is his wont to get up early.早起是他的习惯。

240 sketched   

v.草拟（sketch的过去式与过去分词形式）

参考例句：

• The historical article sketched the major events of the decade. 这篇有关历史的文章概述了这十年中的重大事件。 来自《简明英汉词典》
• He sketched the situation in a few vivid words. 他用几句生动的语言简述了局势。 来自《现代汉英综合大词典》

241 unaware   

a.不知道的，未意识到的

参考例句：

• They were unaware that war was near. 他们不知道战争即将爆发。
• I was unaware of the man's presence. 我没有察觉到那人在场。

242 dissection   

n.分析；解剖

参考例句：

• A dissection of your argument shows several inconsistencies.对你论点作仔细分析后发现一些前后矛盾之处。
• Researchers need a growing supply of corpses for dissection.研究人员需要更多的供解剖用的尸体。

243 astonishment   

n.惊奇，惊异

参考例句：

• They heard him give a loud shout of astonishment.他们听见他惊奇地大叫一声。
• I was filled with astonishment at her strange action.我对她的奇怪举动不胜惊异。

244 revival   

n.复兴，复苏，（精力、活力等的）重振

参考例句：

• The period saw a great revival in the wine trade.这一时期葡萄酒业出现了很大的复苏。
• He claimed the housing market was showing signs of a revival.他指出房地产市场正出现复苏的迹象。

245 reiteration   

n. 重覆, 反覆, 重说

参考例句：

• The reiteration of this figure, more than anything else, wrecked the conservative chance of coming back. 重申这数字，比其它任何事情更能打消保守党重新上台的机会。
• The final statement is just a reiteration of U.S. policy on Taiwan. 艾瑞里？最后一个声明只是重复宣读美国对台政策。

246 alterations   

n.改动( alteration的名词复数 )；更改；变化；改变

参考例句：

• Any alterations should be written in neatly to the left side. 改动部分应书写清晰，插在正文的左侧。 来自《简明英汉词典》
• Gene mutations are alterations in the DNA code. 基因突变是指DNA 密码的改变。 来自《简明英汉词典》

247 burrowed   

v.挖掘（洞穴），挖洞( burrow的过去式和过去分词 )；翻寻

参考例句：

• The rabbits burrowed into the hillside. 兔子在山腰上打洞。 来自《简明英汉词典》
• She burrowed her head into my shoulder. 她把头紧靠在我的肩膀上。 来自辞典例句

248 trepidation   

n.惊恐，惶恐

参考例句：

• The men set off in fear and trepidation.这群人惊慌失措地出发了。
• The threat of an epidemic caused great alarm and trepidation.流行病猖獗因而人心惶惶。

249 snug   

adj.温暖舒适的，合身的，安全的；v.使整洁干净，舒适地依靠，紧贴；n.（英）酒吧里的私房

参考例句：

• He showed us into a snug little sitting room.他领我们走进了一间温暖而舒适的小客厅。
• She had a small but snug home.她有个小小的但很舒适的家。

250 blots   

污渍( blot的名词复数 )； 墨水渍； 错事； 污点

参考例句：

• The letter had many blots and blurs. 信上有许多墨水渍和污迹。
• It's all, all covered with blots the same as if she were crying on the paper. 到处，到处都是泪痕，像是她趴在信纸上哭过。 来自名作英译部分

251 ravens   

n.低质煤；渡鸦( raven的名词复数 )

参考例句：

• Wheresoever the carcase is,there will the ravens be gathered together. 哪里有死尸，哪里就有乌鸦麇集。 来自《简明英汉词典》
• A couple of ravens croaked above our boat. 两只乌鸦在我们小船的上空嘎嘎叫着。 来自辞典例句

252 proceedings   

n.进程，过程，议程；诉讼(程序)；公报

参考例句：

• He was released on bail pending committal proceedings. 他交保获释正在候审。
• to initiate legal proceedings against sb 对某人提起诉讼

253 courageous   

adj.勇敢的，有胆量的

参考例句：

• We all honour courageous people.我们都尊重勇敢的人。
• He was roused to action by courageous words.豪言壮语促使他奋起行动。

254 recoiled   

v.畏缩( recoil的过去式和过去分词 )；退缩；报应；返回

参考例句：

• She recoiled from his touch. 她躲开他的触摸。
• Howard recoiled a little at the sharpness in my voice. 听到我的尖声，霍华德往后缩了一下。 来自《简明英汉词典》

255 inanity   

n.无意义，无聊

参考例句：

• Their statement was a downright inanity.他们的声明是彻头彻尾的废话。
• I laugh all alone at my complete inanity.十分无聊时，我就独自大笑。

256 reassured   

adj.使消除疑虑的；使放心的v.再保证，恢复信心( reassure的过去式和过去分词)

参考例句：

• The captain's confidence during the storm reassured the passengers. 在风暴中船长的信念使旅客们恢复了信心。 来自《现代英汉综合大词典》
• The doctor reassured the old lady. 医生叫那位老妇人放心。 来自《简明英汉词典》

257 retired   

adj.隐退的，退休的，退役的

参考例句：

• The old man retired to the country for rest.这位老人下乡休息去了。
• Many retired people take up gardening as a hobby.许多退休的人都以从事园艺为嗜好。

258 subside   

vi.平静，平息；下沉，塌陷，沉降

参考例句：

• The emotional reaction which results from a serious accident takes time to subside.严重事故所引起的情绪化的反应需要时间来平息。
• The controversies surrounding population growth are unlikely to subside soon.围绕着人口增长问题的争论看来不会很快平息。

259 glided   

v.滑动( glide的过去式和过去分词 )；掠过；（鸟或飞机 ） 滑翔

参考例句：

• The President's motorcade glided by. 总统的车队一溜烟开了过去。
• They glided along the wall until they were out of sight. 他们沿着墙壁溜得无影无踪。 来自《简明英汉词典》

260 phenomena   

n.现象

参考例句：

• Ade couldn't relate the phenomena with any theory he knew.艾德无法用他所知道的任何理论来解释这种现象。
• The object of these experiments was to find the connection,if any,between the two phenomena.这些实验的目的就是探索这两种现象之间的联系，如果存在着任何联系的话。

261 forefinger   

n.食指

参考例句：

• He pinched the leaf between his thumb and forefinger.他将叶子捏在拇指和食指之间。
• He held it between the tips of his thumb and forefinger.他用他大拇指和食指尖拿着它。

262 obliteration   

n.涂去，删除；管腔闭合

参考例句：

• The policy is obliteration, openly acknowledged. 政策是彻底毁灭，公开承认的政策。 来自演讲部分
• "Obliteration is not a justifiable act of war" “彻底消灭并不是有理的战争行为” 来自演讲部分

263 mischievous   

adj.调皮的，恶作剧的，有害的，伤人的

参考例句：

• He is a mischievous but lovable boy.他是一个淘气但可爱的小孩。
• A mischievous cur must be tied short.恶狗必须拴得短。

264 shroud   

n.裹尸布，寿衣；罩，幕；vt.覆盖，隐藏

参考例句：

• His past was enveloped in a shroud of mystery.他的过去被裹上一层神秘色彩。
• How can I do under shroud of a dark sky?在黑暗的天空的笼罩下，我该怎么做呢？

265 stifled   

（使）窒息， （使）窒闷( stifle的过去式和过去分词 )； 镇压，遏制； 堵

参考例句：

• The gas stifled them. 煤气使他们窒息。
• The rebellion was stifled. 叛乱被镇压了。

266 sobbing   

<主方>Ⅰ adj.湿透的

参考例句：

• I heard a child sobbing loudly. 我听见有个孩子在呜呜地哭。
• Her eyes were red with recent sobbing. 她的眼睛因刚哭过而发红。

267 hatred   

n.憎恶，憎恨，仇恨

参考例句：

• He looked at me with hatred in his eyes.他以憎恨的眼光望着我。
• The old man was seized with burning hatred for the fascists.老人对法西斯主义者充满了仇恨。

268 intercourse   

n.性交；交流，交往，交际

参考例句：

• The magazine becomes a cultural medium of intercourse between the two peoples.该杂志成为两民族间文化交流的媒介。
• There was close intercourse between them.他们过往很密。

269 softening   

变软，软化

参考例句：

• Her eyes, softening, caressed his face. 她的眼光变得很温柔了。它们不住地爱抚他的脸。 来自汉英文学 - 家（1-26） - 家（1-26）
• He might think my brain was softening or something of the kind. 他也许会觉得我婆婆妈妈的，已经成了个软心肠的人了。

270 forsaking   

放弃( forsake的现在分词 )； 弃绝； 抛弃； 摒弃

参考例句：

• I will not be cowed into forsaking my beliefs. 我不会因为被恐吓而放弃自己的信仰。
• At fourteen he ran away, forsaking his home and friends. 他十四岁出走，离开了家乡和朋友。

271 banished   

v.放逐，驱逐( banish的过去式和过去分词 )

参考例句：

• He was banished to Australia, where he died five years later. 他被流放到澳大利亚，五年后在那里去世。
• He was banished to an uninhabited island for a year. 他被放逐到一个无人居住的荒岛一年。 来自《简明英汉词典》

272 cleaving   

v.劈开，剁开，割开( cleave的现在分词 )

参考例句：

• The freighter carrying pig iron is cleaving through the water. 装着生铁的货船正在破浪前进。 来自辞典例句
• IL-10-cDNA fragment was obtained through cleaving pUC-T-IL-10cDNA by reconstriction enzymes. 结果：pcDNA3.1-IL-10酶切鉴定的电泳结果显示，pcDNA3.1-IL-10质粒有一个560bp左右的插入片断，大小和IL-10cDNA大致符合。 来自互联网

273 shuddered   

v.战栗( shudder的过去式和过去分词 )；发抖；（机器、车辆等）突然震动；颤动

参考例句：

• He slammed on the brakes and the car shuddered to a halt. 他猛踩刹车，车颤抖着停住了。 来自《简明英汉词典》
• I shuddered at the sight of the dead body. 我一看见那尸体就战栗。 来自《简明英汉词典》

274 entreaties   

n.恳求，乞求( entreaty的名词复数 )

参考例句：

• He began with entreaties and ended with a threat. 他先是恳求，最后是威胁。 来自《简明英汉词典》
• The tyrant was deaf to the entreaties of the slaves. 暴君听不到奴隶们的哀鸣。 来自《简明英汉词典》

275 spectral   

adj.幽灵的，鬼魂的

参考例句：

• At times he seems rather ordinary.At other times ethereal,perhaps even spectral.有时他好像很正常，有时又难以捉摸，甚至像个幽灵。
• She is compelling,spectral fascinating,an unforgettably unique performer.她极具吸引力，清幽如鬼魅，令人着迷，令人难忘，是个独具特色的演员。

276 idiotic   

adj.白痴的

参考例句：

• It is idiotic to go shopping with no money.去买东西而不带钱是很蠢的。
• The child's idiotic deeds caused his family much trouble.那小孩愚蠢的行为给家庭带来许多麻烦。

277 meditation   

n.熟虑，（尤指宗教的）默想，沉思，（pl.）冥想录

参考例句：

• This peaceful garden lends itself to meditation.这个恬静的花园适于冥想。
• I'm sorry to interrupt your meditation.很抱歉，我打断了你的沉思。

278 smothered   

（使）窒息， （使）透不过气( smother的过去式和过去分词 )； 覆盖； 忍住； 抑制

参考例句：

• He smothered the baby with a pillow. 他用枕头把婴儿闷死了。
• The fire is smothered by ashes. 火被灰闷熄了。

279 shovelful   

n．一铁铲

参考例句：

• Should I put another shovelful of coal on the fire? 我要再往火里添一铲煤吗？

280 superstition   

n.迷信，迷信行为

参考例句：

• It's a common superstition that black cats are unlucky.认为黑猫不吉祥是一种很普遍的迷信。
• Superstition results from ignorance.迷信产生于无知。

281 antidote   

n.解毒药，解毒剂

参考例句：

• There is no known antidote for this poison.这种毒药没有解药。
• Chinese physicians used it as an antidote for snake poison.中医师用它来解蛇毒。

282 atheism   

n.无神论，不信神

参考例句：

• Atheism is the opinion that there is no God.无神论是认为不存在上帝的看法。
• Atheism is a hot topic.无神论是个热门话题。

283 bonnets   

n.童帽( bonnet的名词复数 )；（烟囱等的）覆盖物；（苏格兰男子的）无边呢帽；（女子戴的）任何一种帽子

参考例句：

• All the best bonnets of the city were there. 城里戴最漂亮的无边女帽的妇女全都到场了。 来自辞典例句
• I am tempting you with bonnets and bangles and leading you into a pit. 我是在用帽子和镯子引诱你，引你上钩。 来自飘（部分）

284 rosy   

adj.美好的，乐观的，玫瑰色的

参考例句：

• She got a new job and her life looks rosy.她找到一份新工作，生活看上去很美好。
• She always takes a rosy view of life.她总是对生活持乐观态度。

285 astronomical   

adj.天文学的，（数字）极大的

参考例句：

• He was an expert on ancient Chinese astronomical literature.他是研究中国古代天文学文献的专家。
• Houses in the village are selling for astronomical prices.乡村的房价正在飙升。