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VI KERXKEN Sister Robertine
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 On a wet, cheerless day between Christmas and New Year’s, I started with Madame de Beughem and Madame Allard for the most important lace district of Eastern Flanders. The Alost region, which in 1896 counted 8,500 workers, is known throughout the lace world for its Needle Point and Venise.
We went first to Alost itself, the center of the area, where, however, modern industries have won their already oft-repeated victory over the lace. It was in Alost, the 16th of November, 1918, that my car had scarcely been able to push its [170]way between the two lines of Belgian soldiers of deliverance holding back the smiling, tearful population, and where, too, I passed Burgomaster Max free after four years in prison in Germany, on his way to King Albert at the Army Headquarters near Ghent.
A short distance south of Alost we passed Haltaert, from which this lace section might more justly take its name, since in Haltaert there is scarcely a household without its needle or bobbin workers. And but a little farther south lay Kerxken, which even in the rain, looked a friendly village and where beside fully1 three-fourths of the windows women were plying2 their needles.
Before the war companies of the men of this region went to France to work in the harvest, as many as 40,000 migrating annually3, because even before the war, France was short-handed agriculturally and the French fields offered higher [171]wages than their own. The women and girls helped those who remained to gather the crops, and in the fall, when the men came back and the season for working the farms had passed, whole families turned to lace-making as a means of piecing out the gains of the summer. Sometimes the men cared for the children or assisted with the housework so that the women might sit uninterruptedly before their patterns, and in certain instances they themselves made lace—the census4 of 1896 lists 117 men lace-workers in Belgium. In Kerxken we found that thirty young men who had been silk weavers5 before the war had during the occupation been able to make lace—not true lace, but such imitations as filet6, really a form of embroidery7. They made, too, Application, not genuine Application where true lace details, made either with the bobbin or needle, are sewed upon the tulle base, but tulle ornamented[172] with machine-made lacets, narrow braids of various sorts that come to the region from Calais. Lacets usually have a strong thread along one edge, which can be drawn8 so that the braid may be more swiftly fashioned into curving leaves or flowers. These distressing9 imitations, which unfortunately pay much better than the true laces, since they can be made with great speed and find a ready market, are a constant menace to them. “Voilà notre ennemie!” said Madame Allard, as we looked into a work-room where the table showed little piles of lacet collars. The only method of fighting this enemy is through higher wages for the genuine lace.
We could not see Adele Rulant, once with hardly a peer in Needle Point, to whom people from far and near had sent their old pieces, even shreds10 of their family treasure, for restoration, knowing that almost certainly her artist’s needle [173]would recapture the lost mesh11 or flower. Adele Rulant had died and we realized again how surely one by one the famous dentellières of the last half of the 19th century are dropping out.
We turned down a lane and were soon at the green door of the convent of the black-robed Franciscaine Sisters, who dismayed, but smiling, hurried forward to greet us, very fresh looking in their white lined coiffes and collars. I say dismayed, because through an error they had expected us the day before and had kept a fire burning for hours, a supreme12 expression of hospitality in this bitter, coalless winter; this was Saturday afternoon, there was no fire, and the lace-workers were at home scrubbing their tiled floors and doorsteps. But they would light a fire at once, and send a Sister to the nearest houses to recall at least a few of the women; they would prepare lunch for us, a plate of little [174]cakes and a bottle of wine had already been set on the table. Such an apologetic bustle13 of welcome was heart-warming on a cheerless day. Nothing less, I am certain, would have made it possible for me to drink an entire glass of sour red wine at 10:30 o’clock in the morning.
I wished particularly to visit the convent because I had known during the four years of S?ur Robertine’s successive victories over the Germans. After they refused to let laces pass except through their hands, which taxed and had frequently stolen from the parcels, time and again she outwitted them, crossing the forbidden village frontier and carrying the precious rolls herself to the office of the Committee at Brussels.
Beneath the calm of that office there was always tense expectancy14; at any moment anything might happen, even the worst thing. One day after weeks of being entirely15 cut off from many of their [175]lace sections, when the women were more strained and anxious than ever before, the door opened quietly and S?ur Robertine, of Kerxken, a prohibited district, stood before them. Fear for her quite overcame their joy at seeing her; they quickly turned the key and hurried her into a rear room. “But why have you come? We did not send for you—we should never have allowed you to take such risks!”
At first only S?ur Robertine’s twinkling, keen gray eyes answered, as she slowly threw off her long black cape16 and from beneath other garments began unwinding meter upon meter of lovely white lace, till the billowy lengths covered all the table. [176]“It was very simple—I had to come. For weeks our thread has been exhausted17; the women are suffering for need of their earnings18. I found a way, and I’ll find a way back, never fear; we’ll all return safely to Kerxken—the thread and the money and I—even tho we may have to slip in under the very nose of the Boche!” She was still laughing and still producing lace, little packets now of square insets and bouquets19, when I had to leave.
It was a delight to meet her again here freely directing her convent—she who had so bravely held her right to freedom. Her parents had been shop-keepers and she had brought to the Order a goodly store of practical knowledge and a general alertness and good sense, which added to her unselfishness and swift sympathy and ever-ready laugh, easily explained the admiration20 and affection generally felt for her.
 
POINT DE FLANDRES, OR FLANDERS LACE
Flowers made with bobbins, mesh with the needle: designs by The Lace Committee
While we were sitting in the large, cold reception room, waiting for the workers to reassemble, I asked S?ur Robertine about a painting over the door—a striking portrait which proved to be that of the Curé Van Hoeimessen, who, [177]in 1857, founded the convent in an attempt to relieve the misery21 of the village. A short time before this, greatly distrest by the idleness and poverty of his parishioners, he had asked that a teacher be sent to Kerxken to instruct a few girls in the art of lace-making, and since there was no building in which to start a school, he called the class of five or six girls together in his own house. Then, later, as the experiment succeeded, he invited a group of sisters to come and founded for them the convent of the Franciscaines, which from that day has held unswervingly to the traditions of its foundation in teaching and executing the fine needle laces. There are at present 15 sisters, and about 150 true lace-workers in their lace school. In addition, 300 makers22 of filet and “imitation” are connected with the convent.
 
HANDKERCHIEF IN NEEDLE-POINT
Made near Alost. Both mesh and flowers made with needle
 
DETAIL SHOWING SEVEN DIFFERENT FILLING-IN STITCHES
From the salon23 we went to the work-room, which looks on a deep walled-in [178]garden, a treasure-plot for potatoes and cabbage during the famine years. About a dozen girls and women had dropt their brushes and brooms and hurried through the rain in their wooden shoes to take up their patterns and go on with the delicate traceries of Needle Point and Venise. It was easy to pick out their leader—a beautiful-faced, white-haired woman wearing a black crochet24 cap, at work on a Venise insertion. She was Sidonie, the best piqueuse, or interpreter of design, in the convent. There were no cushions here, as in the bobbin-lace classes, and the workers held the small, shining, black cloth pattern in their hands, following the pricked25 holes with their needles; there were fewer of these guiding pin-pricks than in the bobbin-lace picqués. The patterns for Venise and Needle Point are usually small because most women object to large details, as difficult to turn in the hand. Later in a neighboring convent I [179]noticed that the patterns were considerably26 larger than those at Kerxken, and S?ur Robertine, pointing to them said, “I should have to cut those in two for my girls.” Fortunately a detail can usually easily be separated and later rejoined. To protect her lace, the worker covers it with thick blue paper, cutting a hole about the size of a twenty-five-cent piece through which the needle and thread may move freely. Here it was not the marvel27 of the flying fingers, as in the bobbin-rooms at Turnhout, that most won our admiration, but the skill in directing the fine threads in complicated designs of incredible delicacy28. I chose to sit beside fifteen-year-old Colette who held the partly finished section of a handkerchief square beneath her needle. She explained that it was Point de Gaze, gauze point, a name more recently given the old Needle or Brussels Point. And the fragile hexagonal mesh she was [180]weaving between two beautiful full-blown roses, whose raised petals30 curved outward from elaborately worked centers, seemed most appropriately named. Her cotton, for Needle Point is made with cotton thread, was so fine that I could not, despite her amused reiterations, believe it did not break with every second stitch. A heavier thread had been used to make the flat, closely woven portions of the flowers, and a still heavier one to outline each finished petal29 or leaf with the cordonnet (cord) or brode, produced by an extremely firm and regular buttonhole stitch. This cord throws the flowers into very brilliant relief.
 
VENISE DESIGNS BY THE BRUSSELS LACE COMMITTEE
Colette had not woven the roses, for because of the difficulty in making it, workers usually specialize on the various individual parts composing this extremely popular lace. A second girl had made the flowers, and a third the exquisite31 open-work details introduced to lighten [181]the whole. Considerable freedom is allowed the lace-worker in the execution of these open-work stitches. If she has talent she may obtain many interesting original results in filling in, for there is apparently32 no limit to the number of stitches she may employ. In Colette’s little handkerchief square, I discovered miniature marguerites and stars and airy balls. Each group had been made by a specialist (many women have spent their lives in making just tiny stars or wheels), and sent to the convent to be bound together with the leaves and roses into a beautiful whole by the clear mesh that dropt hexagon by hexagon from Colette’s swift needle.
 
HANDKERCHIEF AND JEWEL BOXES, FLANDERS AND VENISE OVER SATIN AND VELVET33
Colette’s neighbor was making the same mesh, but as a background for bobbin-made clusters, sent here from a bobbin-lace village to make the rare Point d’Angleterre, a small quantity of which Kerxken still produces.
[182]
In the corner of this class-room were the shelves with the essential skeins of thread; cotton for the Needle Point, linen34 for the Venise. The linen is more and more difficult to obtain, and since it is hard to handle and breaks easily, has been largely supplanted35 by cotton thread. There were large cardboard boxes for the drawings and the pricked working patterns; others for the little bobbin-lace roses and leaves and vines that were to be worked into Brussels Point; and still more boxes for the finished meters and insets ready to be sold to the Committee, and later to the dealer36 who will replace the Committee. While we were examining the boxes a pretty, dark-haired dentellière of about sixteen came in, with work she had finished at home, two handkerchiefs with Brussels Point borders, and two and a half meters of Venise, on which she had worked five and a half [183]months and for which she asked 160 francs, or $40.00.
In the “imitation” room we passed quickly by the lengths of inferior filet and the piles of cheap collars made by men; there was little temptation to linger there. The only defense37 against that room is more pay for the work across the hall.
We climbed the stairs shivering and looked into the neat little bedrooms with their white board floors, and into the icy chapel38 where S?ur Robertine declared she could be quite comfortable with only a small black woolen39 shawl over her shoulders.
We had brought our lunch, but were not allowed to eat it. Sister A., an excellent cook, had prepared hot soup, potatoes and meat, and a dried apple mousse which we persuaded S?ur Robertine to share with us. And after lunch, the orphan40 and refugee children [184]came in to shake hands, also Janiken, the poor “idiote” who is forty-nine years old, but still a child, with a strange, animal-like expression on her face. S?ur Robertine held her hand for us to shake, otherwise little Janiken seemed able to direct her own movements. She smiled and chatted in Flemish, then waddled41 off quite happy with the candies and cakes we had brought. Janiken spends her days making bead42 collars and bracelets43 for the sisters, whom she loves, and when her bead boxes are empty she places them at the foot of the statue at the end of the narrow corridor upstairs, and prays the good Saint Anthony to refill them, that she may weave more necklaces. At night as the sisters pass silently by the statue, they snap the threads of their former gifts, letting the beads44 shower into the boxes, and in the morning Janiken is happy again.
S?ur Robertine had never ridden in [185]a motor, and when we proposed that she accompany us to the Franciscaine convent at Erembodeghem, not very far away, her eyes shone. And I shall not forget the faces of the others, as after a further bustle of leave-takings and good wishes, they leaned from the green doorway45 in the rain, clasping their hands and laughing and nodding, while we tucked their beloved sister into our car. S?ur Robertine herself sat silently and ecstatically in a corner, determined46 to miss no part of this extraordinary experience.
 

点击收听单词发音收听单词发音  

1 fully Gfuzd     
adv.完全地,全部地,彻底地;充分地
参考例句:
  • The doctor asked me to breathe in,then to breathe out fully.医生让我先吸气,然后全部呼出。
  • They soon became fully integrated into the local community.他们很快就完全融入了当地人的圈子。
2 plying b2836f18a4e99062f56b2ed29640d9cf     
v.使用(工具)( ply的现在分词 );经常供应(食物、饮料);固定往来;经营生意
参考例句:
  • All manner of hawkers and street sellers were plying their trade. 形形色色的沿街小贩都在做着自己的买卖。 来自《简明英汉词典》
  • It was rather Mrs. Wang who led the conversation, plying Miss Liu with questions. 倒是汪太太谈锋甚健,向刘小姐问长问短。 来自汉英文学 - 围城
3 annually VzYzNO     
adv.一年一次,每年
参考例句:
  • Many migratory birds visit this lake annually.许多候鸟每年到这个湖上作短期逗留。
  • They celebrate their wedding anniversary annually.他们每年庆祝一番结婚纪念日。
4 census arnz5     
n.(官方的)人口调查,人口普查
参考例句:
  • A census of population is taken every ten years.人口普查每10年进行一次。
  • The census is taken one time every four years in our country.我国每四年一次人口普查。
5 weavers 55d09101fa7c612133657b412e704736     
织工,编织者( weaver的名词复数 )
参考例句:
  • The Navajo are noted as stockbreeders and skilled weavers, potters, and silversmiths. 纳瓦霍人以豢养家禽,技术熟练的纺织者,制陶者和银匠而著名。
  • They made out they were weavers. 他们假装是织布工人。
6 filet C7zyJ     
n.肉片;鱼片
参考例句:
  • They feasted us on filet mignon and strawberry shortcake.他们拿出鱼片和草莓松脆饼盛情款待我们。
  • You cannot make filet mignon out of chopped liver.你不能从品质差的肉制造品质高的肉。
7 embroidery Wjkz7     
n.绣花,刺绣;绣制品
参考例句:
  • This exquisite embroidery won people's great admiration.这件精美的绣品,使人惊叹不已。
  • This is Jane's first attempt at embroidery.这是简第一次试着绣花。
8 drawn MuXzIi     
v.拖,拉,拔出;adj.憔悴的,紧张的
参考例句:
  • All the characters in the story are drawn from life.故事中的所有人物都取材于生活。
  • Her gaze was drawn irresistibly to the scene outside.她的目光禁不住被外面的风景所吸引。
9 distressing cuTz30     
a.使人痛苦的
参考例句:
  • All who saw the distressing scene revolted against it. 所有看到这种悲惨景象的人都对此感到难过。
  • It is distressing to see food being wasted like this. 这样浪费粮食令人痛心。
10 shreds 0288daa27f5fcbe882c0eaedf23db832     
v.撕碎,切碎( shred的第三人称单数 );用撕毁机撕毁(文件)
参考例句:
  • Peel the carrots and cut them into shreds. 将胡罗卜削皮,切成丝。 来自《简明英汉词典》
  • I want to take this diary and rip it into shreds. 我真想一赌气扯了这日记。 来自汉英文学 - 中国现代小说
11 mesh cC1xJ     
n.网孔,网丝,陷阱;vt.以网捕捉,啮合,匹配;vi.适合; [计算机]网络
参考例句:
  • Their characters just don't mesh.他们的性格就是合不来。
  • This is the net having half inch mesh.这是有半英寸网眼的网。
12 supreme PHqzc     
adj.极度的,最重要的;至高的,最高的
参考例句:
  • It was the supreme moment in his life.那是他一生中最重要的时刻。
  • He handed up the indictment to the supreme court.他把起诉书送交最高法院。
13 bustle esazC     
v.喧扰地忙乱,匆忙,奔忙;n.忙碌;喧闹
参考例句:
  • The bustle and din gradually faded to silence as night advanced.随着夜越来越深,喧闹声逐渐沉寂。
  • There is a lot of hustle and bustle in the railway station.火车站里非常拥挤。
14 expectancy tlMys     
n.期望,预期,(根据概率统计求得)预期数额
参考例句:
  • Japanese people have a very high life expectancy.日本人的平均寿命非常长。
  • The atomosphere of tense expectancy sobered everyone.这种期望的紧张气氛使每个人变得严肃起来。
15 entirely entirely     
ad.全部地,完整地;完全地,彻底地
参考例句:
  • The fire was entirely caused by their neglect of duty. 那场火灾完全是由于他们失职而引起的。
  • His life was entirely given up to the educational work. 他的一生统统献给了教育工作。
16 cape ITEy6     
n.海角,岬;披肩,短披风
参考例句:
  • I long for a trip to the Cape of Good Hope.我渴望到好望角去旅行。
  • She was wearing a cape over her dress.她在外套上披着一件披肩。
17 exhausted 7taz4r     
adj.极其疲惫的,精疲力尽的
参考例句:
  • It was a long haul home and we arrived exhausted.搬运回家的这段路程特别长,到家时我们已筋疲力尽。
  • Jenny was exhausted by the hustle of city life.珍妮被城市生活的忙乱弄得筋疲力尽。
18 earnings rrWxJ     
n.工资收人;利润,利益,所得
参考例句:
  • That old man lives on the earnings of his daughter.那个老人靠他女儿的收入维持生活。
  • Last year there was a 20% decrease in his earnings.去年他的收入减少了20%。
19 bouquets 81022f355e60321845cbfc3c8963628f     
n.花束( bouquet的名词复数 );(酒的)芳香
参考例句:
  • The welcoming crowd waved their bouquets. 欢迎的群众摇动着花束。 来自《现代汉英综合大词典》
  • As the hero stepped off the platform, he was surrounded by several children with bouquets. 当英雄走下讲台时,已被几名手持花束的儿童围住了。 来自《简明英汉词典》
20 admiration afpyA     
n.钦佩,赞美,羡慕
参考例句:
  • He was lost in admiration of the beauty of the scene.他对风景之美赞不绝口。
  • We have a great admiration for the gold medalists.我们对金牌获得者极为敬佩。
21 misery G10yi     
n.痛苦,苦恼,苦难;悲惨的境遇,贫苦
参考例句:
  • Business depression usually causes misery among the working class.商业不景气常使工薪阶层受苦。
  • He has rescued me from the mire of misery.他把我从苦海里救了出来。
22 makers 22a4efff03ac42c1785d09a48313d352     
n.制造者,制造商(maker的复数形式)
参考例句:
  • The makers of the product assured us that there had been no sacrifice of quality. 这一产品的制造商向我们保证说他们没有牺牲质量。
  • The makers are about to launch out a new product. 制造商们马上要生产一种新产品。 来自《简明英汉词典》
23 salon VjTz2Z     
n.[法]沙龙;客厅;营业性的高级服务室
参考例句:
  • Do you go to the hairdresser or beauty salon more than twice a week?你每周去美容院或美容沙龙多过两次吗?
  • You can hear a lot of dirt at a salon.你在沙龙上会听到很多流言蜚语。
24 crochet qzExU     
n.钩针织物;v.用钩针编制
参考例句:
  • That's a black crochet waistcoat.那是一件用钩针编织的黑色马甲。
  • She offered to teach me to crochet rugs.她提出要教我钩织小地毯。
25 pricked 1d0503c50da14dcb6603a2df2c2d4557     
刺,扎,戳( prick的过去式和过去分词 ); 刺伤; 刺痛; 使剧痛
参考例句:
  • The cook pricked a few holes in the pastry. 厨师在馅饼上戳了几个洞。
  • He was pricked by his conscience. 他受到良心的谴责。
26 considerably 0YWyQ     
adv.极大地;相当大地;在很大程度上
参考例句:
  • The economic situation has changed considerably.经济形势已发生了相当大的变化。
  • The gap has narrowed considerably.分歧大大缩小了。
27 marvel b2xyG     
vi.(at)惊叹vt.感到惊异;n.令人惊异的事
参考例句:
  • The robot is a marvel of modern engineering.机器人是现代工程技术的奇迹。
  • The operation was a marvel of medical skill.这次手术是医术上的一个奇迹。
28 delicacy mxuxS     
n.精致,细微,微妙,精良;美味,佳肴
参考例句:
  • We admired the delicacy of the craftsmanship.我们佩服工艺师精巧的手艺。
  • He sensed the delicacy of the situation.他感觉到了形势的微妙。
29 petal IMIxX     
n.花瓣
参考例句:
  • Each white petal had a stripe of red.每一片白色的花瓣上都有一条红色的条纹。
  • A petal fluttered to the ground.一片花瓣飘落到地上。
30 petals f346ae24f5b5778ae3e2317a33cd8d9b     
n.花瓣( petal的名词复数 )
参考例句:
  • white petals tinged with blue 略带蓝色的白花瓣
  • The petals of many flowers expand in the sunshine. 许多花瓣在阳光下开放。 来自《现代英汉综合大词典》
31 exquisite zhez1     
adj.精美的;敏锐的;剧烈的,感觉强烈的
参考例句:
  • I was admiring the exquisite workmanship in the mosaic.我当时正在欣赏镶嵌画的精致做工。
  • I still remember the exquisite pleasure I experienced in Bali.我依然记得在巴厘岛所经历的那种剧烈的快感。
32 apparently tMmyQ     
adv.显然地;表面上,似乎
参考例句:
  • An apparently blind alley leads suddenly into an open space.山穷水尽,豁然开朗。
  • He was apparently much surprised at the news.他对那个消息显然感到十分惊异。
33 velvet 5gqyO     
n.丝绒,天鹅绒;adj.丝绒制的,柔软的
参考例句:
  • This material feels like velvet.这料子摸起来像丝绒。
  • The new settlers wore the finest silk and velvet clothing.新来的移民穿着最华丽的丝绸和天鹅绒衣服。
34 linen W3LyK     
n.亚麻布,亚麻线,亚麻制品;adj.亚麻布制的,亚麻的
参考例句:
  • The worker is starching the linen.这名工人正在给亚麻布上浆。
  • Fine linen and cotton fabrics were known as well as wool.精细的亚麻织品和棉织品像羊毛一样闻名遐迩。
35 supplanted 1f49b5af2ffca79ca495527c840dffca     
把…排挤掉,取代( supplant的过去式和过去分词 )
参考例句:
  • In most offices, the typewriter has now been supplanted by the computer. 当今许多办公室里,打字机已被电脑取代。
  • The prime minister was supplanted by his rival. 首相被他的政敌赶下台了。
36 dealer GyNxT     
n.商人,贩子
参考例句:
  • The dealer spent hours bargaining for the painting.那个商人为购买那幅画花了几个小时讨价还价。
  • The dealer reduced the price for cash down.这家商店对付现金的人减价优惠。
37 defense AxbxB     
n.防御,保卫;[pl.]防务工事;辩护,答辩
参考例句:
  • The accused has the right to defense.被告人有权获得辩护。
  • The war has impacted the area with military and defense workers.战争使那个地区挤满了军队和防御工程人员。
38 chapel UXNzg     
n.小教堂,殡仪馆
参考例句:
  • The nimble hero,skipped into a chapel that stood near.敏捷的英雄跳进近旁的一座小教堂里。
  • She was on the peak that Sunday afternoon when she played in chapel.那个星期天的下午,她在小教堂的演出,可以说是登峰造极。
39 woolen 0fKw9     
adj.羊毛(制)的;毛纺的
参考例句:
  • She likes to wear woolen socks in winter.冬天她喜欢穿羊毛袜。
  • There is one bar of woolen blanket on that bed.那张床上有一条毛毯。
40 orphan QJExg     
n.孤儿;adj.无父母的
参考例句:
  • He brought up the orphan and passed onto him his knowledge of medicine.他把一个孤儿养大,并且把自己的医术传给了他。
  • The orphan had been reared in a convent by some good sisters.这个孤儿在一所修道院里被几个好心的修女带大。
41 waddled c1cfb61097c12b4812327074b8bc801d     
v.(像鸭子一样)摇摇摆摆地走( waddle的过去式和过去分词 )
参考例句:
  • A family of ducks waddled along the river bank. 一群鸭子沿河岸摇摇摆摆地走。 来自《简明英汉词典》
  • The stout old man waddled across the road. 那肥胖的老人一跩一跩地穿过马路。 来自《现代汉英综合大词典》
42 bead hdbyl     
n.念珠;(pl.)珠子项链;水珠
参考例句:
  • She accidentally swallowed a glass bead.她不小心吞下了一颗玻璃珠。
  • She has a beautiful glass bead and a bracelet in the box.盒子里有一颗美丽的玻璃珠和手镯。
43 bracelets 58df124ddcdc646ef29c1c5054d8043d     
n.手镯,臂镯( bracelet的名词复数 )
参考例句:
  • The lamplight struck a gleam from her bracelets. 她的手镯在灯光的照射下闪闪发亮。 来自《简明英汉词典》
  • On display are earrings, necklaces and bracelets made from jade, amber and amethyst. 展出的有用玉石、琥珀和紫水晶做的耳环、项链和手镯。 来自《简明英汉词典》
44 beads 894701f6859a9d5c3c045fd6f355dbf5     
n.(空心)小珠子( bead的名词复数 );水珠;珠子项链
参考例句:
  • a necklace of wooden beads 一条木珠项链
  • Beads of perspiration stood out on his forehead. 他的前额上挂着汗珠。
45 doorway 2s0xK     
n.门口,(喻)入门;门路,途径
参考例句:
  • They huddled in the shop doorway to shelter from the rain.他们挤在商店门口躲雨。
  • Mary suddenly appeared in the doorway.玛丽突然出现在门口。
46 determined duszmP     
adj.坚定的;有决心的
参考例句:
  • I have determined on going to Tibet after graduation.我已决定毕业后去西藏。
  • He determined to view the rooms behind the office.他决定查看一下办公室后面的房间。


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