But within the last few months Mr. Potts's ideas had very considerably14 changed. It was not because he had attained15 the venerable age of thirty, though he was at first inclined to ascribe the alteration16 to that; it was not that his appetite for fun and pleasure had lost any of its keenness, nor that he had become "awakened," or "enlightened," or subjected to any of the preposterous17 revival18 influences of the day. It was simply that he had, in the course of his intimacy with Geoffrey Ludlow, seen a great deal of Geoffrey Ludlow's sister, Til; and that the result of his acquaintance with that young lady was the entire change of his ideas on various most important points. It was astonishing, its effect on him: how, after an evening at Mrs. Ludlow's tea-table--presided over, of course, by Miss Til--Charley Potts, going somewhere out to supper among his old set, suddenly had his eyes opened to Louie's blackened eyelids19 and Bella's painted cheeks; how Georgie's _h_-slips smote20 with tenfold horror on his ear, and Carry's cigarette-smoking made him wince21 with disgust. He had seen all these things before, and rather liked them; it was the contrast that induced the new feeling. Ah, those preachers and pedants,--well-meaning, right-thinking men,--how utterly22 futile23 are the means which they use for compassing their ends! In these sceptical times, their pulpit denunciations, their frightful24 stories of wrath25 to come, are received with polite shoulder-shrugs and grins of incredulity; their twopence coloured pictures of the Scarlet26 Woman, their time-worn renderings27 of the street-wanderer, are sneered28 at as utterly fictitious29 and untrue; and meanwhile detached villas30 in St. John's Wood, and first-floors in quiet Pimlico streets, command the most preposterous rents. Young men will of course be young men; but the period of young-man-ism in that sense narrows and contracts every year. The ranks of her Scarlet Ladyship's army are now filled with very young boys who do not know any better, or elderly men who cannot get into the new groove31, and who still think that to be gentlemanly it is necessary to be immoral32. Those writers who complain of the "levelling" tone of society, and the "fast" manners of our young ladies, scarcely reflect upon the improved morality of the age. Our girls--all the outcry about fastness and selling themselves for money notwithstanding--are as good and as domestic as when formed under the literary auspices33 of Mrs. Chapone; and--granting the existence of Casinos and Anonymas--our young men are infinitely34 more wholesome35 than the class for whose instruction Philip Dormer Stanhope, Earl of Chesterfield, penned his delicious letters.
So Mr. Charles Potts, glowing with newly-awakened ideas of respectability, began to think that, after all, the _vie de Bohême_ was perhaps a mistake, and not equal, in the average amount of happiness derived36 from it, to the _vie de_ Camden Town. He began to think that to pay rent and taxes and tradesmen's bills was very likely no dearer, and certainly more satisfactory, than to invest in pensions for cast-off mistresses and provisions for illegitimate children. He began to think, in fact, that a snug37 little house in the suburbs, with his own Lares and Penates about him, and Miss Matilda Ludlow, now looking over his shoulder and encouraging him at his work, now confronting him at the domestic dinner-table, was about the pleasantest thing which his fancy could conjure38 up in his then frame of mind.
Thinking all this, devoutly39 hoping it might so fall out, and being, like most converts, infinitely more rabid in the cause of Virtue40 than those who had served her with tolerable fidelity41 for a series of years, Mr. Charley Potts heard with a dreadful amount of alarm and amazement42 of Geoffrey Ludlow's close connection with a person whose antecedents were not comeatable and siftable by a local committee of Grundys. A year ago, and Charley would have laughed the whole business to scorn; insisted that every man had a right to do as he liked; slashed43 at the doubters; mocked their shaking heads and raised shoulders and taken no heed44 of any thing that might have been sad. But matters were different now. Not merely was Charley a recruit in the Grundy ranks, having pinned the Grundy colours in his coat, and subscribed46 to the Grundy oath; but the person about to be brought before the Grundy _Fehmgericht_, or court-marshal, was one in whom, should his hopes be realised, he would have the greatest interest. Though he had never dared to express his hopes, though he had not the smallest actual foundation for his little air-castle, Charles Potts naturally and honestly regarded Matilda Ludlow as the purest and most honourable47 of her sex--as does every young fellow regard the girl he loves; and the idea that she should be associated, or intimately connected, with any one under a moral taint48, was to him terrible and loathsome49.
The moral taint, mind, was all hypothetical. Charles Potts had not heard one syllable50 of Margaret Dacre's history, had been told nothing about it, knew nothing of her except that he and Geoffrey had saved her from starvation in the streets. But when people go in for the public profession of virtue, it is astonishing to find how quickly they listen to reports of the shortcomings and backslidings of those who are not professedly in the same category. It seemed a bit of fatalism too, that this acquaintance should have occurred immediately on Geoffrey's selling his picture for a large sum to Mr. Stompff. Had he not done this, there is no doubt that the other thing would have been heard of by few, noticed by none; but in art, as in literature, and indeed in most other professions, no crime is so heavily visited as that of being successful. It is the sale of your picture, or the success of your novel, that first makes people find out how you steal from other people, how your characters are mere45 reproductions of your own personal friends,--for which you ought to be shunned,--how laboured is your pathos51, and how poor your jokes. It is the repetition of your success that induces the criticism; not merely that you are a singular instance of the badness of the public taste, but that you have a red nose, a decided52 cast in one eye, and that undoubtedly53 your grandmother had hard labour for stealing a clock. Geoff Ludlow the struggling might have done as he liked without comment; on Geoff Ludlow the possessor of unlimited54 commissions from the great Stompff it was meet that every vial of virtuous55 wrath should be poured.
Although Charles Potts knew the loquacity56 of Mr. Flexor,--the story of Geoff's adventure and fascination57 had gone the round of the studios,--he did not think how much of what had occurred, or what was likely to occur, was actually known, inasmuch as that most men, knowing the close intimacy existing between him and Ludlow, had the decency58 to hold their tongues in his presence. But one day he heard a good deal more than every thing. He was painting on a fancy head which he called "Diana Vernon," but which, in truth, was merely a portrait of Miss Matilda Ludlow very slightly idealised (the "Gil Blas" had been sent for acceptance or rejection59 by the Academy Committee), and Bowker was sitting by smoking a sympathetic pipe, when there came a sharp tug60 at the bell, and Bowker, getting up to open the door, returned with a very rueful countenance61, closely followed by little Tidd. Now little Tidd, though small in stature62, was a great ruffian. A soured, disappointed little wretch63 himself, he made it the business of his life to go about maligning64 every one who was successful, and endeavouring, when he came across them personally, to put them out of conceit65 by hints and innuendoes66. He was a nasty-looking little man, with an always grimy face and hands, a bald head, and a frizzled beard. He had a great savage67 mouth with yellow tusks68 at either end of it; and he gave you, generally, the sort of notion of a man that you would rather not drink after. He had been contemporary with Geoffrey Ludlow at the Academy, and had been used to say very frankly69 to him and others, "When I become a great man, as I'm sure to do, I shall cut all you chaps;" and he meant it. But years had passed, and Tidd had not become a great man yet; on the contrary, he had subsided70 from yards of high-art canvas into portrait-painting, and at that he seemed likely to remain.
"Well, how do _you_ do, Potts?" said Mr. Tidd. "I said 'How do you do?' to our friend Mr. Bowker at the door. Looks well, don't he? His troubles seem to sit lightly on him." Here Mr. Bowker growled71 a bad word, and seemed as if about to spring upon the speaker.
"And what's this you're doing, Potts? A charming head! acharming--n-no! not quite so charming when you get close to it; nose a little out of drawing, and--rather spotty, eh? What do you say, Mr. Bowker?"
"I say, Mr. Tidd, that if you could paint like that, you'd give one of your ears."
"Ah, yes--well, that's not complimentary72, but--soured, poor man; sad affair! Yes, well! you've sent your Gil Blas to the Academy, I suppose, Potts?"
"O yes; he's there, sir; very likely at this moment being held up by a carpenter before the Fatal Three."
"Ah! don't be surprised at its being kicked out."
"I don't intend to be."
"That's right; they're sending them back in shoals this year, I'm told--in shoals. Have you heard any thing about the pictures?"
"Landseer, ah!" said Mr. Tidd. "When I think of that man, and the prices he gets, my blood boils, sir--boils! That the British public should care about and pay for a lot of stupid horses and cattle-pieces, and be indifferent to real art, is--well, never mind!" and Mr. Tidd gave himself a great blow in the chest, and asked, "What else?"
"Nothing else--O yes! I heard from Rushworth, who's on the Council, you know, that they had been tremendously struck by Geoff Ludlow's pictures, and that one or two more of the same sort are safe to make him an Associate."
"What!" said Mr. Tidd, eagerly biting his nails. "What!--an Associate! Geoffrey Ludlow an Associate!"
"Ah, that seems strange to you, don't it, Tidd?" said Bowker, speaking for the first time. "I recollect74 you and Geoff together drawing from the life. You were going to do every thing in those days, Tidd; and old Geoff was as quiet and as modest as--as he is now. It's the old case of the hare and the tortoise; and you're the hare, Tidd;--though, to look at you," added Mr. Bowker under his breath, "you're a d--d sight more like the tortoise, by Jove!"
"Geoffrey Ludlow an Associate!" repeated Mr. Tidd, ignoring Mr. Bowker's remark, and still greedily biting his nails. "Well, I should hardly have thought that; though you can't tell what they won't do down in that infernal place in Trafalgar Square. Theyve treated me badly enough; and it's quite like them to make a pet of him."
"How have they treated you badly, Tidd?" asked Potts, in the hope of turning the conversation away from Ludlow and his doings.
"How!" screamed Tidd; "in a thousand ways! Theyve a personal hatred75 of me, sir--that's what they have! Ive tried every dodge76 and painted in every school, and they won't have me. The year after Smith made a hit with that miserable77 picture 'Measuring Heights,' from the _Vicar of Wakefield_, I sent in 'Mr. Burchell cries Fudge!'--kicked out! The year after, Mr. Ford78 got great praise for his wretched daub of 'Dr. Johnson reading Goldsmith's Manuscript.' I sent in 'Goldsmith, Johnson, and Bozzy at the Mitre Tavern'--kicked out!--a glorious bit of humour, in which I'd represented all three in different stages of drunkenness--kicked out!"
"I suppose you've not been used worse than most of us, Tidd," growled Mr. Bowker. "She's an unjust stepmother, is the R.A. of A. But she snubs pretty nearly every body alike."
"Not at all!" said Tidd. "Here's this Ludlow--"
"What of him?" interposed Potts quickly.
"Can any one say that his painting is--ah, well! poor devil! it's no good saying any thing more about him; he'll have quite enough to bear on his own shoulders soon."
"What, when he's an Associate!" said Bowker, who inwardly was highly delighted at Tidd's evident rage.
"Associate!--stuff! I mean when he's married."
"Married? Is Ludlow going to be married?"
"Of course he is. Haven't you heard it? it's all over town." And indeed it would have been strange if the story had not permeated79 all those parts of the town which Mr. Tidd visited, as he himself had laboured energetically for its circulation. "It's all over town--O, a horrible thing! horrible thing!"
Bowker looked across at Charley Potts, who said, "What do you mean by a horrible thing, Tidd? Speak out and tell us; don't be hinting in that way."
"Well, then, Ludlow's going to marry some dreadful bad woman. O, it's a fact; I know all about it. Ludlow was coming home from a dinner-party one night, and he saw this woman, who was drunk, nearly run over by an omnibus at the Regent Circus. He rushed into the road, and pulled her out; and finding she was so drunk she couldn't speak, he got a room for her at Flexor's and took her there, and has been to see her every day since; and at last he's so madly in love with her that he's going to marry her."
"Ah!" said Mr. Bowker; "who is she? Where did she come from?"
"Nobody knows where she came from; but she's a reg'lar bad 'un,--as common as dirt. Pity too, ain't it? for Ive heard Ludlow's mother is a nice old lady, and Ive seen his sister, who's stunnin'!" and Mr. Tidd winked80 his eye.
This last proceeding81 finished Charley Potts, and caused his wrath, which had been long simmering, to boil over. "Look here, Mr. Tidd!" he burst forth82; "that story about Geoff Ludlow is all lies--all lies, do you hear! And if I find that you're going about spreading it, or if you ever mention Miss Ludlow as you did just now, I'll break your infernal neck for you!"
"Mr. Potts!" said Tidd,--"Mr. Potts, such language! Mr. Bowker, did you hear what he said?"
"I did," growled old Bowker over his pipe; "and from what I know of him, I should think he was deuced likely to do it."
Mr. Tidd seemed to be of the same opinion, for he moved towards the door, and slunk out, muttering ominously83.
"There's a scoundrel for you!" said Charley, when the door shut behind the retreating Tidd; "there's a ruffian for you! Ive not the least doubt that vagabond got a sort of foundation smattering from that blabbing Flexor, and invented all that about the omnibus and the drunken state and the rest of it himself. If that story gets noised about, it will do Geoff harm."
"Of course it will," said Bowker; "and that's just what Tidd wants. However, I think your threat of breaking his neck has stopped that little brute's tongue. There are some fellows, by Jove! who'll go on lying and libelling you, and who are only checked by the idea of getting a licking, when they shut up like telescopes. I don't know what's to be done about Geoff. He seems thoroughly84 determined85 and infatuated."
"I can't understand it."
"_I_ can," said old Bowker, sadly; "if she's any thing like the head he's painted in his second picture--and I think from his manner it must be deuced like her--I can understand a man's doing any thing for such a woman. Did she strike you as being very lovely?"
"I couldn't see much of her that night, and she was deadly white and ill; but I didn't think her as good-looking as--some that I know."
"Geoff ought to know about this story that's afloat."
"I think he ought," said Charley. "I'll walk up to his place in a day or two, and see him about it."
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1
lodger
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| n.寄宿人，房客 | |
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intimacy
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| n.熟悉，亲密，密切关系，亲昵的言行 | |
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cogitation
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| n.仔细思考，计划，设计 | |
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reposed
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| v.将（手臂等）靠在某人（某物）上( repose的过去式和过去分词 ) | |
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abstained
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| v.戒（尤指酒），戒除( abstain的过去式和过去分词 )；弃权（不投票） | |
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accurately
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| adv.准确地，精确地 | |
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bias
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| n.偏见，偏心，偏袒；vt.使有偏见 | |
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metaphorically
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| adv. 用比喻地 | |
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strictly
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| adv.严厉地，严格地；严密地 | |
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genial
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| adj.亲切的，和蔼的，愉快的，脾气好的 | |
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chaff
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| v.取笑，嘲笑；n.谷壳 | |
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peculiar
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| adj.古怪的，异常的；特殊的，特有的 | |
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13
softened
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| （使）变软( soften的过去式和过去分词 )； 缓解打击； 缓和； 安慰 | |
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considerably
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| adv.极大地；相当大地；在很大程度上 | |
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attained
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| （通常经过努力）实现( attain的过去式和过去分词 )； 达到； 获得； 达到（某年龄、水平、状况） | |
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alteration
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| n.变更，改变；蚀变 | |
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preposterous
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| adj.荒谬的，可笑的 | |
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revival
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| n.复兴，复苏，（精力、活力等的）重振 | |
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eyelids
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| n.眼睑( eyelid的名词复数 )；眼睛也不眨一下；不露声色；面不改色 | |
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smote
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| v.猛打，重击，打击( smite的过去式 ) | |
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wince
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| n.畏缩，退避，（因痛苦，苦恼等)面部肌肉抽动；v.畏缩，退缩，退避 | |
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utterly
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| adv.完全地，绝对地 | |
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futile
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| adj.无效的，无用的，无希望的 | |
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frightful
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| adj.可怕的；讨厌的 | |
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wrath
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| n.愤怒，愤慨，暴怒 | |
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scarlet
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| n.深红色，绯红色，红衣；adj.绯红色的 | |
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renderings
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| n.（戏剧或乐曲的）演奏( rendering的名词复数 )；扮演；表演；翻译作品 | |
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sneered
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| 讥笑，冷笑( sneer的过去式和过去分词 ) | |
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fictitious
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| adj.虚构的，假设的；空头的 | |
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villas
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| 别墅，公馆( villa的名词复数 )； （城郊）住宅 | |
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groove
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| n.沟，槽；凹线，（刻出的）线条，习惯 | |
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immoral
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| adj.不道德的，淫荡的，荒淫的，有伤风化的 | |
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auspices
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| n.资助，赞助 | |
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infinitely
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| adv.无限地，无穷地 | |
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wholesome
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| adj.适合；卫生的；有益健康的；显示身心健康的 | |
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derived
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| vi.起源；由来；衍生；导出v.得到( derive的过去式和过去分词 )；（从…中）得到获得；源于；（从…中）提取 | |
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snug
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| adj.温暖舒适的，合身的，安全的；v.使整洁干净，舒适地依靠，紧贴；n.（英）酒吧里的私房 | |
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conjure
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| v.恳求，祈求；变魔术，变戏法 | |
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devoutly
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| adv.虔诚地，虔敬地，衷心地 | |
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virtue
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| n.德行，美德；贞操；优点；功效，效力 | |
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fidelity
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| n.忠诚，忠实；精确 | |
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amazement
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| n.惊奇，惊讶 | |
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slashed
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| v.挥砍( slash的过去式和过去分词 )；鞭打；割破；削减 | |
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heed
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| v.注意，留意；n.注意，留心 | |
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mere
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| adj.纯粹的；仅仅，只不过 | |
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subscribed
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| v.捐助( subscribe的过去式和过去分词 )；签署，题词；订阅；同意 | |
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honourable
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| adj.可敬的；荣誉的，光荣的 | |
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taint
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| n.污点；感染；腐坏；v.使感染；污染 | |
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loathsome
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| adj.讨厌的，令人厌恶的 | |
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syllable
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| n.音节；vt.分音节 | |
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51
pathos
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| n.哀婉，悲怆 | |
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52
decided
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| adj.决定了的，坚决的；明显的，明确的 | |
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undoubtedly
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| adv.确实地，无疑地 | |
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unlimited
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| adj.无限的，不受控制的，无条件的 | |
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55
virtuous
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| adj.有品德的，善良的，贞洁的，有效力的 | |
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56
loquacity
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| n.多话，饶舌 | |
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fascination
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| n.令人着迷的事物，魅力，迷恋 | |
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58
decency
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| n.体面，得体，合宜，正派，庄重 | |
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rejection
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| n.拒绝，被拒，抛弃，被弃 | |
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60
tug
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| v.用力拖(或拉)；苦干；n.拖；苦干；拖船 | |
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61
countenance
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| n.脸色，面容；面部表情；vt.支持，赞同 | |
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62
stature
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| n.（高度）水平，（高度）境界，身高，身材 | |
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63
wretch
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| n.可怜的人，不幸的人；卑鄙的人 | |
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64
maligning
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| vt.污蔑，诽谤（malign的现在分词形式） | |
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conceit
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| n.自负，自高自大 | |
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innuendoes
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| n.影射的话( innuendo的名词复数 )；讽刺的话；含沙射影；暗讽 | |
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savage
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| adj.野蛮的；凶恶的，残暴的；n.未开化的人 | |
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68
tusks
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| n.（象等动物的）长牙( tusk的名词复数 )；獠牙；尖形物；尖头 | |
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69
frankly
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| adv.坦白地，直率地；坦率地说 | |
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70
subsided
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| v.（土地）下陷（因在地下采矿）( subside的过去式和过去分词 )；减弱；下降至较低或正常水平；一下子坐在椅子等上 | |
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71
growled
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| v.（动物）发狺狺声， （雷）作隆隆声( growl的过去式和过去分词 )；低声咆哮着说 | |
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72
complimentary
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| adj.赠送的，免费的，赞美的，恭维的 | |
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73
stunning
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| adj.极好的；使人晕倒的 | |
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74
recollect
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| v.回忆，想起，记起，忆起，记得 | |
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75
hatred
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| n.憎恶，憎恨，仇恨 | |
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76
dodge
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| v.闪开，躲开，避开；n.妙计，诡计 | |
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77
miserable
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| adj.悲惨的，痛苦的；可怜的，糟糕的 | |
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78
Ford
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| n.浅滩，水浅可涉处；v.涉水，涉过 | |
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79
permeated
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| 弥漫( permeate的过去式和过去分词 )； 遍布； 渗入； 渗透 | |
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80
winked
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| v.使眼色( wink的过去式和过去分词 )；递眼色（表示友好或高兴等）；（指光）闪烁；闪亮 | |
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81
proceeding
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| n.行动，进行，(pl.)会议录，学报 | |
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82
forth
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| adv.向前；向外，往外 | |
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83
ominously
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| adv.恶兆地，不吉利地；预示地 | |
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84
thoroughly
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| adv.完全地，彻底地，十足地 | |
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85
determined
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| adj.坚定的；有决心的 | |
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86
natal
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| adj.出生的，先天的 | |
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