"You don't understand me, so I will explain myself. In 1874 I was seized with desire to see Venice, Florence, Rome, and Naples. I got this whim2 about the middle of June, then the powerful fever of spring stirs the desire for love and adventure. I am not, as you know, a great traveller; it appears to me a useless and tiresome3 business. Nights spent in a train, the disturbed slumbers4 of the railway carriage, with the attendant headache and stiffness in every limb, the sudden waking in that rolling box, the unwashed feeling, the flying dust and smuts that fill your eyes and hair, the taste of coal in your mouth, and the bad dinners in draughty refreshment5 rooms, are, in my opinion, a horrible way of beginning a pleasure trip.
"After this introduction by the express, we have the miseries6 of the hotel; of some great hotel full of people, and yet so empty; the strange room, and the dubious7 bed! I am most particular about my bed; it is the sanctuary9 of life. We intrust our nude10 and fatigued11 bodies to it that they may be refreshed and rested between soft sheets and feathers.
"There we spend the most delightful12 hours of our existence, the hours of love and of sleep. The bed is sacred, and should be respected, venerated13, and loved by us as the best and most delightful of our earthly possessions.
"I cannot lift up the sheets of a hotel bed without a shiver of disgust. What took place there the night before? What dirty, odious14 people have slept in it! I begin, then, to think of all the horrible people with whom one rubs shoulders every day, hideous15 hunchbacks, people with flabby bodies, with dirty hands that make you wonder what their feet and the rest of their bodies are like. I think of those who exhale16 a smell of garlic and dirt that is loathsome17. I think of the deformed18 and purulent, of the perspiration19 emanating20 from the sick, and of everything that is ugly in man. And all this, perhaps, in the bed in which I am going to sleep! The mere21 idea of it makes me feel ill as I get in.
"And then the hotel dinners—those dreary22 table d'h?te dinners in the midst of all sorts of extraordinary people, or else those terrible solitary23 dinners at a small table in a restaurant, feebly lighted up by a small, cheap candle under a shade.
"Again, those terribly dull evenings in some unknown town! Do you know anything more wretched than when it is getting dark on such an occasion? You go about as if in a dream, looking at faces which you have never seen before and will never see again; listening to people talking about matters which are either quite indifferent to you or in a language that perhaps you do not understand. You have a terrible feeling, almost as if you were lost, and you continue to walk on, so as to avoid returning to the hotel, where you would feel still more lost because you are at home, in a home which belongs to anyone who can pay for it. At last you fall into a chair at some well-lit café, whose gilding24 and lights overwhelm you a thousand times more than the shadows in the streets. Then you feel so abominably25 lonely sitting in front of the foaming26 bock which a hurrying waiter has brought, that a kind of madness seizes you, the longing27 to go somewhere or other, no matter where, as long as you need not remain in front of that marble table and in the dazzling brightness.
"And then, suddenly, you perceive that you are really alone in the world, always and everywhere; and that in places which we know the familiar jostlings give us the illusion only of human brotherhood28. At such moments of self-abandonment and sombre isolation29 in distant cities you think broadly, clearly, and profoundly. Then one suddenly sees the whole of life outside the vision of eternal hope, outside the daily deceptions30 of daily habits and of the expectations of happiness, of which we always dream.
"It is only by going a long distance that we can fully31 understand how near, short-lived and empty everything is; only by searching for the unknown do we perceive how commonplace and evanescent everything is; only by wandering over the face of the earth can we understand how small the world is, and how very much alike everywhere.
"How well I know, and how I hate and fear more than anything else those haphazard32 walks through unknown streets. This was the reason why, as nothing would induce me to undertake a tour in Italy by myself, I induced my friend Paul Pavilly to accompany me.
"You know Paul, and how woman is everything, the world, life itself, to him. There are many men like him, to whom existence becomes poetical33 and idealised by the presence of women. The earth is habitable only because they are there; the sun shines and is warm because it lights them; the air is soft and balmy because it blows upon their skin and ruffles34 the short hair on their temples, and the moon is charming because it makes them dream, and imparts a languorous35 charm to love. Every act and action of Paul has woman for its motive36; all his thoughts, all his efforts, and hopes are centred on them.
"A poet has branded that type of man:"
Je déteste surtout le barde à l'oeil humide
Qui regarde une étoile en murmurant un nom,
Et pour qui la nature immense serait vide
S'il ne portait en croupe ou Lisette ou Ninon.
Ces gens-là sont charmants qui se donnent la peine,
Afin qu'on s'intéresse à ce pauvre univers,
D'attacher des jupons aux arbres de la plaine
Et la cornette blanche au front des coteaux verts.
Certes ils n'ont pas compris tes musiques divines
éternelle Nature aux frémissantes voix,
"When I mentioned Italy to Paul he at first absolutely refused to leave Paris. I, however, began to tell him of the adventures I had on my travels. I told him that Italian women are supposed to be charming, and I made him hope for the most refined society at Naples, thanks to certain letters of introduction which I had for a Signore Michel Amoroso whose acquaintances are very useful to travellers. So at last he allowed himself to be persuaded."
点击收听单词发音
1 abounds | |
v.大量存在,充满,富于( abound的第三人称单数 ) | |
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2 whim | |
n.一时的兴致,突然的念头;奇想,幻想 | |
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3 tiresome | |
adj.令人疲劳的,令人厌倦的 | |
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4 slumbers | |
睡眠,安眠( slumber的名词复数 ) | |
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5 refreshment | |
n.恢复,精神爽快,提神之事物;(复数)refreshments:点心,茶点 | |
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6 miseries | |
n.痛苦( misery的名词复数 );痛苦的事;穷困;常发牢骚的人 | |
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7 dubious | |
adj.怀疑的,无把握的;有问题的,靠不住的 | |
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8 par | |
n.标准,票面价值,平均数量;adj.票面的,平常的,标准的 | |
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9 sanctuary | |
n.圣所,圣堂,寺庙;禁猎区,保护区 | |
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10 nude | |
adj.裸体的;n.裸体者,裸体艺术品 | |
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11 fatigued | |
adj. 疲乏的 | |
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12 delightful | |
adj.令人高兴的,使人快乐的 | |
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13 venerated | |
敬重(某人或某事物),崇敬( venerate的过去式和过去分词 ) | |
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14 odious | |
adj.可憎的,讨厌的 | |
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15 hideous | |
adj.丑陋的,可憎的,可怕的,恐怖的 | |
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16 exhale | |
v.呼气,散出,吐出,蒸发 | |
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17 loathsome | |
adj.讨厌的,令人厌恶的 | |
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18 deformed | |
adj.畸形的;变形的;丑的,破相了的 | |
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19 perspiration | |
n.汗水;出汗 | |
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20 emanating | |
v.从…处传出,传出( emanate的现在分词 );产生,表现,显示 | |
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21 mere | |
adj.纯粹的;仅仅,只不过 | |
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22 dreary | |
adj.令人沮丧的,沉闷的,单调乏味的 | |
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23 solitary | |
adj.孤独的,独立的,荒凉的;n.隐士 | |
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24 gilding | |
n.贴金箔,镀金 | |
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25 abominably | |
adv. 可恶地,可恨地,恶劣地 | |
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26 foaming | |
adj.布满泡沫的;发泡 | |
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27 longing | |
n.(for)渴望 | |
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28 brotherhood | |
n.兄弟般的关系,手中情谊 | |
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29 isolation | |
n.隔离,孤立,分解,分离 | |
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30 deceptions | |
欺骗( deception的名词复数 ); 骗术,诡计 | |
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31 fully | |
adv.完全地,全部地,彻底地;充分地 | |
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32 haphazard | |
adj.无计划的,随意的,杂乱无章的 | |
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33 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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34 ruffles | |
褶裥花边( ruffle的名词复数 ) | |
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35 languorous | |
adj.怠惰的,没精打采的 | |
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36 motive | |
n.动机,目的;adv.发动的,运动的 | |
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37 bruit | |
v.散布;n.(听诊时所听到的)杂音;吵闹 | |
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