One quiet afternoon I had been wandering alone over the house examining curios, prying4 into odd corners, bringing out sweetmeats and cigars from strange hiding-places, and at last I stopped in the bathing-room. Boris, all over clay, stood there washing his hands.
The room was built of rose-coloured marble excepting the floor, which was tessellated in rose and grey. In the centre was a square pool sunken below the surface of the floor; steps led down into it, sculptured pillars supported a frescoed5 ceiling. A delicious marble Cupid appeared to have just alighted on his pedestal at the upper end of the room. The whole interior was Boris' work and mine. Boris, in his working-clothes of white canvas, scraped the traces of clay and red modelling wax from his handsome hands, and coquetted over his shoulder with the Cupid.
"I see you," he insisted, "don't try to look the other way and pretend not to see me. You know who made you, little humbug6!"
It was always my r?le to interpret Cupid's sentiments in these conversations, and when my turn came I responded in such a manner, that Boris seized my arm and dragged me toward the pool, declaring he would duck me. Next instant he dropped my arm and turned pale. "Good God!" he said, "I forgot the pool is full of the solution!"
I shivered a little, and dryly advised him to remember better where he had stored the precious liquid.
"In Heaven's name, why do you keep a small lake of that gruesome stuff here of all places?" I asked.
"I want to experiment on something large," he replied.
"On me, for instance?"
"Ah! that came too close for jesting; but I do want to watch the action of that solution on a more highly organized living body; there is that big white rabbit," he said, following me into the studio.
Jack Scott, wearing a paint-stained jacket, came wandering in, appropriated all the Oriental sweetmeats he could lay his hands on, looted the cigarette case, and finally he and Boris disappeared together to visit the Luxembourg Gallery, where a new silver bronze by Rodin and a landscape of Monet's were claiming the exclusive attention of artistic7 France. I went back to the studio, and resumed my work. It was a Renaissance8 screen, which Boris wanted me to paint for Geneviève's boudoir. But the small boy who was unwillingly9 dawdling10 through a series of poses for it, to-day refused all bribes11 to be good. He never rested an instant in the same position, and inside of five minutes I had as many different outlines of the little beggar.
"Are you posing, or are you executing a song and dance, my friend?" I inquired.
"Whichever monsieur pleases," he replied, with an angelic smile.
Of course I dismissed him for the day, and of course I paid him for the full time, that being the way we spoil our models.
After the young imp12 had gone, I made a few perfunctory daubs at my work, but was so thoroughly13 out of humour, that it took me the rest of the afternoon to undo14 the damage I had done, so at last I scraped my palette, stuck my brushes in a bowl of black soap, and strolled into the smoking-room. I really believe that, excepting Geneviève's apartments, no room in the house was so free from the perfume of tobacco as this one. It was a queer chaos15 of odds16 and ends, hung with threadbare tapestry17. A sweet-toned old spinet18 in good repair stood by the window. There were stands of weapons, some old and dull, others bright and modern, festoons of Indian and Turkish armour19 over the mantel, two or three good pictures, and a pipe-rack. It was here that we used to come for new sensations in smoking. I doubt if any type of pipe ever existed which was not represented in that rack. When we had selected one, we immediately carried it somewhere else and smoked it; for the place was, on the whole, more gloomy and less inviting20 than any in the house. But this afternoon, the twilight21 was very soothing22, the rugs and skins on the floor looked brown and soft and drowsy23; the big couch was piled with cushions—I found my pipe and curled up there for an unaccustomed smoke in the smoking-room. I had chosen one with a long flexible stem, and lighting24 it fell to dreaming. After a while it went out, but I did not stir. I dreamed on and presently fell asleep.
I awoke to the saddest music I had ever heard. The room was quite dark, I had no idea what time it was. A ray of moonlight silvered one edge of the old spinet, and the polished wood seemed to exhale25 the sounds as perfume floats above a box of sandalwood. Some one rose in the darkness, and came away weeping quietly, and I was fool enough to cry out "Geneviève!"
She dropped at my voice, and, I had time to curse myself while I made a light and tried to raise her from the floor. She shrank away with a murmur26 of pain. She was very quiet, and asked for Boris. I carried her to the divan27, and went to look for him, but he was not in the house, and the servants were gone to bed. Perplexed28 and anxious, I hurried back to Geneviève. She lay where I had left her, looking very white.
"I can't find Boris nor any of the servants," I said.
"I know," she answered faintly, "Boris has gone to Ept with Mr. Scott. I did not remember when I sent you for him just now."
"But he can't get back in that case before to-morrow afternoon, and—are you hurt? Did I frighten you into falling? What an awful fool I am, but I was only half awake."
"Boris thought you had gone home before dinner. Do please excuse us for letting you stay here all this time."
"I have had a long nap," I laughed, "so sound that I did not know whether I was still asleep or not when I found myself staring at a figure that was moving toward me, and called out your name. Have you been trying the old spinet? You must have played very softly."
I would tell a thousand more lies worse than that one to see the look of relief that came into her face. She smiled adorably, and said in her natural voice: "Alec, I tripped on that wolf's head, and I think my ankle is sprained29. Please call Marie, and then go home."
I did as she bade me, and left her there when the maid came in.
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1
quaint
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adj.古雅的,离奇有趣的,奇怪的 | |
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2
rue
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n.懊悔,芸香,后悔;v.后悔,悲伤,懊悔 | |
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3
jack
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n.插座,千斤顶,男人;v.抬起,提醒,扛举;n.(Jake)杰克 | |
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4
prying
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adj.爱打听的v.打听,刺探(他人的私事)( pry的现在分词 );撬开 | |
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5
frescoed
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壁画( fresco的名词复数 ); 温壁画技法,湿壁画 | |
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6
humbug
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n.花招,谎话,欺骗 | |
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7
artistic
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adj.艺术(家)的,美术(家)的;善于艺术创作的 | |
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8
renaissance
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n.复活,复兴,文艺复兴 | |
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9
unwillingly
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adv.不情愿地 | |
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10
dawdling
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adj.闲逛的,懒散的v.混(时间)( dawdle的现在分词 ) | |
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11
bribes
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n.贿赂( bribe的名词复数 );向(某人)行贿,贿赂v.贿赂( bribe的第三人称单数 );向(某人)行贿,贿赂 | |
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12
imp
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n.顽童 | |
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13
thoroughly
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adv.完全地,彻底地,十足地 | |
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14
undo
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vt.解开,松开;取消,撤销 | |
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15
chaos
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n.混乱,无秩序 | |
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16
odds
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n.让步,机率,可能性,比率;胜败优劣之别 | |
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17
tapestry
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n.挂毯,丰富多采的画面 | |
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18
spinet
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n.小型立式钢琴 | |
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19
armour
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(=armor)n.盔甲;装甲部队 | |
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20
inviting
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adj.诱人的,引人注目的 | |
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21
twilight
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n.暮光,黄昏;暮年,晚期,衰落时期 | |
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22
soothing
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adj.慰藉的;使人宽心的;镇静的 | |
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23
drowsy
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adj.昏昏欲睡的,令人发困的 | |
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24
lighting
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n.照明,光线的明暗,舞台灯光 | |
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25
exhale
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v.呼气,散出,吐出,蒸发 | |
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26
murmur
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n.低语,低声的怨言;v.低语,低声而言 | |
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27
divan
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n.长沙发;(波斯或其他东方诗人的)诗集 | |
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28
perplexed
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adj.不知所措的 | |
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29
sprained
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v.&n. 扭伤 | |
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