Charles Darwin laid the foundation for the study of this phase of Animal behaviour in his masterly work on the “Descent of Man,” a work which has been much criticized and much misunderstood since Carlyle’s crude abuse of it as the “Gospel of Dirt.” Darwin was the first to show us that the fierce battles, and strange antics, which characterize so many of the “Lower Orders of Creation” under the exaltation of the Sexual emotions are manifestations3 fraught4 with tremendous consequences to the race.
The facts which he brought to light, and the discussions to which they have given rise, have, however, unfortunately been too commonly regarded as merely interesting to those who have a liking5 for Natural History.
This is a most unfortunate mistake. For such facts have a vitally important bearing on the very problems of social well-being6 which now loom7 so largely among us. “Reform” is in the air. Its protagonists8 are busyx amongst us with schemes for our regeneration, among which “Sex-problems” are made to occupy a very conspicuous9 place. But no good can come of their cogitations so long as they fail to realize the springs of behaviour in this regard. The facts herein set down will, it is hoped, help much towards this end.
My labours in the preparation of these pages have been materially lightened by the help and counsel of many friends. To them I desire now to record my very grateful thanks. More especially am I indebted to my friends Mr. H. Eliot Howard, Professor Lloyd Morgan and Mr. John Cooke.
I must also thank those who have contributed towards the illustrations which enliven these pages. The delightful11 Frontispiece, and many of the plates scattered12 through this work, I owe to the generosity13 of Messrs. Rowland Ward10, Limited. The excellent rendering14 of the Birds of Paradise adapted in part from the work of Mr. G. E. Lodge15 and the late J. G. Keulemans, and partly drawn16 from specimens17 in the British Museum, is the work of Mr. Roland Green. The very difficult, and less fascinating, technical figures I owe to the skill of Mr. Philip Whelpley. The wonderful photographs illustrating18 the “Display” of the Sun-bittern and the Kagu were taken by my friend Mr. D. Seth-Smith.
Finally I have to thank Mr. Roger Ingpen for the immense amount of trouble which he has taken in seeing these pages through the press.
W. P. Pycraft.
October, 1913.
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1 interpretation | |
n.解释,说明,描述;艺术处理 | |
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2 forth | |
adv.向前;向外,往外 | |
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3 manifestations | |
n.表示,显示(manifestation的复数形式) | |
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4 fraught | |
adj.充满…的,伴有(危险等)的;忧虑的 | |
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5 liking | |
n.爱好;嗜好;喜欢 | |
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6 well-being | |
n.安康,安乐,幸福 | |
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7 loom | |
n.织布机,织机;v.隐现,(危险、忧虑等)迫近 | |
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8 protagonists | |
n.(戏剧的)主角( protagonist的名词复数 );(故事的)主人公;现实事件(尤指冲突和争端的)主要参与者;领导者 | |
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9 conspicuous | |
adj.明眼的,惹人注目的;炫耀的,摆阔气的 | |
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10 ward | |
n.守卫,监护,病房,行政区,由监护人或法院保护的人(尤指儿童);vt.守护,躲开 | |
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11 delightful | |
adj.令人高兴的,使人快乐的 | |
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12 scattered | |
adj.分散的,稀疏的;散步的;疏疏落落的 | |
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13 generosity | |
n.大度,慷慨,慷慨的行为 | |
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14 rendering | |
n.表现,描写 | |
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15 lodge | |
v.临时住宿,寄宿,寄存,容纳;n.传达室,小旅馆 | |
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16 drawn | |
v.拖,拉,拔出;adj.憔悴的,紧张的 | |
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17 specimens | |
n.样品( specimen的名词复数 );范例;(化验的)抽样;某种类型的人 | |
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18 illustrating | |
给…加插图( illustrate的现在分词 ); 说明; 表明; (用示例、图画等)说明 | |
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