The nearness and magnitude of Bayard Taylor’s life make it one exceedingly difficult to comprehend and classify. His adventures were so many, his struggles so severe, his experience so varied2, and his final success so remarkable3, that the materials are too abundant, and often serve to clog4 and confuse the student of his career. An artist who views the mountain from its base, loses many of the finest effects and most charming outlines, because of his very close proximity5 to them. So, in looking upon the wonderful career of such a versatile6 and gifted man, at a time so near his death, we are less able to form a comprehensive idea of his life, as a symmetrical whole, than we[14] shall be when the years have carried us farther away from him, and the outlines of his greatness are more distinct. Whether it were better to wait until a part of the life has been forgotten, and until the more harsh and angular features have been lost in the general outline, or whether it were more desirable to describe the life in all its actual details, and in the natural ruggedness7 which the close view reveals, is, however, a mere9 matter of taste. To those who love to read of a man in whose work there was no unevenness10 and in whose experience nothing unbroken is seen, the life of one so long dead that the writer is compelled to fill up the forgotten years with ideal events and motives11 may furnish the choicest theme. But to those students who love scientific scrutiny12, who would estimate the life for what it is really worth as an example, the biography which is written amid all the facts, and by one who comes in actual contact with them, is perhaps esteemed13 the most valuable, although, as a whole, less symmetrical.
Bayard Taylor’s life was rugged8 and cragged with startling events, when viewed from the kindly14 poetical15 stand-point of his character. He felt all the extremes of joy and sorrow. He knew all the pains and honors of poverty and wealth. He was loved by many, he was betrayed by many. He lived in the most enlightened lands, he also sojourned among the most barbarous people. He saw man in peace and in war. He rode the ocean in calm and in storm. He was the[15] welcomed guest in the lowliest huts, and in the most gorgeous palaces. He sweltered in the sands of tropical deserts, and he was benumbed by the fierce winds of the Northern ice-fields. He boldly entered the haunts of wild beasts, and loved the company of harmless and faithful domestics. He was a man of many virtues16 and some faults, each of which made his life more eventful and fascinating.
The literary position which he held at the time of his death, and which was so romantically attained17, was one of almost universal favor. He was respected by all and loved by many. As a writer of fiction he attained but little celebrity18, and it appears that he had little expectation of achieving any high honors in that field. As a writer upon travels, and as a delineator of human character as found in strange places, and in but partially19 known countries, he was second to none. His books upon travel will be read for a century to come, whether thousands or few visit the localities and tribes he has described. As an orator, he never held a high rank. He was chaste20, concise21, and clear in his choice of words, and had an incisive22, pungent23 way of stating his ideas. He could instruct the student and amuse the populace, but had not the power to agitate24 and carry away large bodies of men, and seems never to have been very ambitious to do so. As a translator of German literature, he was fast becoming recognized in all English-speaking countries as an excellent authority, and it is deeply to be regretted[16] that he was called away with so many uncompleted translation, and unfinished plans for translations, from the standards of German literature. But it is as a poet that he receives the greatest homage25. Yet how little he printed! Unless there shall be found laid away many poems unpublished, he may be classed as one of the least prolific26 poets of his generation. His lines are so simple, so true to life, such incarnate27 sentences, so expressive28, that, to one who has had a similar experience with the poet, every stanza29 is a panorama30, vivid and indelible. We shall see as we pursue the tale, how sensitive he was to everything poetical, and how deeply he was moved by all those finer and more subtle emotions, which only a poet can feel. His love was deep and abiding31. His friendship, like the oaks of his Cedarcroft woodland. His old home was to him the sweetest place in all the beautiful lands he saw. His life was full of romantic incidents, and he recognized them and appreciated them, for the poetry they suggested. We venture to say that his poetry will live in every household, if all his other works should be forgotten.
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1 orator | |
n.演说者,演讲者,雄辩家 | |
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2 varied | |
adj.多样的,多变化的 | |
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3 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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4 clog | |
vt.塞满,阻塞;n.[常pl.]木屐 | |
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5 proximity | |
n.接近,邻近 | |
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6 versatile | |
adj.通用的,万用的;多才多艺的,多方面的 | |
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7 ruggedness | |
险峻,粗野; 耐久性; 坚固性 | |
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8 rugged | |
adj.高低不平的,粗糙的,粗壮的,强健的 | |
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9 mere | |
adj.纯粹的;仅仅,只不过 | |
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10 unevenness | |
n. 不平坦,不平衡,不匀性 | |
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11 motives | |
n.动机,目的( motive的名词复数 ) | |
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12 scrutiny | |
n.详细检查,仔细观察 | |
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13 esteemed | |
adj.受人尊敬的v.尊敬( esteem的过去式和过去分词 );敬重;认为;以为 | |
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14 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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15 poetical | |
adj.似诗人的;诗一般的;韵文的;富有诗意的 | |
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16 virtues | |
美德( virtue的名词复数 ); 德行; 优点; 长处 | |
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17 attained | |
(通常经过努力)实现( attain的过去式和过去分词 ); 达到; 获得; 达到(某年龄、水平、状况) | |
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18 celebrity | |
n.名人,名流;著名,名声,名望 | |
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19 partially | |
adv.部分地,从某些方面讲 | |
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20 chaste | |
adj.贞洁的;有道德的;善良的;简朴的 | |
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21 concise | |
adj.简洁的,简明的 | |
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22 incisive | |
adj.敏锐的,机敏的,锋利的,切入的 | |
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23 pungent | |
adj.(气味、味道)刺激性的,辛辣的;尖锐的 | |
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24 agitate | |
vi.(for,against)煽动,鼓动;vt.搅动 | |
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25 homage | |
n.尊敬,敬意,崇敬 | |
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26 prolific | |
adj.丰富的,大量的;多产的,富有创造力的 | |
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27 incarnate | |
adj.化身的,人体化的,肉色的 | |
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28 expressive | |
adj.表现的,表达…的,富于表情的 | |
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29 stanza | |
n.(诗)节,段 | |
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30 panorama | |
n.全景,全景画,全景摄影,全景照片[装置] | |
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31 abiding | |
adj.永久的,持久的,不变的 | |
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