He let me have it.
“Your brochure,” he wrote, “is remarkable1 more perhaps for what it omits than for what it contains. For example, there is no mention whatever made of the vomero-nasal organ, or organ of Jacobson.”
Then, after drastically sweeping2 away the much that seems to him redundant3 in the body of the work, he closes his general criticism (which I omit) with “I should like to have heard your views on the vomero-nasal organ. Parker devotes a whole chapter to it.”
A carpenter, according to the adage4, is known by his chips. And it was by the simple removal of some superfluous5 marble, as everyone knows, that the Venus of Milo was revealed to the world—which is only another way of saying the same thing.
But what sort of a carpenter is he who leaves viamong his chips the mouldings of his door? And what should we say of the sculptor6, even in these days, who would treat as a superfluity his lady’s chin?
So here am I trying to atone8 for the sin of omission9 by giving the neglected item place of honour in my Preface. “The stone which the builders rejected....”
But my motive10 for erecting11 it here, in the gateway12 to my little pagoda13 of the perfumes, is not quite so simple as I am pretending. The fact is that in my capacity as creator I predetermined, I actually foredained, the omission from my text of the structure to which “Parker devotes a whole chapter.”
I am sorry in some ways. But as the Aberdeen minister so consolingly said: “There are many things the Creator does in His offeecial capacity that He would scorn to do as a private indiveedual.”
You see, I had a feeling about it. One of those feelings artists are subject to. (But a scientific writer an artist?—Certainly! Why not?)
I felt, to be quite frank, that if I were to interpolate a description and a discussion of this minutia14 my book would ... would.... Quite so. The artist will understand.
I came, in short, to look upon this “organ,” viithis nose within a nose, as a touchstone, so to speak. The thing became a Symbol.
But here we plunge15 head over heels into the Subjective16, on the other side of which stream lie the misty17 shades of the Occult. For that is what happens to you when you begin talking about Symbols.
However, we shall not be crossing to the other side on this occasion, my symbolism being after all but a humdrum18 affair.—Merely this, that to me this organ of Jacobson is the symbol of the Exhaustive—of the minute, punctilious19, unwearying, laboured comprehensiveness, Teutonic in its over and under and through, that characterises the genuine, the reliable, scientific treatise20 and renders it so desperately21 full of interest—to examinees.
Imagine, if you can, the indignation of kindly22 Sir Walter were the news ever to reach him in Valhalla that urchins23 now at school are not only forced to study his light-hearted romances as holiday tasks, but are actually examined upon them!
My faith in the spoken charm of that phrase is, however, none too robust25. Heaven helps the man who helps himself. And so, by way of reinforcing viiithe Powers in their efforts to divert professorial attention from this essay of mine, I am leaving it, by a careful act of carelessness, incomplete.
Here, then, you have the real reason for my exclusion26 of the organ of Jacobson (and the like). It is merely a dodge27 to prevent the book ever becoming a task in any way, for any one, at any time.
He who runs may read herein, then, without slackening pace—or he may refrain from reading, just as he pleases, seeing that he can never be under the compulsion of remembering a single word I have written.
This, if I may say so, is, in my opinion, the only kind of book worth reading. At all events, it is the only kind I ever enjoy reading, and I say if a book is not enjoyable it is already placed upon the only Index Expurgatorius that is worth a ... an anathema28.
D. M.
点击收听单词发音
1 remarkable | |
adj.显著的,异常的,非凡的,值得注意的 | |
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2 sweeping | |
adj.范围广大的,一扫无遗的 | |
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3 redundant | |
adj.多余的,过剩的;(食物)丰富的;被解雇的 | |
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4 adage | |
n.格言,古训 | |
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5 superfluous | |
adj.过多的,过剩的,多余的 | |
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6 sculptor | |
n.雕刻家,雕刻家 | |
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7 nay | |
adv.不;n.反对票,投反对票者 | |
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8 atone | |
v.赎罪,补偿 | |
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9 omission | |
n.省略,删节;遗漏或省略的事物,冗长 | |
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10 motive | |
n.动机,目的;adv.发动的,运动的 | |
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11 erecting | |
v.使直立,竖起( erect的现在分词 );建立 | |
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12 gateway | |
n.大门口,出入口,途径,方法 | |
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13 pagoda | |
n.宝塔(尤指印度和远东的多层宝塔),(印度教或佛教的)塔式庙宇 | |
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14 minutia | |
n.微枝末节,细节 | |
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15 plunge | |
v.跳入,(使)投入,(使)陷入;猛冲 | |
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16 subjective | |
a.主观(上)的,个人的 | |
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17 misty | |
adj.雾蒙蒙的,有雾的 | |
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18 humdrum | |
adj.单调的,乏味的 | |
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19 punctilious | |
adj.谨慎的,谨小慎微的 | |
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20 treatise | |
n.专著;(专题)论文 | |
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21 desperately | |
adv.极度渴望地,绝望地,孤注一掷地 | |
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22 kindly | |
adj.和蔼的,温和的,爽快的;adv.温和地,亲切地 | |
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23 urchins | |
n.顽童( urchin的名词复数 );淘气鬼;猬;海胆 | |
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24 omen | |
n.征兆,预兆;vt.预示 | |
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25 robust | |
adj.强壮的,强健的,粗野的,需要体力的,浓的 | |
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26 exclusion | |
n.拒绝,排除,排斥,远足,远途旅行 | |
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27 dodge | |
v.闪开,躲开,避开;n.妙计,诡计 | |
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28 anathema | |
n.诅咒;被诅咒的人(物),十分讨厌的人(物) | |
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