He sat still, then, in a sweat. The noise of the keys fell on his tense ears like the crackling thunder of a machine gun.
He took the paper out and tore it into minute pieces.
He got another sheet, sat down at the desk and wrote a few hurried sentences in longhand.
He sealed it in an envelope, glancing nervously1 about the room; addressed it; and found a stamp in the desk.
Then he tiptoed down the room, softly opened the door and listened.
Hy was snoring.
He stole into the bedroom, found his clothes in the dark and deliberately2 dressed, clear to overcoat and hat. He slipped out into the corridor, rang for the elevator and went out across the Square to the mail box. There was a box in the hall down-stairs; but he had found it impossible to post that letter before the eyes of John, the night man.
For a moment he stood motionless, one hand gripping the box, the other holding the letter in air—a statue of a man.
Then he saw a sauntering policeman, shivered, dropped the letter in and almost ran home.
Peter had done the one thing that he himself, twelve hours earlier, would have regarded as utterly3 impossible.
It was addressed to the Reverend Hubbell Harkness
Wilde, Scripture5 House, New York. It conveyed to that vigorous if pietistic gentleman the information that he would find his daughter, on the following evening, Saturday, performing on the stage of the Crossroads Theater, Tenth Street, near Fourth: with the added hint that it might not, even yet be too late to save her.
And Peter, all in a tremor6 now, knew that he meant to be at the Crossroads Theater himself to see this little drama of surprises come off.
The fact developed when Hy came back from the office on Saturday that he was meditating7 a return engagement with his new friend Betty. “The subject was mentioned,” he explained, rather self-consciously, to Peter.
The Worm came in then and heard Hy speak of Any Street.
“Oh,” he observed, “that piece of Zanin's! I've meant to see it. You fellows going to-night? I'll join you.”
So the three Seventh-Story Men ate at the Parisian and set forth8 for their little adventure; Peter and Hy each with his own set of motives9 locked up in his breast, the Worm with no motives in particular.
Peter smoked a cigar; the Worm his pipe; and Hy, as always, a cigarette. All carried sticks.
Hy swung his stick; joked about this and that; offered an experimentally humorous eye to every young woman that passed.
The Worm wore the old gray suit that he could not remember to keep pressed, soft black hat, flowing tie, no overcoat. A side pocket bulged12 with a paper-covered book in the Russian tongue. He had an odd way of walking, the Worm, throwing his right leg out and around and toeing in with his right foot.
As they neared the little theater, Peter's pulse beat a tattoo13 against his temples. What if old Wilde hadn't received the letter! If he had, would he come! If he came, what would happen?
He came.
Peter and the Worm were standing14 near the inner entrance, Waiting for Hy, who, cigarette drooping15 from his nether16 lip, stood in the me at the ticket window.
Suddenly a man appeared—a stranger, from the casually17 curious glances he drew—elbowing in through the group in the outer doorway18 and made straight for the young poet who was taking tickets.
Peter did not see him at first. Then the Worm nudged his elbow and whispered—“Good God, it's the Walrus19!”
Peter wheeled about. He had met the man only once or twice, a year back; now he took him in—a big man, heavy in the shoulders and neck, past middle age, with a wide thin orator's mouth surrounded by deep lines. He had a big hooked nose (a strong nose!) and striking vivid eyes of a pale green color. They struck you, those eyes, with their light hard surface. There were strips of whiskers on each cheek, narrow and close-clipped, tinged20 with gray. His clothes, overcoat and hat were black; his collar a low turnover21; his tie a loosely knotted white bow.
He made an oddly dramatic figure in that easy, merry Bohemian setting; a specter from an old forgotten world of Puritanism.
The intruder addressed the young poet at the door in a low but determined22 voice.
“I wish to see Miss Susan Wilde.”
“I'm afraid you can't now, sir. She will be in costume by this time.”
“In costume, eh?” Doctor Wilde was frowning. And the poet eyed him with cool suspicion.
“Yes, she is in the first play.”
Still the big man frowned and compressed that wide mobile mouth. Peter, all alert., sniffing23 out the copy trail, noted24 that he was nervously clasping his hands.
Now Doctor Wilde spoke25, with a sudden ring in his voice that gave a fleeting26 hint of inner suppressions. “Will you kindly27 send word to Miss Wilde that her father is here and must see her at once?”
The poet, surprised, sent the message.
Peter heard a door open, down by the stage. He pressed forward, peering eagerly. A ripple28 of curiosity and friendly interest ran through that part of the audience that was already seated. A young man called, “What's your hurry, Sue?” and there was laughter.
Then he saw her, coming lightly, swiftly up the side aisle29; in the boy costume—the knickerbockers, the torn stockings, the old coat and ragged30 hat, the tom shirt, open at the neck. She seemed hardly to hear the noise. Her lips were compressed, and Peter suddenly saw that she in her fresh young way looked not unlike the big man at the door, the nervously intent man who stood waiting for her with a scowl31 that wavered into an expression of utter unbelief as his eyes took in her costume.
Hy came up just then with the tickets, and Peter hurried in after Doctor Wilde; then let Hy and the Worm move on without him to their seats, lingering shamelessly. His little drama was on. He had announced that he would vivisect this girl!
He studied her. But she saw nothing but the big gray man there with the deeply lined face and the pale eyes—her father! Peter noted now that she had her make-up on; an odd effect around those deep blazing eyes.
Then the two were talking—low, tense. Some late comers crowded in, chatting and laughing. Peter edged closer.
“But you shouldn't have come here like this,” he heard her saying. “It isn't fair!”
“I am not here to argue. Once more, will you put on your proper clothes and come home with me?”
“No, I will not.”
“You have no shame then—appearing like this?”
“No—none.”
“You are causing it by coming here.”
“It is nothing to you that your actions are a public scandal?” With which he handed her a folded paper.
“You feel, then, no concern for the position you put me in?”
Doctor Wilde was raising his voice.
The girl broke out with—“Listen, father! I came out here to meet you and stop this thing, settle it, once and for all. It is the best way. I will not go with you. I have my own life to live, You must not try to speak to me again!”
She turned away, her eyes darkly alight in her printed face, her slim body quivering.
“Sue! Wait!”
Wilde's voice had been trembling with anger; now, Peter thought, it was suddenly near to breaking. He reached out one uncertain hand. And a wave of sympathy for the man flooded Peter's thoughts. “This is where their 'freedom,' their 'self-expression' leads them,” he thought bitterly. Egotism! Selfishness! Spiritual anarchy34! It was all summed up, that revolt, in the girl's outrageous35 costume as she stood there before that older man, a minister, her own father!
She caught the new note in her father's voice, hesitated the merest instant, but then went straight down the aisle, lips tight, eyes aflame, seeing and hearing nothing.
The stage door opened. She ran up the steps, and Peter caught a glimpse of the hulking Zanin reaching out with a familiar hand to take her arm and draw her within.... He turned back in time to see Doctor Wilde, beaten, walking rapidly out to the street, and the poet at the door looking after him with an expression of sheer uncomprehending irritation36 on his keen young face. “There you have it again!” thought Peter. “There you have the bachelor girl—and her friends!”
While he was thus indulging his emotions, the curtain went up on Zanin's little play.
He stood there near the door, trying to listen. He was too excited to sit down. Turbulent emotions were rioting within him, making consecutive37 thought impossible. He caught bits of Zanin's rough dialogue. He saw Sue make her entrance, heard the shout of delighted approval that greeted her, the prolonged applause, the cries of “Bully for you, Sue!”... “You're all right, Sue!”
Then Peter plunged38 out the door and walked feverishly39 about the Village streets. He stopped at a saloon and had a drink.
But the Crossroads Theater fascinated him. He drifted back there and looked in. The first play was over. Hy was in a dim corner of the lobby, talking confidentially40 with Betty Deane.
Then Sue came out with the Worm, of all persons, at her elbow. So he had managed to meet her, too? She wore her street dress and looked amazingly calm.
Peter dodged41 around the corner. “The way to get on with women,” he reflected savagely42, “is to have no feelings, no capacity for emotion, be perfectly43 cold blooded!”
He walked up to Fourteenth Street and dropped aimlessly into a moving-picture show.
Toward eleven he went back to Tenth Street. He even ran a little, breathlessly, for fear he might be too late, too late for what, he did not know.
But he was not. Glancing in at the door, he saw Sue, with Betty, Hy, the Worm, Zanin and a few others.
Hurriedly, on an impulse, he found an envelope in his pocket, tore off the back, and scribbled44, in pencil—
“May I walk back with you? I want vary much to talk with you. If you could slip away from these people.”
He moved to her side and spoke low. She did not reply.
The blood came rushing to Peter's face. Anger stirred. He slipped the folded envelope into her hand. It was some satisfaction that she had either to take it or let them all see it drop. She took it; but Still ignored him. Her intent to snub him was clear now, even to the bewildered Peter.
He mumbled46 something, he did not know what, and rushed away as erratically47 as he had come. What had he wanted to say to her, anyway!
At the corner he turned and came part way back, slowly and uncertainly. But what he saw checked him. The Worm was talking apart with her now. And she was looking up into his face with an expression of pleased interest, frankly48 smiling. While Peter watched, the two moved off along the street.
Peter walked the streets, in a fever of spirit. One o'clock found him out on the high curve of the Williamsburg bridge where he could lean on the railing and look down on the river with its colored splashes of light or up and across at the myriad49 twinkling towers of the great city.
“I'll use her!” he muttered. “She is fair game, I tell you! She will find yet that she must listen to me!” And turning about on the deserted50 bridge, Peter clenched51 his fist and shook it at the great still city on the island.
“You will all listen to me yet!” he cried aloud. “Yes, you will—you'll listen!”
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收听单词发音
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1
nervously
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| adv.神情激动地，不安地 | |
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deliberately
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| adv.审慎地；蓄意地；故意地 | |
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utterly
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| adv.完全地，绝对地 | |
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anonymous
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| adj.无名的；匿名的；无特色的 | |
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scripture
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| n.经文，圣书，手稿；Scripture:(常用复数)《圣经》，《圣经》中的一段 | |
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6
tremor
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| n.震动，颤动，战栗，兴奋，地震 | |
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7
meditating
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| a.沉思的，冥想的 | |
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forth
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| adv.向前；向外，往外 | |
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9
motives
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| n.动机，目的( motive的名词复数 ) | |
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10
drawn
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| v.拖，拉，拔出；adj.憔悴的，紧张的 | |
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peeking
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| v.很快地看( peek的现在分词 )；偷看；窥视；微露出 | |
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12
bulged
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| 凸出( bulge的过去式和过去分词 )； 充满； 塞满（某物） | |
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13
tattoo
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| n.纹身，(皮肤上的)刺花纹；vt.刺花纹于 | |
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14
standing
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| n.持续，地位；adj.永久的，不动的，直立的，不流动的 | |
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15
drooping
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| adj. 下垂的，无力的 动词droop的现在分词 | |
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16
nether
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| adj.下部的，下面的；n.阴间；下层社会 | |
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casually
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| adv.漠不关心地，无动于衷地，不负责任地 | |
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18
doorway
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| n.门口，(喻)入门；门路，途径 | |
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19
walrus
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| n.海象 | |
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20
tinged
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| v.（使）发丁丁声( ting的过去式和过去分词 ) | |
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21
turnover
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| n.人员流动率，人事变动率；营业额，成交量 | |
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22
determined
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| adj.坚定的；有决心的 | |
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sniffing
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| n.探查法v.以鼻吸气，嗅，闻( sniff的现在分词 )；抽鼻子（尤指哭泣、患感冒等时出声地用鼻子吸气）；抱怨，不以为然地说 | |
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noted
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| adj.著名的，知名的 | |
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25
spoke
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| n.（车轮的）辐条；轮辐；破坏某人的计划；阻挠某人的行动 v.讲，谈（speak的过去式）；说；演说；从某种观点来说 | |
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26
fleeting
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| adj.短暂的，飞逝的 | |
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27
kindly
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| adj.和蔼的，温和的，爽快的；adv.温和地，亲切地 | |
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28
ripple
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| n.涟波，涟漪，波纹，粗钢梳；vt.使...起涟漪，使起波纹； vi.呈波浪状，起伏前进 | |
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29
aisle
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| n.（教堂、教室、戏院等里的）过道，通道 | |
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ragged
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| adj.衣衫褴褛的，粗糙的，刺耳的 | |
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31
scowl
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| vi.(at)生气地皱眉，沉下脸，怒视；n.怒容 | |
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32
publicity
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| n.众所周知，闻名；宣传，广告 | |
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33
crumpled
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| adj. 弯扭的, 变皱的 动词crumple的过去式和过去分词形式 | |
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34
anarchy
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| n.无政府状态；社会秩序混乱，无秩序 | |
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35
outrageous
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| adj.无理的，令人不能容忍的 | |
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irritation
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| n.激怒，恼怒，生气 | |
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consecutive
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| adj.连续的，联贯的，始终一贯的 | |
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38
plunged
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| v.颠簸( plunge的过去式和过去分词 )；暴跌；骤降；突降 | |
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feverishly
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| adv. 兴奋地 | |
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confidentially
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| ad.秘密地，悄悄地 | |
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41
dodged
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| v.闪躲( dodge的过去式和过去分词 )；回避 | |
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42
savagely
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| adv. 野蛮地，残酷地 | |
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43
perfectly
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| adv.完美地，无可非议地，彻底地 | |
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44
scribbled
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| v.潦草的书写( scribble的过去式和过去分词 )；乱画；草草地写；匆匆记下 | |
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45
dignified
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| a.可敬的，高贵的 | |
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46
mumbled
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| 含糊地说某事，叽咕，咕哝( mumble的过去式和过去分词 ) | |
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47
erratically
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| adv.不规律地，不定地 | |
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48
frankly
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| adv.坦白地，直率地；坦率地说 | |
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49
myriad
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| adj.无数的；n.无数，极大数量 | |
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50
deserted
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| adj.荒芜的，荒废的，无人的，被遗弃的 | |
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51
clenched
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| v.紧握，抓紧，咬紧( clench的过去式和过去分词 ) | |
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